5736 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Personnes et institutions:
Date:
1994-1996
1994-1996
Titre:
Fonds Concours Biennale de Venise 1996
Actions:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Fonds Concours Biennale de Venise 1996
Actions:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-1996
1994-1996
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0142
Description:
- Interpretation of the design depends on whether the blue and green areas represent sky and land; if so, this drawing could be interpreted as a view through the doorway of one building to the front elevation of another.
DR1988:0142
Description:
- Interpretation of the design depends on whether the blue and green areas represent sky and land; if so, this drawing could be interpreted as a view through the doorway of one building to the front elevation of another.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
circa 1920-1921
circa 1920-1921
Titre:
Imaginary view from one building to another
Actions:
DR1988:0142
Description:
- Interpretation of the design depends on whether the blue and green areas represent sky and land; if so, this drawing could be interpreted as a view through the doorway of one building to the front elevation of another.
Imaginary view from one building to another
Actions:
DR1988:0142
Description:
- Interpretation of the design depends on whether the blue and green areas represent sky and land; if so, this drawing could be interpreted as a view through the doorway of one building to the front elevation of another.
Classification:
dessins
dessins
Date:
circa 1920-1921
circa 1920-1921
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1988:0437:045
Description:
- This etching for a fireworks construction or macchina represents a game market constructed in the form of a two-storey wall with a central archway. Shops selling game are separated by a giant order of rusticated columns.
DR1988:0437:045
Description:
- This etching for a fireworks construction or macchina represents a game market constructed in the form of a two-storey wall with a central archway. Shops selling game are separated by a giant order of rusticated columns.
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Date:
printed 1772
printed 1772
Titre:
Etching of Posi's design for the "seconda macchina" of 1772
Actions:
DR1988:0437:045
Description:
- This etching for a fireworks construction or macchina represents a game market constructed in the form of a two-storey wall with a central archway. Shops selling game are separated by a giant order of rusticated columns.
Etching of Posi's design for the "seconda macchina" of 1772
Actions:
DR1988:0437:045
Description:
- This etching for a fireworks construction or macchina represents a game market constructed in the form of a two-storey wall with a central archway. Shops selling game are separated by a giant order of rusticated columns.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed 1772
printed 1772
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Niveau de description archivistique:
Projet
Projet
Titre:
Memorie [Memories] (2005)
Memorie [Memories] (2005)
Numéro de référence:
AP207.S1.2005.PR01
Description:
The project series documents the installation "Memorie" presented at the Ecole des Beaux-Arts, in Chateauroux, in 2005. The installation consists of classroom furniture, such as desks, chairs and window panels, emerging from walls and "represent things that only partly resurface in the memory of each of us in different ways when we come across objects whose use is common to all." [1] The project series contains photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-memories-2005/ (last accessed 22 January 2020).
AP207.S1.2005.PR01
Description:
The project series documents the installation "Memorie" presented at the Ecole des Beaux-Arts, in Chateauroux, in 2005. The installation consists of classroom furniture, such as desks, chairs and window panels, emerging from walls and "represent things that only partly resurface in the memory of each of us in different ways when we come across objects whose use is common to all." [1] The project series contains photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-memories-2005/ (last accessed 22 January 2020).
Personnes et institutions:
Date:
2005-2017
2005-2017
Titre:
Memorie [Memories] (2005)
Actions:
AP207.S1.2005.PR01
Description:
The project series documents the installation "Memorie" presented at the Ecole des Beaux-Arts, in Chateauroux, in 2005. The installation consists of classroom furniture, such as desks, chairs and window panels, emerging from walls and "represent things that only partly resurface in the memory of each of us in different ways when we come across objects whose use is common to all." [1] The project series contains photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-memories-2005/ (last accessed 22 January 2020).
Memorie [Memories] (2005)
Actions:
AP207.S1.2005.PR01
Description:
The project series documents the installation "Memorie" presented at the Ecole des Beaux-Arts, in Chateauroux, in 2005. The installation consists of classroom furniture, such as desks, chairs and window panels, emerging from walls and "represent things that only partly resurface in the memory of each of us in different ways when we come across objects whose use is common to all." [1] The project series contains photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-memories-2005/ (last accessed 22 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2005-2017
2005-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Personnes et institutions:
Date:
1994-2005
1994-2005
Titre:
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Niveau de description archivistique:
Project
Project
Date:
1994-2005
1994-2005
Personnes et institutions:
Classification:
documents textuels, photographies
Quantité:
7 file(s)
documents textuels, photographies
Quantité:
7 file(s)
Numéro de référence:
DR1988:0016:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Consists of memorabelia of Paul Goesch, including 6 photographs and a diploma.
DR1988:0016:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Consists of memorabelia of Paul Goesch, including 6 photographs and a diploma.
Personnes et institutions:
Date:
1911
1911
Titre:
Material from Paul Goesch mostly for Die gläserne Kette
Actions:
DR1988:0016:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Consists of memorabelia of Paul Goesch, including 6 photographs and a diploma.
Material from Paul Goesch mostly for Die gläserne Kette
Actions:
DR1988:0016:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Consists of memorabelia of Paul Goesch, including 6 photographs and a diploma.
Classification:
documents textuels, photographies
Quantité:
7 file(s)
documents textuels, photographies
Quantité:
7 file(s)
Date:
1911
1911
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH280042
Description:
Index cards with projects names and lists of drawings reproduced on the microfiches. Organized by architectural project numbers (of which consists the first two number represent the last two numbers of the year). Contains project undertook between 1950 and 1972.
ARCH280042
Description:
Index cards with projects names and lists of drawings reproduced on the microfiches. Organized by architectural project numbers (of which consists the first two number represent the last two numbers of the year). Contains project undertook between 1950 and 1972.
Personnes et institutions:
Date:
circa 1972
circa 1972
Titre:
Index cards and microfiches of architecture projects drawings by Victor Prus
Actions:
ARCH280042
Description:
Index cards with projects names and lists of drawings reproduced on the microfiches. Organized by architectural project numbers (of which consists the first two number represent the last two numbers of the year). Contains project undertook between 1950 and 1972.
Index cards and microfiches of architecture projects drawings by Victor Prus
Actions:
ARCH280042
Description:
Index cards with projects names and lists of drawings reproduced on the microfiches. Organized by architectural project numbers (of which consists the first two number represent the last two numbers of the year). Contains project undertook between 1950 and 1972.
Classification:
documents textuels
documents textuels
Date:
circa 1972
circa 1972
Personnes et institutions:
Classification:
expositions
expositions
Description:
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Localisation:
Salles principales
Salles principales
Date:
18 juin 1996 au 29 septembre 1996
18 juin 1996 au 29 septembre 1996
Titre:
Frank Lloyd Wright : inventer un paysage américain, 1922-1932
Actions:
Description:
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Frank Lloyd Wright : inventer un paysage américain, 1922-1932
Actions:
Description:
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Classification:
expositions
expositions
Date:
18 juin 1996 au
29 septembre 1996
18 juin 1996 au
29 septembre 1996
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds A.D. Thacker
Fonds A.D. Thacker
Numéro de référence:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Personnes et institutions:
Date:
1913-1944
1913-1944
Titre:
Fonds A.D. Thacker
Actions:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Fonds A.D. Thacker
Actions:
AP004
Résumé:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1913-1944
1913-1944
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP196
Résumé:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
AP196
Résumé:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Personnes et institutions:
Date:
2003-2011
2003-2011
Titre:
Documents d’archives de Studio Gang pour le projet Ford Calumet Environmental Center
Actions:
AP196
Résumé:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Documents d’archives de Studio Gang pour le projet Ford Calumet Environmental Center
Actions:
AP196
Résumé:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2003-2011
2003-2011
Personnes et institutions:
