10608 Résultats
Classification:
documents textuels
Quantité:
279 sheet(s)
documents textuels
Quantité:
279 sheet(s)
Numéro de référence:
ARCH193536
Description:
Notes on sayings and teachings of Mies van der Rohe and others; small sketch and accompanying notes by Mies van der Rohe; sketches of still-life and model compositions; plans, perspectives, elevations, axonometric views and structural details including some for identified projects such as Home Federal Savings and Loan, Des Moines, Iowa (1959-62); Federal Center, Chicago (1959-73); Ron Bacardi y Compañia Administration Building, Mexico City (1958-61); Office Building for United States Consulate, Sao Paulo, Brazil (1957-62); New National Gallery, Berlin (1962-68). Accompanied by notes added by Phyllis Lambert (November 2000).
ARCH193536
Description:
Notes on sayings and teachings of Mies van der Rohe and others; small sketch and accompanying notes by Mies van der Rohe; sketches of still-life and model compositions; plans, perspectives, elevations, axonometric views and structural details including some for identified projects such as Home Federal Savings and Loan, Des Moines, Iowa (1959-62); Federal Center, Chicago (1959-73); Ron Bacardi y Compañia Administration Building, Mexico City (1958-61); Office Building for United States Consulate, Sao Paulo, Brazil (1957-62); New National Gallery, Berlin (1962-68). Accompanied by notes added by Phyllis Lambert (November 2000).
Personnes et institutions:
Date:
circa 1959 - 2000
circa 1959 - 2000
Titre:
Notes on sayings and teachings of Mies van der Rohe and others
Actions:
ARCH193536
Description:
Notes on sayings and teachings of Mies van der Rohe and others; small sketch and accompanying notes by Mies van der Rohe; sketches of still-life and model compositions; plans, perspectives, elevations, axonometric views and structural details including some for identified projects such as Home Federal Savings and Loan, Des Moines, Iowa (1959-62); Federal Center, Chicago (1959-73); Ron Bacardi y Compañia Administration Building, Mexico City (1958-61); Office Building for United States Consulate, Sao Paulo, Brazil (1957-62); New National Gallery, Berlin (1962-68). Accompanied by notes added by Phyllis Lambert (November 2000).
Notes on sayings and teachings of Mies van der Rohe and others
Actions:
ARCH193536
Description:
Notes on sayings and teachings of Mies van der Rohe and others; small sketch and accompanying notes by Mies van der Rohe; sketches of still-life and model compositions; plans, perspectives, elevations, axonometric views and structural details including some for identified projects such as Home Federal Savings and Loan, Des Moines, Iowa (1959-62); Federal Center, Chicago (1959-73); Ron Bacardi y Compañia Administration Building, Mexico City (1958-61); Office Building for United States Consulate, Sao Paulo, Brazil (1957-62); New National Gallery, Berlin (1962-68). Accompanied by notes added by Phyllis Lambert (November 2000).
Classification:
documents textuels
Quantité:
279 sheet(s)
documents textuels
Quantité:
279 sheet(s)
Date:
circa 1959 - 2000
circa 1959 - 2000
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Personnes et institutions:
Titre:
Miscellaneous personal papers
Actions:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Miscellaneous personal papers
Actions:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.003
Description:
The box is comprised of notes, articles, interviews, lectures, and keynote speeches by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from FO-MO. Subjects and architects explored in these texts include: Norman Foster; interviews with Kenneth Frampton; Tony Fretton; Hiromi Fujii; Naum Gabo; Luca Gazzaniga; genesis of the Philharmonie; German aesthetic philosophy; German enlightenment; global architecture; Michael Graves; Eileen Gray; Dan Hanganu; John Hejduk; Herman Hertzberger; Anthony Hill; Stephen Holl; Hans Hollein; IBA housing in Berlin; invention of liberty; India; Arata Isozaki; Japanese architecture; Michel Kagan; Louis Kahn; Kritisher regionalism; Panos Koulermos; Le Corbusier; Adolf Loos; Anthony Lumsden; John McAslan; Richard Meier; and modernism.
AP197.S1.SS9.003
Description:
The box is comprised of notes, articles, interviews, lectures, and keynote speeches by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from FO-MO. Subjects and architects explored in these texts include: Norman Foster; interviews with Kenneth Frampton; Tony Fretton; Hiromi Fujii; Naum Gabo; Luca Gazzaniga; genesis of the Philharmonie; German aesthetic philosophy; German enlightenment; global architecture; Michael Graves; Eileen Gray; Dan Hanganu; John Hejduk; Herman Hertzberger; Anthony Hill; Stephen Holl; Hans Hollein; IBA housing in Berlin; invention of liberty; India; Arata Isozaki; Japanese architecture; Michel Kagan; Louis Kahn; Kritisher regionalism; Panos Koulermos; Le Corbusier; Adolf Loos; Anthony Lumsden; John McAslan; Richard Meier; and modernism.
Personnes et institutions:
Date:
circa 1965-2015
circa 1965-2015
Titre:
Kenneth Frampton texts, articles and notes FO-MO
Actions:
AP197.S1.SS9.003
Description:
The box is comprised of notes, articles, interviews, lectures, and keynote speeches by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from FO-MO. Subjects and architects explored in these texts include: Norman Foster; interviews with Kenneth Frampton; Tony Fretton; Hiromi Fujii; Naum Gabo; Luca Gazzaniga; genesis of the Philharmonie; German aesthetic philosophy; German enlightenment; global architecture; Michael Graves; Eileen Gray; Dan Hanganu; John Hejduk; Herman Hertzberger; Anthony Hill; Stephen Holl; Hans Hollein; IBA housing in Berlin; invention of liberty; India; Arata Isozaki; Japanese architecture; Michel Kagan; Louis Kahn; Kritisher regionalism; Panos Koulermos; Le Corbusier; Adolf Loos; Anthony Lumsden; John McAslan; Richard Meier; and modernism.
Kenneth Frampton texts, articles and notes FO-MO
Actions:
AP197.S1.SS9.003
Description:
The box is comprised of notes, articles, interviews, lectures, and keynote speeches by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from FO-MO. Subjects and architects explored in these texts include: Norman Foster; interviews with Kenneth Frampton; Tony Fretton; Hiromi Fujii; Naum Gabo; Luca Gazzaniga; genesis of the Philharmonie; German aesthetic philosophy; German enlightenment; global architecture; Michael Graves; Eileen Gray; Dan Hanganu; John Hejduk; Herman Hertzberger; Anthony Hill; Stephen Holl; Hans Hollein; IBA housing in Berlin; invention of liberty; India; Arata Isozaki; Japanese architecture; Michel Kagan; Louis Kahn; Kritisher regionalism; Panos Koulermos; Le Corbusier; Adolf Loos; Anthony Lumsden; John McAslan; Richard Meier; and modernism.
Classification:
documents textuels
documents textuels
Date:
circa 1965-2015
circa 1965-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
Personnes et institutions:
Date:
1978-1993
1978-1993
Titre:
Sketchbooks
Actions:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
Sketchbooks
Actions:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
Niveau de description archivistique:
Series
Series
Date:
1978-1993
1978-1993
Personnes et institutions:
Classification:
dessins, documents textuels, graphique, photographies
dessins, documents textuels, graphique, photographies
Numéro de référence:
AP197.S4.008
Description:
This box contains certificates and diplomas as well as prints, drawings, posters and vinyl records that Frampton received or collected. Frampton received certificates and diplomas from the following universities and associations: Architectural Association School of Architecture London (1955); the American Institiute of Architects (1993); the America Academy of Arts and Sciences, Boston (1993); Honorary Professorship, Nanjing University (2004); the University of Waterloo (1995); and the American Instititute of Architects New York State (2010). The box also includes: a poster for the Graduate School of Architecture, Planning and Preservation designed by Kenneth Frampton; a Berlin Grafik; a drawing by A. Campo Baeza; a group photograph of Kenneth Frampton at the International Symposium of "Structure, fabric and topography"; a vinyl record of "Le Corbusier"; and a vinyl record of "Conversations regarding the future of architecture."
AP197.S4.008
Description:
This box contains certificates and diplomas as well as prints, drawings, posters and vinyl records that Frampton received or collected. Frampton received certificates and diplomas from the following universities and associations: Architectural Association School of Architecture London (1955); the American Institiute of Architects (1993); the America Academy of Arts and Sciences, Boston (1993); Honorary Professorship, Nanjing University (2004); the University of Waterloo (1995); and the American Instititute of Architects New York State (2010). The box also includes: a poster for the Graduate School of Architecture, Planning and Preservation designed by Kenneth Frampton; a Berlin Grafik; a drawing by A. Campo Baeza; a group photograph of Kenneth Frampton at the International Symposium of "Structure, fabric and topography"; a vinyl record of "Le Corbusier"; and a vinyl record of "Conversations regarding the future of architecture."
Personnes et institutions:
Date:
circa 1955- 2012
circa 1955- 2012
Titre:
Kenneth Frampton certificates, diplomas, and collectables
Actions:
AP197.S4.008
Description:
This box contains certificates and diplomas as well as prints, drawings, posters and vinyl records that Frampton received or collected. Frampton received certificates and diplomas from the following universities and associations: Architectural Association School of Architecture London (1955); the American Institiute of Architects (1993); the America Academy of Arts and Sciences, Boston (1993); Honorary Professorship, Nanjing University (2004); the University of Waterloo (1995); and the American Instititute of Architects New York State (2010). The box also includes: a poster for the Graduate School of Architecture, Planning and Preservation designed by Kenneth Frampton; a Berlin Grafik; a drawing by A. Campo Baeza; a group photograph of Kenneth Frampton at the International Symposium of "Structure, fabric and topography"; a vinyl record of "Le Corbusier"; and a vinyl record of "Conversations regarding the future of architecture."
Kenneth Frampton certificates, diplomas, and collectables
Actions:
AP197.S4.008
Description:
This box contains certificates and diplomas as well as prints, drawings, posters and vinyl records that Frampton received or collected. Frampton received certificates and diplomas from the following universities and associations: Architectural Association School of Architecture London (1955); the American Institiute of Architects (1993); the America Academy of Arts and Sciences, Boston (1993); Honorary Professorship, Nanjing University (2004); the University of Waterloo (1995); and the American Instititute of Architects New York State (2010). The box also includes: a poster for the Graduate School of Architecture, Planning and Preservation designed by Kenneth Frampton; a Berlin Grafik; a drawing by A. Campo Baeza; a group photograph of Kenneth Frampton at the International Symposium of "Structure, fabric and topography"; a vinyl record of "Le Corbusier"; and a vinyl record of "Conversations regarding the future of architecture."
Classification:
dessins, documents textuels, graphique, photographies
dessins, documents textuels, graphique, photographies
Date:
circa 1955- 2012
circa 1955- 2012
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Personnes et institutions:
Date:
1994-2015
1994-2015
Titre:
Documents d’archives de COOP HIMMELB(L)AU pour le projet BMW Welt
Actions:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Documents d’archives de COOP HIMMELB(L)AU pour le projet BMW Welt
Actions:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2015
1994-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Personnes et institutions:
Date:
1948-2012
1948-2012
Titre:
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Niveau de description archivistique:
Series
Series
Date:
1948-2012
1948-2012
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of study model for the entrance foyer of the Deutsches Historisches Museum by Aldo Rossi, 1987-1990
Actions:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of study model for the entrance foyer of the Deutsches Historisches Museum by Aldo Rossi, 1987-1990
Actions:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
Personnes et institutions:
Titre:
Documents include lectures, 1989-1992
Actions:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
Documents include lectures, 1989-1992
Actions:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS7.D2.P8
Description:
views of projects by the successive firms of James Stirling, James Stirling and Partner and James Stirling, Michael Wilford, and Associates, including the History Faculty Building, University of Cambridge, and Dorman Long Headquarters, and one view of the State Gallery Addition and New Chamber Theatre, and of the Biennale Bookshop, also views of Liverpool, probably photographed in the early 1960s, of the Maison de verre in Paris by architect Pierre Charreau, of the Villa Lante, in Bagnaia, Italy, of Villa Caprola, of churches by architect Balthasar Neumann, of buildings by architect Karl Friedrich Schinkel, also views of Gloucester, Oxford, Salisbury, Longleat, Blenheim, Bath and Stourhead, and of travels in the United States, probably photographed in the 1950s or early 1960s, in Berlin, in Italy, dated 1975, Spain, dated 1976, India, dated 1975 and 1986, Iran, dated 1976, Lambay Island, dated 1981, and Venice, dated 1984
AP140.S2.SS7.D2.P8
Description:
views of projects by the successive firms of James Stirling, James Stirling and Partner and James Stirling, Michael Wilford, and Associates, including the History Faculty Building, University of Cambridge, and Dorman Long Headquarters, and one view of the State Gallery Addition and New Chamber Theatre, and of the Biennale Bookshop, also views of Liverpool, probably photographed in the early 1960s, of the Maison de verre in Paris by architect Pierre Charreau, of the Villa Lante, in Bagnaia, Italy, of Villa Caprola, of churches by architect Balthasar Neumann, of buildings by architect Karl Friedrich Schinkel, also views of Gloucester, Oxford, Salisbury, Longleat, Blenheim, Bath and Stourhead, and of travels in the United States, probably photographed in the 1950s or early 1960s, in Berlin, in Italy, dated 1975, Spain, dated 1976, India, dated 1975 and 1986, Iran, dated 1976, Lambay Island, dated 1981, and Venice, dated 1984
Personnes et institutions:
Titre:
Views of projects by the successive firms of James Stirling
Actions:
AP140.S2.SS7.D2.P8
Description:
views of projects by the successive firms of James Stirling, James Stirling and Partner and James Stirling, Michael Wilford, and Associates, including the History Faculty Building, University of Cambridge, and Dorman Long Headquarters, and one view of the State Gallery Addition and New Chamber Theatre, and of the Biennale Bookshop, also views of Liverpool, probably photographed in the early 1960s, of the Maison de verre in Paris by architect Pierre Charreau, of the Villa Lante, in Bagnaia, Italy, of Villa Caprola, of churches by architect Balthasar Neumann, of buildings by architect Karl Friedrich Schinkel, also views of Gloucester, Oxford, Salisbury, Longleat, Blenheim, Bath and Stourhead, and of travels in the United States, probably photographed in the 1950s or early 1960s, in Berlin, in Italy, dated 1975, Spain, dated 1976, India, dated 1975 and 1986, Iran, dated 1976, Lambay Island, dated 1981, and Venice, dated 1984
Views of projects by the successive firms of James Stirling
Actions:
AP140.S2.SS7.D2.P8
Description:
views of projects by the successive firms of James Stirling, James Stirling and Partner and James Stirling, Michael Wilford, and Associates, including the History Faculty Building, University of Cambridge, and Dorman Long Headquarters, and one view of the State Gallery Addition and New Chamber Theatre, and of the Biennale Bookshop, also views of Liverpool, probably photographed in the early 1960s, of the Maison de verre in Paris by architect Pierre Charreau, of the Villa Lante, in Bagnaia, Italy, of Villa Caprola, of churches by architect Balthasar Neumann, of buildings by architect Karl Friedrich Schinkel, also views of Gloucester, Oxford, Salisbury, Longleat, Blenheim, Bath and Stourhead, and of travels in the United States, probably photographed in the 1950s or early 1960s, in Berlin, in Italy, dated 1975, Spain, dated 1976, India, dated 1975 and 1986, Iran, dated 1976, Lambay Island, dated 1981, and Venice, dated 1984
Classification:
photographies
photographies
Personnes et institutions:
