28009 Résultats
Classification:
événements
événements
Actions:
Description:
Tamar Zinguer, chercheure au Programme d’accueil 2014 et professeure associée à la Cooper Union, analyse la propension dans la discipline architecturale pour un terme littéraire « degré zéro ». Cliquez ici pour lévénement Facebook.
Tamar Zinguer, chercheure au Programme d’accueil 2014 et professeure associée à la Cooper Union, analyse la propension dans la discipline architecturale pour un terme littéraire « degré zéro ». Cliquez ici pour lévénement Facebook.
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
10 juillet 2014, 18h
10 juillet 2014, 18h
Titre:
Séminaire de chercheur en résidence : Tamar Zinguer
Actions:
Description:
Tamar Zinguer, chercheure au Programme d’accueil 2014 et professeure associée à la Cooper Union, analyse la propension dans la discipline architecturale pour un terme littéraire « degré zéro ». Cliquez ici pour lévénement Facebook.
Séminaire de chercheur en résidence : Tamar Zinguer
Actions:
Description:
Tamar Zinguer, chercheure au Programme d’accueil 2014 et professeure associée à la Cooper Union, analyse la propension dans la discipline architecturale pour un terme littéraire « degré zéro ». Cliquez ici pour lévénement Facebook.
Classification:
événements
événements
Date:
10 juillet 2014
18h
10 juillet 2014
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
expositions
expositions
Description:
Cette exposition abordera le cours d’art de troisième année universitaire « A305: History of Architecture and Design, 1890-1939 » offert par la Open University par l’entremise de programmes télévisuels et radiophoniques diffusés entre 1975 et 1982. Au-delà de ses nombreuses innovations en matière d’enseignement supérieur, l’Open University, fondée en 1969 et ayant son(...)
Cette exposition abordera le cours d’art de troisième année universitaire « A305: History of Architecture and Design, 1890-1939 » offert par la Open University par l’entremise de programmes télévisuels et radiophoniques diffusés entre 1975 et 1982. Au-delà de ses nombreuses innovations en matière d’enseignement supérieur, l’Open University, fondée en 1969 et ayant son(...)
Date:
15 novembre 2017 au 1 avril 2018
15 novembre 2017 au 1 avril 2018
Titre:
L’université à l’antenne : diffuser l’architecture moderne
Actions:
Description:
Cette exposition abordera le cours d’art de troisième année universitaire « A305: History of Architecture and Design, 1890-1939 » offert par la Open University par l’entremise de programmes télévisuels et radiophoniques diffusés entre 1975 et 1982. Au-delà de ses nombreuses innovations en matière d’enseignement supérieur, l’Open University, fondée en 1969 et ayant son(...)
L’université à l’antenne : diffuser l’architecture moderne
Actions:
Description:
Cette exposition abordera le cours d’art de troisième année universitaire « A305: History of Architecture and Design, 1890-1939 » offert par la Open University par l’entremise de programmes télévisuels et radiophoniques diffusés entre 1975 et 1982. Au-delà de ses nombreuses innovations en matière d’enseignement supérieur, l’Open University, fondée en 1969 et ayant son(...)
Classification:
expositions
expositions
Date:
15 novembre 2017 au
1 avril 2018
15 novembre 2017 au
1 avril 2018
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S4.SS6.004
Description:
Student work of Cornelia Hahn Oberlander on history of landscape architecture.
AP075.S4.SS6.004
Description:
Student work of Cornelia Hahn Oberlander on history of landscape architecture.
Personnes et institutions:
Date:
1942
1942
Titre:
Student work for landscape architecture course at Harvard
Actions:
AP075.S4.SS6.004
Description:
Student work of Cornelia Hahn Oberlander on history of landscape architecture.
Student work for landscape architecture course at Harvard
Actions:
AP075.S4.SS6.004
Description:
Student work of Cornelia Hahn Oberlander on history of landscape architecture.
Classification:
documents textuels
documents textuels
Date:
1942
1942
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2014-2015
2014-2015
Titre:
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2014-2015
2014-2015
Personnes et institutions:
Classification:
événements
événements
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Date:
28 janvier 2016
28 janvier 2016
Titre:
Pratiquer le plaidoyer : Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Pratiquer le plaidoyer : Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Classification:
événements
événements
Date:
28 janvier 2016
28 janvier 2016
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
Personnes et institutions:
Date:
1978-2016
1978-2016
Titre:
Complimenti D'Architettura [Complements of Architecture] (1978)
Actions:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
Complimenti D'Architettura [Complements of Architecture] (1978)
Actions:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
Niveau de description archivistique:
Project
Project
Date:
1978-2016
1978-2016
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
8 mai 2003
8 mai 2003
Titre:
Hubert Damisch : Effacer l’architecture?
Actions:
Description:
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Hubert Damisch : Effacer l’architecture?
Actions:
Description:
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Classification:
événements
événements
Date:
8 mai 2003
8 mai 2003
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
documents textuels
documents textuels
Numéro de référence:
AP018.S2.011
Description:
This box contains research, including newspaper clippings and articles, on the topics of planning, management, architecture practice, architecture criticism, architecture and airports, and architecture history and philosophy. The box also includes files on ecology and the environment, as well as a file on Canadian identity.
AP018.S2.011
Description:
This box contains research, including newspaper clippings and articles, on the topics of planning, management, architecture practice, architecture criticism, architecture and airports, and architecture history and philosophy. The box also includes files on ecology and the environment, as well as a file on Canadian identity.
Personnes et institutions:
Date:
1968-1978
1968-1978
Titre:
Office files on the topic of management, planning, and architecture
Actions:
AP018.S2.011
Description:
This box contains research, including newspaper clippings and articles, on the topics of planning, management, architecture practice, architecture criticism, architecture and airports, and architecture history and philosophy. The box also includes files on ecology and the environment, as well as a file on Canadian identity.
Office files on the topic of management, planning, and architecture
Actions:
AP018.S2.011
Description:
This box contains research, including newspaper clippings and articles, on the topics of planning, management, architecture practice, architecture criticism, architecture and airports, and architecture history and philosophy. The box also includes files on ecology and the environment, as well as a file on Canadian identity.
Classification:
documents textuels
documents textuels
Date:
1968-1978
1968-1978
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Localisation:
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Date:
13 novembre 2019 au 26 juillet 2020
13 novembre 2019 au 26 juillet 2020
Classification:
expositions
expositions
Date:
13 novembre 2019 au
26 juillet 2020
13 novembre 2019 au
26 juillet 2020
Localisation:
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Salles principales Mot(s)-clé(s):
Jean-Louis Cohen, Amerikanizm, architecture russe, Union soviétique, États-Unis, URSS
Classification:
photographies
photographies
Numéro de référence:
AP197.S1.SS9.024
Description:
This box contains slides that depict architecture drawings, models and built projects by various architects such as: Antonin Raymond; Karl Friedrich Schinkel; Otto Wagner; Tadao Ando; futurism, iron, steel, misc history and Herman Hertzberger; Alvar Aalto; Renzo Piano; and Le Corbusier. Frampton used these slides for his lectures.
AP197.S1.SS9.024
Description:
This box contains slides that depict architecture drawings, models and built projects by various architects such as: Antonin Raymond; Karl Friedrich Schinkel; Otto Wagner; Tadao Ando; futurism, iron, steel, misc history and Herman Hertzberger; Alvar Aalto; Renzo Piano; and Le Corbusier. Frampton used these slides for his lectures.
Personnes et institutions:
Date:
circa 1970-1990
circa 1970-1990
Titre:
Slides of architecture drawings, models and built projects by various architects
Actions:
AP197.S1.SS9.024
Description:
This box contains slides that depict architecture drawings, models and built projects by various architects such as: Antonin Raymond; Karl Friedrich Schinkel; Otto Wagner; Tadao Ando; futurism, iron, steel, misc history and Herman Hertzberger; Alvar Aalto; Renzo Piano; and Le Corbusier. Frampton used these slides for his lectures.
Slides of architecture drawings, models and built projects by various architects
Actions:
AP197.S1.SS9.024
Description:
This box contains slides that depict architecture drawings, models and built projects by various architects such as: Antonin Raymond; Karl Friedrich Schinkel; Otto Wagner; Tadao Ando; futurism, iron, steel, misc history and Herman Hertzberger; Alvar Aalto; Renzo Piano; and Le Corbusier. Frampton used these slides for his lectures.
Classification:
photographies
photographies
Date:
circa 1970-1990
circa 1970-1990
Personnes et institutions:
