25836 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Personnes et institutions:
Date:
1999-2000
1999-2000
Titre:
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Classification:
documents textuels
documents textuels
Date:
1999-2000
1999-2000
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S4.D1
Description:
Papers concerning the production of the book Myron Goldsmith Buildings and Concepts published by Rizzoli International Publications Inc., in 1987. Edited by Werner Blaser, the book contains an introduction by Blaser and essays by Goldsmith and Allan Temko. Papers include drafts of texts, book proofs, illustrations, and revisions by SOM architect David Fleener and Architectural History professor Kevin Harrington. Visual documents used to illustrate the book Myron Goldsmith: Buildings and Concepts, as well as publicity material using images of Goldsmith's projects.
AP032.S4.D1
Description:
Papers concerning the production of the book Myron Goldsmith Buildings and Concepts published by Rizzoli International Publications Inc., in 1987. Edited by Werner Blaser, the book contains an introduction by Blaser and essays by Goldsmith and Allan Temko. Papers include drafts of texts, book proofs, illustrations, and revisions by SOM architect David Fleener and Architectural History professor Kevin Harrington. Visual documents used to illustrate the book Myron Goldsmith: Buildings and Concepts, as well as publicity material using images of Goldsmith's projects.
Personnes et institutions:
Date:
1976-1990
1976-1990
Titre:
Myron Goldsmith: Buildings and Concepts
Actions:
AP032.S4.D1
Description:
Papers concerning the production of the book Myron Goldsmith Buildings and Concepts published by Rizzoli International Publications Inc., in 1987. Edited by Werner Blaser, the book contains an introduction by Blaser and essays by Goldsmith and Allan Temko. Papers include drafts of texts, book proofs, illustrations, and revisions by SOM architect David Fleener and Architectural History professor Kevin Harrington. Visual documents used to illustrate the book Myron Goldsmith: Buildings and Concepts, as well as publicity material using images of Goldsmith's projects.
Myron Goldsmith: Buildings and Concepts
Actions:
AP032.S4.D1
Description:
Papers concerning the production of the book Myron Goldsmith Buildings and Concepts published by Rizzoli International Publications Inc., in 1987. Edited by Werner Blaser, the book contains an introduction by Blaser and essays by Goldsmith and Allan Temko. Papers include drafts of texts, book proofs, illustrations, and revisions by SOM architect David Fleener and Architectural History professor Kevin Harrington. Visual documents used to illustrate the book Myron Goldsmith: Buildings and Concepts, as well as publicity material using images of Goldsmith's projects.
Niveau de description archivistique:
File 1
File 1
Date:
1976-1990
1976-1990
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Personnes et institutions:
Date:
1983-1985
1983-1985
Titre:
Correspondence received from various from newspapers and periodicals
Actions:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Correspondence received from various from newspapers and periodicals
Actions:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Classification:
documents textuels
documents textuels
Date:
1983-1985
1983-1985
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Hochelaga depicta : documents sur Montréal retrace l’évolution urbaine et architecturale de Montréal depuis sa fondation en 1642. Des gravures anciennes de vues de la ville, des guides touristiques, des cartes postales et des documents tirés de la collection du CCA témoignent de l’histoire de Montréal. Commissaires : Joshua Wolfe, Héritage Montréal, et Helen Malkin, CCA.
Hochelaga depicta : documents sur Montréal retrace l’évolution urbaine et architecturale de Montréal depuis sa fondation en 1642. Des gravures anciennes de vues de la ville, des guides touristiques, des cartes postales et des documents tirés de la collection du CCA témoignent de l’histoire de Montréal. Commissaires : Joshua Wolfe, Héritage Montréal, et Helen Malkin, CCA.
Localisation:
Vitrines
Vitrines
Date:
7 mai 1989 au 15 août 1989
7 mai 1989 au 15 août 1989
Titre:
Hochelaga depicta : documents sur Montréal
Actions:
Description:
Hochelaga depicta : documents sur Montréal retrace l’évolution urbaine et architecturale de Montréal depuis sa fondation en 1642. Des gravures anciennes de vues de la ville, des guides touristiques, des cartes postales et des documents tirés de la collection du CCA témoignent de l’histoire de Montréal. Commissaires : Joshua Wolfe, Héritage Montréal, et Helen Malkin, CCA.
Hochelaga depicta : documents sur Montréal
Actions:
Description:
Hochelaga depicta : documents sur Montréal retrace l’évolution urbaine et architecturale de Montréal depuis sa fondation en 1642. Des gravures anciennes de vues de la ville, des guides touristiques, des cartes postales et des documents tirés de la collection du CCA témoignent de l’histoire de Montréal. Commissaires : Joshua Wolfe, Héritage Montréal, et Helen Malkin, CCA.
Classification:
expositions
expositions
Date:
7 mai 1989 au
15 août 1989
7 mai 1989 au
15 août 1989
Localisation:
Vitrines
Vitrines
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Marcel Parizeau
Fonds Marcel Parizeau
Numéro de référence:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1917-1955
1917-1955
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Personnes et institutions:
Date:
1979-1983
1979-1983
Titre:
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1979-1983
1979-1983
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0012:082:005
Description:
File containing documents in English (predominant) and French, including a book outlining competition requirements (with annotations in graphite and red ink), correspondence, magazine clippings, maps, notes, and sketches related to the RCAF Memorial Architectural Competition. Original folder inscribed in graphite: RCAF MEMORIAL COMP.
DR2012:0012:082:005
Description:
File containing documents in English (predominant) and French, including a book outlining competition requirements (with annotations in graphite and red ink), correspondence, magazine clippings, maps, notes, and sketches related to the RCAF Memorial Architectural Competition. Original folder inscribed in graphite: RCAF MEMORIAL COMP.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Competition requirements, correspondence, magazine clippings, maps, notes, and sketches, Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
DR2012:0012:082:005
Description:
File containing documents in English (predominant) and French, including a book outlining competition requirements (with annotations in graphite and red ink), correspondence, magazine clippings, maps, notes, and sketches related to the RCAF Memorial Architectural Competition. Original folder inscribed in graphite: RCAF MEMORIAL COMP.
Competition requirements, correspondence, magazine clippings, maps, notes, and sketches, Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
DR2012:0012:082:005
Description:
File containing documents in English (predominant) and French, including a book outlining competition requirements (with annotations in graphite and red ink), correspondence, magazine clippings, maps, notes, and sketches related to the RCAF Memorial Architectural Competition. Original folder inscribed in graphite: RCAF MEMORIAL COMP.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1969-1971
1969-1971
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Personnes et institutions:
Date:
1920, 1990-2008
1920, 1990-2008
Titre:
Publications
Actions:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Publications
Actions:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Niveau de description archivistique:
Series
Series
Date:
1920, 1990-2008
1920, 1990-2008
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Personnes et institutions:
Date:
1971-1973
1971-1973
Titre:
Composition notebook of sketches and notes for Automation House, Tree Dance, and A W-Hole House, and Anarchitecture
Actions:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Composition notebook of sketches and notes for Automation House, Tree Dance, and A W-Hole House, and Anarchitecture
Actions:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Classification:
livres
livres
Date:
1971-1973
1971-1973
Personnes et institutions:
