Mallorca Boom
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The transformation that has taken place in Mallorca during the last 50 years was unimaginable, especially for elderly residents. However, the last decade has been the one in which the island suffered a lack of control more centred on speculation and not so much on necessity. Certainly Mallorca depends on tourism (no other alternative, providing similar or better(...)
janvier 1900, Barcelona
Mallorca Boom
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The transformation that has taken place in Mallorca during the last 50 years was unimaginable, especially for elderly residents. However, the last decade has been the one in which the island suffered a lack of control more centred on speculation and not so much on necessity. Certainly Mallorca depends on tourism (no other alternative, providing similar or better prospects, has been presented yet). Aware of the need, we built a territory too fast. In this book, a look from the outside is proposed, taken by people with a relationship to the island, with an affection for it, but who, from a distance, can offer a fresher opionion of what could happen. Texts are provided by architects, designers, biolgists, etc. Photographs are by Jordi Bernado.
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the(...)
Roman Architecture: Architecture without content 14
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the sixteenth century, partyly reusing the accumulated knowledge in order to deal with urgent challenges in contemporary Flanders. The oeuvre by Palladio represents on of the most prototypical incarnations, almost literal indeed, of a possible Roman project. His prolific work for the venetian inlandrepresents a tremendous effort to systematise the complexity of an entire territory, from the city proper (i.e. Vicenza), to the countryside proper 9the sprawl still to come).
Expositions en cours
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For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of "Fimbulwinter", which translates into the(...)
Todd Hido: Bright black world
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For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of "Fimbulwinter", which translates into the ‘endless winter’, many of Hido’s new images allude to and provide form for this notion of an apocalyptic, never-ending winter. Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.
Monographies photo
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
Visions of nature: How landscape photography shaped settler colonialism
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors,(...)
Inflamed invisible: collected writings on art and sound, 1976-2018
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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. This publications collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations.
Acoustique
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The interior is that space that architecture makes, which is at once set apart from the world and in its midst. Regardless of its scale, whether that of a dwelling, a temple, a settlement, a city or a continental territory, the interior is informed and shaped by ideas. These ideas appear in architecture and in the great variety of its interiors that we take to be public:(...)
The public interior as idea and project
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The interior is that space that architecture makes, which is at once set apart from the world and in its midst. Regardless of its scale, whether that of a dwelling, a temple, a settlement, a city or a continental territory, the interior is informed and shaped by ideas. These ideas appear in architecture and in the great variety of its interiors that we take to be public: those within which we consider ourselves to be free individuals, and where we see ourselves among others; those within which we are conscious of our place in society and in the world. Public interiors have been designed to affect and condition our consciousness and our behaviour, our relations to others and to authority.
Théorie de l’architecture
Mapping it out
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Over 130 leading lights from different fields artists, architects, writers and designers, geographers, mathematicians, computer pioneers, scientists make sense of exterior and interior worlds through highly personal and imaginative maps and charts. Some have translated scientific data into simplified visual language, while others have condensed vast social, political or(...)
Mapping it out
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Over 130 leading lights from different fields artists, architects, writers and designers, geographers, mathematicians, computer pioneers, scientists make sense of exterior and interior worlds through highly personal and imaginative maps and charts. Some have translated scientific data into simplified visual language, while others have condensed vast social, political or natural forms into concise diagrams. Many have reworked existing maps to subvert their original purpose or to present an alternative view of reality. Others play with the maps commitment to truth by plotting invented worlds and charting imaginative flights of fancy. In the introduction, acclaimed novelist Tom McCarthy reflects on the relationship between maps, literature and knowledge, while Hans Ulrich Obrist closes the book by considering the territory of maps from the perspective of the arts and philosophy.
livres
Ways of knowing cities / Laura Kurgan & Dare Brawley, editors ; with Isabelle Kirkham-Lewitt.
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276 pages : illustrations ; 23 cm
New York, NY : Columbia Books on Architecture and the City, an imprint of the Graduate School of Architecture, Planning, and Preservation, [2019]
Ways of knowing cities / Laura Kurgan & Dare Brawley, editors ; with Isabelle Kirkham-Lewitt.
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276 pages : illustrations ; 23 cm
livres
New York, NY : Columbia Books on Architecture and the City, an imprint of the Graduate School of Architecture, Planning, and Preservation, [2019]
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"On extinction" takes us on a breathtaking philosophical journey through desperate territory. As we face "the end of all things," Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality. Radical politics today should not be concerned with merely averting the worst(...)
On extinction: Begining again at the end
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"On extinction" takes us on a breathtaking philosophical journey through desperate territory. As we face "the end of all things," Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality. Radical politics today should not be concerned with merely averting the worst but rather with beginning again at the end. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need. Combining lessons from Kant, Hegel, Adorno, and Lacan, as well as drawing on popular culture and ecology, Ware recasts the most urgent issue of our times and resolves that we can only consider our collective end by treating it as a starting point.
Théorie/ philosophie
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with(...)
mai 2005
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.