dessins
AP178.S2.1995.015
Description:
This sketchbook includes sketches for the restoration and extension of Stedelijk Museum.
December 1995
Sketchbook 410: Amsterdam - Expo - Ballet
Actions:
AP178.S2.1995.015
Description:
This sketchbook includes sketches for the restoration and extension of Stedelijk Museum.
dessins
December 1995
Projet
Cidade da Cultura de Galicia
AP143.S4.D138
Description:
File documents an executed project for six related buildings: Museum of Galician History, New Technologies Center, Music Theatre, Central Services and Administration Building, Galician Library, Periodicals Archive, in Santiago da Compostela, Spain. Material in this file was produced between 1999 and 2007.
1999-2008
Cidade da Cultura de Galicia
Actions:
AP143.S4.D138
Description:
File documents an executed project for six related buildings: Museum of Galician History, New Technologies Center, Music Theatre, Central Services and Administration Building, Galician Library, Periodicals Archive, in Santiago da Compostela, Spain. Material in this file was produced between 1999 and 2007.
File 138
1999-2008
PH2018:0005:024
Description:
Photograph by Stefano Graziani of the following work: Charles Rohault de Fleury, design development drawings for a «Galerie de zoologie», Museum national d'historie naturelle, Paris, mid 19th century, from Album Museum national d'historie naturelle, Charles de Rohault de Fleury collection, DR1974:0002:024:001-079, Canadian Centre for Architecture, Montréal Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
2017
Questioning Pictures: Photograph of design development drawings for a «Galerie de zoologie» by Charles Rohault de Fleury, mid 19th century
Actions:
PH2018:0005:024
Description:
Photograph by Stefano Graziani of the following work: Charles Rohault de Fleury, design development drawings for a «Galerie de zoologie», Museum national d'historie naturelle, Paris, mid 19th century, from Album Museum national d'historie naturelle, Charles de Rohault de Fleury collection, DR1974:0002:024:001-079, Canadian Centre for Architecture, Montréal Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Projet
Musée du Plateau Beaubourg
AP163.S2.SS1.D48
Description:
File documents Victor Prus's unrealized project for the Place Beauboug Museum in Paris, France, in 1969. Material in this file was produced betweem 1969 and 1971. The file contains drawings, including conceptual and design development drawings, textual records, mainly correspondence, and a model of the project.
1969-1971
Musée du Plateau Beaubourg
Actions:
AP163.S2.SS1.D48
Description:
File documents Victor Prus's unrealized project for the Place Beauboug Museum in Paris, France, in 1969. Material in this file was produced betweem 1969 and 1971. The file contains drawings, including conceptual and design development drawings, textual records, mainly correspondence, and a model of the project.
File 48
1969-1971
dessins, documents textuels
AP178.S1.1995.PR07.050
Description:
Original file title: Stedelijk museum Amsterdam renovation Reprographic copies feature annotations.
2001
Annotated floor plans and minutes of meeting, Renovação e extensão do Museu Stedelijk, Amsterdam
Actions:
AP178.S1.1995.PR07.050
Description:
Original file title: Stedelijk museum Amsterdam renovation Reprographic copies feature annotations.
dessins, documents textuels
2001
dessins
ARCH268717
Description:
Plan and section for an unidentified public building with a museum in Europe.
Plan for an unidentified public building in Europe
Actions:
ARCH268717
Description:
Plan and section for an unidentified public building with a museum in Europe.
dessins
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Salles principales
10 juin 1992 au 2 août 1992
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Salles principales
documents textuels
AP058.S1.SS2.040
Description:
About the Voyageurs Parkway, Canlands, Laurier Park, Highway 16, and National Museum.
1982
[National Capital Commission and National Capital Planning Committee Meetings: minutes and agenda]
Actions:
AP058.S1.SS2.040
Description:
About the Voyageurs Parkway, Canlands, Laurier Park, Highway 16, and National Museum.
documents textuels
1982
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
2016
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Projet
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
1988-1995
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Project
1988-1995