8873 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Jean Ouellet
Fonds Jean Ouellet
Numéro de référence:
AP129
Résumé:
Le fonds Jean Ouellet contient des esquisses, des dessins de présentation et d'exécution, des photographies de maquettes, d'édifices construits ou en construction, des portraits et des panneaux de présentation, ainsi que des rapports, des études de faisabilité, des programmes et de la correspondance se rapportant à 14 projets d'architecture et d'urbanisme, réalisés ou proposés principalement à Montréal, mais aussi à Québec. Le fonds comprend 693 documents photographiques (approx.), 3 mètres linéaires de documents textuels (approx. 217 pièces), 91 dessins, 59 reprographies, 33 documents graphiques et 7 publications. Les documents ont été principalement créés entre les années 1960 à 2000 avec une forte proportion provenant des années 70.
AP129
Résumé:
Le fonds Jean Ouellet contient des esquisses, des dessins de présentation et d'exécution, des photographies de maquettes, d'édifices construits ou en construction, des portraits et des panneaux de présentation, ainsi que des rapports, des études de faisabilité, des programmes et de la correspondance se rapportant à 14 projets d'architecture et d'urbanisme, réalisés ou proposés principalement à Montréal, mais aussi à Québec. Le fonds comprend 693 documents photographiques (approx.), 3 mètres linéaires de documents textuels (approx. 217 pièces), 91 dessins, 59 reprographies, 33 documents graphiques et 7 publications. Les documents ont été principalement créés entre les années 1960 à 2000 avec une forte proportion provenant des années 70.
Personnes et institutions:
Date:
1944-2002
1944-2002
Titre:
Fonds Jean Ouellet
Actions:
AP129
Résumé:
Le fonds Jean Ouellet contient des esquisses, des dessins de présentation et d'exécution, des photographies de maquettes, d'édifices construits ou en construction, des portraits et des panneaux de présentation, ainsi que des rapports, des études de faisabilité, des programmes et de la correspondance se rapportant à 14 projets d'architecture et d'urbanisme, réalisés ou proposés principalement à Montréal, mais aussi à Québec. Le fonds comprend 693 documents photographiques (approx.), 3 mètres linéaires de documents textuels (approx. 217 pièces), 91 dessins, 59 reprographies, 33 documents graphiques et 7 publications. Les documents ont été principalement créés entre les années 1960 à 2000 avec une forte proportion provenant des années 70.
Fonds Jean Ouellet
Actions:
AP129
Résumé:
Le fonds Jean Ouellet contient des esquisses, des dessins de présentation et d'exécution, des photographies de maquettes, d'édifices construits ou en construction, des portraits et des panneaux de présentation, ainsi que des rapports, des études de faisabilité, des programmes et de la correspondance se rapportant à 14 projets d'architecture et d'urbanisme, réalisés ou proposés principalement à Montréal, mais aussi à Québec. Le fonds comprend 693 documents photographiques (approx.), 3 mètres linéaires de documents textuels (approx. 217 pièces), 91 dessins, 59 reprographies, 33 documents graphiques et 7 publications. Les documents ont été principalement créés entre les années 1960 à 2000 avec une forte proportion provenant des années 70.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1944-2002
1944-2002
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1997:0048:001-072
Description:
- This album was advertised in Hugh Pagan Limited, cat. no. 29, item 70, with the following description: "Students of British architecture of the period around 1900 will be amazed to discover this really very extensive record by a French architectural photographer of seaside villas, boarding houses and so on built in the closing years of the nineteenth century in and around Margate and Hastings. The absence of captions and explanatory text makes detective work necessary as regards exact locations and architects, but as there is no remotely comparable British publication of this date devoted to this kind of house, M.Lévy deserves the warmest appreciation for his zeal. NUC records a copy at Princeton only, and there was no copy of this title in the Weinreb firm's Small English House catalogue of 1977."
PH1997:0048:001-072
Description:
- This album was advertised in Hugh Pagan Limited, cat. no. 29, item 70, with the following description: "Students of British architecture of the period around 1900 will be amazed to discover this really very extensive record by a French architectural photographer of seaside villas, boarding houses and so on built in the closing years of the nineteenth century in and around Margate and Hastings. The absence of captions and explanatory text makes detective work necessary as regards exact locations and architects, but as there is no remotely comparable British publication of this date devoted to this kind of house, M.Lévy deserves the warmest appreciation for his zeal. NUC records a copy at Princeton only, and there was no copy of this title in the Weinreb firm's Small English House catalogue of 1977."
Personnes et institutions:
Sujet:
architecture
architecture
Date:
published ca. 1902
published ca. 1902
Titre:
Portfolio of views of English Cottages on the South Coast of England, at Birchington, Margate, Hastings, and various other towns
Actions:
PH1997:0048:001-072
Description:
- This album was advertised in Hugh Pagan Limited, cat. no. 29, item 70, with the following description: "Students of British architecture of the period around 1900 will be amazed to discover this really very extensive record by a French architectural photographer of seaside villas, boarding houses and so on built in the closing years of the nineteenth century in and around Margate and Hastings. The absence of captions and explanatory text makes detective work necessary as regards exact locations and architects, but as there is no remotely comparable British publication of this date devoted to this kind of house, M.Lévy deserves the warmest appreciation for his zeal. NUC records a copy at Princeton only, and there was no copy of this title in the Weinreb firm's Small English House catalogue of 1977."
Portfolio of views of English Cottages on the South Coast of England, at Birchington, Margate, Hastings, and various other towns
Actions:
PH1997:0048:001-072
Description:
- This album was advertised in Hugh Pagan Limited, cat. no. 29, item 70, with the following description: "Students of British architecture of the period around 1900 will be amazed to discover this really very extensive record by a French architectural photographer of seaside villas, boarding houses and so on built in the closing years of the nineteenth century in and around Margate and Hastings. The absence of captions and explanatory text makes detective work necessary as regards exact locations and architects, but as there is no remotely comparable British publication of this date devoted to this kind of house, M.Lévy deserves the warmest appreciation for his zeal. NUC records a copy at Princeton only, and there was no copy of this title in the Weinreb firm's Small English House catalogue of 1977."
Classification:
photographies
photographies
Date:
published ca. 1902
published ca. 1902
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Umberto Riva
Fonds Umberto Riva
Numéro de référence:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Personnes et institutions:
Date:
1959-2012
1959-2012
Titre:
Fonds Umberto Riva
Actions:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Fonds Umberto Riva
Actions:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1959-2012
1959-2012
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
Personnes et institutions:
Date:
1955-2007
1955-2007
Titre:
Addition from Pasanella + Klein Stolzman + Berg (2007)
Actions:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
Addition from Pasanella + Klein Stolzman + Berg (2007)
Actions:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
Niveau de description archivistique:
Project
Project
Date:
1955-2007
1955-2007
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Personnes et institutions:
Date:
circa 1919 -1920
circa 1919 -1920
Titre:
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Niveau de description archivistique:
series
series
Date:
circa 1919 -1920
circa 1919 -1920
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
Personnes et institutions:
Date:
1969-2008
1969-2008
Titre:
Eva Vecsei Architect (1973-1980)
Actions:
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
Eva Vecsei Architect (1973-1980)
Actions:
CD041.S3
Description:
This series documents two projects by the firm Eva Vecsei Architect. In 1973, Vecsei opened her own private practice after her departure from the Dimitri Dimakopoulos’ firm, where she worked from 1971 to 1973. In 1973, Vecsei was hired as an architect by Group Concordia Developers (GCD) to design La Cité, a high density mixed-use residential and commercial project in Milton Park, Montréal. The project was comprised of multifunctional complexes of residential units, offices, a shopping mall, and a hotel with a year-round outdoor pool. The project was realized by the architects Eva H. Vecsei and Dobush Stewart Longpré Marchand Goudreau. The project is also known as "Cité Concordia". The Place Bonaventure was also developed by GCD, where Vecsei was the head project designer from 1964 to 1967. Besides these projects Eva Vecsei Architect also designed concepts for the city centre (1976) and a mixed-use complex (1978) in Karachi, Pakistan. The bulk of the Eva Hollo Vecsei collection is arranged in this series and was produced between 1969 and 2008. Records are predominantly from 1974-1976, which correspond to the period of the La Cité project. Documenting La Cité are architectural records, such as presentation, design, and working drawings, as well as photographs, publications, slides, clippings, digital material (photographs), and a presentation document. This series also includes two clippings on the mixed-use complex in Karachi.
Niveau de description archivistique:
Series
Series
Date:
1969-2008
1969-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Günter Günschel
Fonds Günter Günschel
Numéro de référence:
AP187
Résumé:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
AP187
Résumé:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
Personnes et institutions:
Date:
1943-2006
1943-2006
Titre:
Fonds Günter Günschel
Actions:
AP187
Résumé:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
Fonds Günter Günschel
Actions:
AP187
Résumé:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1943-2006
1943-2006
Personnes et institutions:
Titre:
Letters 1976-77
Letters 1976-77
Numéro de référence:
PHCON2002:0016:004
Description:
Binder documents Gordon Matta-Clark' personal and professional correspondence predominantly from 1976 and 1977, a period when he began to have professional success as an artist. It includes correspondence regarding the sale of works of art as well as the following projects: The Caribbean Orange (1978), Jacob's Ladder (1977), Meander (1976); Office Baroque (1977); and Substrait (1976). Correspondence related to unnamed and unrealized projects in California, Missouri, Texas, Massachusetts, and Paris, France are also included. The subject of the other correspondence includes letters to and from grant agencies, including the Guggenheim Foundation, letters inviting Matta-Clark to participate in exhibitions, as well as his research on helium balloons. Legal documents such as tax returns and a copy of the sales agreement for the purchase of a building on 20th St. in New York City, New York are also found in the binder. Binder contains drawings and textual records.
PHCON2002:0016:004
Description:
Binder documents Gordon Matta-Clark' personal and professional correspondence predominantly from 1976 and 1977, a period when he began to have professional success as an artist. It includes correspondence regarding the sale of works of art as well as the following projects: The Caribbean Orange (1978), Jacob's Ladder (1977), Meander (1976); Office Baroque (1977); and Substrait (1976). Correspondence related to unnamed and unrealized projects in California, Missouri, Texas, Massachusetts, and Paris, France are also included. The subject of the other correspondence includes letters to and from grant agencies, including the Guggenheim Foundation, letters inviting Matta-Clark to participate in exhibitions, as well as his research on helium balloons. Legal documents such as tax returns and a copy of the sales agreement for the purchase of a building on 20th St. in New York City, New York are also found in the binder. Binder contains drawings and textual records.
Personnes et institutions:
Date:
after 1974-1978
after 1974-1978
Titre:
Letters 1976-77
Actions:
PHCON2002:0016:004
Description:
Binder documents Gordon Matta-Clark' personal and professional correspondence predominantly from 1976 and 1977, a period when he began to have professional success as an artist. It includes correspondence regarding the sale of works of art as well as the following projects: The Caribbean Orange (1978), Jacob's Ladder (1977), Meander (1976); Office Baroque (1977); and Substrait (1976). Correspondence related to unnamed and unrealized projects in California, Missouri, Texas, Massachusetts, and Paris, France are also included. The subject of the other correspondence includes letters to and from grant agencies, including the Guggenheim Foundation, letters inviting Matta-Clark to participate in exhibitions, as well as his research on helium balloons. Legal documents such as tax returns and a copy of the sales agreement for the purchase of a building on 20th St. in New York City, New York are also found in the binder. Binder contains drawings and textual records.
Letters 1976-77
Actions:
PHCON2002:0016:004
Description:
Binder documents Gordon Matta-Clark' personal and professional correspondence predominantly from 1976 and 1977, a period when he began to have professional success as an artist. It includes correspondence regarding the sale of works of art as well as the following projects: The Caribbean Orange (1978), Jacob's Ladder (1977), Meander (1976); Office Baroque (1977); and Substrait (1976). Correspondence related to unnamed and unrealized projects in California, Missouri, Texas, Massachusetts, and Paris, France are also included. The subject of the other correspondence includes letters to and from grant agencies, including the Guggenheim Foundation, letters inviting Matta-Clark to participate in exhibitions, as well as his research on helium balloons. Legal documents such as tax returns and a copy of the sales agreement for the purchase of a building on 20th St. in New York City, New York are also found in the binder. Binder contains drawings and textual records.
Date:
after 1974-1978
after 1974-1978
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP151.S1.D10
Description:
The project files documenting the construction of the Wayfarers' Chapel and site are extensive and quite complete. The documentation is more complete for the first two units of construction than for the latter units. Thus, the internal coherence of the papers is more apparent for the earlier development of the project. The most comprehensive record of the development of the Wayfarers' Chapel is contained in the "Supervision Journal" which covers the period from 1947-1971 (files 97a/97b of the "General Files"). It should be noted particularly by researchers using these papers. The research value of the "Supervision Journal" is complemented by a substantial body of general correspondence which documents Lloyd Wright's interaction with the client and with other parties involved with the design or construction of the Chapel (the Palos Verdes Corporation, the Wayfarers Chapel Building and Properties Committee, and Reverends of the Chapel between 1947 and 1960). Further correspondence relates to the publicity for the Chapel between 1951 and 1965. The textual documents are augmented by an extensive array of visual materials, such as drawings, photographs, postcards, newspaper articles and trade catalogues, which are valuable for providing a pictorial record of the Chapel and site from its earliest through to its later development. The "Trade Catalogues and Supplier Ephemera" file (file 98 of the "General Files") contains a record of the products and supplies Lloyd Wright considered or used in the construction of the Wayfarers' Chapel.
AP151.S1.D10
Description:
The project files documenting the construction of the Wayfarers' Chapel and site are extensive and quite complete. The documentation is more complete for the first two units of construction than for the latter units. Thus, the internal coherence of the papers is more apparent for the earlier development of the project. The most comprehensive record of the development of the Wayfarers' Chapel is contained in the "Supervision Journal" which covers the period from 1947-1971 (files 97a/97b of the "General Files"). It should be noted particularly by researchers using these papers. The research value of the "Supervision Journal" is complemented by a substantial body of general correspondence which documents Lloyd Wright's interaction with the client and with other parties involved with the design or construction of the Chapel (the Palos Verdes Corporation, the Wayfarers Chapel Building and Properties Committee, and Reverends of the Chapel between 1947 and 1960). Further correspondence relates to the publicity for the Chapel between 1951 and 1965. The textual documents are augmented by an extensive array of visual materials, such as drawings, photographs, postcards, newspaper articles and trade catalogues, which are valuable for providing a pictorial record of the Chapel and site from its earliest through to its later development. The "Trade Catalogues and Supplier Ephemera" file (file 98 of the "General Files") contains a record of the products and supplies Lloyd Wright considered or used in the construction of the Wayfarers' Chapel.
Personnes et institutions:
Date:
1946-1977
1946-1977
Titre:
Wayfarers' Chapel Architect's Project Files
Actions:
AP151.S1.D10
Description:
The project files documenting the construction of the Wayfarers' Chapel and site are extensive and quite complete. The documentation is more complete for the first two units of construction than for the latter units. Thus, the internal coherence of the papers is more apparent for the earlier development of the project. The most comprehensive record of the development of the Wayfarers' Chapel is contained in the "Supervision Journal" which covers the period from 1947-1971 (files 97a/97b of the "General Files"). It should be noted particularly by researchers using these papers. The research value of the "Supervision Journal" is complemented by a substantial body of general correspondence which documents Lloyd Wright's interaction with the client and with other parties involved with the design or construction of the Chapel (the Palos Verdes Corporation, the Wayfarers Chapel Building and Properties Committee, and Reverends of the Chapel between 1947 and 1960). Further correspondence relates to the publicity for the Chapel between 1951 and 1965. The textual documents are augmented by an extensive array of visual materials, such as drawings, photographs, postcards, newspaper articles and trade catalogues, which are valuable for providing a pictorial record of the Chapel and site from its earliest through to its later development. The "Trade Catalogues and Supplier Ephemera" file (file 98 of the "General Files") contains a record of the products and supplies Lloyd Wright considered or used in the construction of the Wayfarers' Chapel.
Wayfarers' Chapel Architect's Project Files
Actions:
AP151.S1.D10
Description:
The project files documenting the construction of the Wayfarers' Chapel and site are extensive and quite complete. The documentation is more complete for the first two units of construction than for the latter units. Thus, the internal coherence of the papers is more apparent for the earlier development of the project. The most comprehensive record of the development of the Wayfarers' Chapel is contained in the "Supervision Journal" which covers the period from 1947-1971 (files 97a/97b of the "General Files"). It should be noted particularly by researchers using these papers. The research value of the "Supervision Journal" is complemented by a substantial body of general correspondence which documents Lloyd Wright's interaction with the client and with other parties involved with the design or construction of the Chapel (the Palos Verdes Corporation, the Wayfarers Chapel Building and Properties Committee, and Reverends of the Chapel between 1947 and 1960). Further correspondence relates to the publicity for the Chapel between 1951 and 1965. The textual documents are augmented by an extensive array of visual materials, such as drawings, photographs, postcards, newspaper articles and trade catalogues, which are valuable for providing a pictorial record of the Chapel and site from its earliest through to its later development. The "Trade Catalogues and Supplier Ephemera" file (file 98 of the "General Files") contains a record of the products and supplies Lloyd Wright considered or used in the construction of the Wayfarers' Chapel.
Niveau de description archivistique:
Subseries
Subseries
Date:
1946-1977
1946-1977
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Date:
11 mai 2016 au 16 octobre 2016
11 mai 2016 au 16 octobre 2016
Titre:
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Classification:
expositions
expositions
Date:
11 mai 2016 au
16 octobre 2016
11 mai 2016 au
16 octobre 2016
