155 Résultats
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In 1982, the protests of antiporn feminists sparked the censorship of the ''Diary of a Conference on Sexuality'', a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. ''In Visible archives'' documents the community networks that produced this resonant artifact and others, analyzing how visual culture(...)
$38.99
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In 1982, the protests of antiporn feminists sparked the censorship of the ''Diary of a Conference on Sexuality'', a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. ''In Visible archives'' documents the community networks that produced this resonant artifact and others, analyzing how visual culture(...)
Titre:
In Visible archives: Queer and feminist visual culture in the 1980s
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In 1982, the protests of antiporn feminists sparked the censorship of the ''Diary of a Conference on Sexuality'', a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. ''In Visible archives'' documents the community networks that produced this resonant artifact and others, analyzing how visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities. Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. The art highlighted in ''In Visible archives'' demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.
In Visible archives: Queer and feminist visual culture in the 1980s
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In 1982, the protests of antiporn feminists sparked the censorship of the ''Diary of a Conference on Sexuality'', a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. ''In Visible archives'' documents the community networks that produced this resonant artifact and others, analyzing how visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities. Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. The art highlighted in ''In Visible archives'' demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.
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livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Social
Social
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livres
livres
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$43.95
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Ever since anthropology has existed as a discipline, anthropologists have thought about architectural forms. This book provides the first overview of how anthropologists have studied architecture and the extraordinarily rich thought and data this has produced. With a focus on domestic space - that intimate context in which anthropologists traditionally work - the(...)
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Ever since anthropology has existed as a discipline, anthropologists have thought about architectural forms. This book provides the first overview of how anthropologists have studied architecture and the extraordinarily rich thought and data this has produced. With a focus on domestic space - that intimate context in which anthropologists traditionally work - the(...)
Titre:
An anthropology of architecture
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Ever since anthropology has existed as a discipline, anthropologists have thought about architectural forms. This book provides the first overview of how anthropologists have studied architecture and the extraordinarily rich thought and data this has produced. With a focus on domestic space - that intimate context in which anthropologists traditionally work - the book explains how anthropologists think about public and private boundaries, gender, sex and the body, the materiality of architectural forms and materials, building technologies and architectural representations. Each chapter uses a broad range of case studies from around the world to examine from within anthropology what architecture 'does' - how it makes people and shapes, sustains and unravels social relations.
An anthropology of architecture
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Ever since anthropology has existed as a discipline, anthropologists have thought about architectural forms. This book provides the first overview of how anthropologists have studied architecture and the extraordinarily rich thought and data this has produced. With a focus on domestic space - that intimate context in which anthropologists traditionally work - the book explains how anthropologists think about public and private boundaries, gender, sex and the body, the materiality of architectural forms and materials, building technologies and architectural representations. Each chapter uses a broad range of case studies from around the world to examine from within anthropology what architecture 'does' - how it makes people and shapes, sustains and unravels social relations.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$44.00
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to(...)
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to(...)
Titre:
Tibor Kalman : perverse optimist
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to characterize graphic design in the past decade. Tibor, designed by Michael Bierut of Pentagram and edited by I.D. Magazine senior writer Peter Hall, is the first comprehensive collection of Kalman's work and ideas. This full-color title--numbering over 400 pages--includes a pictorial manifesto by Kalman, revealing his thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included, creating what Kalman calls "an almanac of oddities." An impressive list of essay contributors includes Steven Heller, David Byrne, Jay Chiat, Kurt Andersen, Paola Antonelli, Isaac Mizrahi, Ingrid Sischy, Chee Pearlman, and Rick Poynor.
Tibor Kalman : perverse optimist
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to characterize graphic design in the past decade. Tibor, designed by Michael Bierut of Pentagram and edited by I.D. Magazine senior writer Peter Hall, is the first comprehensive collection of Kalman's work and ideas. This full-color title--numbering over 400 pages--includes a pictorial manifesto by Kalman, revealing his thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included, creating what Kalman calls "an almanac of oddities." An impressive list of essay contributors includes Steven Heller, David Byrne, Jay Chiat, Kurt Andersen, Paola Antonelli, Isaac Mizrahi, Ingrid Sischy, Chee Pearlman, and Rick Poynor.
Classification:
livres
livres
Publication:
septembre 2000, New York
septembre 2000, New York
Classification:
livres
livres
Titre:
Minter-isms
Minter-isms
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$23.50
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines,(...)
$23.50
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines,(...)
Titre:
Minter-isms
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$23.50
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines, depicting cropped women’s faces and bodies laden with jewels and couture accessories. In some of her work, she has explored how the meaning of pornographic imagery changes when it’s appropriated and transformed by a woman artist. Gathered from interviews, articles, and other sources, ''Minter-isms'' is a compelling collection of quotations that presents Minter’s revealing thoughts on art, women, power, sexuality, pornography, politics, and more. Filled with wisdom and humor, the book offers new insights about the life, work, and mind of this groundbreaking artist.
Minter-isms
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines, depicting cropped women’s faces and bodies laden with jewels and couture accessories. In some of her work, she has explored how the meaning of pornographic imagery changes when it’s appropriated and transformed by a woman artist. Gathered from interviews, articles, and other sources, ''Minter-isms'' is a compelling collection of quotations that presents Minter’s revealing thoughts on art, women, power, sexuality, pornography, politics, and more. Filled with wisdom and humor, the book offers new insights about the life, work, and mind of this groundbreaking artist.
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livres
livres
Publication:
mars 2025
mars 2025
Classification:
livres
livres
Titre:
Lee Friedlander: Mannequin
Lee Friedlander: Mannequin
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing(...)
$67.50
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing(...)
Titre:
Lee Friedlander: Mannequin
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$67.50
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing on storefront windows and reflections that conjure marketplace notions of sex, fashion and consumerism, while recalling Atget’s surreal photographs of Parisian windows made 100 years earlier. Thoroughly straightforward, their unsettling and radical new compositions suggest photographs that have been torn up and pasted back together again in near-random ways.
Lee Friedlander: Mannequin
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing on storefront windows and reflections that conjure marketplace notions of sex, fashion and consumerism, while recalling Atget’s surreal photographs of Parisian windows made 100 years earlier. Thoroughly straightforward, their unsettling and radical new compositions suggest photographs that have been torn up and pasted back together again in near-random ways.
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livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Description:
xxviii, 412 pages : illustrations ; 26 cm
Description:
xxviii, 412 pages : illustrations ; 26 cm
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Publication:
Cambridge, Mass. : MIT Press ; Chicago, Ill. : Graham Foundation for Advanced Studies in the Fine Arts, ©2002.
Cambridge, Mass. : MIT Press ; Chicago, Ill. : Graham Foundation for Advanced Studies in the Fine Arts, ©2002.
Titre:
The minimum dwelling = L'habitation minimum = Die Kleinstwohnung : the housing crisis, housing reform ... / Karel Teige ; translated and introduced by Eric Dluhosch.
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Description:
xxviii, 412 pages : illustrations ; 26 cm
The minimum dwelling = L'habitation minimum = Die Kleinstwohnung : the housing crisis, housing reform ... / Karel Teige ; translated and introduced by Eric Dluhosch.
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Description:
xxviii, 412 pages : illustrations ; 26 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press ; Chicago, Ill. : Graham Foundation for Advanced Studies in the Fine Arts, ©2002.
Cambridge, Mass. : MIT Press ; Chicago, Ill. : Graham Foundation for Advanced Studies in the Fine Arts, ©2002.
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livres
livres
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$32.00
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The iconic Edith Farnsworth House is a singular glass home designed by Mies van der Rohe. But the oft-told history of the house overwrites Farnsworth’s role as Mies’s collaborator and antagonist while falsely portraying her as the architect’s angry ex-lover. Nora Wendl’s audacious work of creative nonfiction explodes the sex-and-real-estate myth surrounding the Edith(...)
$32.00
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The iconic Edith Farnsworth House is a singular glass home designed by Mies van der Rohe. But the oft-told history of the house overwrites Farnsworth’s role as Mies’s collaborator and antagonist while falsely portraying her as the architect’s angry ex-lover. Nora Wendl’s audacious work of creative nonfiction explodes the sex-and-real-estate myth surrounding the Edith(...)
Titre:
Almost nothing: Reclaiming Edith Farnsworth
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$32.00
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The iconic Edith Farnsworth House is a singular glass home designed by Mies van der Rohe. But the oft-told history of the house overwrites Farnsworth’s role as Mies’s collaborator and antagonist while falsely portraying her as the architect’s angry ex-lover. Nora Wendl’s audacious work of creative nonfiction explodes the sex-and-real-estate myth surrounding the Edith Farnsworth House and its two central figures. An eminent physician and woman of letters, Farnsworth left a rich trove of correspondence, memoirs, and photographs that Wendl uses to reconstruct her voice. Farnsworth’s memories and experiences alternate with Wendl’s thoughts on topics like misogyny and professional ambition to fashion a lyrical examination of love, loneliness, beauty, and the search for the divine.
Almost nothing: Reclaiming Edith Farnsworth
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$32.00
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The iconic Edith Farnsworth House is a singular glass home designed by Mies van der Rohe. But the oft-told history of the house overwrites Farnsworth’s role as Mies’s collaborator and antagonist while falsely portraying her as the architect’s angry ex-lover. Nora Wendl’s audacious work of creative nonfiction explodes the sex-and-real-estate myth surrounding the Edith Farnsworth House and its two central figures. An eminent physician and woman of letters, Farnsworth left a rich trove of correspondence, memoirs, and photographs that Wendl uses to reconstruct her voice. Farnsworth’s memories and experiences alternate with Wendl’s thoughts on topics like misogyny and professional ambition to fashion a lyrical examination of love, loneliness, beauty, and the search for the divine.
Classification:
livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$47.50
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In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly(...)
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In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly(...)
Titre:
Isokon and the Bauhaus in Britain
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$47.50
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In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly Pritchard and designed by aspiring architect Wells Coates. This book tells the story of the Isokon, from its beginnings to the present day, and fully examines the work, artistic networks and legacy of the Bauhaus artists during their time in Britain. The tales are not just of design and architecture but war, sex, death, espionage and the infamous dinner parties.
Isokon and the Bauhaus in Britain
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In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly Pritchard and designed by aspiring architect Wells Coates. This book tells the story of the Isokon, from its beginnings to the present day, and fully examines the work, artistic networks and legacy of the Bauhaus artists during their time in Britain. The tales are not just of design and architecture but war, sex, death, espionage and the infamous dinner parties.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Titre:
Mapping tourism
Mapping tourism
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$24.95
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Résumé:
At first glance, the relationships among tourists, tourism maps, and the spaces of tourism seem straightforward enough: tourists use maps to find their way to and through the sites of history, culture, nature, or recreation represented there. Less apparent is how tourism maps and those using them construct such spaces and identities. As the essays in "Mapping Tourism"(...)
$24.95
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At first glance, the relationships among tourists, tourism maps, and the spaces of tourism seem straightforward enough: tourists use maps to find their way to and through the sites of history, culture, nature, or recreation represented there. Less apparent is how tourism maps and those using them construct such spaces and identities. As the essays in "Mapping Tourism"(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
avril 2003, Minneapolis
avril 2003, Minneapolis
Titre:
Mapping tourism
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At first glance, the relationships among tourists, tourism maps, and the spaces of tourism seem straightforward enough: tourists use maps to find their way to and through the sites of history, culture, nature, or recreation represented there. Less apparent is how tourism maps and those using them construct such spaces and identities. As the essays in "Mapping Tourism" clearly demonstrate, the extraordinary interactions of work with leisure and the everyday with the exotic make tourism maps ideal sites for exploring the contested construction of place and identity. Construction sites in the "New Berlin," Alabama's civil rights trail, Québec City, a California ghost town, and Bangkok's sex trade are among the spaces the essays examine. Taken together, these essays allow us to see tourist space as it truly is: contested, ever changing, and replete with issues of power.
Mapping tourism
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$24.95
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At first glance, the relationships among tourists, tourism maps, and the spaces of tourism seem straightforward enough: tourists use maps to find their way to and through the sites of history, culture, nature, or recreation represented there. Less apparent is how tourism maps and those using them construct such spaces and identities. As the essays in "Mapping Tourism" clearly demonstrate, the extraordinary interactions of work with leisure and the everyday with the exotic make tourism maps ideal sites for exploring the contested construction of place and identity. Construction sites in the "New Berlin," Alabama's civil rights trail, Québec City, a California ghost town, and Bangkok's sex trade are among the spaces the essays examine. Taken together, these essays allow us to see tourist space as it truly is: contested, ever changing, and replete with issues of power.
Classification:
livres
livres
Publication:
avril 2003, Minneapolis
avril 2003, Minneapolis
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
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$36.00
(disponible sur commande)
Résumé:
During a time when pop stars become famous thanks to sex tapes that have been leaked online, it is clear that the Internet is not immune to the draw of the media. Yet art, academia and activism continue to promote the Internet as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double standard dominating contemporary media discourse and(...)
$36.00
(disponible sur commande)
Résumé:
During a time when pop stars become famous thanks to sex tapes that have been leaked online, it is clear that the Internet is not immune to the draw of the media. Yet art, academia and activism continue to promote the Internet as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double standard dominating contemporary media discourse and(...)
Titre:
Animal spirits: a bestiary of the commons
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$36.00
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During a time when pop stars become famous thanks to sex tapes that have been leaked online, it is clear that the Internet is not immune to the draw of the media. Yet art, academia and activism continue to promote the Internet as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double standard dominating contemporary media discourse and shatters the myths of creative commons, free software and open-source movements, suggesting that "free culture" is an economic parasite siphoning money through peer-to-peer networks. Theorist and digital fetishist Matteo Pasquinelli uses the metaphor of the animal body--which Paul Virilio has characterized as instinctual and reactionary--to counter what he sees as a capitalist exploitation of collective imagery, calling for a radical new understanding of the forces at work behind the digital economy and cultural production.
Animal spirits: a bestiary of the commons
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$36.00
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During a time when pop stars become famous thanks to sex tapes that have been leaked online, it is clear that the Internet is not immune to the draw of the media. Yet art, academia and activism continue to promote the Internet as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double standard dominating contemporary media discourse and shatters the myths of creative commons, free software and open-source movements, suggesting that "free culture" is an economic parasite siphoning money through peer-to-peer networks. Theorist and digital fetishist Matteo Pasquinelli uses the metaphor of the animal body--which Paul Virilio has characterized as instinctual and reactionary--to counter what he sees as a capitalist exploitation of collective imagery, calling for a radical new understanding of the forces at work behind the digital economy and cultural production.
Classification:
livres
livres
Publication:
mars 2009, Amsterdam
mars 2009, Amsterdam
Sujet:
Théorie/ philosophie
Théorie/ philosophie
