5264 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Student Drawings
Student Drawings
Numéro de référence:
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
Personnes et institutions:
Date:
1938-1939
1938-1939
Titre:
Student Drawings
Actions:
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
Student Drawings
Actions:
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
Niveau de description archivistique:
Sub-file 1
Sub-file 1
Date:
1938-1939
1938-1939
Personnes et institutions:
Classification:
documents textuels
Quantité:
19 file(s)
documents textuels
Quantité:
19 file(s)
Numéro de référence:
ARCH183821
Description:
Administrateurs FICCA -[Phyllis Lambert]/[Robert Spickler], 1997: job descriptions, meeting minutes, correspondence -New York, Jeffrey James, 1996: correspondence, reports, Phyllis Lambert's handwritten notes, minutes concerning initial planning of IFCCA Prize competition andinformation technology requirements for IFCCA and CCA -Conseil d'administration, 1998: IFCCA Board of Directors meeting agenda 8 March 1999, correspondence -Conseil d'administration, 1996-97: IFCCA Board of Director meeting agendas, correspondence, reports -Conseil d'administration, statement of purpose, 1996 -Membres Conseil d'administration, 1995: correspondence concerning Philip O'Brien joining the IFCCA Board of Directors -Comité de recherche du Conseil d'administration, 1994-96 (2 files): documents concerning the search for an Executive Director of IFCCA -Réunions, agendas [Phyllis Lambert]/[Jeffrey James], 1994-96 (3 files): correspondence, handwritten notes, meeting agendas relating primarily to fundraising and planning events for IFCCA -IFCCA, Position, description, Jeffrey James, 2000 -Conseil des fiduciaires, réunions 1997: meeting minutes, correspondence -Patrons Committee, 1996: agenda -Comptes rendus, Président, 1995 -Comptes rendus, Directeur exécutif, 1994-96 (4 files): preliminary planning and research for IFCCA goals and activities
ARCH183821
Description:
Administrateurs FICCA -[Phyllis Lambert]/[Robert Spickler], 1997: job descriptions, meeting minutes, correspondence -New York, Jeffrey James, 1996: correspondence, reports, Phyllis Lambert's handwritten notes, minutes concerning initial planning of IFCCA Prize competition andinformation technology requirements for IFCCA and CCA -Conseil d'administration, 1998: IFCCA Board of Directors meeting agenda 8 March 1999, correspondence -Conseil d'administration, 1996-97: IFCCA Board of Director meeting agendas, correspondence, reports -Conseil d'administration, statement of purpose, 1996 -Membres Conseil d'administration, 1995: correspondence concerning Philip O'Brien joining the IFCCA Board of Directors -Comité de recherche du Conseil d'administration, 1994-96 (2 files): documents concerning the search for an Executive Director of IFCCA -Réunions, agendas [Phyllis Lambert]/[Jeffrey James], 1994-96 (3 files): correspondence, handwritten notes, meeting agendas relating primarily to fundraising and planning events for IFCCA -IFCCA, Position, description, Jeffrey James, 2000 -Conseil des fiduciaires, réunions 1997: meeting minutes, correspondence -Patrons Committee, 1996: agenda -Comptes rendus, Président, 1995 -Comptes rendus, Directeur exécutif, 1994-96 (4 files): preliminary planning and research for IFCCA goals and activities
Personnes et institutions:
Date:
1994-1998
1994-1998
Titre:
Administrateurs FICCA
Actions:
ARCH183821
Description:
Administrateurs FICCA -[Phyllis Lambert]/[Robert Spickler], 1997: job descriptions, meeting minutes, correspondence -New York, Jeffrey James, 1996: correspondence, reports, Phyllis Lambert's handwritten notes, minutes concerning initial planning of IFCCA Prize competition andinformation technology requirements for IFCCA and CCA -Conseil d'administration, 1998: IFCCA Board of Directors meeting agenda 8 March 1999, correspondence -Conseil d'administration, 1996-97: IFCCA Board of Director meeting agendas, correspondence, reports -Conseil d'administration, statement of purpose, 1996 -Membres Conseil d'administration, 1995: correspondence concerning Philip O'Brien joining the IFCCA Board of Directors -Comité de recherche du Conseil d'administration, 1994-96 (2 files): documents concerning the search for an Executive Director of IFCCA -Réunions, agendas [Phyllis Lambert]/[Jeffrey James], 1994-96 (3 files): correspondence, handwritten notes, meeting agendas relating primarily to fundraising and planning events for IFCCA -IFCCA, Position, description, Jeffrey James, 2000 -Conseil des fiduciaires, réunions 1997: meeting minutes, correspondence -Patrons Committee, 1996: agenda -Comptes rendus, Président, 1995 -Comptes rendus, Directeur exécutif, 1994-96 (4 files): preliminary planning and research for IFCCA goals and activities
Administrateurs FICCA
Actions:
ARCH183821
Description:
Administrateurs FICCA -[Phyllis Lambert]/[Robert Spickler], 1997: job descriptions, meeting minutes, correspondence -New York, Jeffrey James, 1996: correspondence, reports, Phyllis Lambert's handwritten notes, minutes concerning initial planning of IFCCA Prize competition andinformation technology requirements for IFCCA and CCA -Conseil d'administration, 1998: IFCCA Board of Directors meeting agenda 8 March 1999, correspondence -Conseil d'administration, 1996-97: IFCCA Board of Director meeting agendas, correspondence, reports -Conseil d'administration, statement of purpose, 1996 -Membres Conseil d'administration, 1995: correspondence concerning Philip O'Brien joining the IFCCA Board of Directors -Comité de recherche du Conseil d'administration, 1994-96 (2 files): documents concerning the search for an Executive Director of IFCCA -Réunions, agendas [Phyllis Lambert]/[Jeffrey James], 1994-96 (3 files): correspondence, handwritten notes, meeting agendas relating primarily to fundraising and planning events for IFCCA -IFCCA, Position, description, Jeffrey James, 2000 -Conseil des fiduciaires, réunions 1997: meeting minutes, correspondence -Patrons Committee, 1996: agenda -Comptes rendus, Président, 1995 -Comptes rendus, Directeur exécutif, 1994-96 (4 files): preliminary planning and research for IFCCA goals and activities
Classification:
documents textuels
Quantité:
19 file(s)
documents textuels
Quantité:
19 file(s)
Date:
1994-1998
1994-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D3
Description:
The project series documents the competition entry for the presidential house, in Spain. Abalos & Herreros' design proposed that the President live as a nomad and have a house in each region of Spain. The building is shaped like a bull. The firm identified this project as number 102. According to the firm's project list the project was produced in 1997. The CCA has not yet received material for this project.
AP164.S1.1997.D3
Description:
The project series documents the competition entry for the presidential house, in Spain. Abalos & Herreros' design proposed that the President live as a nomad and have a house in each region of Spain. The building is shaped like a bull. The firm identified this project as number 102. According to the firm's project list the project was produced in 1997. The CCA has not yet received material for this project.
Personnes et institutions:
Date:
circa 1997
circa 1997
Titre:
La Casa del Presidente, Spain (1997)
Actions:
AP164.S1.1997.D3
Description:
The project series documents the competition entry for the presidential house, in Spain. Abalos & Herreros' design proposed that the President live as a nomad and have a house in each region of Spain. The building is shaped like a bull. The firm identified this project as number 102. According to the firm's project list the project was produced in 1997. The CCA has not yet received material for this project.
La Casa del Presidente, Spain (1997)
Actions:
AP164.S1.1997.D3
Description:
The project series documents the competition entry for the presidential house, in Spain. Abalos & Herreros' design proposed that the President live as a nomad and have a house in each region of Spain. The building is shaped like a bull. The firm identified this project as number 102. According to the firm's project list the project was produced in 1997. The CCA has not yet received material for this project.
Niveau de description archivistique:
Project
Project
Date:
circa 1997
circa 1997
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
Personnes et institutions:
Date:
1991
1991
Titre:
Parables and other allegories: the work of Melvin Charney, 1975-1990
Actions:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
Parables and other allegories: the work of Melvin Charney, 1975-1990
Actions:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
Niveau de description archivistique:
Subseries
Subseries
Date:
1991
1991
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Futurecasting collection
Futurecasting collection
Numéro de référence:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Personnes et institutions:
Date:
2008-2023
2008-2023
Titre:
Futurecasting collection
Actions:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Futurecasting collection
Actions:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
2008-2023
2008-2023
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
Classification:
articles
articles
Actions:
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Mot(s)-clé(s):
Albert Kahn, Detroit, Hedrich-Blessing, Nancy Levinson, General Motors, Ford, Pour le CCA de la part de..., To CCA from...
Albert Kahn, Detroit, Hedrich-Blessing, Nancy Levinson, General Motors, Ford, Pour le CCA de la part de..., To CCA from...
Publié:
12 décembre 2012
12 décembre 2012
Classification:
photographies
Quantité:
35 photograph(s)
photographies
Quantité:
35 photograph(s)
Titre:
The Museum Is Not Enough
The Museum Is Not Enough
Actions:
Numéro de référence:
PH2019:0007:001-035
Description:
A group of 35 photographs of the CCA premises and objects of the CCA Collection
PH2019:0007:001-035
Description:
A group of 35 photographs of the CCA premises and objects of the CCA Collection
Personnes et institutions:
Date:
October 2018
October 2018
Titre:
The Museum Is Not Enough
Actions:
PH2019:0007:001-035
Description:
A group of 35 photographs of the CCA premises and objects of the CCA Collection
The Museum Is Not Enough
Actions:
PH2019:0007:001-035
Description:
A group of 35 photographs of the CCA premises and objects of the CCA Collection
Classification:
photographies
Quantité:
35 photograph(s)
photographies
Quantité:
35 photograph(s)
Date:
October 2018
October 2018
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Writings and documentation
Writings and documentation
Numéro de référence:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
Personnes et institutions:
Date:
1976-2014, predominant 2000-2014
1976-2014, predominant 2000-2014
Titre:
Writings and documentation
Actions:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
Writings and documentation
Actions:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
Niveau de description archivistique:
series
series
Date:
1976-2014, predominant 2000-2014
1976-2014, predominant 2000-2014
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP116.S2.SS5
Description:
Sub-series documents the planning and execution of the Anyplace Conference and Journal, taking place 16-18 June, 1994, Canadian Centre for Architecture, Montreal, Canada. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1993 and 1996. Sub-series contains correspondence with conference participants, poster, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, texts for journal and the publication itself.
AP116.S2.SS5
Description:
Sub-series documents the planning and execution of the Anyplace Conference and Journal, taking place 16-18 June, 1994, Canadian Centre for Architecture, Montreal, Canada. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1993 and 1996. Sub-series contains correspondence with conference participants, poster, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, texts for journal and the publication itself.
Personnes et institutions:
Date:
1993-1996
1993-1996
Titre:
Anyplace Conference and Journal
Actions:
AP116.S2.SS5
Description:
Sub-series documents the planning and execution of the Anyplace Conference and Journal, taking place 16-18 June, 1994, Canadian Centre for Architecture, Montreal, Canada. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1993 and 1996. Sub-series contains correspondence with conference participants, poster, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, texts for journal and the publication itself.
Anyplace Conference and Journal
Actions:
AP116.S2.SS5
Description:
Sub-series documents the planning and execution of the Anyplace Conference and Journal, taking place 16-18 June, 1994, Canadian Centre for Architecture, Montreal, Canada. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1993 and 1996. Sub-series contains correspondence with conference participants, poster, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, texts for journal and the publication itself.
Niveau de description archivistique:
Sub-series 5
Sub-series 5
Date:
1993-1996
1993-1996
Personnes et institutions:
