43703 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
Personnes et institutions:
Date:
2008-2017
2008-2017
Titre:
Professional correspondence from 2008-2017
Actions:
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
Professional correspondence from 2008-2017
Actions:
AP075.S3.SS2.152
Description:
This box contains professional and correspondence, organized in chronological order, from 2009-2012. This correspondence contains chiefly letters related to participation to publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also includes correspondence related to Oberlander's work as jury member for design competitions. This correspondence also includes letters about preservation of the University of British Columbia Faculty Club and Robson Square.
Classification:
documents textuels
documents textuels
Date:
2008-2017
2008-2017
Personnes et institutions:
Classification:
photographies
Quantité:
8 panel(s)
photographies
Quantité:
8 panel(s)
Numéro de référence:
DR1995:0300:001-008
Description:
These eight presentation boards (1967-1977 ?) are collages composed of reduced copies of previously published material, such as periodical clippings and photomechanical prints, interspersed with titles and text describing relevant work. The two projects represented are Fun Palace (AP144.S2.D46) and O.C.H. Feasibility Study (Oxford Corner House, AP144.S2.D59). Price apparently chose these two projects as a comparative study for concepts which he was developing at the time. Further research is required to establish the theme(s) of the German Exhibition and how this comparative study by Price fits into the exhibition.
DR1995:0300:001-008
Description:
These eight presentation boards (1967-1977 ?) are collages composed of reduced copies of previously published material, such as periodical clippings and photomechanical prints, interspersed with titles and text describing relevant work. The two projects represented are Fun Palace (AP144.S2.D46) and O.C.H. Feasibility Study (Oxford Corner House, AP144.S2.D59). Price apparently chose these two projects as a comparative study for concepts which he was developing at the time. Further research is required to establish the theme(s) of the German Exhibition and how this comparative study by Price fits into the exhibition.
Personnes et institutions:
Date:
1967-1977 ?
1967-1977 ?
Titre:
German exhibition: Presentation panels
Actions:
DR1995:0300:001-008
Description:
These eight presentation boards (1967-1977 ?) are collages composed of reduced copies of previously published material, such as periodical clippings and photomechanical prints, interspersed with titles and text describing relevant work. The two projects represented are Fun Palace (AP144.S2.D46) and O.C.H. Feasibility Study (Oxford Corner House, AP144.S2.D59). Price apparently chose these two projects as a comparative study for concepts which he was developing at the time. Further research is required to establish the theme(s) of the German Exhibition and how this comparative study by Price fits into the exhibition.
German exhibition: Presentation panels
Actions:
DR1995:0300:001-008
Description:
These eight presentation boards (1967-1977 ?) are collages composed of reduced copies of previously published material, such as periodical clippings and photomechanical prints, interspersed with titles and text describing relevant work. The two projects represented are Fun Palace (AP144.S2.D46) and O.C.H. Feasibility Study (Oxford Corner House, AP144.S2.D59). Price apparently chose these two projects as a comparative study for concepts which he was developing at the time. Further research is required to establish the theme(s) of the German Exhibition and how this comparative study by Price fits into the exhibition.
Classification:
photographies
Quantité:
8 panel(s)
photographies
Quantité:
8 panel(s)
Date:
1967-1977 ?
1967-1977 ?
Personnes et institutions:
Classification:
périodiques
périodiques
Numéro de référence:
AP173.S5.002
Description:
Serial ''de Architect'', no. 49, November 1992, with an article on Lars Spuybroek architectural firm, NOX, at pages 58 to 67, written by Bart Lootsma. The article mentions various projects by NOX, including Fahrenheit 451 (1991), Dark Sections (1991) and VBC (1992). The serial also includes an article mentionning two projects by Neil Denari (Westcoast Gateway Competition, Los Angeles, 1988 and Tokyo International Forum, 1989) at pages 29 to 35 and an article on the work of Lebbeus Woods at pages 38 to 49 written by Rianne Makkink and Lars Spuybroek.
AP173.S5.002
Description:
Serial ''de Architect'', no. 49, November 1992, with an article on Lars Spuybroek architectural firm, NOX, at pages 58 to 67, written by Bart Lootsma. The article mentions various projects by NOX, including Fahrenheit 451 (1991), Dark Sections (1991) and VBC (1992). The serial also includes an article mentionning two projects by Neil Denari (Westcoast Gateway Competition, Los Angeles, 1988 and Tokyo International Forum, 1989) at pages 29 to 35 and an article on the work of Lebbeus Woods at pages 38 to 49 written by Rianne Makkink and Lars Spuybroek.
Personnes et institutions:
Date:
November 1992
November 1992
Titre:
Serial ''de Architect'' with an article on projects by NOX
Actions:
AP173.S5.002
Description:
Serial ''de Architect'', no. 49, November 1992, with an article on Lars Spuybroek architectural firm, NOX, at pages 58 to 67, written by Bart Lootsma. The article mentions various projects by NOX, including Fahrenheit 451 (1991), Dark Sections (1991) and VBC (1992). The serial also includes an article mentionning two projects by Neil Denari (Westcoast Gateway Competition, Los Angeles, 1988 and Tokyo International Forum, 1989) at pages 29 to 35 and an article on the work of Lebbeus Woods at pages 38 to 49 written by Rianne Makkink and Lars Spuybroek.
Serial ''de Architect'' with an article on projects by NOX
Actions:
AP173.S5.002
Description:
Serial ''de Architect'', no. 49, November 1992, with an article on Lars Spuybroek architectural firm, NOX, at pages 58 to 67, written by Bart Lootsma. The article mentions various projects by NOX, including Fahrenheit 451 (1991), Dark Sections (1991) and VBC (1992). The serial also includes an article mentionning two projects by Neil Denari (Westcoast Gateway Competition, Los Angeles, 1988 and Tokyo International Forum, 1989) at pages 29 to 35 and an article on the work of Lebbeus Woods at pages 38 to 49 written by Rianne Makkink and Lars Spuybroek.
Classification:
périodiques
périodiques
Date:
November 1992
November 1992
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:007
Description:
Binder documents the years 1980-1989 and consists of correspondence with Jane Crawford concerning the sale and exhibition of Gordon Matta-Clark's work and the efforts made to save the project Office Baroque (1977) in Antwerp, Belguim. Also included are reviews of exhibitions, catalogues, periodicals, photographs and color slides. Extensive documentation on the exhibition "Gordon Matta-Clark: A Retrospective" organized by the Museum of Contemporary Art, Chicago, Illinois, which opened in 1985 and travelled to fourteen venues, is included, along with more limited documentation on smaller exhibitions. Binder contains photographs, slides, textual records and transparencies.
PHCON2002:0016:007
Description:
Binder documents the years 1980-1989 and consists of correspondence with Jane Crawford concerning the sale and exhibition of Gordon Matta-Clark's work and the efforts made to save the project Office Baroque (1977) in Antwerp, Belguim. Also included are reviews of exhibitions, catalogues, periodicals, photographs and color slides. Extensive documentation on the exhibition "Gordon Matta-Clark: A Retrospective" organized by the Museum of Contemporary Art, Chicago, Illinois, which opened in 1985 and travelled to fourteen venues, is included, along with more limited documentation on smaller exhibitions. Binder contains photographs, slides, textual records and transparencies.
Personnes et institutions:
Date:
1981-1989
1981-1989
Titre:
Reviews, Announcements, Catalogues 1981-89
Actions:
PHCON2002:0016:007
Description:
Binder documents the years 1980-1989 and consists of correspondence with Jane Crawford concerning the sale and exhibition of Gordon Matta-Clark's work and the efforts made to save the project Office Baroque (1977) in Antwerp, Belguim. Also included are reviews of exhibitions, catalogues, periodicals, photographs and color slides. Extensive documentation on the exhibition "Gordon Matta-Clark: A Retrospective" organized by the Museum of Contemporary Art, Chicago, Illinois, which opened in 1985 and travelled to fourteen venues, is included, along with more limited documentation on smaller exhibitions. Binder contains photographs, slides, textual records and transparencies.
Reviews, Announcements, Catalogues 1981-89
Actions:
PHCON2002:0016:007
Description:
Binder documents the years 1980-1989 and consists of correspondence with Jane Crawford concerning the sale and exhibition of Gordon Matta-Clark's work and the efforts made to save the project Office Baroque (1977) in Antwerp, Belguim. Also included are reviews of exhibitions, catalogues, periodicals, photographs and color slides. Extensive documentation on the exhibition "Gordon Matta-Clark: A Retrospective" organized by the Museum of Contemporary Art, Chicago, Illinois, which opened in 1985 and travelled to fourteen venues, is included, along with more limited documentation on smaller exhibitions. Binder contains photographs, slides, textual records and transparencies.
Date:
1981-1989
1981-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Quarry (1971)
Quarry (1971)
Numéro de référence:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2015
1971-2015
Titre:
Quarry (1971)
Actions:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
Quarry (1971)
Actions:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2015
1971-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Tumbleweeds Catcher (1972)
Tumbleweeds Catcher (1972)
Numéro de référence:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Personnes et institutions:
Date:
circa 1972-2017
circa 1972-2017
Titre:
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2017
circa 1972-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1993.PR05
Description:
This project series documents the Laboratório Showroom Habitação Dimensione Fuoco in San Donà di Piave, Italy. While the records were held in the office’s archives this project was assigned the number 39/90. The office assigned the date 1993 to this project. The firm Dimensione Fuoco Vetroveneto commissioned Siza to design the extension of a building. The design proposed by Siza was a 3000 square metre triangular building, connecting with the existing structure with a courtyard and a boundary wall. It was intended that the cultural organization Circolo Architteture would occupy the space. The program included spaces for architectural conferences and exhibitions, a library and archives. Siza was also supposed to design a sculpture in the park near the building. It is not clear if the project was realized. Documenting this project are sketches, studies, design development drawings and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and construction work.
AP178.S1.1993.PR05
Description:
This project series documents the Laboratório Showroom Habitação Dimensione Fuoco in San Donà di Piave, Italy. While the records were held in the office’s archives this project was assigned the number 39/90. The office assigned the date 1993 to this project. The firm Dimensione Fuoco Vetroveneto commissioned Siza to design the extension of a building. The design proposed by Siza was a 3000 square metre triangular building, connecting with the existing structure with a courtyard and a boundary wall. It was intended that the cultural organization Circolo Architteture would occupy the space. The program included spaces for architectural conferences and exhibitions, a library and archives. Siza was also supposed to design a sculpture in the park near the building. It is not clear if the project was realized. Documenting this project are sketches, studies, design development drawings and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and construction work.
Personnes et institutions:
Date:
1989-2012
1989-2012
Titre:
Laboratório Showroom Habitação Dimensione Fuoco [Dimensione Fuocco Laboratory, Showroom and Housing], San Donà di Piave, Italy (1993)
Actions:
AP178.S1.1993.PR05
Description:
This project series documents the Laboratório Showroom Habitação Dimensione Fuoco in San Donà di Piave, Italy. While the records were held in the office’s archives this project was assigned the number 39/90. The office assigned the date 1993 to this project. The firm Dimensione Fuoco Vetroveneto commissioned Siza to design the extension of a building. The design proposed by Siza was a 3000 square metre triangular building, connecting with the existing structure with a courtyard and a boundary wall. It was intended that the cultural organization Circolo Architteture would occupy the space. The program included spaces for architectural conferences and exhibitions, a library and archives. Siza was also supposed to design a sculpture in the park near the building. It is not clear if the project was realized. Documenting this project are sketches, studies, design development drawings and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and construction work.
Laboratório Showroom Habitação Dimensione Fuoco [Dimensione Fuocco Laboratory, Showroom and Housing], San Donà di Piave, Italy (1993)
Actions:
AP178.S1.1993.PR05
Description:
This project series documents the Laboratório Showroom Habitação Dimensione Fuoco in San Donà di Piave, Italy. While the records were held in the office’s archives this project was assigned the number 39/90. The office assigned the date 1993 to this project. The firm Dimensione Fuoco Vetroveneto commissioned Siza to design the extension of a building. The design proposed by Siza was a 3000 square metre triangular building, connecting with the existing structure with a courtyard and a boundary wall. It was intended that the cultural organization Circolo Architteture would occupy the space. The program included spaces for architectural conferences and exhibitions, a library and archives. Siza was also supposed to design a sculpture in the park near the building. It is not clear if the project was realized. Documenting this project are sketches, studies, design development drawings and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and construction work.
Niveau de description archivistique:
Project
Project
Date:
1989-2012
1989-2012
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Personnes et institutions:
Date:
1984-1992
1984-1992
Titre:
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Niveau de description archivistique:
Project
Project
Date:
1984-1992
1984-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP022.S1.1988.PR14
Description:
File documents the design and construction of a built residence in Woodside, California. The client for the project was Bob Halperin. The project architect was Nick Milkovich and Cornelia Oberlander worked on the landscape conception. File contains textual records.
AP022.S1.1988.PR14
Description:
File documents the design and construction of a built residence in Woodside, California. The client for the project was Bob Halperin. The project architect was Nick Milkovich and Cornelia Oberlander worked on the landscape conception. File contains textual records.
Personnes et institutions:
Date:
1988-1990
1988-1990
Titre:
Halperin Residence
Actions:
AP022.S1.1988.PR14
Description:
File documents the design and construction of a built residence in Woodside, California. The client for the project was Bob Halperin. The project architect was Nick Milkovich and Cornelia Oberlander worked on the landscape conception. File contains textual records.
Halperin Residence
Actions:
AP022.S1.1988.PR14
Description:
File documents the design and construction of a built residence in Woodside, California. The client for the project was Bob Halperin. The project architect was Nick Milkovich and Cornelia Oberlander worked on the landscape conception. File contains textual records.
Niveau de description archivistique:
Project
Project
Date:
1988-1990
1988-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1961.PR01
Description:
This project series documents the Appartamento Bramini, a built apartment in Milan, Italy. Riva worked on this project in 1961. The project series contains details, including furnishing details, and a floor plan showing the layout for the apartment.
AP180.S1.1961.PR01
Description:
This project series documents the Appartamento Bramini, a built apartment in Milan, Italy. Riva worked on this project in 1961. The project series contains details, including furnishing details, and a floor plan showing the layout for the apartment.
Personnes et institutions:
Date:
1961
1961
Titre:
Appartamento Bramini [Bramini Apartment], Milan, Italy (1961)
Actions:
AP180.S1.1961.PR01
Description:
This project series documents the Appartamento Bramini, a built apartment in Milan, Italy. Riva worked on this project in 1961. The project series contains details, including furnishing details, and a floor plan showing the layout for the apartment.
Appartamento Bramini [Bramini Apartment], Milan, Italy (1961)
Actions:
AP180.S1.1961.PR01
Description:
This project series documents the Appartamento Bramini, a built apartment in Milan, Italy. Riva worked on this project in 1961. The project series contains details, including furnishing details, and a floor plan showing the layout for the apartment.
Niveau de description archivistique:
Project
Project
Date:
1961
1961
Personnes et institutions:
