43397 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Quarry (1971)
Quarry (1971)
Numéro de référence:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2015
1971-2015
Titre:
Quarry (1971)
Actions:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
Quarry (1971)
Actions:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2015
1971-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Tumbleweeds Catcher (1972)
Tumbleweeds Catcher (1972)
Numéro de référence:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Personnes et institutions:
Date:
circa 1972-2017
circa 1972-2017
Titre:
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2017
circa 1972-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Personnes et institutions:
Date:
1984-1992
1984-1992
Titre:
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Niveau de description archivistique:
Project
Project
Date:
1984-1992
1984-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1993.PR05
Description:
This project series documents the Laboratório Showroom Habitação Dimensione Fuoco in San Donà di Piave, Italy. While the records were held in the office’s archives this project was assigned the number 39/90. The office assigned the date 1993 to this project. The firm Dimensione Fuoco Vetroveneto commissioned Siza to design the extension of a building. The design proposed by Siza was a 3000 square metre triangular building, connecting with the existing structure with a courtyard and a boundary wall. It was intended that the cultural organization Circolo Architteture would occupy the space. The program included spaces for architectural conferences and exhibitions, a library and archives. Siza was also supposed to design a sculpture in the park near the building. It is not clear if the project was realized. Documenting this project are sketches, studies, design development drawings and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and construction work.
AP178.S1.1993.PR05
Description:
This project series documents the Laboratório Showroom Habitação Dimensione Fuoco in San Donà di Piave, Italy. While the records were held in the office’s archives this project was assigned the number 39/90. The office assigned the date 1993 to this project. The firm Dimensione Fuoco Vetroveneto commissioned Siza to design the extension of a building. The design proposed by Siza was a 3000 square metre triangular building, connecting with the existing structure with a courtyard and a boundary wall. It was intended that the cultural organization Circolo Architteture would occupy the space. The program included spaces for architectural conferences and exhibitions, a library and archives. Siza was also supposed to design a sculpture in the park near the building. It is not clear if the project was realized. Documenting this project are sketches, studies, design development drawings and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and construction work.
Personnes et institutions:
Date:
1989-2012
1989-2012
Titre:
Laboratório Showroom Habitação Dimensione Fuoco [Dimensione Fuocco Laboratory, Showroom and Housing], San Donà di Piave, Italy (1993)
Actions:
AP178.S1.1993.PR05
Description:
This project series documents the Laboratório Showroom Habitação Dimensione Fuoco in San Donà di Piave, Italy. While the records were held in the office’s archives this project was assigned the number 39/90. The office assigned the date 1993 to this project. The firm Dimensione Fuoco Vetroveneto commissioned Siza to design the extension of a building. The design proposed by Siza was a 3000 square metre triangular building, connecting with the existing structure with a courtyard and a boundary wall. It was intended that the cultural organization Circolo Architteture would occupy the space. The program included spaces for architectural conferences and exhibitions, a library and archives. Siza was also supposed to design a sculpture in the park near the building. It is not clear if the project was realized. Documenting this project are sketches, studies, design development drawings and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and construction work.
Laboratório Showroom Habitação Dimensione Fuoco [Dimensione Fuocco Laboratory, Showroom and Housing], San Donà di Piave, Italy (1993)
Actions:
AP178.S1.1993.PR05
Description:
This project series documents the Laboratório Showroom Habitação Dimensione Fuoco in San Donà di Piave, Italy. While the records were held in the office’s archives this project was assigned the number 39/90. The office assigned the date 1993 to this project. The firm Dimensione Fuoco Vetroveneto commissioned Siza to design the extension of a building. The design proposed by Siza was a 3000 square metre triangular building, connecting with the existing structure with a courtyard and a boundary wall. It was intended that the cultural organization Circolo Architteture would occupy the space. The program included spaces for architectural conferences and exhibitions, a library and archives. Siza was also supposed to design a sculpture in the park near the building. It is not clear if the project was realized. Documenting this project are sketches, studies, design development drawings and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and construction work.
Niveau de description archivistique:
Project
Project
Date:
1989-2012
1989-2012
Personnes et institutions:
Classification:
recherche
recherche
Classification:
recherche
recherche
Date:
janvier 2018
janvier 2018
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP022.S1.1988.PR14
Description:
File documents the design and construction of a built residence in Woodside, California. The client for the project was Bob Halperin. The project architect was Nick Milkovich and Cornelia Oberlander worked on the landscape conception. File contains textual records.
AP022.S1.1988.PR14
Description:
File documents the design and construction of a built residence in Woodside, California. The client for the project was Bob Halperin. The project architect was Nick Milkovich and Cornelia Oberlander worked on the landscape conception. File contains textual records.
Personnes et institutions:
Date:
1988-1990
1988-1990
Titre:
Halperin Residence
Actions:
AP022.S1.1988.PR14
Description:
File documents the design and construction of a built residence in Woodside, California. The client for the project was Bob Halperin. The project architect was Nick Milkovich and Cornelia Oberlander worked on the landscape conception. File contains textual records.
Halperin Residence
Actions:
AP022.S1.1988.PR14
Description:
File documents the design and construction of a built residence in Woodside, California. The client for the project was Bob Halperin. The project architect was Nick Milkovich and Cornelia Oberlander worked on the landscape conception. File contains textual records.
Niveau de description archivistique:
Project
Project
Date:
1988-1990
1988-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1961.PR01
Description:
This project series documents the Appartamento Bramini, a built apartment in Milan, Italy. Riva worked on this project in 1961. The project series contains details, including furnishing details, and a floor plan showing the layout for the apartment.
AP180.S1.1961.PR01
Description:
This project series documents the Appartamento Bramini, a built apartment in Milan, Italy. Riva worked on this project in 1961. The project series contains details, including furnishing details, and a floor plan showing the layout for the apartment.
Personnes et institutions:
Date:
1961
1961
Titre:
Appartamento Bramini [Bramini Apartment], Milan, Italy (1961)
Actions:
AP180.S1.1961.PR01
Description:
This project series documents the Appartamento Bramini, a built apartment in Milan, Italy. Riva worked on this project in 1961. The project series contains details, including furnishing details, and a floor plan showing the layout for the apartment.
Appartamento Bramini [Bramini Apartment], Milan, Italy (1961)
Actions:
AP180.S1.1961.PR01
Description:
This project series documents the Appartamento Bramini, a built apartment in Milan, Italy. Riva worked on this project in 1961. The project series contains details, including furnishing details, and a floor plan showing the layout for the apartment.
Niveau de description archivistique:
Project
Project
Date:
1961
1961
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D8
Description:
The project series documents the competition entry for the Andalucía Regional Government tax office in Almería, Spain. Abalos & Herreros worked with Ángel Esteban Jaramillo and Ángel Jaramillo Sánchez. They won the competition organised by the Consejería de Economía y Hacienda de la Junta de Andalucía in 1997. The firm also worked with Maria Auxiliadora Gálvez, Fermina Garrido, Jacob Hense, Renata Sentkiewicz, José Luis Sebastián and Manuel Gutiérrez. The firm identified this project as number 107. Documenting the project are design development, technical and working drawings, notes, project descriptions, a model, and reference and photographic materials.
AP164.S1.1997.D8
Description:
The project series documents the competition entry for the Andalucía Regional Government tax office in Almería, Spain. Abalos & Herreros worked with Ángel Esteban Jaramillo and Ángel Jaramillo Sánchez. They won the competition organised by the Consejería de Economía y Hacienda de la Junta de Andalucía in 1997. The firm also worked with Maria Auxiliadora Gálvez, Fermina Garrido, Jacob Hense, Renata Sentkiewicz, José Luis Sebastián and Manuel Gutiérrez. The firm identified this project as number 107. Documenting the project are design development, technical and working drawings, notes, project descriptions, a model, and reference and photographic materials.
Personnes et institutions:
Date:
1992, 1997-2002
1992, 1997-2002
Titre:
Delegación de hacienda, Almería, Spain (1997)
Actions:
AP164.S1.1997.D8
Description:
The project series documents the competition entry for the Andalucía Regional Government tax office in Almería, Spain. Abalos & Herreros worked with Ángel Esteban Jaramillo and Ángel Jaramillo Sánchez. They won the competition organised by the Consejería de Economía y Hacienda de la Junta de Andalucía in 1997. The firm also worked with Maria Auxiliadora Gálvez, Fermina Garrido, Jacob Hense, Renata Sentkiewicz, José Luis Sebastián and Manuel Gutiérrez. The firm identified this project as number 107. Documenting the project are design development, technical and working drawings, notes, project descriptions, a model, and reference and photographic materials.
Delegación de hacienda, Almería, Spain (1997)
Actions:
AP164.S1.1997.D8
Description:
The project series documents the competition entry for the Andalucía Regional Government tax office in Almería, Spain. Abalos & Herreros worked with Ángel Esteban Jaramillo and Ángel Jaramillo Sánchez. They won the competition organised by the Consejería de Economía y Hacienda de la Junta de Andalucía in 1997. The firm also worked with Maria Auxiliadora Gálvez, Fermina Garrido, Jacob Hense, Renata Sentkiewicz, José Luis Sebastián and Manuel Gutiérrez. The firm identified this project as number 107. Documenting the project are design development, technical and working drawings, notes, project descriptions, a model, and reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1992, 1997-2002
1992, 1997-2002
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:1163
Description:
Photograph taken while Lewis Wickes Hine was working for the National Child Labor Committee. Caption on NCLC caption card: "Breaker of the Chauncy (Pa.) Colliery, where a 15 year old breaker-boy was smothered to death and another badly burned, Jan. 7, 1911. (Photo of newspaper clipping #1946.) The coroner told me that the McKee boy was but a few days past his 15th birthday when he was killed, and that the evidence seemed to show that he was at work in another breaker before his 14th birthday. (He will report to us on that point, further)".
PH1980:1163
Description:
Photograph taken while Lewis Wickes Hine was working for the National Child Labor Committee. Caption on NCLC caption card: "Breaker of the Chauncy (Pa.) Colliery, where a 15 year old breaker-boy was smothered to death and another badly burned, Jan. 7, 1911. (Photo of newspaper clipping #1946.) The coroner told me that the McKee boy was but a few days past his 15th birthday when he was killed, and that the evidence seemed to show that he was at work in another breaker before his 14th birthday. (He will report to us on that point, further)".
Personnes et institutions:
Date:
January 1911
January 1911
Titre:
View of coal breaker at Chauncy Colliery, Chauncy, Pennsylvania, United States
Actions:
PH1980:1163
Description:
Photograph taken while Lewis Wickes Hine was working for the National Child Labor Committee. Caption on NCLC caption card: "Breaker of the Chauncy (Pa.) Colliery, where a 15 year old breaker-boy was smothered to death and another badly burned, Jan. 7, 1911. (Photo of newspaper clipping #1946.) The coroner told me that the McKee boy was but a few days past his 15th birthday when he was killed, and that the evidence seemed to show that he was at work in another breaker before his 14th birthday. (He will report to us on that point, further)".
View of coal breaker at Chauncy Colliery, Chauncy, Pennsylvania, United States
Actions:
PH1980:1163
Description:
Photograph taken while Lewis Wickes Hine was working for the National Child Labor Committee. Caption on NCLC caption card: "Breaker of the Chauncy (Pa.) Colliery, where a 15 year old breaker-boy was smothered to death and another badly burned, Jan. 7, 1911. (Photo of newspaper clipping #1946.) The coroner told me that the McKee boy was but a few days past his 15th birthday when he was killed, and that the evidence seemed to show that he was at work in another breaker before his 14th birthday. (He will report to us on that point, further)".
Classification:
photographies
photographies
Date:
January 1911
January 1911
Personnes et institutions:
Classification:
articles
articles
Actions:
Une conférence de Kurt W. Forster
Publié:
8 janvier 2024
8 janvier 2024
Titre:
« Day at the Office, Night at the Opera with Karl Friedrich Schinkel »
Une conférence de Kurt W. Forster
Actions:
« Day at the Office, Night at the Opera with Karl Friedrich Schinkel »
Une conférence de Kurt W. Forster
Actions:
Classification:
articles
articles
Publié:
8 janvier 2024
8 janvier 2024
