44145 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP027.S1.D21
Description:
This project series documents proposals for Expo 67 initiated by Van Ginkel Associates on their own account in 1962. These proposals were made to oppose the then official position of an exhibition site down-river from Montréal and to re-institute the idea of an "International Exhibition" rather than a "World's Fair". The proposal with a model of the site design was presented to Mayor Jean Drapeau. Work on the theme and the site continued pro bono until H.P. Daniel van Ginkel was appointed chief planner and designer of the Canadian World Exhibition corporation, shortly after its formation. As chief planner and designer for Expo 67 in the initial stages, H.P. Daniel van Ginkel was responsible for the preliminary sketch plan, implications of the choice of site, thematic development, admission policy, visitor attendance characteristics, and the relationship between main exhibition sites and external circulation. Blanche Lemco van Ginkel authored the initial theme for the exhibition.
AP027.S1.D21
Description:
This project series documents proposals for Expo 67 initiated by Van Ginkel Associates on their own account in 1962. These proposals were made to oppose the then official position of an exhibition site down-river from Montréal and to re-institute the idea of an "International Exhibition" rather than a "World's Fair". The proposal with a model of the site design was presented to Mayor Jean Drapeau. Work on the theme and the site continued pro bono until H.P. Daniel van Ginkel was appointed chief planner and designer of the Canadian World Exhibition corporation, shortly after its formation. As chief planner and designer for Expo 67 in the initial stages, H.P. Daniel van Ginkel was responsible for the preliminary sketch plan, implications of the choice of site, thematic development, admission policy, visitor attendance characteristics, and the relationship between main exhibition sites and external circulation. Blanche Lemco van Ginkel authored the initial theme for the exhibition.
Personnes et institutions:
Sujet:
design d'exposition, urbanisme
design d'exposition, urbanisme
Date:
1962-1967
1962-1967
Titre:
Canadian World Exhibition, Expo '67, Montreal (1962-1967)
Actions:
AP027.S1.D21
Description:
This project series documents proposals for Expo 67 initiated by Van Ginkel Associates on their own account in 1962. These proposals were made to oppose the then official position of an exhibition site down-river from Montréal and to re-institute the idea of an "International Exhibition" rather than a "World's Fair". The proposal with a model of the site design was presented to Mayor Jean Drapeau. Work on the theme and the site continued pro bono until H.P. Daniel van Ginkel was appointed chief planner and designer of the Canadian World Exhibition corporation, shortly after its formation. As chief planner and designer for Expo 67 in the initial stages, H.P. Daniel van Ginkel was responsible for the preliminary sketch plan, implications of the choice of site, thematic development, admission policy, visitor attendance characteristics, and the relationship between main exhibition sites and external circulation. Blanche Lemco van Ginkel authored the initial theme for the exhibition.
Canadian World Exhibition, Expo '67, Montreal (1962-1967)
Actions:
AP027.S1.D21
Description:
This project series documents proposals for Expo 67 initiated by Van Ginkel Associates on their own account in 1962. These proposals were made to oppose the then official position of an exhibition site down-river from Montréal and to re-institute the idea of an "International Exhibition" rather than a "World's Fair". The proposal with a model of the site design was presented to Mayor Jean Drapeau. Work on the theme and the site continued pro bono until H.P. Daniel van Ginkel was appointed chief planner and designer of the Canadian World Exhibition corporation, shortly after its formation. As chief planner and designer for Expo 67 in the initial stages, H.P. Daniel van Ginkel was responsible for the preliminary sketch plan, implications of the choice of site, thematic development, admission policy, visitor attendance characteristics, and the relationship between main exhibition sites and external circulation. Blanche Lemco van Ginkel authored the initial theme for the exhibition.
Niveau de description archivistique:
File 21
File 21
Date:
1962-1967
1962-1967
Personnes et institutions:
Sujet:
design d'exposition, urbanisme
design d'exposition, urbanisme
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
James Stirling papers
James Stirling papers
Numéro de référence:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
Personnes et institutions:
Date:
circa 1939-1990
circa 1939-1990
Titre:
James Stirling papers
Actions:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
James Stirling papers
Actions:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
Niveau de description archivistique:
Series 1
Series 1
Date:
circa 1939-1990
circa 1939-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1991.PR01
Description:
This project series documents the Vitra International project in Weil am Rhein, Germany. While the records were held in the office’s archives this project was assigned the number 18/90. The office assigned the dates 1991-1994 to this project. The building included a factory, offices, and loading docks. The brick was chosen as a reference to the production hall that burned down in 1981 on the project site. The curved bridge roof that connected Siza's building to Nicholas Grimshaw's building was conceived to not obstruct the view of Zaha Hadid's Fire Station. Siza also designed a 500 metre promenade that passed by the Vitra building and connected the Fire Station to the VitraHaus designed by Herzog & de Meuron. The project was realized. Documenting this project are sketches, studies, design development drawings, plans and details. Textual material includes project documentation and correspondence. Photographic materials document the project site, models, construction work and the built project. There is also a study model for this project.
AP178.S1.1991.PR01
Description:
This project series documents the Vitra International project in Weil am Rhein, Germany. While the records were held in the office’s archives this project was assigned the number 18/90. The office assigned the dates 1991-1994 to this project. The building included a factory, offices, and loading docks. The brick was chosen as a reference to the production hall that burned down in 1981 on the project site. The curved bridge roof that connected Siza's building to Nicholas Grimshaw's building was conceived to not obstruct the view of Zaha Hadid's Fire Station. Siza also designed a 500 metre promenade that passed by the Vitra building and connected the Fire Station to the VitraHaus designed by Herzog & de Meuron. The project was realized. Documenting this project are sketches, studies, design development drawings, plans and details. Textual material includes project documentation and correspondence. Photographic materials document the project site, models, construction work and the built project. There is also a study model for this project.
Personnes et institutions:
Date:
1991-2012
1991-2012
Titre:
Vitra International [Vitra International factory], Weil am Rhein, Germany (1991-1994)
Actions:
AP178.S1.1991.PR01
Description:
This project series documents the Vitra International project in Weil am Rhein, Germany. While the records were held in the office’s archives this project was assigned the number 18/90. The office assigned the dates 1991-1994 to this project. The building included a factory, offices, and loading docks. The brick was chosen as a reference to the production hall that burned down in 1981 on the project site. The curved bridge roof that connected Siza's building to Nicholas Grimshaw's building was conceived to not obstruct the view of Zaha Hadid's Fire Station. Siza also designed a 500 metre promenade that passed by the Vitra building and connected the Fire Station to the VitraHaus designed by Herzog & de Meuron. The project was realized. Documenting this project are sketches, studies, design development drawings, plans and details. Textual material includes project documentation and correspondence. Photographic materials document the project site, models, construction work and the built project. There is also a study model for this project.
Vitra International [Vitra International factory], Weil am Rhein, Germany (1991-1994)
Actions:
AP178.S1.1991.PR01
Description:
This project series documents the Vitra International project in Weil am Rhein, Germany. While the records were held in the office’s archives this project was assigned the number 18/90. The office assigned the dates 1991-1994 to this project. The building included a factory, offices, and loading docks. The brick was chosen as a reference to the production hall that burned down in 1981 on the project site. The curved bridge roof that connected Siza's building to Nicholas Grimshaw's building was conceived to not obstruct the view of Zaha Hadid's Fire Station. Siza also designed a 500 metre promenade that passed by the Vitra building and connected the Fire Station to the VitraHaus designed by Herzog & de Meuron. The project was realized. Documenting this project are sketches, studies, design development drawings, plans and details. Textual material includes project documentation and correspondence. Photographic materials document the project site, models, construction work and the built project. There is also a study model for this project.
Niveau de description archivistique:
Project
Project
Date:
1991-2012
1991-2012
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
Personnes et institutions:
Date:
1991-2000
1991-2000
Titre:
Ceramique Terrein Blocos de habitação e escritórios [Ceramic Terrain apartments and offices], Maastricht, The Netherlands (1990)
Actions:
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
Ceramique Terrein Blocos de habitação e escritórios [Ceramic Terrain apartments and offices], Maastricht, The Netherlands (1990)
Actions:
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
Niveau de description archivistique:
Project
Project
Date:
1991-2000
1991-2000
Personnes et institutions:
Classification:
événements
événements
Actions:
Date:
5 octobre 2023, 18h30
5 octobre 2023, 18h30
Classification:
événements
événements
Date:
5 octobre 2023
18h30
5 octobre 2023
18h30
Niveau de description archivistique:
Projet
Projet
Titre:
Moscú, Moscow, Russia (1994)
Moscú, Moscow, Russia (1994)
Numéro de référence:
AP164.S1.1994.D3
Description:
The project series documents four preliminary ideas for projects in Moscow, Russia. The firm identified this project as number 93. Abalos & Herreros worked with Jose Manuel Abalos. Documenting the project are design development drawings, presentation documents and correspondence.
AP164.S1.1994.D3
Description:
The project series documents four preliminary ideas for projects in Moscow, Russia. The firm identified this project as number 93. Abalos & Herreros worked with Jose Manuel Abalos. Documenting the project are design development drawings, presentation documents and correspondence.
Personnes et institutions:
Date:
1994
1994
Titre:
Moscú, Moscow, Russia (1994)
Actions:
AP164.S1.1994.D3
Description:
The project series documents four preliminary ideas for projects in Moscow, Russia. The firm identified this project as number 93. Abalos & Herreros worked with Jose Manuel Abalos. Documenting the project are design development drawings, presentation documents and correspondence.
Moscú, Moscow, Russia (1994)
Actions:
AP164.S1.1994.D3
Description:
The project series documents four preliminary ideas for projects in Moscow, Russia. The firm identified this project as number 93. Abalos & Herreros worked with Jose Manuel Abalos. Documenting the project are design development drawings, presentation documents and correspondence.
Niveau de description archivistique:
Project
Project
Date:
1994
1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D12
Description:
The project series documents the competition entry for the Filmoteca de Cataluña, in Barcelona, Spain. The firm identified the project as number 190. Abalos & Herreros worked with the Grupo JG. Documenting the project are competition documents, resumes, conceptual and presentation drawings.
AP164.S1.2004.D12
Description:
The project series documents the competition entry for the Filmoteca de Cataluña, in Barcelona, Spain. The firm identified the project as number 190. Abalos & Herreros worked with the Grupo JG. Documenting the project are competition documents, resumes, conceptual and presentation drawings.
Personnes et institutions:
Date:
circa 2004
circa 2004
Titre:
Filmoteca de Cataluña, Barcelona, Spain (2004)
Actions:
AP164.S1.2004.D12
Description:
The project series documents the competition entry for the Filmoteca de Cataluña, in Barcelona, Spain. The firm identified the project as number 190. Abalos & Herreros worked with the Grupo JG. Documenting the project are competition documents, resumes, conceptual and presentation drawings.
Filmoteca de Cataluña, Barcelona, Spain (2004)
Actions:
AP164.S1.2004.D12
Description:
The project series documents the competition entry for the Filmoteca de Cataluña, in Barcelona, Spain. The firm identified the project as number 190. Abalos & Herreros worked with the Grupo JG. Documenting the project are competition documents, resumes, conceptual and presentation drawings.
Niveau de description archivistique:
Project
Project
Date:
circa 2004
circa 2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1990.PR03
Description:
This project series documents the Piazza Matteotti, a public square in Vicenza, Italy. Riva possibly worked on this project in the 1990s. The project is recorded through studies and design development drawings, including elevations, plans, sections, and perspective drawings for the piazza.
AP180.S1.1990.PR03
Description:
This project series documents the Piazza Matteotti, a public square in Vicenza, Italy. Riva possibly worked on this project in the 1990s. The project is recorded through studies and design development drawings, including elevations, plans, sections, and perspective drawings for the piazza.
Personnes et institutions:
Date:
1990s
1990s
Titre:
Piazza Matteotti, Vicenza, Italy (1990s)
Actions:
AP180.S1.1990.PR03
Description:
This project series documents the Piazza Matteotti, a public square in Vicenza, Italy. Riva possibly worked on this project in the 1990s. The project is recorded through studies and design development drawings, including elevations, plans, sections, and perspective drawings for the piazza.
Piazza Matteotti, Vicenza, Italy (1990s)
Actions:
AP180.S1.1990.PR03
Description:
This project series documents the Piazza Matteotti, a public square in Vicenza, Italy. Riva possibly worked on this project in the 1990s. The project is recorded through studies and design development drawings, including elevations, plans, sections, and perspective drawings for the piazza.
Niveau de description archivistique:
Project
Project
Date:
1990s
1990s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR11
Description:
This project series documents planning and construction for Sangster International Airport in Montego Bay, Jamaica from 1974-1977. The office identified the project number as 7413. This project consisted of renovations to the existing terminal 1 building, the addition of a terminal 2 and the addition of a small charter terminal. This work was undertaken in joint venture with other Canadian firms who worked together on airport planning projects around the world. The firms for this project consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, Ffolkes, Harrison & Partners Ltd., Rutkowski, Bradford & Partners, and IBI Group. The new terminal was a roughly rectangular building with paving and landscaping extending towards the parking lot. A long, narrow hallway moving diagonally from the main building was used for planing and deplaning. It was predicted that terminal 2 would need to be expanded in 1990 to deal with increased international traffic. This project was originally proposed in a report to plan developments for Jamaican airports from 1970-1990. It originally proposed airports in Kingston and Montego Bay, but only this Montego Bay project was realized. The project is recorded through drawings and textual records dating from 1970-1977. The drawings include plans, sections, elevations, details, schedules, perspectives and development and phasing drawings. The textual records consist of correspondence, project reports and studies, the original 30 year development plan, drawing lists, schedules, specifications, contractor records, progress reports, meeting minutes, interoffice letters, daily diaries and tender documents.
AP018.S1.1974.PR11
Description:
This project series documents planning and construction for Sangster International Airport in Montego Bay, Jamaica from 1974-1977. The office identified the project number as 7413. This project consisted of renovations to the existing terminal 1 building, the addition of a terminal 2 and the addition of a small charter terminal. This work was undertaken in joint venture with other Canadian firms who worked together on airport planning projects around the world. The firms for this project consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, Ffolkes, Harrison & Partners Ltd., Rutkowski, Bradford & Partners, and IBI Group. The new terminal was a roughly rectangular building with paving and landscaping extending towards the parking lot. A long, narrow hallway moving diagonally from the main building was used for planing and deplaning. It was predicted that terminal 2 would need to be expanded in 1990 to deal with increased international traffic. This project was originally proposed in a report to plan developments for Jamaican airports from 1970-1990. It originally proposed airports in Kingston and Montego Bay, but only this Montego Bay project was realized. The project is recorded through drawings and textual records dating from 1970-1977. The drawings include plans, sections, elevations, details, schedules, perspectives and development and phasing drawings. The textual records consist of correspondence, project reports and studies, the original 30 year development plan, drawing lists, schedules, specifications, contractor records, progress reports, meeting minutes, interoffice letters, daily diaries and tender documents.
Personnes et institutions:
Date:
1970-1977
1970-1977
Titre:
Sangster International Airport, Montego Bay, Jamaica (1974-1977)
Actions:
AP018.S1.1974.PR11
Description:
This project series documents planning and construction for Sangster International Airport in Montego Bay, Jamaica from 1974-1977. The office identified the project number as 7413. This project consisted of renovations to the existing terminal 1 building, the addition of a terminal 2 and the addition of a small charter terminal. This work was undertaken in joint venture with other Canadian firms who worked together on airport planning projects around the world. The firms for this project consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, Ffolkes, Harrison & Partners Ltd., Rutkowski, Bradford & Partners, and IBI Group. The new terminal was a roughly rectangular building with paving and landscaping extending towards the parking lot. A long, narrow hallway moving diagonally from the main building was used for planing and deplaning. It was predicted that terminal 2 would need to be expanded in 1990 to deal with increased international traffic. This project was originally proposed in a report to plan developments for Jamaican airports from 1970-1990. It originally proposed airports in Kingston and Montego Bay, but only this Montego Bay project was realized. The project is recorded through drawings and textual records dating from 1970-1977. The drawings include plans, sections, elevations, details, schedules, perspectives and development and phasing drawings. The textual records consist of correspondence, project reports and studies, the original 30 year development plan, drawing lists, schedules, specifications, contractor records, progress reports, meeting minutes, interoffice letters, daily diaries and tender documents.
Sangster International Airport, Montego Bay, Jamaica (1974-1977)
Actions:
AP018.S1.1974.PR11
Description:
This project series documents planning and construction for Sangster International Airport in Montego Bay, Jamaica from 1974-1977. The office identified the project number as 7413. This project consisted of renovations to the existing terminal 1 building, the addition of a terminal 2 and the addition of a small charter terminal. This work was undertaken in joint venture with other Canadian firms who worked together on airport planning projects around the world. The firms for this project consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, Ffolkes, Harrison & Partners Ltd., Rutkowski, Bradford & Partners, and IBI Group. The new terminal was a roughly rectangular building with paving and landscaping extending towards the parking lot. A long, narrow hallway moving diagonally from the main building was used for planing and deplaning. It was predicted that terminal 2 would need to be expanded in 1990 to deal with increased international traffic. This project was originally proposed in a report to plan developments for Jamaican airports from 1970-1990. It originally proposed airports in Kingston and Montego Bay, but only this Montego Bay project was realized. The project is recorded through drawings and textual records dating from 1970-1977. The drawings include plans, sections, elevations, details, schedules, perspectives and development and phasing drawings. The textual records consist of correspondence, project reports and studies, the original 30 year development plan, drawing lists, schedules, specifications, contractor records, progress reports, meeting minutes, interoffice letters, daily diaries and tender documents.
Niveau de description archivistique:
Project
Project
Date:
1970-1977
1970-1977
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Personnes et institutions:
Date:
1959-1999
1959-1999
Titre:
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Niveau de description archivistique:
Project
Project
Date:
1959-1999
1959-1999
Personnes et institutions:
