dessins
AP178.S1.1993.PR06.004
Description:
Original file title: The J. Paul Getty Museum - 1993 - Fotocopias A3 - com numeração This file also includes a index to the sketchbook.
1993
Photocopies of sketches, Museu J. Paul Getty, Malibu
Actions:
AP178.S1.1993.PR06.004
Description:
Original file title: The J. Paul Getty Museum - 1993 - Fotocopias A3 - com numeração This file also includes a index to the sketchbook.
dessins
1993
Projet
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
2006-2014
Strand Tower (2006)
Actions:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Project
2006-2014
dessins
AP178.S2.1998.011
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains sketches of people and a sculpture.
November-December 1998
Sketchbook 454: Porto Alegre- Escultura II
Actions:
AP178.S2.1998.011
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains sketches of people and a sculpture.
dessins
November-December 1998
documents textuels
Project files
DR1999:0637
Description:
documents includes project files: Max Reinhardt Haus, Whitney Museum Installation, Atocha 123 Hotel, Cities of Artificial Excavations - CCA, 19th Milan Triennale.
Project files
Actions:
DR1999:0637
Description:
documents includes project files: Max Reinhardt Haus, Whitney Museum Installation, Atocha 123 Hotel, Cities of Artificial Excavations - CCA, 19th Milan Triennale.
documents textuels
documents textuels
AP075.S3.SS3.001
Description:
Awards "2011 Prix du Xxe siècle" for Museum of Anthropology, University of British Columbia in Vancouver and for Robson Square Complex in Vancouver.
2011
Awards to Arthur Erickson from the Royal Architectural Institute of Canada
Actions:
AP075.S3.SS3.001
Description:
Awards "2011 Prix du Xxe siècle" for Museum of Anthropology, University of British Columbia in Vancouver and for Robson Square Complex in Vancouver.
documents textuels
2011
documents textuels
ARCH255016
Description:
correspondence files, Palm Beach County Center for the Arts proposal, Indianapolis Museum of Art proposal, City Place Toronto, original notes and invitations
1985-1988
Correspondence files, Palm Beach County Center for the Arts proposal
Actions:
ARCH255016
Description:
correspondence files, Palm Beach County Center for the Arts proposal, Indianapolis Museum of Art proposal, City Place Toronto, original notes and invitations
documents textuels
1985-1988
Sous-série
General Textual Files
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
1993-1998, predominant 1996-1998
General Textual Files
Actions:
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
File 1
1993-1998, predominant 1996-1998
Sous-série
General Textual Files
AP116.S3.SS20.D1
Description:
File documents some of the planning and editorial activities for the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May), and the preceding In ANY Event Symposium held 25 January 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1996 and 1997. File contains correspondence, clippings, photographic material, lay-out mock-ups, production schedules, symposium schedule, informational texts, budgets, and invitations.
1996-1997
General Textual Files
Actions:
AP116.S3.SS20.D1
Description:
File documents some of the planning and editorial activities for the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May), and the preceding In ANY Event Symposium held 25 January 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1996 and 1997. File contains correspondence, clippings, photographic material, lay-out mock-ups, production schedules, symposium schedule, informational texts, budgets, and invitations.
File 1
1996-1997
Projet
AP140.S2.SS3.D7
Description:
File documents the participation of the office of James Stirling and Partner to the Roma Interrotta exhibition at the Mercati di Traiano, in Rome, Italy. The exhibition also travelled to other venues including the Architectural Association School of Architecture in London, England, United Kingdom, and the Cooper-Hewitt Museum in New York, New York, United States. Material in this file was produced between 1977 and 1979. File contains reference drawings, design development drawings, a presentation drawing, photographic materials and textual records.
1977-1979
Roma Interrotta, Mercati di Traiano
Actions:
AP140.S2.SS3.D7
Description:
File documents the participation of the office of James Stirling and Partner to the Roma Interrotta exhibition at the Mercati di Traiano, in Rome, Italy. The exhibition also travelled to other venues including the Architectural Association School of Architecture in London, England, United Kingdom, and the Cooper-Hewitt Museum in New York, New York, United States. Material in this file was produced between 1977 and 1979. File contains reference drawings, design development drawings, a presentation drawing, photographic materials and textual records.
File 7
1977-1979
Série(s)
Exhibitions
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
1962-2004
Exhibitions
Actions:
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
Series
1962-2004