14783 Résultats
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
Personnes et institutions:
Date:
April 2000
April 2000
Titre:
Sketchbook 479: Mobiliario Serralves - Pomar I
Actions:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
Sketchbook 479: Mobiliario Serralves - Pomar I
Actions:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
Classification:
dessins
dessins
Date:
April 2000
April 2000
Personnes et institutions:
Numéro de référence:
ARCH264146
Description:
La lettre a pour sujet le projet à Chandigarh, notamment le Museum of Knowledge et les difficultés de Le Corbusier avec K.S. Narang.
ARCH264146
Description:
La lettre a pour sujet le projet à Chandigarh, notamment le Museum of Knowledge et les difficultés de Le Corbusier avec K.S. Narang.
Personnes et institutions:
Date:
26 octobre 1963
26 octobre 1963
Titre:
Lettre de Le Corbusier à Jawaharlal Nehru relative à Chandigarh, Inde
Actions:
ARCH264146
Description:
La lettre a pour sujet le projet à Chandigarh, notamment le Museum of Knowledge et les difficultés de Le Corbusier avec K.S. Narang.
Lettre de Le Corbusier à Jawaharlal Nehru relative à Chandigarh, Inde
Actions:
ARCH264146
Description:
La lettre a pour sujet le projet à Chandigarh, notamment le Museum of Knowledge et les difficultés de Le Corbusier avec K.S. Narang.
Date:
26 octobre 1963
26 octobre 1963
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:006:043
PHCON2002:0016:006:043
Personnes et institutions:
Date:
18 April 1978
18 April 1978
Classification:
documents textuels
documents textuels
Date:
18 April 1978
18 April 1978
Personnes et institutions:
Numéro de référence:
ARCH242949
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York. Item is labelled "Public Fear".
ARCH242949
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York. Item is labelled "Public Fear".
Personnes et institutions:
Date:
1997-01-25
1997-01-25
Titre:
Audio recording of in ANY event: public fear tape 2
Actions:
ARCH242949
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York. Item is labelled "Public Fear".
Audio recording of in ANY event: public fear tape 2
Actions:
ARCH242949
Description:
In ANY Event: Public Fear Panel Discussion. Symposium held at the Guggenheim Museum, New York. Item is labelled "Public Fear".
Date:
1997-01-25
1997-01-25
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
DR2012:0012:085:024
Description:
A program from the exhibition, Displacements: the work of Melvin Charney, at the Israel Museum, Jerusalem. Item is in English and Hebrew.
DR2012:0012:085:024
Description:
A program from the exhibition, Displacements: the work of Melvin Charney, at the Israel Museum, Jerusalem. Item is in English and Hebrew.
Personnes et institutions:
Date:
1996
1996
Titre:
Program of exhibition "Displacements: the work of Melvin Charney"
Actions:
DR2012:0012:085:024
Description:
A program from the exhibition, Displacements: the work of Melvin Charney, at the Israel Museum, Jerusalem. Item is in English and Hebrew.
Program of exhibition "Displacements: the work of Melvin Charney"
Actions:
DR2012:0012:085:024
Description:
A program from the exhibition, Displacements: the work of Melvin Charney, at the Israel Museum, Jerusalem. Item is in English and Hebrew.
Classification:
livres
livres
Date:
1996
1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Personnes et institutions:
Date:
1931
1931
Titre:
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Niveau de description archivistique:
project
project
Date:
1931
1931
Personnes et institutions:
Numéro de référence:
ARCH264145
Description:
La lettre traite des sujets suivants : le projet à Chandigarh, le Museum of Knowledge et les difficultés de Le Corbusier avec K.S. Narang.
ARCH264145
Description:
La lettre traite des sujets suivants : le projet à Chandigarh, le Museum of Knowledge et les difficultés de Le Corbusier avec K.S. Narang.
Personnes et institutions:
Date:
26 octobre 1963
26 octobre 1963
Titre:
Traduction d'une lettre de Le Corbusier à Jawaharlal Nehru relative à Chandigarh, Inde
Actions:
ARCH264145
Description:
La lettre traite des sujets suivants : le projet à Chandigarh, le Museum of Knowledge et les difficultés de Le Corbusier avec K.S. Narang.
Traduction d'une lettre de Le Corbusier à Jawaharlal Nehru relative à Chandigarh, Inde
Actions:
ARCH264145
Description:
La lettre traite des sujets suivants : le projet à Chandigarh, le Museum of Knowledge et les difficultés de Le Corbusier avec K.S. Narang.
Date:
26 octobre 1963
26 octobre 1963
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP178.S1.1995.PR07.081.4
Description:
Original file title: Stedelijk museum programa This file includes plans, client-architect agreement, and documentation about the cost plan.
AP178.S1.1995.PR07.081.4
Description:
Original file title: Stedelijk museum programa This file includes plans, client-architect agreement, and documentation about the cost plan.
Personnes et institutions:
Date:
1994-1997
1994-1997
Titre:
Project documentation and programs, Renovação e extensão do Museu Stedelijk, Amsterdam (folder 4 of 4)
Actions:
AP178.S1.1995.PR07.081.4
Description:
Original file title: Stedelijk museum programa This file includes plans, client-architect agreement, and documentation about the cost plan.
Project documentation and programs, Renovação e extensão do Museu Stedelijk, Amsterdam (folder 4 of 4)
Actions:
AP178.S1.1995.PR07.081.4
Description:
Original file title: Stedelijk museum programa This file includes plans, client-architect agreement, and documentation about the cost plan.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1994-1997
1994-1997
Personnes et institutions:
Numéro de référence:
PHCON2003:0005:031
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "GMC Film - 10"; "Pier 52, Betsy Sussler"; "GMC ESTATE ORIGINAL #31."
PHCON2003:0005:031
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "GMC Film - 10"; "Pier 52, Betsy Sussler"; "GMC ESTATE ORIGINAL #31."
Personnes et institutions:
Date:
1975
1975
Titre:
Super 8 film recording of Day's End
Actions:
PHCON2003:0005:031
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "GMC Film - 10"; "Pier 52, Betsy Sussler"; "GMC ESTATE ORIGINAL #31."
Super 8 film recording of Day's End
Actions:
PHCON2003:0005:031
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "GMC Film - 10"; "Pier 52, Betsy Sussler"; "GMC ESTATE ORIGINAL #31."
Date:
1975
1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Personnes et institutions:
Date:
1969-1970
1969-1970
Titre:
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Niveau de description archivistique:
Project
Project
Date:
1969-1970
1969-1970
Personnes et institutions:
