337 Résultats
Classification:
né numérique
né numérique
Titre:
A CD-R, Loewe, Madrid, Spain
A CD-R, Loewe, Madrid, Spain
Numéro de référence:
ARCH278160
Description:
HFS formatted. CD's title: Concurso restringido de ideas para la fachada de la nueva tienda Loewe mujer, esquina calles Serrano y Jorge Juan, Madrid. Most common file formats: AutoCAD Drawing, JPEG File Interchange Format, Unidentified, Acrobat PDF 1.2 - Portable Document Format, Microsoft Word Document
ARCH278160
Description:
HFS formatted. CD's title: Concurso restringido de ideas para la fachada de la nueva tienda Loewe mujer, esquina calles Serrano y Jorge Juan, Madrid. Most common file formats: AutoCAD Drawing, JPEG File Interchange Format, Unidentified, Acrobat PDF 1.2 - Portable Document Format, Microsoft Word Document
Personnes et institutions:
Date:
2000 - 2001
2000 - 2001
Titre:
A CD-R, Loewe, Madrid, Spain
Actions:
ARCH278160
Description:
HFS formatted. CD's title: Concurso restringido de ideas para la fachada de la nueva tienda Loewe mujer, esquina calles Serrano y Jorge Juan, Madrid. Most common file formats: AutoCAD Drawing, JPEG File Interchange Format, Unidentified, Acrobat PDF 1.2 - Portable Document Format, Microsoft Word Document
A CD-R, Loewe, Madrid, Spain
Actions:
ARCH278160
Description:
HFS formatted. CD's title: Concurso restringido de ideas para la fachada de la nueva tienda Loewe mujer, esquina calles Serrano y Jorge Juan, Madrid. Most common file formats: AutoCAD Drawing, JPEG File Interchange Format, Unidentified, Acrobat PDF 1.2 - Portable Document Format, Microsoft Word Document
Classification:
né numérique
né numérique
Date:
2000 - 2001
2000 - 2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Personnes et institutions:
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Titre:
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Niveau de description archivistique:
Project
Project
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D10
Description:
The project series documents Abalos & Herreros and Renata Sentkiewicz's design for Isabela Mora's house, in proximity to the Parque Natural de Los Alcornocales, Spain. The house was thought of as a rectangular grid of indoor and outdoor rooms (no corridor) of similar proportions. The objective was to reorganise traditional domestic space. The firm also worked with Jacob Hense, Dris Vande Velde, Wouter Van Daele. The firm identified this project as number 134. Documenting the project are design development drawings, textual records and cartographic materials.
AP164.S1.2000.D10
Description:
The project series documents Abalos & Herreros and Renata Sentkiewicz's design for Isabela Mora's house, in proximity to the Parque Natural de Los Alcornocales, Spain. The house was thought of as a rectangular grid of indoor and outdoor rooms (no corridor) of similar proportions. The objective was to reorganise traditional domestic space. The firm also worked with Jacob Hense, Dris Vande Velde, Wouter Van Daele. The firm identified this project as number 134. Documenting the project are design development drawings, textual records and cartographic materials.
Personnes et institutions:
Date:
2000
2000
Titre:
Casa Mora, Cádiz, Spain (2000)
Actions:
AP164.S1.2000.D10
Description:
The project series documents Abalos & Herreros and Renata Sentkiewicz's design for Isabela Mora's house, in proximity to the Parque Natural de Los Alcornocales, Spain. The house was thought of as a rectangular grid of indoor and outdoor rooms (no corridor) of similar proportions. The objective was to reorganise traditional domestic space. The firm also worked with Jacob Hense, Dris Vande Velde, Wouter Van Daele. The firm identified this project as number 134. Documenting the project are design development drawings, textual records and cartographic materials.
Casa Mora, Cádiz, Spain (2000)
Actions:
AP164.S1.2000.D10
Description:
The project series documents Abalos & Herreros and Renata Sentkiewicz's design for Isabela Mora's house, in proximity to the Parque Natural de Los Alcornocales, Spain. The house was thought of as a rectangular grid of indoor and outdoor rooms (no corridor) of similar proportions. The objective was to reorganise traditional domestic space. The firm also worked with Jacob Hense, Dris Vande Velde, Wouter Van Daele. The firm identified this project as number 134. Documenting the project are design development drawings, textual records and cartographic materials.
Niveau de description archivistique:
Project
Project
Date:
2000
2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1993.D11
Description:
The project series documents industrial prototypes of prefabricated homes designed for GIA y Asociados. The firm identified this project as number 89. Only fragments of the homes were built. Abalos & Herreros worked with Evelia Blanco, Ángel Borrego, Rafael Hernández, Jaime Cervera, Imetsol, TDM, Teodoro Martínez, Francisco Gómez and José Adolfo Forniés. Documenting the project are conceptual, design development, presentation and working drawings, correspondence, dummies, project descriptions and reference materials.
AP164.S1.1993.D11
Description:
The project series documents industrial prototypes of prefabricated homes designed for GIA y Asociados. The firm identified this project as number 89. Only fragments of the homes were built. Abalos & Herreros worked with Evelia Blanco, Ángel Borrego, Rafael Hernández, Jaime Cervera, Imetsol, TDM, Teodoro Martínez, Francisco Gómez and José Adolfo Forniés. Documenting the project are conceptual, design development, presentation and working drawings, correspondence, dummies, project descriptions and reference materials.
Personnes et institutions:
Date:
1993-1996, 2006
1993-1996, 2006
Titre:
Prototipos de vivienda industrializada: Casas AH-Gia (1993-1996)
Actions:
AP164.S1.1993.D11
Description:
The project series documents industrial prototypes of prefabricated homes designed for GIA y Asociados. The firm identified this project as number 89. Only fragments of the homes were built. Abalos & Herreros worked with Evelia Blanco, Ángel Borrego, Rafael Hernández, Jaime Cervera, Imetsol, TDM, Teodoro Martínez, Francisco Gómez and José Adolfo Forniés. Documenting the project are conceptual, design development, presentation and working drawings, correspondence, dummies, project descriptions and reference materials.
Prototipos de vivienda industrializada: Casas AH-Gia (1993-1996)
Actions:
AP164.S1.1993.D11
Description:
The project series documents industrial prototypes of prefabricated homes designed for GIA y Asociados. The firm identified this project as number 89. Only fragments of the homes were built. Abalos & Herreros worked with Evelia Blanco, Ángel Borrego, Rafael Hernández, Jaime Cervera, Imetsol, TDM, Teodoro Martínez, Francisco Gómez and José Adolfo Forniés. Documenting the project are conceptual, design development, presentation and working drawings, correspondence, dummies, project descriptions and reference materials.
Niveau de description archivistique:
Project
Project
Date:
1993-1996, 2006
1993-1996, 2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Personnes et institutions:
Date:
1996-2002
1996-2002
Titre:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1996-2002
1996-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1992.D4
Description:
The project series documents the competition entry for the head office of the General Savings Bank of Granada, Spain. The firm identified this project as number 78. Abalos & Herreros worked with Efren Garcia, Martin Marciano, Javier Peña and Javier Sanjuan. Their entry did not win the competition. Documenting the project are design development and working drawings, and graphic and photographic materials.
AP164.S1.1992.D4
Description:
The project series documents the competition entry for the head office of the General Savings Bank of Granada, Spain. The firm identified this project as number 78. Abalos & Herreros worked with Efren Garcia, Martin Marciano, Javier Peña and Javier Sanjuan. Their entry did not win the competition. Documenting the project are design development and working drawings, and graphic and photographic materials.
Personnes et institutions:
Date:
circa 1992
circa 1992
Titre:
Caja de Ahorros de Granada, Spain (1992)
Actions:
AP164.S1.1992.D4
Description:
The project series documents the competition entry for the head office of the General Savings Bank of Granada, Spain. The firm identified this project as number 78. Abalos & Herreros worked with Efren Garcia, Martin Marciano, Javier Peña and Javier Sanjuan. Their entry did not win the competition. Documenting the project are design development and working drawings, and graphic and photographic materials.
Caja de Ahorros de Granada, Spain (1992)
Actions:
AP164.S1.1992.D4
Description:
The project series documents the competition entry for the head office of the General Savings Bank of Granada, Spain. The firm identified this project as number 78. Abalos & Herreros worked with Efren Garcia, Martin Marciano, Javier Peña and Javier Sanjuan. Their entry did not win the competition. Documenting the project are design development and working drawings, and graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
circa 1992
circa 1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D2
Description:
The project series documents the Bioclimatic mixed-use towers in the Salburúa fens, Vitoria, Spain. The four “passive” towers include residential units, offices, and commercial space. The firm identified the project as number 146. In 2001, Abalos & Herreros was invited to the competition held by the Sociedad Urbanística Ensanche-21 and Jaureguizahar, where the firm's entry won first place. The firm worked with Renata Sentkiewicz, David Sobrino, and Obiol y Moya. Documenting the project is a model.
AP164.S1.2002.D2
Description:
The project series documents the Bioclimatic mixed-use towers in the Salburúa fens, Vitoria, Spain. The four “passive” towers include residential units, offices, and commercial space. The firm identified the project as number 146. In 2001, Abalos & Herreros was invited to the competition held by the Sociedad Urbanística Ensanche-21 and Jaureguizahar, where the firm's entry won first place. The firm worked with Renata Sentkiewicz, David Sobrino, and Obiol y Moya. Documenting the project is a model.
Personnes et institutions:
Date:
2002
2002
Titre:
Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria-Gasteiz, Spain (2002-2006)
Actions:
AP164.S1.2002.D2
Description:
The project series documents the Bioclimatic mixed-use towers in the Salburúa fens, Vitoria, Spain. The four “passive” towers include residential units, offices, and commercial space. The firm identified the project as number 146. In 2001, Abalos & Herreros was invited to the competition held by the Sociedad Urbanística Ensanche-21 and Jaureguizahar, where the firm's entry won first place. The firm worked with Renata Sentkiewicz, David Sobrino, and Obiol y Moya. Documenting the project is a model.
Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria-Gasteiz, Spain (2002-2006)
Actions:
AP164.S1.2002.D2
Description:
The project series documents the Bioclimatic mixed-use towers in the Salburúa fens, Vitoria, Spain. The four “passive” towers include residential units, offices, and commercial space. The firm identified the project as number 146. In 2001, Abalos & Herreros was invited to the competition held by the Sociedad Urbanística Ensanche-21 and Jaureguizahar, where the firm's entry won first place. The firm worked with Renata Sentkiewicz, David Sobrino, and Obiol y Moya. Documenting the project is a model.
Niveau de description archivistique:
Project
Project
Date:
2002
2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D6
Description:
The project series documents the design and the construction of two bridges, in León, Spain, for the account of the Junta de Compensacion del Poligono "La Lastra". The firm identified the project as number 184. Abalos & Herreros worked with Jörg Schlaich and Rudolf Bergermann from Schlaich Bergermann und Partner. This project is related to the urban and landscaping development project in the area of La Lastra, in León (AP164.S1.2003.D10). Documenting the project are perspective, design development and working drawings, correspondence, budgets, reports, and project descriptions.
AP164.S1.2004.D6
Description:
The project series documents the design and the construction of two bridges, in León, Spain, for the account of the Junta de Compensacion del Poligono "La Lastra". The firm identified the project as number 184. Abalos & Herreros worked with Jörg Schlaich and Rudolf Bergermann from Schlaich Bergermann und Partner. This project is related to the urban and landscaping development project in the area of La Lastra, in León (AP164.S1.2003.D10). Documenting the project are perspective, design development and working drawings, correspondence, budgets, reports, and project descriptions.
Personnes et institutions:
Date:
2004
2004
Titre:
Puentes de León, Spain (2004)
Actions:
AP164.S1.2004.D6
Description:
The project series documents the design and the construction of two bridges, in León, Spain, for the account of the Junta de Compensacion del Poligono "La Lastra". The firm identified the project as number 184. Abalos & Herreros worked with Jörg Schlaich and Rudolf Bergermann from Schlaich Bergermann und Partner. This project is related to the urban and landscaping development project in the area of La Lastra, in León (AP164.S1.2003.D10). Documenting the project are perspective, design development and working drawings, correspondence, budgets, reports, and project descriptions.
Puentes de León, Spain (2004)
Actions:
AP164.S1.2004.D6
Description:
The project series documents the design and the construction of two bridges, in León, Spain, for the account of the Junta de Compensacion del Poligono "La Lastra". The firm identified the project as number 184. Abalos & Herreros worked with Jörg Schlaich and Rudolf Bergermann from Schlaich Bergermann und Partner. This project is related to the urban and landscaping development project in the area of La Lastra, in León (AP164.S1.2003.D10). Documenting the project are perspective, design development and working drawings, correspondence, budgets, reports, and project descriptions.
Niveau de description archivistique:
Project
Project
Date:
2004
2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1992.D3
Description:
The project series documents a commercial and civic centre in Majadahonda, Madrid, Spain, for the account of the Asociacion de empresarios de Madrid oeste (ADEMO). The firm identified this project as number 77. Abalos & Herreros worked with Daniel Díaz Font, Javier Fresneda, Javier Peña, TDM y asociados and Abarrategui, arquitectura urbanismo. Documenting this project are conceptual and presentation drawings, collages, presentation documents and photographic materials.
AP164.S1.1992.D3
Description:
The project series documents a commercial and civic centre in Majadahonda, Madrid, Spain, for the account of the Asociacion de empresarios de Madrid oeste (ADEMO). The firm identified this project as number 77. Abalos & Herreros worked with Daniel Díaz Font, Javier Fresneda, Javier Peña, TDM y asociados and Abarrategui, arquitectura urbanismo. Documenting this project are conceptual and presentation drawings, collages, presentation documents and photographic materials.
Personnes et institutions:
Date:
circa 1992
circa 1992
Titre:
Centro cívico y comercial, Majadahonda, Madrid, Spain (1992)
Actions:
AP164.S1.1992.D3
Description:
The project series documents a commercial and civic centre in Majadahonda, Madrid, Spain, for the account of the Asociacion de empresarios de Madrid oeste (ADEMO). The firm identified this project as number 77. Abalos & Herreros worked with Daniel Díaz Font, Javier Fresneda, Javier Peña, TDM y asociados and Abarrategui, arquitectura urbanismo. Documenting this project are conceptual and presentation drawings, collages, presentation documents and photographic materials.
Centro cívico y comercial, Majadahonda, Madrid, Spain (1992)
Actions:
AP164.S1.1992.D3
Description:
The project series documents a commercial and civic centre in Majadahonda, Madrid, Spain, for the account of the Asociacion de empresarios de Madrid oeste (ADEMO). The firm identified this project as number 77. Abalos & Herreros worked with Daniel Díaz Font, Javier Fresneda, Javier Peña, TDM y asociados and Abarrategui, arquitectura urbanismo. Documenting this project are conceptual and presentation drawings, collages, presentation documents and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
circa 1992
circa 1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
Personnes et institutions:
Date:
1985-2007
1985-2007
Titre:
10JH, Sant Andreu viviendas para jóvenes, Barcelona, Spain (2002)
Actions:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
10JH, Sant Andreu viviendas para jóvenes, Barcelona, Spain (2002)
Actions:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
Niveau de description archivistique:
Project
Project
Date:
1985-2007
1985-2007
Personnes et institutions:
