191 Résultats
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livres
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Les numéros 16 à 18 (saison 2) de la revue critique consacrée au graphisme. n° 16 — Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon ; n° 17 — Un acronyme : ACAB. Auteurs : Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz et Julie Martin ; n° 18 — Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andréone
$36.95
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Les numéros 16 à 18 (saison 2) de la revue critique consacrée au graphisme. n° 16 — Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon ; n° 17 — Un acronyme : ACAB. Auteurs : Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz et Julie Martin ; n° 18 — Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andréone
Titre:
Faire : regarder le graphisme, volume 05 (n° 16, 17, 18)
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Les numéros 16 à 18 (saison 2) de la revue critique consacrée au graphisme. n° 16 — Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon ; n° 17 — Un acronyme : ACAB. Auteurs : Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz et Julie Martin ; n° 18 — Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andréone
Faire : regarder le graphisme, volume 05 (n° 16, 17, 18)
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$36.95
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Résumé:
Les numéros 16 à 18 (saison 2) de la revue critique consacrée au graphisme. n° 16 — Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon ; n° 17 — Un acronyme : ACAB. Auteurs : Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz et Julie Martin ; n° 18 — Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andréone
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livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Revues
Revues
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livres
livres
Titre:
Zaha Hadid and suprematism
Zaha Hadid and suprematism
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$75.00
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This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid,(...)
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This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid,(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
avril 2012
avril 2012
Titre:
Zaha Hadid and suprematism
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$75.00
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This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid, which examines this conjunction across four themes or aesthetic qualities: Abstraction, Distortion, Fragmentation and Flotation.
Zaha Hadid and suprematism
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$75.00
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Résumé:
This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid, which examines this conjunction across four themes or aesthetic qualities: Abstraction, Distortion, Fragmentation and Flotation.
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livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$55.00
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At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900-1940 documents the two schools and the work they produced. The leaders of these movements--Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others--believed they were standing at(...)
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At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900-1940 documents the two schools and the work they produced. The leaders of these movements--Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others--believed they were standing at(...)
Titre:
Utopia 1900-1940: visions on a new world
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At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900-1940 documents the two schools and the work they produced. The leaders of these movements--Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others--believed they were standing at the threshold of a new era, and they sought to shape its reality in a radical way.
Utopia 1900-1940: visions on a new world
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At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900-1940 documents the two schools and the work they produced. The leaders of these movements--Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others--believed they were standing at the threshold of a new era, and they sought to shape its reality in a radical way.
Classification:
livres
livres
Publication:
décembre 2013
décembre 2013
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$38.95
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As an exhibition venue the Zurich Museum für Gestaltung has an outstanding collection of its own posters. These include icons of design by Lissitzky, Max Bill, Josef Müller-Brockmann a.o. As the commissioning agent, the museum has the understanding that comes from a promoter. Such arresting posters by young and little known authors are still being produced today,(...)
$38.95
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As an exhibition venue the Zurich Museum für Gestaltung has an outstanding collection of its own posters. These include icons of design by Lissitzky, Max Bill, Josef Müller-Brockmann a.o. As the commissioning agent, the museum has the understanding that comes from a promoter. Such arresting posters by young and little known authors are still being produced today,(...)
Titre:
Poster collection 03 : posters for exhibitions 1980 - 2000
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$38.95
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As an exhibition venue the Zurich Museum für Gestaltung has an outstanding collection of its own posters. These include icons of design by Lissitzky, Max Bill, Josef Müller-Brockmann a.o. As the commissioning agent, the museum has the understanding that comes from a promoter. Such arresting posters by young and little known authors are still being produced today, providing a seamless survey of work produced in the past twenty years as a kaleidoscope of current graphic styles.
Poster collection 03 : posters for exhibitions 1980 - 2000
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$38.95
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Résumé:
As an exhibition venue the Zurich Museum für Gestaltung has an outstanding collection of its own posters. These include icons of design by Lissitzky, Max Bill, Josef Müller-Brockmann a.o. As the commissioning agent, the museum has the understanding that comes from a promoter. Such arresting posters by young and little known authors are still being produced today, providing a seamless survey of work produced in the past twenty years as a kaleidoscope of current graphic styles.
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livres
livres
Publication:
février 2002, Zurich
février 2002, Zurich
Classification:
livres
livres
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$115.00
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This richly-illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the subject. The illustrated books made during this enormously creative period were often hand-made and hand-printed in limited editions and were, in many instances, the collaborations between poets and painters. Among the well-known artists represented are Aleksandr Rodchenko,(...)
$115.00
(disponible sur commande)
Résumé:
This richly-illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the subject. The illustrated books made during this enormously creative period were often hand-made and hand-printed in limited editions and were, in many instances, the collaborations between poets and painters. Among the well-known artists represented are Aleksandr Rodchenko,(...)
Publication:
mars 2002, New york
mars 2002, New york
Titre:
The Russian avant-garde book : 1910-1934
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$115.00
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This richly-illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the subject. The illustrated books made during this enormously creative period were often hand-made and hand-printed in limited editions and were, in many instances, the collaborations between poets and painters. Among the well-known artists represented are Aleksandr Rodchenko, Natalia Goncharova, and El Lissitzky. This authoritative volume is destined to be the definitive word on the subject. Features 610 color illustrations, 60 duotones. ***Épuisé / Out of Print***
The Russian avant-garde book : 1910-1934
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$115.00
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Résumé:
This richly-illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the subject. The illustrated books made during this enormously creative period were often hand-made and hand-printed in limited editions and were, in many instances, the collaborations between poets and painters. Among the well-known artists represented are Aleksandr Rodchenko, Natalia Goncharova, and El Lissitzky. This authoritative volume is destined to be the definitive word on the subject. Features 610 color illustrations, 60 duotones. ***Épuisé / Out of Print***
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livres
livres
Publication:
mars 2002, New york
mars 2002, New york
Classification:
livres
livres
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$62.00
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde,(...)
$62.00
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Résumé:
In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde,(...)
Titre:
Russian Avant-garde: Pioneers and direct descendants
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde, igniting a new phase in the development of the original ideas of Malevich, Tatlin and El Lissitzky.
Russian Avant-garde: Pioneers and direct descendants
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$62.00
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Résumé:
In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde, igniting a new phase in the development of the original ideas of Malevich, Tatlin and El Lissitzky.
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livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Expositions en cours
Expositions en cours
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livres
livres
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$85.00
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Résumé:
In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde,(...)
$85.00
(disponible sur commande)
Résumé:
In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde,(...)
Titre:
Hiroshi Sugimoto: Architecture
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde, igniting a new phase in the development of the original ideas of Malevich, Tatlin and El Lissitzky.
Hiroshi Sugimoto: Architecture
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$85.00
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Résumé:
In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde, igniting a new phase in the development of the original ideas of Malevich, Tatlin and El Lissitzky.
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
The power of pictures
The power of pictures
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$58.00
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and(...)
$58.00
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
août 2015
août 2015
Titre:
The power of pictures
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$58.00
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Résumé:
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers.
The power of pictures
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$58.00
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers.
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livres
livres
Publication:
août 2015
août 2015
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$10.00
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Squares, circles and triangles are at the core of what makes the industrial world around us. A universal visual language apparent in all things—the tools we use, the fashion we wear, the buildings we live in and the communications we see. Visionary modernist architects, designers and artists such as Wassily Kandinsky, Piet Mondrian, El Lissitzky, and Josef Albers(...)
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Squares, circles and triangles are at the core of what makes the industrial world around us. A universal visual language apparent in all things—the tools we use, the fashion we wear, the buildings we live in and the communications we see. Visionary modernist architects, designers and artists such as Wassily Kandinsky, Piet Mondrian, El Lissitzky, and Josef Albers(...)
Titre:
The incredible journey that is consciousness
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Squares, circles and triangles are at the core of what makes the industrial world around us. A universal visual language apparent in all things—the tools we use, the fashion we wear, the buildings we live in and the communications we see. Visionary modernist architects, designers and artists such as Wassily Kandinsky, Piet Mondrian, El Lissitzky, and Josef Albers celebrated both the beauty of form as well as the functional potential hidden within these 3 primary shapes and colors. This publication invites each reader to interpret a landscape of symmetries, simplicities and geometric structures.
The incredible journey that is consciousness
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$10.00
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Squares, circles and triangles are at the core of what makes the industrial world around us. A universal visual language apparent in all things—the tools we use, the fashion we wear, the buildings we live in and the communications we see. Visionary modernist architects, designers and artists such as Wassily Kandinsky, Piet Mondrian, El Lissitzky, and Josef Albers celebrated both the beauty of form as well as the functional potential hidden within these 3 primary shapes and colors. This publication invites each reader to interpret a landscape of symmetries, simplicities and geometric structures.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Illustration
Illustration
Classification:
livres
livres
Titre:
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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$86.95
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.(...)
$86.95
(disponible sur commande)
Résumé:
This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.(...)
Titre:
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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$86.95
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Résumé:
This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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$86.95
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Résumé:
This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
Classification:
livres
livres
Publication:
juin 2009
juin 2009
