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279 pages : illustrations (some color) ; 29 cm
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279 pages : illustrations (some color) ; 29 cm
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London : Black Dog, ©2009.
London : Black Dog, ©2009.
Titre:
Art and text / [edited by Aimee Selby].
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Description:
279 pages : illustrations (some color) ; 29 cm
Art and text / [edited by Aimee Selby].
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Description:
279 pages : illustrations (some color) ; 29 cm
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livres
livres
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London : Black Dog, ©2009.
London : Black Dog, ©2009.
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Description:
735 p. : ill., ports. ; 25 cm.
Description:
735 p. : ill., ports. ; 25 cm.
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Cambridge, Mass. ; London : MIT Press, 2002.
Cambridge, Mass. ; London : MIT Press, 2002.
Titre:
Between worlds : a sourcebook of Central European avant-gardes, 1910-1930 / [exhibition] organised by Los Angeles County Museum of Art; edited by Timothy O. Benson and Eva Forgacs.
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735 p. : ill., ports. ; 25 cm.
Between worlds : a sourcebook of Central European avant-gardes, 1910-1930 / [exhibition] organised by Los Angeles County Museum of Art; edited by Timothy O. Benson and Eva Forgacs.
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735 p. : ill., ports. ; 25 cm.
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livres
livres
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Cambridge, Mass. ; London : MIT Press, 2002.
Cambridge, Mass. ; London : MIT Press, 2002.
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livres
livres
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xxii, 384 pages : illustrations (some color), portraits ; 29 cm
Description:
xxii, 384 pages : illustrations (some color), portraits ; 29 cm
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New York : Metropolitan Museum of Art, [1993], Distributed by Harry N. Abrams., ©1993
New York : Metropolitan Museum of Art, [1993], Distributed by Harry N. Abrams., ©1993
Titre:
The Waking dream : photography's first century : selections from the Gilman Paper Company collection / Maria Morris Hambourg [and others].
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xxii, 384 pages : illustrations (some color), portraits ; 29 cm
The Waking dream : photography's first century : selections from the Gilman Paper Company collection / Maria Morris Hambourg [and others].
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xxii, 384 pages : illustrations (some color), portraits ; 29 cm
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livres
livres
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New York : Metropolitan Museum of Art, [1993], Distributed by Harry N. Abrams., ©1993
New York : Metropolitan Museum of Art, [1993], Distributed by Harry N. Abrams., ©1993
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livres
livres
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Art and text
Art and text
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$45.00
(disponible sur commande)
Résumé:
This publication covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day.
$45.00
(disponible sur commande)
Résumé:
This publication covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day.
Titre:
Art and text
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$45.00
(disponible sur commande)
Résumé:
This publication covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day.
Art and text
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$45.00
(disponible sur commande)
Résumé:
This publication covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Théorie de l’art
Théorie de l’art
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x, 198 pages, 20 unnumbered pages of plates : illustrations (some color) ; 26 cm
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x, 198 pages, 20 unnumbered pages of plates : illustrations (some color) ; 26 cm
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New Haven : Yale University Press, ©1996.
New Haven : Yale University Press, ©1996.
Titre:
The Soviet photograph, 1924-1937 / Margarita Tupitsyn.
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x, 198 pages, 20 unnumbered pages of plates : illustrations (some color) ; 26 cm
The Soviet photograph, 1924-1937 / Margarita Tupitsyn.
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x, 198 pages, 20 unnumbered pages of plates : illustrations (some color) ; 26 cm
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New Haven : Yale University Press, ©1996.
New Haven : Yale University Press, ©1996.
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$44.00
(disponible sur commande)
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First published in 1923, the journal G: Material zur Elementaren Gestaltung helped shape a new phase in the history of the European avant-garde. Founded by Hans Richter, a pioneer of abstract animated film, G featured works by some of the important names in the advanced cultures of Europe: Hans Arp, Walter Benjamin, Theo van Doesburg, Viking Eggeling, Naum Gabo, Werner(...)
$44.00
(disponible sur commande)
Résumé:
First published in 1923, the journal G: Material zur Elementaren Gestaltung helped shape a new phase in the history of the European avant-garde. Founded by Hans Richter, a pioneer of abstract animated film, G featured works by some of the important names in the advanced cultures of Europe: Hans Arp, Walter Benjamin, Theo van Doesburg, Viking Eggeling, Naum Gabo, Werner(...)
Titre:
G: An avant-garde journal of art, architecture, design, and film
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$44.00
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Résumé:
First published in 1923, the journal G: Material zur Elementaren Gestaltung helped shape a new phase in the history of the European avant-garde. Founded by Hans Richter, a pioneer of abstract animated film, G featured works by some of the important names in the advanced cultures of Europe: Hans Arp, Walter Benjamin, Theo van Doesburg, Viking Eggeling, Naum Gabo, Werner Graeff, George Grosz, Hugo Häring, Raoul Hausmann, Ludwig Hilberseimer, Frederick Kiesler, El Lissitzky, Ludwig Mies van der Rohe, Antoine Pevsner, Man Ray, and Tristan Tzara. This edition, the first in English translation, preserves the original design by Lissitzky, Richter, and Graeff, and includes essays that explore the role of the journal in its time and in relation to contemporary culture.
G: An avant-garde journal of art, architecture, design, and film
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$44.00
(disponible sur commande)
Résumé:
First published in 1923, the journal G: Material zur Elementaren Gestaltung helped shape a new phase in the history of the European avant-garde. Founded by Hans Richter, a pioneer of abstract animated film, G featured works by some of the important names in the advanced cultures of Europe: Hans Arp, Walter Benjamin, Theo van Doesburg, Viking Eggeling, Naum Gabo, Werner Graeff, George Grosz, Hugo Häring, Raoul Hausmann, Ludwig Hilberseimer, Frederick Kiesler, El Lissitzky, Ludwig Mies van der Rohe, Antoine Pevsner, Man Ray, and Tristan Tzara. This edition, the first in English translation, preserves the original design by Lissitzky, Richter, and Graeff, and includes essays that explore the role of the journal in its time and in relation to contemporary culture.
Classification:
livres
livres
Publication:
décembre 2010
décembre 2010
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Prix:
$36.95
(disponible sur commande)
Résumé:
Les numéros 16 à 18 (saison 2) de la revue critique consacrée au graphisme. n° 16 — Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon ; n° 17 — Un acronyme : ACAB. Auteurs : Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz et Julie Martin ; n° 18 — Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andréone
$36.95
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Résumé:
Les numéros 16 à 18 (saison 2) de la revue critique consacrée au graphisme. n° 16 — Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon ; n° 17 — Un acronyme : ACAB. Auteurs : Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz et Julie Martin ; n° 18 — Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andréone
Titre:
Faire : regarder le graphisme, volume 05 (n° 16, 17, 18)
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$36.95
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Résumé:
Les numéros 16 à 18 (saison 2) de la revue critique consacrée au graphisme. n° 16 — Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon ; n° 17 — Un acronyme : ACAB. Auteurs : Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz et Julie Martin ; n° 18 — Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andréone
Faire : regarder le graphisme, volume 05 (n° 16, 17, 18)
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Prix:
$36.95
(disponible sur commande)
Résumé:
Les numéros 16 à 18 (saison 2) de la revue critique consacrée au graphisme. n° 16 — Une reproduction : Ce que veut El Lissitzky. Auteur : James Langdon ; n° 17 — Un acronyme : ACAB. Auteurs : Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz et Julie Martin ; n° 18 — Une visite d'atelier : le studio d'Ines Cox. Auteures : Manon Bruet et Julia Andréone
Classification:
livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Revues
Revues
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livres
livres
Titre:
Zaha Hadid and suprematism
Zaha Hadid and suprematism
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$75.00
(disponible sur commande)
Résumé:
This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid,(...)
$75.00
(disponible sur commande)
Résumé:
This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid,(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
avril 2012
avril 2012
Titre:
Zaha Hadid and suprematism
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Prix:
$75.00
(disponible sur commande)
Résumé:
This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid, which examines this conjunction across four themes or aesthetic qualities: Abstraction, Distortion, Fragmentation and Flotation.
Zaha Hadid and suprematism
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Prix:
$75.00
(disponible sur commande)
Résumé:
This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid, which examines this conjunction across four themes or aesthetic qualities: Abstraction, Distortion, Fragmentation and Flotation.
Classification:
livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$55.00
(disponible sur commande)
Résumé:
At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900-1940 documents the two schools and the work they produced. The leaders of these movements--Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others--believed they were standing at(...)
$55.00
(disponible sur commande)
Résumé:
At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900-1940 documents the two schools and the work they produced. The leaders of these movements--Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others--believed they were standing at(...)
Titre:
Utopia 1900-1940: visions on a new world
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$55.00
(disponible sur commande)
Résumé:
At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900-1940 documents the two schools and the work they produced. The leaders of these movements--Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others--believed they were standing at the threshold of a new era, and they sought to shape its reality in a radical way.
Utopia 1900-1940: visions on a new world
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$55.00
(disponible sur commande)
Résumé:
At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900-1940 documents the two schools and the work they produced. The leaders of these movements--Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others--believed they were standing at the threshold of a new era, and they sought to shape its reality in a radical way.
Classification:
livres
livres
Publication:
décembre 2013
décembre 2013
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Prix:
$38.95
(disponible sur commande)
Résumé:
As an exhibition venue the Zurich Museum für Gestaltung has an outstanding collection of its own posters. These include icons of design by Lissitzky, Max Bill, Josef Müller-Brockmann a.o. As the commissioning agent, the museum has the understanding that comes from a promoter. Such arresting posters by young and little known authors are still being produced today,(...)
$38.95
(disponible sur commande)
Résumé:
As an exhibition venue the Zurich Museum für Gestaltung has an outstanding collection of its own posters. These include icons of design by Lissitzky, Max Bill, Josef Müller-Brockmann a.o. As the commissioning agent, the museum has the understanding that comes from a promoter. Such arresting posters by young and little known authors are still being produced today,(...)
Titre:
Poster collection 03 : posters for exhibitions 1980 - 2000
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$38.95
(disponible sur commande)
Résumé:
As an exhibition venue the Zurich Museum für Gestaltung has an outstanding collection of its own posters. These include icons of design by Lissitzky, Max Bill, Josef Müller-Brockmann a.o. As the commissioning agent, the museum has the understanding that comes from a promoter. Such arresting posters by young and little known authors are still being produced today, providing a seamless survey of work produced in the past twenty years as a kaleidoscope of current graphic styles.
Poster collection 03 : posters for exhibitions 1980 - 2000
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Prix:
$38.95
(disponible sur commande)
Résumé:
As an exhibition venue the Zurich Museum für Gestaltung has an outstanding collection of its own posters. These include icons of design by Lissitzky, Max Bill, Josef Müller-Brockmann a.o. As the commissioning agent, the museum has the understanding that comes from a promoter. Such arresting posters by young and little known authors are still being produced today, providing a seamless survey of work produced in the past twenty years as a kaleidoscope of current graphic styles.
Classification:
livres
livres
Publication:
février 2002, Zurich
février 2002, Zurich
