8844 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Personnes et institutions:
Date:
1984-1990
1984-1990
Titre:
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Classification:
documents textuels
documents textuels
Date:
1984-1990
1984-1990
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Personnes et institutions:
Date:
1999-2000
1999-2000
Titre:
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Classification:
documents textuels
documents textuels
Date:
1999-2000
1999-2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Rohault de Fleury
Collection Rohault de Fleury
Numéro de référence:
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Personnes et institutions:
Date:
1717-[1884]
1717-[1884]
Titre:
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Classification:
archives
Niveau de description archivistique:
Collection 1
archives
Niveau de description archivistique:
Collection 1
Date:
1717-[1884]
1717-[1884]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Hal Ingberg
Fonds Hal Ingberg
Numéro de référence:
AP120
Résumé:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
AP120
Résumé:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Personnes et institutions:
Date:
1991-2002
1991-2002
Titre:
Fonds Hal Ingberg
Actions:
AP120
Résumé:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Fonds Hal Ingberg
Actions:
AP120
Résumé:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-2002
1991-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Detroit Think Grid
Detroit Think Grid
Numéro de référence:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Personnes et institutions:
Date:
1957-1975, predominant 1969-1971
1957-1975, predominant 1969-1971
Titre:
Detroit Think Grid
Actions:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Detroit Think Grid
Actions:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Niveau de description archivistique:
File 73
File 73
Date:
1957-1975, predominant 1969-1971
1957-1975, predominant 1969-1971
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personnes et institutions:
Date:
1999
1999
Titre:
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Classification:
documents textuels
documents textuels
Date:
1999
1999
Personnes et institutions:
Classification:
dessins, né numérique
dessins, né numérique
Numéro de référence:
AP185.S2.001
Description:
This directory contains a large number of subdirectories containing the working files for O/K Apartment. The files appear to have been copied over at intervals during the project. They show the evolution of the projects and changes that occurred over time; however, this means that there are also a large number of duplicates. Each directory represents the work over a particular time period. Within these directories, the files have three major groupings: First, there are a large number of word processing files which document KOL/MACs interactions with the engineers, contractors, and clients. There is also documentation for construction specifications, meeting minutes, and other various notes. Second, there are a number of CAD files, including wireframe drawings, floorplans, and blueprints, which document the evolving design of the O/K Apartment. These are particularly rich in terms of furniture design. Third, there are a large number of still images showing renderings of the apartment; other various architectural drawings are also present, particularly including wireframe drawings and floorplans exported to raster image formats. Most common file formats: Microsoft Word for Macintosh Document, ClarisWorks Word Processor, Microstation CAD Drawing, Tagged Image File Format.
AP185.S2.001
Description:
This directory contains a large number of subdirectories containing the working files for O/K Apartment. The files appear to have been copied over at intervals during the project. They show the evolution of the projects and changes that occurred over time; however, this means that there are also a large number of duplicates. Each directory represents the work over a particular time period. Within these directories, the files have three major groupings: First, there are a large number of word processing files which document KOL/MACs interactions with the engineers, contractors, and clients. There is also documentation for construction specifications, meeting minutes, and other various notes. Second, there are a number of CAD files, including wireframe drawings, floorplans, and blueprints, which document the evolving design of the O/K Apartment. These are particularly rich in terms of furniture design. Third, there are a large number of still images showing renderings of the apartment; other various architectural drawings are also present, particularly including wireframe drawings and floorplans exported to raster image formats. Most common file formats: Microsoft Word for Macintosh Document, ClarisWorks Word Processor, Microstation CAD Drawing, Tagged Image File Format.
Personnes et institutions:
Date:
20 September 1994-6 March 1997
20 September 1994-6 March 1997
Titre:
Drawings and construction specifications for O/K Apartment
Actions:
AP185.S2.001
Description:
This directory contains a large number of subdirectories containing the working files for O/K Apartment. The files appear to have been copied over at intervals during the project. They show the evolution of the projects and changes that occurred over time; however, this means that there are also a large number of duplicates. Each directory represents the work over a particular time period. Within these directories, the files have three major groupings: First, there are a large number of word processing files which document KOL/MACs interactions with the engineers, contractors, and clients. There is also documentation for construction specifications, meeting minutes, and other various notes. Second, there are a number of CAD files, including wireframe drawings, floorplans, and blueprints, which document the evolving design of the O/K Apartment. These are particularly rich in terms of furniture design. Third, there are a large number of still images showing renderings of the apartment; other various architectural drawings are also present, particularly including wireframe drawings and floorplans exported to raster image formats. Most common file formats: Microsoft Word for Macintosh Document, ClarisWorks Word Processor, Microstation CAD Drawing, Tagged Image File Format.
Drawings and construction specifications for O/K Apartment
Actions:
AP185.S2.001
Description:
This directory contains a large number of subdirectories containing the working files for O/K Apartment. The files appear to have been copied over at intervals during the project. They show the evolution of the projects and changes that occurred over time; however, this means that there are also a large number of duplicates. Each directory represents the work over a particular time period. Within these directories, the files have three major groupings: First, there are a large number of word processing files which document KOL/MACs interactions with the engineers, contractors, and clients. There is also documentation for construction specifications, meeting minutes, and other various notes. Second, there are a number of CAD files, including wireframe drawings, floorplans, and blueprints, which document the evolving design of the O/K Apartment. These are particularly rich in terms of furniture design. Third, there are a large number of still images showing renderings of the apartment; other various architectural drawings are also present, particularly including wireframe drawings and floorplans exported to raster image formats. Most common file formats: Microsoft Word for Macintosh Document, ClarisWorks Word Processor, Microstation CAD Drawing, Tagged Image File Format.
Classification:
dessins, né numérique
dessins, né numérique
Date:
20 September 1994-6 March 1997
20 September 1994-6 March 1997
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Personal Papers
Personal Papers
Numéro de référence:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Personnes et institutions:
Date:
1931-1995
1931-1995
Titre:
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Niveau de description archivistique:
Series 1
Series 1
Date:
1931-1995
1931-1995
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Dessins et tableaux
Dessins et tableaux
Numéro de référence:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Niveau de description archivistique:
Série 1
Série 1
Date:
1917-1955
1917-1955
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personnes et institutions:
Date:
1958-1984
1958-1984
Titre:
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Classification:
documents textuels
documents textuels
Date:
1958-1984
1958-1984
Personnes et institutions:
