5265 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Promotion de l'événement
Promotion de l'événement
Numéro de référence:
AP095.S4
Description:
La série nous renseigne sur l'appel de candidature au concours, sur l'exposition qui s'est tenue à Venise et la campagne de promotion entourant la tenue de l'événement. La série contient deux exemplaires du document diffusé pour inviter les jeunes architectes canadiens à participer au concours d'idées lancé en 1995, un exemplaire de la publication Réciprocité, Patkau +16, produite par le CCA en 1996, présentant les lauréats exposés et l'agence Patkau Architects, et enfin 321 documents photographiques (portraits de Phyllis Lambert, de John et Patrcicia Patkau et de Michael Cunnignam, et des panneaux exposés) produits dans le but notamment d'être distribuées aux médias dans le cadre d'une campagne de promotion de l'événement.
AP095.S4
Description:
La série nous renseigne sur l'appel de candidature au concours, sur l'exposition qui s'est tenue à Venise et la campagne de promotion entourant la tenue de l'événement. La série contient deux exemplaires du document diffusé pour inviter les jeunes architectes canadiens à participer au concours d'idées lancé en 1995, un exemplaire de la publication Réciprocité, Patkau +16, produite par le CCA en 1996, présentant les lauréats exposés et l'agence Patkau Architects, et enfin 321 documents photographiques (portraits de Phyllis Lambert, de John et Patrcicia Patkau et de Michael Cunnignam, et des panneaux exposés) produits dans le but notamment d'être distribuées aux médias dans le cadre d'une campagne de promotion de l'événement.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Promotion de l'événement
Actions:
AP095.S4
Description:
La série nous renseigne sur l'appel de candidature au concours, sur l'exposition qui s'est tenue à Venise et la campagne de promotion entourant la tenue de l'événement. La série contient deux exemplaires du document diffusé pour inviter les jeunes architectes canadiens à participer au concours d'idées lancé en 1995, un exemplaire de la publication Réciprocité, Patkau +16, produite par le CCA en 1996, présentant les lauréats exposés et l'agence Patkau Architects, et enfin 321 documents photographiques (portraits de Phyllis Lambert, de John et Patrcicia Patkau et de Michael Cunnignam, et des panneaux exposés) produits dans le but notamment d'être distribuées aux médias dans le cadre d'une campagne de promotion de l'événement.
Promotion de l'événement
Actions:
AP095.S4
Description:
La série nous renseigne sur l'appel de candidature au concours, sur l'exposition qui s'est tenue à Venise et la campagne de promotion entourant la tenue de l'événement. La série contient deux exemplaires du document diffusé pour inviter les jeunes architectes canadiens à participer au concours d'idées lancé en 1995, un exemplaire de la publication Réciprocité, Patkau +16, produite par le CCA en 1996, présentant les lauréats exposés et l'agence Patkau Architects, et enfin 321 documents photographiques (portraits de Phyllis Lambert, de John et Patrcicia Patkau et de Michael Cunnignam, et des panneaux exposés) produits dans le but notamment d'être distribuées aux médias dans le cadre d'une campagne de promotion de l'événement.
Niveau de description archivistique:
Série 4
Série 4
Date:
1995-1996
1995-1996
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:1367
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
PH1986:1367
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
28 August 1985
28 August 1985
Titre:
View of the Sherwin-Williams Company Building under demolition, 3134 St. Patrick Street, Montréal, Québec
Actions:
PH1986:1367
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
View of the Sherwin-Williams Company Building under demolition, 3134 St. Patrick Street, Montréal, Québec
Actions:
PH1986:1367
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
Classification:
photographies
photographies
Date:
28 August 1985
28 August 1985
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
événements
événements
Actions:
Description:
À l’été 2026, le camp de jour du CCA propose aux jeunes de 7 à 10 ans une immersion dans l’univers de l’architecture, de l’environnement bâti et du design. Encadrés par l’équipe des programmes publics du CCA, les participants pourrons découvrir et sapproprier tous les espaces du CCA, du théâtre à la salle détudes, en passant par la maison Shaughnessy et le parc Baile. Ils(...)
À l’été 2026, le camp de jour du CCA propose aux jeunes de 7 à 10 ans une immersion dans l’univers de l’architecture, de l’environnement bâti et du design. Encadrés par l’équipe des programmes publics du CCA, les participants pourrons découvrir et sapproprier tous les espaces du CCA, du théâtre à la salle détudes, en passant par la maison Shaughnessy et le parc Baile. Ils(...)
Mot(s)-clé(s):
camp d'été
camp d'été
Date:
17 août 2026 au 21 août 2026
17 août 2026 au 21 août 2026
Titre:
Camp de jour été 2026
Actions:
Description:
À l’été 2026, le camp de jour du CCA propose aux jeunes de 7 à 10 ans une immersion dans l’univers de l’architecture, de l’environnement bâti et du design. Encadrés par l’équipe des programmes publics du CCA, les participants pourrons découvrir et sapproprier tous les espaces du CCA, du théâtre à la salle détudes, en passant par la maison Shaughnessy et le parc Baile. Ils(...)
Camp de jour été 2026
Actions:
Description:
À l’été 2026, le camp de jour du CCA propose aux jeunes de 7 à 10 ans une immersion dans l’univers de l’architecture, de l’environnement bâti et du design. Encadrés par l’équipe des programmes publics du CCA, les participants pourrons découvrir et sapproprier tous les espaces du CCA, du théâtre à la salle détudes, en passant par la maison Shaughnessy et le parc Baile. Ils(...)
Classification:
événements
événements
Date:
17 août 2026 au
21 août 2026
17 août 2026 au
21 août 2026
Mot(s)-clé(s):
camp d'été
camp d'été
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP018.S1.1980.PR09.SS2
Description:
This subproject series documents the installation of Citibank's signage on the University Place building in Toronto from 1982-1984. The office identified the project number as 8009-8214A. The project consisted of the installation of two Citibank logos on the north and south sides of University Place at the top of the building. The project is recorded through drawings, photographic materials showing the installation and design, and textual records containing correspondence, planning, air conditioning revisions, and publicity dating from 1981-1986. The CCA also holds materials for project associated with this subproject, which document the design and construction of the University Place Building (AP018.S1.1980.PR09). Subproject materials are viewed separately from this project due to the different project numbers originally assigned by the office.
AP018.S1.1980.PR09.SS2
Description:
This subproject series documents the installation of Citibank's signage on the University Place building in Toronto from 1982-1984. The office identified the project number as 8009-8214A. The project consisted of the installation of two Citibank logos on the north and south sides of University Place at the top of the building. The project is recorded through drawings, photographic materials showing the installation and design, and textual records containing correspondence, planning, air conditioning revisions, and publicity dating from 1981-1986. The CCA also holds materials for project associated with this subproject, which document the design and construction of the University Place Building (AP018.S1.1980.PR09). Subproject materials are viewed separately from this project due to the different project numbers originally assigned by the office.
Personnes et institutions:
Date:
1981-1986
1981-1986
Titre:
Citibank Signage, University Place, Toronto (1982-1984)
Actions:
AP018.S1.1980.PR09.SS2
Description:
This subproject series documents the installation of Citibank's signage on the University Place building in Toronto from 1982-1984. The office identified the project number as 8009-8214A. The project consisted of the installation of two Citibank logos on the north and south sides of University Place at the top of the building. The project is recorded through drawings, photographic materials showing the installation and design, and textual records containing correspondence, planning, air conditioning revisions, and publicity dating from 1981-1986. The CCA also holds materials for project associated with this subproject, which document the design and construction of the University Place Building (AP018.S1.1980.PR09). Subproject materials are viewed separately from this project due to the different project numbers originally assigned by the office.
Citibank Signage, University Place, Toronto (1982-1984)
Actions:
AP018.S1.1980.PR09.SS2
Description:
This subproject series documents the installation of Citibank's signage on the University Place building in Toronto from 1982-1984. The office identified the project number as 8009-8214A. The project consisted of the installation of two Citibank logos on the north and south sides of University Place at the top of the building. The project is recorded through drawings, photographic materials showing the installation and design, and textual records containing correspondence, planning, air conditioning revisions, and publicity dating from 1981-1986. The CCA also holds materials for project associated with this subproject, which document the design and construction of the University Place Building (AP018.S1.1980.PR09). Subproject materials are viewed separately from this project due to the different project numbers originally assigned by the office.
Niveau de description archivistique:
Project
Project
Date:
1981-1986
1981-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Classification:
articles
articles
Actions:
Emma Martin et Jonas Henderson analysent les photographies du réseau DEW de la collection du CCA
Mot(s)-clé(s):
Jonas Henderson, Emma Martin, réseau DEW, radar, colonial, Distant Early Warning Line, Inuit, autochtone, Nunangat, Yukon
Jonas Henderson, Emma Martin, réseau DEW, radar, colonial, Distant Early Warning Line, Inuit, autochtone, Nunangat, Yukon
Publié:
10 décembre 2022
10 décembre 2022
Titre:
Regard colonial, partie 2 : l’attaque silencieuse contre l’Inuit Nunangat
Emma Martin et Jonas Henderson analysent les photographies du réseau DEW de la collection du CCA
Actions:
Regard colonial, partie 2 : l’attaque silencieuse contre l’Inuit Nunangat
Emma Martin et Jonas Henderson analysent les photographies du réseau DEW de la collection du CCA
Actions:
Classification:
articles
articles
Publié:
10 décembre 2022
10 décembre 2022
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications and Exhibitions
Publications and Exhibitions
Numéro de référence:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Personnes et institutions:
Date:
1956-1991
1956-1991
Titre:
Publications and Exhibitions
Actions:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Publications and Exhibitions
Actions:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Niveau de description archivistique:
Series 4
Series 4
Date:
1956-1991
1956-1991
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Personnes et institutions:
Date:
November 2009-April 2011
November 2009-April 2011
Titre:
Carpenter sketches, Copper House II
Actions:
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Carpenter sketches, Copper House II
Actions:
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Classification:
dessins
dessins
Date:
November 2009-April 2011
November 2009-April 2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Personnes et institutions:
Date:
1994-1996
1994-1996
Titre:
Venice Biennale 1996 competition fonds
Actions:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Venice Biennale 1996 competition fonds
Actions:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-1996
1994-1996
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
ARCH280037
Description:
Labelled: "9904 (1); UNStudio van Berkel en Bos; Stadhouderskade 113; 1073 AX Amserdam". Annotations on original physical media: "UNStudio; 9904 Lanzarote (1)". Prevalent file formats: Tagged Image File Format (.tiff), unidentified file format, Quark Xpress Data File.
ARCH280037
Description:
Labelled: "9904 (1); UNStudio van Berkel en Bos; Stadhouderskade 113; 1073 AX Amserdam". Annotations on original physical media: "UNStudio; 9904 Lanzarote (1)". Prevalent file formats: Tagged Image File Format (.tiff), unidentified file format, Quark Xpress Data File.
Personnes et institutions:
Date:
1999
1999
Titre:
Presentation materials for the IFCCA competition, Zip disk, 100 MB
Actions:
ARCH280037
Description:
Labelled: "9904 (1); UNStudio van Berkel en Bos; Stadhouderskade 113; 1073 AX Amserdam". Annotations on original physical media: "UNStudio; 9904 Lanzarote (1)". Prevalent file formats: Tagged Image File Format (.tiff), unidentified file format, Quark Xpress Data File.
Presentation materials for the IFCCA competition, Zip disk, 100 MB
Actions:
ARCH280037
Description:
Labelled: "9904 (1); UNStudio van Berkel en Bos; Stadhouderskade 113; 1073 AX Amserdam". Annotations on original physical media: "UNStudio; 9904 Lanzarote (1)". Prevalent file formats: Tagged Image File Format (.tiff), unidentified file format, Quark Xpress Data File.
Classification:
né numérique
né numérique
Date:
1999
1999
Personnes et institutions:
