36497 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP133.S1.007
Description:
Box contains photocopies of publications, notes by Pierre du Prey, and correspondence.
AP133.S1.007
Description:
Box contains photocopies of publications, notes by Pierre du Prey, and correspondence.
Personnes et institutions:
Date:
1991-1996
1991-1996
Titre:
Box of research material
Actions:
AP133.S1.007
Description:
Box contains photocopies of publications, notes by Pierre du Prey, and correspondence.
Box of research material
Actions:
AP133.S1.007
Description:
Box contains photocopies of publications, notes by Pierre du Prey, and correspondence.
Classification:
documents textuels
documents textuels
Date:
1991-1996
1991-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Personnes et institutions:
Date:
1991
1991
Titre:
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Niveau de description archivistique:
Project
Project
Date:
1991
1991
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Maison de Verre (1965, 1969)
Maison de Verre (1965, 1969)
Numéro de référence:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
Personnes et institutions:
Date:
1965-1981
1965-1981
Titre:
Maison de Verre (1965, 1969)
Actions:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
Maison de Verre (1965, 1969)
Actions:
AP197.S1.SS1
Description:
Located on 31 Rue St Guillaume in Paris, France, Maison de Verre was designed between 1928 and 1931 by furniture designer and architect Pierre Chareau, architect Bernard Bijvoet, and metal craftsman Louis Dalbet. Although the home was built, no original drawings exist for this project. In 1965, as Hodder Fellow at Princeton University, Kenneth Frampton along with Robert Vickery and Michael Carapetian measured the home and its details. Originally, their intention was that this research lead to a book project, but they later published their work as an article entitled "Maison de Verre" in a 1969 issue of Perspecta. This subseries includes measurement sketches and sixteen axonometric representations on vellum that were produced from this research. Photographs document Maison de Verre and provide various interior and exterior views of the house. Photographs by Michael Carapetian, published in the Perspecta article, “Maison de Verre (1969),” are also included in this subseries. Textual documentation includes drafts of the publication on Maison de Verre, as well as notes, correspondence, and various research files on Paul Nelson, Pierre Chareau, and Maison de Verre.
Niveau de description archivistique:
Subseries
Subseries
Date:
1965-1981
1965-1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2014.PR03
Description:
Project series documents Cornelia Hahn Oberlander's work as landscape architect for the restoration project of the Mountain View Jewish Cemetery in Vancouver, British Columbia. She worked on this project in 2014 with PECHET Studio for the Schara Tzedeck Cemetery Board and the City of Vancouver. The project included rebuilding to the entrance archway, clearing the original curbed pathways, adding a ritual washing bassin, benches, a pebble basin, an entry plaza and other features. The project series contains drawings of the restored landcaping and the new additions, press clippings and publications with articles on the project, a self-guided walking tour brochure, correspondence with architects, and documents related to the fundraiser campain for the restoration.
AP075.S1.2014.PR03
Description:
Project series documents Cornelia Hahn Oberlander's work as landscape architect for the restoration project of the Mountain View Jewish Cemetery in Vancouver, British Columbia. She worked on this project in 2014 with PECHET Studio for the Schara Tzedeck Cemetery Board and the City of Vancouver. The project included rebuilding to the entrance archway, clearing the original curbed pathways, adding a ritual washing bassin, benches, a pebble basin, an entry plaza and other features. The project series contains drawings of the restored landcaping and the new additions, press clippings and publications with articles on the project, a self-guided walking tour brochure, correspondence with architects, and documents related to the fundraiser campain for the restoration.
Personnes et institutions:
Date:
2014-2017
2014-2017
Titre:
Mountain View Jewish Cemetery, Vancouver, British Columbia (2014)
Actions:
AP075.S1.2014.PR03
Description:
Project series documents Cornelia Hahn Oberlander's work as landscape architect for the restoration project of the Mountain View Jewish Cemetery in Vancouver, British Columbia. She worked on this project in 2014 with PECHET Studio for the Schara Tzedeck Cemetery Board and the City of Vancouver. The project included rebuilding to the entrance archway, clearing the original curbed pathways, adding a ritual washing bassin, benches, a pebble basin, an entry plaza and other features. The project series contains drawings of the restored landcaping and the new additions, press clippings and publications with articles on the project, a self-guided walking tour brochure, correspondence with architects, and documents related to the fundraiser campain for the restoration.
Mountain View Jewish Cemetery, Vancouver, British Columbia (2014)
Actions:
AP075.S1.2014.PR03
Description:
Project series documents Cornelia Hahn Oberlander's work as landscape architect for the restoration project of the Mountain View Jewish Cemetery in Vancouver, British Columbia. She worked on this project in 2014 with PECHET Studio for the Schara Tzedeck Cemetery Board and the City of Vancouver. The project included rebuilding to the entrance archway, clearing the original curbed pathways, adding a ritual washing bassin, benches, a pebble basin, an entry plaza and other features. The project series contains drawings of the restored landcaping and the new additions, press clippings and publications with articles on the project, a self-guided walking tour brochure, correspondence with architects, and documents related to the fundraiser campain for the restoration.
Niveau de description archivistique:
Project
Project
Date:
2014-2017
2014-2017
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
Personnes et institutions:
Date:
1992-2018
1992-2018
Titre:
Casa Malaparte
Actions:
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
Casa Malaparte
Actions:
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
Niveau de description archivistique:
Subseries
Subseries
Date:
1992-2018
1992-2018
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP058.S1.SS7
Description:
This subseries documents Blanche Lemco van Ginkel’s participation in various other professional committees and associations, like the Canadian Housing Design Council (1980-1982), the Canadian Friend of Finland (1981-1990), the Association for Advancement of Scandinavian Studies (1982-1983), the Canadian Institute of Planners (1982), the Canada Museums Corporation (1982-1983), the Ontario Association of Architects (1983), the Canadian Council of University Schools of Architecture (1986-1989), the National Council of Architecture Registration Boards (1987), the University of Miami Visiting Committee (1988), etc. The subseries contains correspondence, programmes, publications, schedules, information packages, notes, minutes, posters, papers, and reports, dating from 1976 to 1990.
AP058.S1.SS7
Description:
This subseries documents Blanche Lemco van Ginkel’s participation in various other professional committees and associations, like the Canadian Housing Design Council (1980-1982), the Canadian Friend of Finland (1981-1990), the Association for Advancement of Scandinavian Studies (1982-1983), the Canadian Institute of Planners (1982), the Canada Museums Corporation (1982-1983), the Ontario Association of Architects (1983), the Canadian Council of University Schools of Architecture (1986-1989), the National Council of Architecture Registration Boards (1987), the University of Miami Visiting Committee (1988), etc. The subseries contains correspondence, programmes, publications, schedules, information packages, notes, minutes, posters, papers, and reports, dating from 1976 to 1990.
Personnes et institutions:
Date:
1976-1990
1976-1990
Titre:
Other professional committees and associations
Actions:
AP058.S1.SS7
Description:
This subseries documents Blanche Lemco van Ginkel’s participation in various other professional committees and associations, like the Canadian Housing Design Council (1980-1982), the Canadian Friend of Finland (1981-1990), the Association for Advancement of Scandinavian Studies (1982-1983), the Canadian Institute of Planners (1982), the Canada Museums Corporation (1982-1983), the Ontario Association of Architects (1983), the Canadian Council of University Schools of Architecture (1986-1989), the National Council of Architecture Registration Boards (1987), the University of Miami Visiting Committee (1988), etc. The subseries contains correspondence, programmes, publications, schedules, information packages, notes, minutes, posters, papers, and reports, dating from 1976 to 1990.
Other professional committees and associations
Actions:
AP058.S1.SS7
Description:
This subseries documents Blanche Lemco van Ginkel’s participation in various other professional committees and associations, like the Canadian Housing Design Council (1980-1982), the Canadian Friend of Finland (1981-1990), the Association for Advancement of Scandinavian Studies (1982-1983), the Canadian Institute of Planners (1982), the Canada Museums Corporation (1982-1983), the Ontario Association of Architects (1983), the Canadian Council of University Schools of Architecture (1986-1989), the National Council of Architecture Registration Boards (1987), the University of Miami Visiting Committee (1988), etc. The subseries contains correspondence, programmes, publications, schedules, information packages, notes, minutes, posters, papers, and reports, dating from 1976 to 1990.
Niveau de description archivistique:
Subseries
Subseries
Date:
1976-1990
1976-1990
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
House X
House X
Numéro de référence:
AP143.S4.D20
Description:
File documents an unexecuted project for House X, designed for Mr. and Mrs. Arnold Aronoff for a 40-acre site on Lahser Road, Bloomfield Hills, Michigan. The ground floor consists of a kitchen, dining room, breakfast room, laundry room, two powder rooms and two garages. The second floor consists of a master suite with study, two bedrooms, bathroom, family and living rooms, bar, bathhouse and deck. The third floor consists of a solarium, terrace, bedroom and maid's room with bathroom. A swimming pool, tennis court and gatehouse are situated on the grounds. Thirteen schemes were developed for this project: A, A1, B, C, C1, C2, D, E, E1, E2, F, G, H. Only schemes G and H were developed into detailed floor plans. The drawings have been organized by drawing type, because of the subtle variations which characterize each scheme. Eisenman manipulates the four "els" (fragmentary forms - the three-sided portion of a hollow cube - that he introduced in House X to replace the cube, the preferred generating volume of his first five houses) in over 200 conceptual drawings (DR1994:0138:001-0219). There are numerous design development and complete sets of working drawings (design development drawings: DR1994:0138:239-541; working drawings: DR1994:0138:1182-1457). The project was extensively published, and the file includes a number of drawings and models created for exhibition and publication, including photographs of models (DR1994:0138:1481-1501), pieces of the "axonometric model" constructed after the project had been abandoned (DR1994:0138:1458-1476), and coloured paper cut-outs for collages (cut-outs, DR1994:0138:0929-0933 and DR1994:0138:1477-1480; collage: DR1994:0138:0928). The file also includes drawings and reprographic copies for the following projects: a residence for Mr. and Mrs. Aronoff,designed by Irving E. Palmquist, (DR1994:0138:1512-1521); Bernstein House, Mamaroneck, New York, designed by John Hejduk (DR1994:0138:1524-1531); Maison Domino by Le Corbusier (DR1994:0138:0944-0965); and land subdivision and houses for Arnold Aronoff, designed by Eisenman (DR1994:0138:0434-0441). Material in this file was produced between 1960 and 1977. File contains conceptual drawings, design development drawings, photographic materials, presentation drawings, presentation panels, publication drawings, record drawings, schematic drawings, a study model, textual records, and working drawings.
AP143.S4.D20
Description:
File documents an unexecuted project for House X, designed for Mr. and Mrs. Arnold Aronoff for a 40-acre site on Lahser Road, Bloomfield Hills, Michigan. The ground floor consists of a kitchen, dining room, breakfast room, laundry room, two powder rooms and two garages. The second floor consists of a master suite with study, two bedrooms, bathroom, family and living rooms, bar, bathhouse and deck. The third floor consists of a solarium, terrace, bedroom and maid's room with bathroom. A swimming pool, tennis court and gatehouse are situated on the grounds. Thirteen schemes were developed for this project: A, A1, B, C, C1, C2, D, E, E1, E2, F, G, H. Only schemes G and H were developed into detailed floor plans. The drawings have been organized by drawing type, because of the subtle variations which characterize each scheme. Eisenman manipulates the four "els" (fragmentary forms - the three-sided portion of a hollow cube - that he introduced in House X to replace the cube, the preferred generating volume of his first five houses) in over 200 conceptual drawings (DR1994:0138:001-0219). There are numerous design development and complete sets of working drawings (design development drawings: DR1994:0138:239-541; working drawings: DR1994:0138:1182-1457). The project was extensively published, and the file includes a number of drawings and models created for exhibition and publication, including photographs of models (DR1994:0138:1481-1501), pieces of the "axonometric model" constructed after the project had been abandoned (DR1994:0138:1458-1476), and coloured paper cut-outs for collages (cut-outs, DR1994:0138:0929-0933 and DR1994:0138:1477-1480; collage: DR1994:0138:0928). The file also includes drawings and reprographic copies for the following projects: a residence for Mr. and Mrs. Aronoff,designed by Irving E. Palmquist, (DR1994:0138:1512-1521); Bernstein House, Mamaroneck, New York, designed by John Hejduk (DR1994:0138:1524-1531); Maison Domino by Le Corbusier (DR1994:0138:0944-0965); and land subdivision and houses for Arnold Aronoff, designed by Eisenman (DR1994:0138:0434-0441). Material in this file was produced between 1960 and 1977. File contains conceptual drawings, design development drawings, photographic materials, presentation drawings, presentation panels, publication drawings, record drawings, schematic drawings, a study model, textual records, and working drawings.
Personnes et institutions:
Date:
1960-1977
1960-1977
Titre:
House X
Actions:
AP143.S4.D20
Description:
File documents an unexecuted project for House X, designed for Mr. and Mrs. Arnold Aronoff for a 40-acre site on Lahser Road, Bloomfield Hills, Michigan. The ground floor consists of a kitchen, dining room, breakfast room, laundry room, two powder rooms and two garages. The second floor consists of a master suite with study, two bedrooms, bathroom, family and living rooms, bar, bathhouse and deck. The third floor consists of a solarium, terrace, bedroom and maid's room with bathroom. A swimming pool, tennis court and gatehouse are situated on the grounds. Thirteen schemes were developed for this project: A, A1, B, C, C1, C2, D, E, E1, E2, F, G, H. Only schemes G and H were developed into detailed floor plans. The drawings have been organized by drawing type, because of the subtle variations which characterize each scheme. Eisenman manipulates the four "els" (fragmentary forms - the three-sided portion of a hollow cube - that he introduced in House X to replace the cube, the preferred generating volume of his first five houses) in over 200 conceptual drawings (DR1994:0138:001-0219). There are numerous design development and complete sets of working drawings (design development drawings: DR1994:0138:239-541; working drawings: DR1994:0138:1182-1457). The project was extensively published, and the file includes a number of drawings and models created for exhibition and publication, including photographs of models (DR1994:0138:1481-1501), pieces of the "axonometric model" constructed after the project had been abandoned (DR1994:0138:1458-1476), and coloured paper cut-outs for collages (cut-outs, DR1994:0138:0929-0933 and DR1994:0138:1477-1480; collage: DR1994:0138:0928). The file also includes drawings and reprographic copies for the following projects: a residence for Mr. and Mrs. Aronoff,designed by Irving E. Palmquist, (DR1994:0138:1512-1521); Bernstein House, Mamaroneck, New York, designed by John Hejduk (DR1994:0138:1524-1531); Maison Domino by Le Corbusier (DR1994:0138:0944-0965); and land subdivision and houses for Arnold Aronoff, designed by Eisenman (DR1994:0138:0434-0441). Material in this file was produced between 1960 and 1977. File contains conceptual drawings, design development drawings, photographic materials, presentation drawings, presentation panels, publication drawings, record drawings, schematic drawings, a study model, textual records, and working drawings.
House X
Actions:
AP143.S4.D20
Description:
File documents an unexecuted project for House X, designed for Mr. and Mrs. Arnold Aronoff for a 40-acre site on Lahser Road, Bloomfield Hills, Michigan. The ground floor consists of a kitchen, dining room, breakfast room, laundry room, two powder rooms and two garages. The second floor consists of a master suite with study, two bedrooms, bathroom, family and living rooms, bar, bathhouse and deck. The third floor consists of a solarium, terrace, bedroom and maid's room with bathroom. A swimming pool, tennis court and gatehouse are situated on the grounds. Thirteen schemes were developed for this project: A, A1, B, C, C1, C2, D, E, E1, E2, F, G, H. Only schemes G and H were developed into detailed floor plans. The drawings have been organized by drawing type, because of the subtle variations which characterize each scheme. Eisenman manipulates the four "els" (fragmentary forms - the three-sided portion of a hollow cube - that he introduced in House X to replace the cube, the preferred generating volume of his first five houses) in over 200 conceptual drawings (DR1994:0138:001-0219). There are numerous design development and complete sets of working drawings (design development drawings: DR1994:0138:239-541; working drawings: DR1994:0138:1182-1457). The project was extensively published, and the file includes a number of drawings and models created for exhibition and publication, including photographs of models (DR1994:0138:1481-1501), pieces of the "axonometric model" constructed after the project had been abandoned (DR1994:0138:1458-1476), and coloured paper cut-outs for collages (cut-outs, DR1994:0138:0929-0933 and DR1994:0138:1477-1480; collage: DR1994:0138:0928). The file also includes drawings and reprographic copies for the following projects: a residence for Mr. and Mrs. Aronoff,designed by Irving E. Palmquist, (DR1994:0138:1512-1521); Bernstein House, Mamaroneck, New York, designed by John Hejduk (DR1994:0138:1524-1531); Maison Domino by Le Corbusier (DR1994:0138:0944-0965); and land subdivision and houses for Arnold Aronoff, designed by Eisenman (DR1994:0138:0434-0441). Material in this file was produced between 1960 and 1977. File contains conceptual drawings, design development drawings, photographic materials, presentation drawings, presentation panels, publication drawings, record drawings, schematic drawings, a study model, textual records, and working drawings.
Niveau de description archivistique:
File 20
File 20
Date:
1960-1977
1960-1977
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Personnes et institutions:
Date:
1960-2018
1960-2018
Titre:
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Niveau de description archivistique:
Series
Series
Date:
1960-2018
1960-2018
Personnes et institutions:
