16899 Résultats
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
ARCH257154
Description:
ANSOC I file with drawings of furnishings, UBC Master plan, client/architect agreement, press clippings, site information and exterior/interior photos, drawings and sketches, ANSOC II detail drawings, landscape drawings, furniture layout, including washroom drawings from Museum of Anthropology
ARCH257154
Description:
ANSOC I file with drawings of furnishings, UBC Master plan, client/architect agreement, press clippings, site information and exterior/interior photos, drawings and sketches, ANSOC II detail drawings, landscape drawings, furniture layout, including washroom drawings from Museum of Anthropology
Personnes et institutions:
Date:
1973-1976
1973-1976
Titre:
ANSOC I file with drawings of furnishings, UBC Master plan, agreement, press clippings, site information
Actions:
ARCH257154
Description:
ANSOC I file with drawings of furnishings, UBC Master plan, client/architect agreement, press clippings, site information and exterior/interior photos, drawings and sketches, ANSOC II detail drawings, landscape drawings, furniture layout, including washroom drawings from Museum of Anthropology
ANSOC I file with drawings of furnishings, UBC Master plan, agreement, press clippings, site information
Actions:
ARCH257154
Description:
ANSOC I file with drawings of furnishings, UBC Master plan, client/architect agreement, press clippings, site information and exterior/interior photos, drawings and sketches, ANSOC II detail drawings, landscape drawings, furniture layout, including washroom drawings from Museum of Anthropology
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
1973-1976
1973-1976
Personnes et institutions:
Classification:
documents textuels, oeuvres d'art
documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:005:001-018
Description:
- This album contains four folios of text in Italian concerning the history and architecture of the Museo di fiscia e storia naturale, Florence. The names of the museum's patrons and the parts of the museum have been inserted by a contemporary hand on the lithographs in pen and black ink. The text is followed by ten lithographs, including a perspectival view of the museum, four general plans, two sections, and more detailed sections, plans and elevations of the Tribuna de Galileo designed by Giuseppe Martelli and the Osservatorio Astronomico designed by Gaspero Paoletti. Also included in the album are four manuscripts, all in French: a letter presenting the album to Rohault de Fleury from Vincenzio Antinori, the director of the museum, a transcript of Rohault de Fleury's letters of thanks to Antorini and to the Grand Duke of Tuscany, a note from the Légation de Toscanne in Paris concerning the presentation of the album, and a booklet containing Rohault de Fleury's translation of the album text into French.
DR1974:0002:005:001-018
Description:
- This album contains four folios of text in Italian concerning the history and architecture of the Museo di fiscia e storia naturale, Florence. The names of the museum's patrons and the parts of the museum have been inserted by a contemporary hand on the lithographs in pen and black ink. The text is followed by ten lithographs, including a perspectival view of the museum, four general plans, two sections, and more detailed sections, plans and elevations of the Tribuna de Galileo designed by Giuseppe Martelli and the Osservatorio Astronomico designed by Gaspero Paoletti. Also included in the album are four manuscripts, all in French: a letter presenting the album to Rohault de Fleury from Vincenzio Antinori, the director of the museum, a transcript of Rohault de Fleury's letters of thanks to Antorini and to the Grand Duke of Tuscany, a note from the Légation de Toscanne in Paris concerning the presentation of the album, and a booklet containing Rohault de Fleury's translation of the album text into French.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed between 1845 and 1846, manuscripts written 1846
printed between 1845 and 1846, manuscripts written 1846
Titre:
Presentation album of prints of the Museo di fisica e storia naturelle, Florence
Actions:
DR1974:0002:005:001-018
Description:
- This album contains four folios of text in Italian concerning the history and architecture of the Museo di fiscia e storia naturale, Florence. The names of the museum's patrons and the parts of the museum have been inserted by a contemporary hand on the lithographs in pen and black ink. The text is followed by ten lithographs, including a perspectival view of the museum, four general plans, two sections, and more detailed sections, plans and elevations of the Tribuna de Galileo designed by Giuseppe Martelli and the Osservatorio Astronomico designed by Gaspero Paoletti. Also included in the album are four manuscripts, all in French: a letter presenting the album to Rohault de Fleury from Vincenzio Antinori, the director of the museum, a transcript of Rohault de Fleury's letters of thanks to Antorini and to the Grand Duke of Tuscany, a note from the Légation de Toscanne in Paris concerning the presentation of the album, and a booklet containing Rohault de Fleury's translation of the album text into French.
Presentation album of prints of the Museo di fisica e storia naturelle, Florence
Actions:
DR1974:0002:005:001-018
Description:
- This album contains four folios of text in Italian concerning the history and architecture of the Museo di fiscia e storia naturale, Florence. The names of the museum's patrons and the parts of the museum have been inserted by a contemporary hand on the lithographs in pen and black ink. The text is followed by ten lithographs, including a perspectival view of the museum, four general plans, two sections, and more detailed sections, plans and elevations of the Tribuna de Galileo designed by Giuseppe Martelli and the Osservatorio Astronomico designed by Gaspero Paoletti. Also included in the album are four manuscripts, all in French: a letter presenting the album to Rohault de Fleury from Vincenzio Antinori, the director of the museum, a transcript of Rohault de Fleury's letters of thanks to Antorini and to the Grand Duke of Tuscany, a note from the Légation de Toscanne in Paris concerning the presentation of the album, and a booklet containing Rohault de Fleury's translation of the album text into French.
Classification:
documents textuels, oeuvres d'art
documents textuels, oeuvres d'art
Date:
printed between 1845 and 1846, manuscripts written 1846
printed between 1845 and 1846, manuscripts written 1846
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1998.PR05
Description:
This project series documents the Nova Sede do Banco Nacional de Cabo Verde in Cabo Verde. While the records were held in the office’s archives this project was assigned the number 100/90. The office assigned the date 1998 to this project. The bank headquarter is divided into three volumes. Due to the high humidity level of the area, special efforts were put into the design of the air conditioning system. There are four different entrances, one for the public to access the main meeting rooms, one for the employees that is linked to the basement parking, one for the treasury, and one for visitors to the museum, auditorium, or the bar. To this day, the headquarter is still in construction. Documenting this project are plans, details, technical drawings, and mechanical drawings. Textual material includes correspondence, project documentation, technical and mechanical specifications. Photographic material documents the project site.
AP178.S1.1998.PR05
Description:
This project series documents the Nova Sede do Banco Nacional de Cabo Verde in Cabo Verde. While the records were held in the office’s archives this project was assigned the number 100/90. The office assigned the date 1998 to this project. The bank headquarter is divided into three volumes. Due to the high humidity level of the area, special efforts were put into the design of the air conditioning system. There are four different entrances, one for the public to access the main meeting rooms, one for the employees that is linked to the basement parking, one for the treasury, and one for visitors to the museum, auditorium, or the bar. To this day, the headquarter is still in construction. Documenting this project are plans, details, technical drawings, and mechanical drawings. Textual material includes correspondence, project documentation, technical and mechanical specifications. Photographic material documents the project site.
Personnes et institutions:
Date:
1998-2001
1998-2001
Titre:
Nova Sede do Banco Nacional de Cabo Verde [Headquarters, National Bank of Cape Verde], Cape Verde (1998)
Actions:
AP178.S1.1998.PR05
Description:
This project series documents the Nova Sede do Banco Nacional de Cabo Verde in Cabo Verde. While the records were held in the office’s archives this project was assigned the number 100/90. The office assigned the date 1998 to this project. The bank headquarter is divided into three volumes. Due to the high humidity level of the area, special efforts were put into the design of the air conditioning system. There are four different entrances, one for the public to access the main meeting rooms, one for the employees that is linked to the basement parking, one for the treasury, and one for visitors to the museum, auditorium, or the bar. To this day, the headquarter is still in construction. Documenting this project are plans, details, technical drawings, and mechanical drawings. Textual material includes correspondence, project documentation, technical and mechanical specifications. Photographic material documents the project site.
Nova Sede do Banco Nacional de Cabo Verde [Headquarters, National Bank of Cape Verde], Cape Verde (1998)
Actions:
AP178.S1.1998.PR05
Description:
This project series documents the Nova Sede do Banco Nacional de Cabo Verde in Cabo Verde. While the records were held in the office’s archives this project was assigned the number 100/90. The office assigned the date 1998 to this project. The bank headquarter is divided into three volumes. Due to the high humidity level of the area, special efforts were put into the design of the air conditioning system. There are four different entrances, one for the public to access the main meeting rooms, one for the employees that is linked to the basement parking, one for the treasury, and one for visitors to the museum, auditorium, or the bar. To this day, the headquarter is still in construction. Documenting this project are plans, details, technical drawings, and mechanical drawings. Textual material includes correspondence, project documentation, technical and mechanical specifications. Photographic material documents the project site.
Niveau de description archivistique:
Project
Project
Date:
1998-2001
1998-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Personnes et institutions:
Date:
1995-2014
1995-2014
Titre:
Restauro E Riconversione dell’Edifico Storico "Tonnara dell’Enfola" [Restoration and Conversion of the Historic “Tonnara Dell’Enfola”], Portoferraio, Italy (1995)
Actions:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Restauro E Riconversione dell’Edifico Storico "Tonnara dell’Enfola" [Restoration and Conversion of the Historic “Tonnara Dell’Enfola”], Portoferraio, Italy (1995)
Actions:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Niveau de description archivistique:
Project
Project
Date:
1995-2014
1995-2014
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280829
Description:
Group consists of photographs of the Museum and Art Gallery in sector 10 (designed by Le Corbusier) and a photograph of the Cinema in sector 17 (designed by Pierre Jeanneret) in Chandigarh, India. There is also photographs of an unidentified concrete sculpture in sector 10.
ARCH280829
Description:
Group consists of photographs of the Museum and Art Gallery in sector 10 (designed by Le Corbusier) and a photograph of the Cinema in sector 17 (designed by Pierre Jeanneret) in Chandigarh, India. There is also photographs of an unidentified concrete sculpture in sector 10.
Personnes et institutions:
Date:
1960s
1960s
Titre:
Photographs of miscellaneous buildings in Chandigarh, India
Actions:
ARCH280829
Description:
Group consists of photographs of the Museum and Art Gallery in sector 10 (designed by Le Corbusier) and a photograph of the Cinema in sector 17 (designed by Pierre Jeanneret) in Chandigarh, India. There is also photographs of an unidentified concrete sculpture in sector 10.
Photographs of miscellaneous buildings in Chandigarh, India
Actions:
ARCH280829
Description:
Group consists of photographs of the Museum and Art Gallery in sector 10 (designed by Le Corbusier) and a photograph of the Cinema in sector 17 (designed by Pierre Jeanneret) in Chandigarh, India. There is also photographs of an unidentified concrete sculpture in sector 10.
Classification:
photographies
photographies
Date:
1960s
1960s
Personnes et institutions:
Classification:
périodiques
périodiques
Titre:
Vogue Italia
Vogue Italia
Numéro de référence:
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
Personnes et institutions:
Date:
May 2007
May 2007
Titre:
Vogue Italia
Actions:
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
Vogue Italia
Actions:
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
Classification:
périodiques
périodiques
Date:
May 2007
May 2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
Personnes et institutions:
Date:
1934-1937
1934-1937
Titre:
Interiors, Dr. D. Hannema House, Rotterdam, Netherlands (1934, 1937)
Actions:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
Interiors, Dr. D. Hannema House, Rotterdam, Netherlands (1934, 1937)
Actions:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
Niveau de description archivistique:
project
project
Date:
1934-1937
1934-1937
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2017-2018
2017-2018
Titre:
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2017-2018
2017-2018
Personnes et institutions:
Classification:
photographies
Quantité:
34 negative(s)
photographies
Quantité:
34 negative(s)
Numéro de référence:
ARCH270005
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Rock Garden, the Post Graduate Institute for Medical Research in sector 12, the house of Pierre Jeanneret (House Type 4-J) in sector 5 and the Museum and Art Gallery in sector 12.
ARCH270005
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Rock Garden, the Post Graduate Institute for Medical Research in sector 12, the house of Pierre Jeanneret (House Type 4-J) in sector 5 and the Museum and Art Gallery in sector 12.
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Photographs of Chandigarh, India, including photographs of the Rock Garden
Actions:
ARCH270005
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Rock Garden, the Post Graduate Institute for Medical Research in sector 12, the house of Pierre Jeanneret (House Type 4-J) in sector 5 and the Museum and Art Gallery in sector 12.
Photographs of Chandigarh, India, including photographs of the Rock Garden
Actions:
ARCH270005
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Rock Garden, the Post Graduate Institute for Medical Research in sector 12, the house of Pierre Jeanneret (House Type 4-J) in sector 5 and the Museum and Art Gallery in sector 12.
Classification:
photographies
Quantité:
34 negative(s)
photographies
Quantité:
34 negative(s)
Date:
n.d.
n.d.
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Personnes et institutions:
Date:
1976-1989
1976-1989
Titre:
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Niveau de description archivistique:
Project
Project
Date:
1976-1989
1976-1989
Personnes et institutions:
