14911 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
Personnes et institutions:
Date:
ca. 1985
ca. 1985
Titre:
Slides documenting a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona
Actions:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
Slides documenting a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona
Actions:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
Classification:
photographies
photographies
Date:
ca. 1985
ca. 1985
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
22 septembre 2016, 18h
22 septembre 2016, 18h
Titre:
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Classification:
événements
événements
Date:
22 septembre 2016
18h
22 septembre 2016
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
photographies
photographies
Numéro de référence:
ARCH255662
Description:
Views of models displayed at the exhibition - Datuk Dr. Chen House working model of house and site; Museum of Anthropology presentation model of building and site; California Plaza original competition model (detail): 60 Wall St. presentation model Tower A
ARCH255662
Description:
Views of models displayed at the exhibition - Datuk Dr. Chen House working model of house and site; Museum of Anthropology presentation model of building and site; California Plaza original competition model (detail): 60 Wall St. presentation model Tower A
Personnes et institutions:
Date:
1985
1985
Titre:
Views of models displayed at the exhibition "Arthur Erickson - Selected Projects 1971-1985"
Actions:
ARCH255662
Description:
Views of models displayed at the exhibition - Datuk Dr. Chen House working model of house and site; Museum of Anthropology presentation model of building and site; California Plaza original competition model (detail): 60 Wall St. presentation model Tower A
Views of models displayed at the exhibition "Arthur Erickson - Selected Projects 1971-1985"
Actions:
ARCH255662
Description:
Views of models displayed at the exhibition - Datuk Dr. Chen House working model of house and site; Museum of Anthropology presentation model of building and site; California Plaza original competition model (detail): 60 Wall St. presentation model Tower A
Classification:
photographies
photographies
Date:
1985
1985
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:095:017
Description:
File containing documents in English and French, including notes, reference materials, and sketches. Includes references to the following projects: - A museum construction; - Fragments; - Streetwork; - Théâtre d'aujourd'hui; - German series 1. Original folder inscribed in graphite: NOTES / SKETCHES 1978 → 1980
DR2012:0012:095:017
Description:
File containing documents in English and French, including notes, reference materials, and sketches. Includes references to the following projects: - A museum construction; - Fragments; - Streetwork; - Théâtre d'aujourd'hui; - German series 1. Original folder inscribed in graphite: NOTES / SKETCHES 1978 → 1980
Personnes et institutions:
Date:
1978-1979
1978-1979
Titre:
Notes, reference materials, and sketches related to various projects
Actions:
DR2012:0012:095:017
Description:
File containing documents in English and French, including notes, reference materials, and sketches. Includes references to the following projects: - A museum construction; - Fragments; - Streetwork; - Théâtre d'aujourd'hui; - German series 1. Original folder inscribed in graphite: NOTES / SKETCHES 1978 → 1980
Notes, reference materials, and sketches related to various projects
Actions:
DR2012:0012:095:017
Description:
File containing documents in English and French, including notes, reference materials, and sketches. Includes references to the following projects: - A museum construction; - Fragments; - Streetwork; - Théâtre d'aujourd'hui; - German series 1. Original folder inscribed in graphite: NOTES / SKETCHES 1978 → 1980
Classification:
dessins
dessins
Date:
1978-1979
1978-1979
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280829
Description:
Group consists of photographs of the Museum and Art Gallery in sector 10 (designed by Le Corbusier) and a photograph of the Cinema in sector 17 (designed by Pierre Jeanneret) in Chandigarh, India. There is also photographs of an unidentified concrete sculpture in sector 10.
ARCH280829
Description:
Group consists of photographs of the Museum and Art Gallery in sector 10 (designed by Le Corbusier) and a photograph of the Cinema in sector 17 (designed by Pierre Jeanneret) in Chandigarh, India. There is also photographs of an unidentified concrete sculpture in sector 10.
Personnes et institutions:
Date:
1960s
1960s
Titre:
Photographs of miscellaneous buildings in Chandigarh, India
Actions:
ARCH280829
Description:
Group consists of photographs of the Museum and Art Gallery in sector 10 (designed by Le Corbusier) and a photograph of the Cinema in sector 17 (designed by Pierre Jeanneret) in Chandigarh, India. There is also photographs of an unidentified concrete sculpture in sector 10.
Photographs of miscellaneous buildings in Chandigarh, India
Actions:
ARCH280829
Description:
Group consists of photographs of the Museum and Art Gallery in sector 10 (designed by Le Corbusier) and a photograph of the Cinema in sector 17 (designed by Pierre Jeanneret) in Chandigarh, India. There is also photographs of an unidentified concrete sculpture in sector 10.
Classification:
photographies
photographies
Date:
1960s
1960s
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR1999:0620
Description:
documents include a maquette for a book about Wexner Center, general zoning plans for Rovereto, Italy, drawings and building programs for the Jewish Museum (San Francisco), building programs for Progressive Corporation Office Building (Cleveland), and building programs for Biocentrum (Frankfurt)
DR1999:0620
Description:
documents include a maquette for a book about Wexner Center, general zoning plans for Rovereto, Italy, drawings and building programs for the Jewish Museum (San Francisco), building programs for Progressive Corporation Office Building (Cleveland), and building programs for Biocentrum (Frankfurt)
Personnes et institutions:
Titre:
A maquette for a book about Wexner Center, general zoning plans for Rovereto
Actions:
DR1999:0620
Description:
documents include a maquette for a book about Wexner Center, general zoning plans for Rovereto, Italy, drawings and building programs for the Jewish Museum (San Francisco), building programs for Progressive Corporation Office Building (Cleveland), and building programs for Biocentrum (Frankfurt)
A maquette for a book about Wexner Center, general zoning plans for Rovereto
Actions:
DR1999:0620
Description:
documents include a maquette for a book about Wexner Center, general zoning plans for Rovereto, Italy, drawings and building programs for the Jewish Museum (San Francisco), building programs for Progressive Corporation Office Building (Cleveland), and building programs for Biocentrum (Frankfurt)
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH274123
Description:
17 files- Permant Files, Arthur Erickson Architects, (1974-1988). Includes: Granville Waterfront Interchange (August 1974); Vancouver Art Gallery (November 1977); Montiverdi Estates (1979); Islamic University of Medina (March 1980); Museum of Anthropology Expansion (February 1981); Arabian Gulf University Project (February 1981); SANCST Science Halls (1982); King Saud University (1983); Etisalat Head Office Building (1985); Shanghai Culture and Arts Centre (June 1987); Kuwait University New Campus (1987); GHC Central Specialty Center South (1988); Museum of Anthropology Expansion, for the Koerner Ceramica Collection (June 1988).
ARCH274123
Description:
17 files- Permant Files, Arthur Erickson Architects, (1974-1988). Includes: Granville Waterfront Interchange (August 1974); Vancouver Art Gallery (November 1977); Montiverdi Estates (1979); Islamic University of Medina (March 1980); Museum of Anthropology Expansion (February 1981); Arabian Gulf University Project (February 1981); SANCST Science Halls (1982); King Saud University (1983); Etisalat Head Office Building (1985); Shanghai Culture and Arts Centre (June 1987); Kuwait University New Campus (1987); GHC Central Specialty Center South (1988); Museum of Anthropology Expansion, for the Koerner Ceramica Collection (June 1988).
Personnes et institutions:
Date:
1974-1988
1974-1988
Titre:
Permanent files for various projects
Actions:
ARCH274123
Description:
17 files- Permant Files, Arthur Erickson Architects, (1974-1988). Includes: Granville Waterfront Interchange (August 1974); Vancouver Art Gallery (November 1977); Montiverdi Estates (1979); Islamic University of Medina (March 1980); Museum of Anthropology Expansion (February 1981); Arabian Gulf University Project (February 1981); SANCST Science Halls (1982); King Saud University (1983); Etisalat Head Office Building (1985); Shanghai Culture and Arts Centre (June 1987); Kuwait University New Campus (1987); GHC Central Specialty Center South (1988); Museum of Anthropology Expansion, for the Koerner Ceramica Collection (June 1988).
Permanent files for various projects
Actions:
ARCH274123
Description:
17 files- Permant Files, Arthur Erickson Architects, (1974-1988). Includes: Granville Waterfront Interchange (August 1974); Vancouver Art Gallery (November 1977); Montiverdi Estates (1979); Islamic University of Medina (March 1980); Museum of Anthropology Expansion (February 1981); Arabian Gulf University Project (February 1981); SANCST Science Halls (1982); King Saud University (1983); Etisalat Head Office Building (1985); Shanghai Culture and Arts Centre (June 1987); Kuwait University New Campus (1987); GHC Central Specialty Center South (1988); Museum of Anthropology Expansion, for the Koerner Ceramica Collection (June 1988).
Classification:
documents textuels
documents textuels
Date:
1974-1988
1974-1988
Personnes et institutions:
Classification:
photographies
Quantité:
34 negative(s)
photographies
Quantité:
34 negative(s)
Numéro de référence:
ARCH270005
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Rock Garden, the Post Graduate Institute for Medical Research in sector 12, the house of Pierre Jeanneret (House Type 4-J) in sector 5 and the Museum and Art Gallery in sector 12.
ARCH270005
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Rock Garden, the Post Graduate Institute for Medical Research in sector 12, the house of Pierre Jeanneret (House Type 4-J) in sector 5 and the Museum and Art Gallery in sector 12.
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Photographs of Chandigarh, India, including photographs of the Rock Garden
Actions:
ARCH270005
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Rock Garden, the Post Graduate Institute for Medical Research in sector 12, the house of Pierre Jeanneret (House Type 4-J) in sector 5 and the Museum and Art Gallery in sector 12.
Photographs of Chandigarh, India, including photographs of the Rock Garden
Actions:
ARCH270005
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Rock Garden, the Post Graduate Institute for Medical Research in sector 12, the house of Pierre Jeanneret (House Type 4-J) in sector 5 and the Museum and Art Gallery in sector 12.
Classification:
photographies
Quantité:
34 negative(s)
photographies
Quantité:
34 negative(s)
Date:
n.d.
n.d.
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
ARCH257154
Description:
ANSOC I file with drawings of furnishings, UBC Master plan, client/architect agreement, press clippings, site information and exterior/interior photos, drawings and sketches, ANSOC II detail drawings, landscape drawings, furniture layout, including washroom drawings from Museum of Anthropology
ARCH257154
Description:
ANSOC I file with drawings of furnishings, UBC Master plan, client/architect agreement, press clippings, site information and exterior/interior photos, drawings and sketches, ANSOC II detail drawings, landscape drawings, furniture layout, including washroom drawings from Museum of Anthropology
Personnes et institutions:
Date:
1973-1976
1973-1976
Titre:
ANSOC I file with drawings of furnishings, UBC Master plan, agreement, press clippings, site information
Actions:
ARCH257154
Description:
ANSOC I file with drawings of furnishings, UBC Master plan, client/architect agreement, press clippings, site information and exterior/interior photos, drawings and sketches, ANSOC II detail drawings, landscape drawings, furniture layout, including washroom drawings from Museum of Anthropology
ANSOC I file with drawings of furnishings, UBC Master plan, agreement, press clippings, site information
Actions:
ARCH257154
Description:
ANSOC I file with drawings of furnishings, UBC Master plan, client/architect agreement, press clippings, site information and exterior/interior photos, drawings and sketches, ANSOC II detail drawings, landscape drawings, furniture layout, including washroom drawings from Museum of Anthropology
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
1973-1976
1973-1976
Personnes et institutions:
