Projet
Circlorama
AP144.S2.D51
Description:
File documents proposals for a portable circular cinema for Circlorama Theatres Limited, of London, England, United Kingdom. Thumbnail sketches show positioning of concrete bases; erection of the cinema, central tower, and trussed wall frames; and the installation of the radially-trussed roof, interior fixtures, and exterior aluminum cladding. Diagrammatic sections show alternate designs for the structure and structural systems. A flow diagram illustrates projected circulation patterns. Also included in the group are fabrication drawings for the cinema by various consultants which Price may have used for reference purposes. Material in this file was produced between 1962 and 1964. File contains drawings by the following firms: Lawrence Colebrook (Construction Equipment) Co. Ltd, Andrew Smith Harkness Ltd, Cotton Ballard & Blow Architects & Surveyors. File contains design development drawings and textual records.
1962-1964, 1967
Circlorama
Actions:
AP144.S2.D51
Description:
File documents proposals for a portable circular cinema for Circlorama Theatres Limited, of London, England, United Kingdom. Thumbnail sketches show positioning of concrete bases; erection of the cinema, central tower, and trussed wall frames; and the installation of the radially-trussed roof, interior fixtures, and exterior aluminum cladding. Diagrammatic sections show alternate designs for the structure and structural systems. A flow diagram illustrates projected circulation patterns. Also included in the group are fabrication drawings for the cinema by various consultants which Price may have used for reference purposes. Material in this file was produced between 1962 and 1964. File contains drawings by the following firms: Lawrence Colebrook (Construction Equipment) Co. Ltd, Andrew Smith Harkness Ltd, Cotton Ballard & Blow Architects & Surveyors. File contains design development drawings and textual records.
File 51
1962-1964, 1967
Projet
AP143.S4.D78
Description:
File documents the executed project for the Aronoff Center for Design and Art, University of Cincinnati, Ohio. Material in this file was produced between 1955 and 1996 (predominant 1986-1996). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, reference drawings, textual records, photographic material, CD-Rs, and models. The 1986 drawings are presentation graphics for a preliminary architectural program study for the Center. Design development drawings include schematic proposals similar to presentation and publication drawings. Reference drawings include 1955 working drawings of the existing buildings by James Allan, architect and engineer. Textual records include information on the University of Cincinnati, project proposals, correspondence, meetings minutes, memos, financial records, 401 slides, 264 photographs, 11 transparencies, three computer disks, one audio cassette, one VHS cassette, and one artifact.
1955-1996, predominant 1986-1996
Aronoff Center for Design and Art (DAAP), University of Cincinnati, Ohio
Actions:
AP143.S4.D78
Description:
File documents the executed project for the Aronoff Center for Design and Art, University of Cincinnati, Ohio. Material in this file was produced between 1955 and 1996 (predominant 1986-1996). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, reference drawings, textual records, photographic material, CD-Rs, and models. The 1986 drawings are presentation graphics for a preliminary architectural program study for the Center. Design development drawings include schematic proposals similar to presentation and publication drawings. Reference drawings include 1955 working drawings of the existing buildings by James Allan, architect and engineer. Textual records include information on the University of Cincinnati, project proposals, correspondence, meetings minutes, memos, financial records, 401 slides, 264 photographs, 11 transparencies, three computer disks, one audio cassette, one VHS cassette, and one artifact.
File 78
1955-1996, predominant 1986-1996
Série(s)
Research
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
1929-1993
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Series
1929-1993
Projet
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
circa 1985
Dr. Bhimrao Ambedker University, housing study, Lucknow, India (circa 1985)
Actions:
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
Project
circa 1985
Projet
AP018.S1.1970.PR10
Description:
This project series documents an expansion to an office building at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70060. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing offices attached to cargo block B warehouse. The warehouse was also undergoing expansion at this time (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, sections, elevations and electrical and mechanical drawings.
1970
Office Expansion Block B, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR10
Description:
This project series documents an expansion to an office building at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70060. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing offices attached to cargo block B warehouse. The warehouse was also undergoing expansion at this time (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, sections, elevations and electrical and mechanical drawings.
Project
1970
Projet
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
circa 2014
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Project
circa 2014
Sous-série
L'anarchitetto (1973)
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
2001-2010
L'anarchitetto (1973)
Actions:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
Subseries
2001-2010
Projet
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
circa 1964
Control Tower, Toronto International Airport, Mississauga, Ontario (1958-1964)
Actions:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Project
circa 1964
Projet
CI005.S1.1931.PR2
Description:
In 1929, the north Rotterdam neighbourhood of Blijodorp became the site of a municipal housing plan. Previous plans had been formulated in the early 1920s by architects Kromhout and Heijkoop but foundered due to lack of funding. Oud was brought into the project in the early 1930s and combined a perimeter block with row housing in his design of 306 dwellings for workers and eighteen buildings for seniors. The nine housing blocks faced the gardens and feature a living room, kitchen and three bedrooms with storage space situated below the elevated living level. His plans were not realized because the national government withdrew its investment in the housing market (Taverne et al. 2001, 304-310). Project series includes drawings of plans for Blijdorp Municipal Housing and a photograph of a perspective drawing.
1931-1932
Blijdorp Municipal Housing, Rotterdam, Netherlands (1931-1932)
Actions:
CI005.S1.1931.PR2
Description:
In 1929, the north Rotterdam neighbourhood of Blijodorp became the site of a municipal housing plan. Previous plans had been formulated in the early 1920s by architects Kromhout and Heijkoop but foundered due to lack of funding. Oud was brought into the project in the early 1930s and combined a perimeter block with row housing in his design of 306 dwellings for workers and eighteen buildings for seniors. The nine housing blocks faced the gardens and feature a living room, kitchen and three bedrooms with storage space situated below the elevated living level. His plans were not realized because the national government withdrew its investment in the housing market (Taverne et al. 2001, 304-310). Project series includes drawings of plans for Blijdorp Municipal Housing and a photograph of a perspective drawing.
project
1931-1932
Projet
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
1933-1934
Furniture Designs for Metz & Co, Amsterdam, Netherlands (1933-1934)
Actions:
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
project
1933-1934