9219 Résultats
Quantité:
32 printing plate(s)
32 printing plate(s)
Numéro de référence:
ARCH273590
Description:
Group consists of two sets of aluminium offset plates for the offset printing of the Minimum Cost Housing Group's publication "Rooftop Wasterlands" about the project of two years of work on rooftop gardens.
ARCH273590
Description:
Group consists of two sets of aluminium offset plates for the offset printing of the Minimum Cost Housing Group's publication "Rooftop Wasterlands" about the project of two years of work on rooftop gardens.
Personnes et institutions:
Date:
1976 or before
1976 or before
Titre:
Aluminium offset plates for the offset printing of the Minimum Cost Housing Group's publication "Rooftop Wasterlands"
Actions:
ARCH273590
Description:
Group consists of two sets of aluminium offset plates for the offset printing of the Minimum Cost Housing Group's publication "Rooftop Wasterlands" about the project of two years of work on rooftop gardens.
Aluminium offset plates for the offset printing of the Minimum Cost Housing Group's publication "Rooftop Wasterlands"
Actions:
ARCH273590
Description:
Group consists of two sets of aluminium offset plates for the offset printing of the Minimum Cost Housing Group's publication "Rooftop Wasterlands" about the project of two years of work on rooftop gardens.
Quantité:
32 printing plate(s)
32 printing plate(s)
Date:
1976 or before
1976 or before
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1997.PR04
Description:
This project series documents Richmond City Hall in Richmond, British Columbia from 1997-2000. The office identified the project number as 9710, although some project materials also refer to the project number as 9709. This project, headed by Bruce Kuwabara, was a joint venture between Kuwabara Payne McKenna Blumberg Architects and Vancouver-based Hotson Bakker Architects. The project consisted of a new civic space at the corner of Granville Avenue and No 3 Road, built on the grounds of the original city hall, that included a three-component building. These components included the circular Council Chamber at the forefront, an eight-storey administrative tower, and a long, two-storey Meeting House all surrounding a new civic square. The Meeting House connected the interior elements to outdoor spaces, which include a series of courtyards, gardens and water features. [1] The material palette for the building's exterior included an aluminum curtain wall with several types of glass finishes and wood accents. This project is recorded through drawings, photographic materials, paintings, textual records and a project model dating from 1997-1999. The drawings are mostly original sketches, but some plans, elevations, sections, perspectives and details are also included. There are also a number of presentation materials, which include text on the design concept, digital renderings, photographs of the model and paintings. [1]“Richmond City Hall,” The Architecture of Kuwabara Payne McKenna Blumberg, 92 (Basel: Birkhäuser, 2004), 92.
AP056.S1.1997.PR04
Description:
This project series documents Richmond City Hall in Richmond, British Columbia from 1997-2000. The office identified the project number as 9710, although some project materials also refer to the project number as 9709. This project, headed by Bruce Kuwabara, was a joint venture between Kuwabara Payne McKenna Blumberg Architects and Vancouver-based Hotson Bakker Architects. The project consisted of a new civic space at the corner of Granville Avenue and No 3 Road, built on the grounds of the original city hall, that included a three-component building. These components included the circular Council Chamber at the forefront, an eight-storey administrative tower, and a long, two-storey Meeting House all surrounding a new civic square. The Meeting House connected the interior elements to outdoor spaces, which include a series of courtyards, gardens and water features. [1] The material palette for the building's exterior included an aluminum curtain wall with several types of glass finishes and wood accents. This project is recorded through drawings, photographic materials, paintings, textual records and a project model dating from 1997-1999. The drawings are mostly original sketches, but some plans, elevations, sections, perspectives and details are also included. There are also a number of presentation materials, which include text on the design concept, digital renderings, photographs of the model and paintings. [1]“Richmond City Hall,” The Architecture of Kuwabara Payne McKenna Blumberg, 92 (Basel: Birkhäuser, 2004), 92.
Personnes et institutions:
Date:
1997-1999
1997-1999
Titre:
Richmond City Hall, British Columbia (1997-2000)
Actions:
AP056.S1.1997.PR04
Description:
This project series documents Richmond City Hall in Richmond, British Columbia from 1997-2000. The office identified the project number as 9710, although some project materials also refer to the project number as 9709. This project, headed by Bruce Kuwabara, was a joint venture between Kuwabara Payne McKenna Blumberg Architects and Vancouver-based Hotson Bakker Architects. The project consisted of a new civic space at the corner of Granville Avenue and No 3 Road, built on the grounds of the original city hall, that included a three-component building. These components included the circular Council Chamber at the forefront, an eight-storey administrative tower, and a long, two-storey Meeting House all surrounding a new civic square. The Meeting House connected the interior elements to outdoor spaces, which include a series of courtyards, gardens and water features. [1] The material palette for the building's exterior included an aluminum curtain wall with several types of glass finishes and wood accents. This project is recorded through drawings, photographic materials, paintings, textual records and a project model dating from 1997-1999. The drawings are mostly original sketches, but some plans, elevations, sections, perspectives and details are also included. There are also a number of presentation materials, which include text on the design concept, digital renderings, photographs of the model and paintings. [1]“Richmond City Hall,” The Architecture of Kuwabara Payne McKenna Blumberg, 92 (Basel: Birkhäuser, 2004), 92.
Richmond City Hall, British Columbia (1997-2000)
Actions:
AP056.S1.1997.PR04
Description:
This project series documents Richmond City Hall in Richmond, British Columbia from 1997-2000. The office identified the project number as 9710, although some project materials also refer to the project number as 9709. This project, headed by Bruce Kuwabara, was a joint venture between Kuwabara Payne McKenna Blumberg Architects and Vancouver-based Hotson Bakker Architects. The project consisted of a new civic space at the corner of Granville Avenue and No 3 Road, built on the grounds of the original city hall, that included a three-component building. These components included the circular Council Chamber at the forefront, an eight-storey administrative tower, and a long, two-storey Meeting House all surrounding a new civic square. The Meeting House connected the interior elements to outdoor spaces, which include a series of courtyards, gardens and water features. [1] The material palette for the building's exterior included an aluminum curtain wall with several types of glass finishes and wood accents. This project is recorded through drawings, photographic materials, paintings, textual records and a project model dating from 1997-1999. The drawings are mostly original sketches, but some plans, elevations, sections, perspectives and details are also included. There are also a number of presentation materials, which include text on the design concept, digital renderings, photographs of the model and paintings. [1]“Richmond City Hall,” The Architecture of Kuwabara Payne McKenna Blumberg, 92 (Basel: Birkhäuser, 2004), 92.
Niveau de description archivistique:
Project
Project
Date:
1997-1999
1997-1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Personnes et institutions:
Date:
1970-1995
1970-1995
Titre:
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Niveau de description archivistique:
Project
Project
Date:
1970-1995
1970-1995
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR2000:0011
Description:
- Section 1 is for Memorial Hall and the Chapel of the Holy Cross, looking south, showing the hall with the monument (?), the seating, catafalque and organ loft of the chapel, the rooms below the main level and the driveway at the rear of the complex. Section 2 is for the Chapel of the Holy Cross, looking east, showing the organ loft and catafalque. Section 3 is for the Chapel of the Holy Cross looking south showing the garden wall with the mounument in the background and the waiting room of the chapel, the ancillary rooms adjacent to and behind the chapel, the rooms below the main level and the driveway at the rear of the complex. Section cuts 1-3 appear in ground plan DR2000:0007.
DR2000:0011
Description:
- Section 1 is for Memorial Hall and the Chapel of the Holy Cross, looking south, showing the hall with the monument (?), the seating, catafalque and organ loft of the chapel, the rooms below the main level and the driveway at the rear of the complex. Section 2 is for the Chapel of the Holy Cross, looking east, showing the organ loft and catafalque. Section 3 is for the Chapel of the Holy Cross looking south showing the garden wall with the mounument in the background and the waiting room of the chapel, the ancillary rooms adjacent to and behind the chapel, the rooms below the main level and the driveway at the rear of the complex. Section cuts 1-3 appear in ground plan DR2000:0007.
Personnes et institutions:
Sujet:
architecture, design d'intérieur, sculpture
architecture, design d'intérieur, sculpture
Date:
1 March 1937
1 March 1937
Titre:
Sections 1 to 3 for Monument Hall showing Resurrection Monument, the Chapel of the Holy Cross and a rear elevation for the chapels' office and organ loft, Woodland Crematorium, Woodland Cemetery, Stockholm, Sweden
Actions:
DR2000:0011
Description:
- Section 1 is for Memorial Hall and the Chapel of the Holy Cross, looking south, showing the hall with the monument (?), the seating, catafalque and organ loft of the chapel, the rooms below the main level and the driveway at the rear of the complex. Section 2 is for the Chapel of the Holy Cross, looking east, showing the organ loft and catafalque. Section 3 is for the Chapel of the Holy Cross looking south showing the garden wall with the mounument in the background and the waiting room of the chapel, the ancillary rooms adjacent to and behind the chapel, the rooms below the main level and the driveway at the rear of the complex. Section cuts 1-3 appear in ground plan DR2000:0007.
Sections 1 to 3 for Monument Hall showing Resurrection Monument, the Chapel of the Holy Cross and a rear elevation for the chapels' office and organ loft, Woodland Crematorium, Woodland Cemetery, Stockholm, Sweden
Actions:
DR2000:0011
Description:
- Section 1 is for Memorial Hall and the Chapel of the Holy Cross, looking south, showing the hall with the monument (?), the seating, catafalque and organ loft of the chapel, the rooms below the main level and the driveway at the rear of the complex. Section 2 is for the Chapel of the Holy Cross, looking east, showing the organ loft and catafalque. Section 3 is for the Chapel of the Holy Cross looking south showing the garden wall with the mounument in the background and the waiting room of the chapel, the ancillary rooms adjacent to and behind the chapel, the rooms below the main level and the driveway at the rear of the complex. Section cuts 1-3 appear in ground plan DR2000:0007.
Classification:
dessins
dessins
Date:
1 March 1937
1 March 1937
Personnes et institutions:
Sujet:
architecture, design d'intérieur, sculpture
architecture, design d'intérieur, sculpture
Classification:
oeuvres d'art
oeuvres d'art
Titre:
View from the Brick Temple
View from the Brick Temple
Actions:
Numéro de référence:
DR1982:0096:010
Description:
- A view of the gardens south of the Brick Temple, with Coucher's Obelisk in the centre middle-distance. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
DR1982:0096:010
Description:
- A view of the gardens south of the Brick Temple, with Coucher's Obelisk in the centre middle-distance. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Date:
designed 1733-1738
designed 1733-1738
Titre:
View from the Brick Temple
Actions:
DR1982:0096:010
Description:
- A view of the gardens south of the Brick Temple, with Coucher's Obelisk in the centre middle-distance. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
View from the Brick Temple
Actions:
DR1982:0096:010
Description:
- A view of the gardens south of the Brick Temple, with Coucher's Obelisk in the centre middle-distance. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Classification:
oeuvres d'art
oeuvres d'art
Date:
designed 1733-1738
designed 1733-1738
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Classification:
photographies
photographies
![View of the south lawn (also known as the court football [kemari] field), stepping-stones, moss and trees near the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan](/img-collection/0NGLeEEQVro2qJEsn4PwXpFrVQM=/500x619/362705.jpg)
Actions:
Numéro de référence:
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
Personnes et institutions:
Sujet:
architecture de paysage
architecture de paysage
Date:
1953
1953
Titre:
View of the south lawn (also known as the court football [kemari] field), stepping-stones, moss and trees near the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
View of the south lawn (also known as the court football [kemari] field), stepping-stones, moss and trees near the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
Classification:
photographies
photographies
Date:
1953
1953
Personnes et institutions:
Sujet:
architecture de paysage
architecture de paysage
Classification:
documents textuels
Quantité:
12 file
documents textuels
Quantité:
12 file
Numéro de référence:
ARCH241912
Description:
Dear Reader #13 Andrew Benjamin - drafts Saint-Amand - drafts of Pierre Saint-Amand's review of Allen S. Weiss's Mirrors of Infinity: The Franch Formal Garden and 17th-Century Metaphysics (1995) Farès el-Dahdah - drafts of Letter from Abu Dhabi Ole Bouman - drafts Galiano / Davidson - drafts of article by Luis-Fernandez-Galiano and Cynthia Davidson Kwinter FFE 13 - drafts of article by Sanford Kwinter Teyssot - drafts and translations of article by Georges Teyssot Tate Interview - transcript of Richard Burdett and Nicholas Serota interviewed by Cynthia Davidson Keller - drafts of Ed Keller's review of Shusaku Arakawa and Madeline Gins' Architecture: Sites of Reversible Destiny (1995) Herzog Interview - transcript of Jacques Herzog interviewed by Cynthia Davidson Tate Project Descriptions
ARCH241912
Description:
Dear Reader #13 Andrew Benjamin - drafts Saint-Amand - drafts of Pierre Saint-Amand's review of Allen S. Weiss's Mirrors of Infinity: The Franch Formal Garden and 17th-Century Metaphysics (1995) Farès el-Dahdah - drafts of Letter from Abu Dhabi Ole Bouman - drafts Galiano / Davidson - drafts of article by Luis-Fernandez-Galiano and Cynthia Davidson Kwinter FFE 13 - drafts of article by Sanford Kwinter Teyssot - drafts and translations of article by Georges Teyssot Tate Interview - transcript of Richard Burdett and Nicholas Serota interviewed by Cynthia Davidson Keller - drafts of Ed Keller's review of Shusaku Arakawa and Madeline Gins' Architecture: Sites of Reversible Destiny (1995) Herzog Interview - transcript of Jacques Herzog interviewed by Cynthia Davidson Tate Project Descriptions
Personnes et institutions:
Date:
1995
1995
Titre:
Drafts of articles
Actions:
ARCH241912
Description:
Dear Reader #13 Andrew Benjamin - drafts Saint-Amand - drafts of Pierre Saint-Amand's review of Allen S. Weiss's Mirrors of Infinity: The Franch Formal Garden and 17th-Century Metaphysics (1995) Farès el-Dahdah - drafts of Letter from Abu Dhabi Ole Bouman - drafts Galiano / Davidson - drafts of article by Luis-Fernandez-Galiano and Cynthia Davidson Kwinter FFE 13 - drafts of article by Sanford Kwinter Teyssot - drafts and translations of article by Georges Teyssot Tate Interview - transcript of Richard Burdett and Nicholas Serota interviewed by Cynthia Davidson Keller - drafts of Ed Keller's review of Shusaku Arakawa and Madeline Gins' Architecture: Sites of Reversible Destiny (1995) Herzog Interview - transcript of Jacques Herzog interviewed by Cynthia Davidson Tate Project Descriptions
Drafts of articles
Actions:
ARCH241912
Description:
Dear Reader #13 Andrew Benjamin - drafts Saint-Amand - drafts of Pierre Saint-Amand's review of Allen S. Weiss's Mirrors of Infinity: The Franch Formal Garden and 17th-Century Metaphysics (1995) Farès el-Dahdah - drafts of Letter from Abu Dhabi Ole Bouman - drafts Galiano / Davidson - drafts of article by Luis-Fernandez-Galiano and Cynthia Davidson Kwinter FFE 13 - drafts of article by Sanford Kwinter Teyssot - drafts and translations of article by Georges Teyssot Tate Interview - transcript of Richard Burdett and Nicholas Serota interviewed by Cynthia Davidson Keller - drafts of Ed Keller's review of Shusaku Arakawa and Madeline Gins' Architecture: Sites of Reversible Destiny (1995) Herzog Interview - transcript of Jacques Herzog interviewed by Cynthia Davidson Tate Project Descriptions
Classification:
documents textuels
Quantité:
12 file
documents textuels
Quantité:
12 file
Date:
1995
1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1973.PR02
Description:
This project series documents the design and construction of the residence of A.W. Billes and his family at 30 High Point Road in North York, Toronto from 1973-1975. The office identified the project number as 7302. This project consisted of a ten bedroom home for Toronto businessman Alfred W. Billes, who was part of the Canadian Tire founding family and part owner at this time. The extravagant home included tennis courts, a pool, an indoor atrium with gardens, staff quarters, a library, and a piano room, among others. Built in the Bridle Path neighbourhood, the home was designed in the modernist style with two terraced balconies facing the street. Following the completion of the project, A.W. Billes sued the firm of Parkin Partnership Architects Planners over dissatisfaction with the construction, a case that was appealed all the way to the Supreme Court. Parkin lost the case in 1984 and had to pay A.W. Billes approximately $125,000. The project is recorded through drawings, photographs, slides, a project painting, and textual records dating from 1973-1984. The drawings are a mix of original sketches and construction drawings. The photographs and slides show the completed project. The textual records include construction documentation, design notes, interoffice memos, correspondence, meeting and site reports, extensive lawsuit documentation, contract data, a project manual for the homeowners and consultancy records. Some of the drawings and textual records are labelled Part 7', but it is unclear from the documentation what this refers to. There are a large number of construction drawings, some sketches, and detail drawings arranged within the textual materials.
AP018.S1.1973.PR02
Description:
This project series documents the design and construction of the residence of A.W. Billes and his family at 30 High Point Road in North York, Toronto from 1973-1975. The office identified the project number as 7302. This project consisted of a ten bedroom home for Toronto businessman Alfred W. Billes, who was part of the Canadian Tire founding family and part owner at this time. The extravagant home included tennis courts, a pool, an indoor atrium with gardens, staff quarters, a library, and a piano room, among others. Built in the Bridle Path neighbourhood, the home was designed in the modernist style with two terraced balconies facing the street. Following the completion of the project, A.W. Billes sued the firm of Parkin Partnership Architects Planners over dissatisfaction with the construction, a case that was appealed all the way to the Supreme Court. Parkin lost the case in 1984 and had to pay A.W. Billes approximately $125,000. The project is recorded through drawings, photographs, slides, a project painting, and textual records dating from 1973-1984. The drawings are a mix of original sketches and construction drawings. The photographs and slides show the completed project. The textual records include construction documentation, design notes, interoffice memos, correspondence, meeting and site reports, extensive lawsuit documentation, contract data, a project manual for the homeowners and consultancy records. Some of the drawings and textual records are labelled Part 7', but it is unclear from the documentation what this refers to. There are a large number of construction drawings, some sketches, and detail drawings arranged within the textual materials.
Personnes et institutions:
Date:
1973-1984
1973-1984
Titre:
Residence of Mr. & Mrs. A.W. Billes, Toronto (1973-1975)
Actions:
AP018.S1.1973.PR02
Description:
This project series documents the design and construction of the residence of A.W. Billes and his family at 30 High Point Road in North York, Toronto from 1973-1975. The office identified the project number as 7302. This project consisted of a ten bedroom home for Toronto businessman Alfred W. Billes, who was part of the Canadian Tire founding family and part owner at this time. The extravagant home included tennis courts, a pool, an indoor atrium with gardens, staff quarters, a library, and a piano room, among others. Built in the Bridle Path neighbourhood, the home was designed in the modernist style with two terraced balconies facing the street. Following the completion of the project, A.W. Billes sued the firm of Parkin Partnership Architects Planners over dissatisfaction with the construction, a case that was appealed all the way to the Supreme Court. Parkin lost the case in 1984 and had to pay A.W. Billes approximately $125,000. The project is recorded through drawings, photographs, slides, a project painting, and textual records dating from 1973-1984. The drawings are a mix of original sketches and construction drawings. The photographs and slides show the completed project. The textual records include construction documentation, design notes, interoffice memos, correspondence, meeting and site reports, extensive lawsuit documentation, contract data, a project manual for the homeowners and consultancy records. Some of the drawings and textual records are labelled Part 7', but it is unclear from the documentation what this refers to. There are a large number of construction drawings, some sketches, and detail drawings arranged within the textual materials.
Residence of Mr. & Mrs. A.W. Billes, Toronto (1973-1975)
Actions:
AP018.S1.1973.PR02
Description:
This project series documents the design and construction of the residence of A.W. Billes and his family at 30 High Point Road in North York, Toronto from 1973-1975. The office identified the project number as 7302. This project consisted of a ten bedroom home for Toronto businessman Alfred W. Billes, who was part of the Canadian Tire founding family and part owner at this time. The extravagant home included tennis courts, a pool, an indoor atrium with gardens, staff quarters, a library, and a piano room, among others. Built in the Bridle Path neighbourhood, the home was designed in the modernist style with two terraced balconies facing the street. Following the completion of the project, A.W. Billes sued the firm of Parkin Partnership Architects Planners over dissatisfaction with the construction, a case that was appealed all the way to the Supreme Court. Parkin lost the case in 1984 and had to pay A.W. Billes approximately $125,000. The project is recorded through drawings, photographs, slides, a project painting, and textual records dating from 1973-1984. The drawings are a mix of original sketches and construction drawings. The photographs and slides show the completed project. The textual records include construction documentation, design notes, interoffice memos, correspondence, meeting and site reports, extensive lawsuit documentation, contract data, a project manual for the homeowners and consultancy records. Some of the drawings and textual records are labelled Part 7', but it is unclear from the documentation what this refers to. There are a large number of construction drawings, some sketches, and detail drawings arranged within the textual materials.
Niveau de description archivistique:
Project
Project
Date:
1973-1984
1973-1984
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
Localisation:
Salles principales
Salles principales
Date:
4 novembre 2014 au 19 avril 2015
4 novembre 2014 au 19 avril 2015
Titre:
Des pièces à ne pas manquer
Actions:
Description:
L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
Des pièces à ne pas manquer
Actions:
Description:
L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
Classification:
expositions
expositions
Date:
4 novembre 2014 au
19 avril 2015
4 novembre 2014 au
19 avril 2015
Localisation:
Salles principales
Salles principales
Actions:
Numéro de référence:
PH1986:0900.04
Description:
Album PH1986:0900.04 comprises 19 photographs of buildings by Michel Roux-Spitz. These include interior and exterior views of a building located at 29 bis rue de Montevideo in Paris, France, the gardens on the terrace roof of rue de la Faisanderie in Paris, France and exterior views of a private mansion (hôtel particulier) with its gardener's pavilion in Fontainebleau, France.
PH1986:0900.04
Description:
Album PH1986:0900.04 comprises 19 photographs of buildings by Michel Roux-Spitz. These include interior and exterior views of a building located at 29 bis rue de Montevideo in Paris, France, the gardens on the terrace roof of rue de la Faisanderie in Paris, France and exterior views of a private mansion (hôtel particulier) with its gardener's pavilion in Fontainebleau, France.
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Date:
1926-1928
1926-1928
Titre:
Théry - Faisanderie - 1926-1928
Actions:
PH1986:0900.04
Description:
Album PH1986:0900.04 comprises 19 photographs of buildings by Michel Roux-Spitz. These include interior and exterior views of a building located at 29 bis rue de Montevideo in Paris, France, the gardens on the terrace roof of rue de la Faisanderie in Paris, France and exterior views of a private mansion (hôtel particulier) with its gardener's pavilion in Fontainebleau, France.
Théry - Faisanderie - 1926-1928
Actions:
PH1986:0900.04
Description:
Album PH1986:0900.04 comprises 19 photographs of buildings by Michel Roux-Spitz. These include interior and exterior views of a building located at 29 bis rue de Montevideo in Paris, France, the gardens on the terrace roof of rue de la Faisanderie in Paris, France and exterior views of a private mansion (hôtel particulier) with its gardener's pavilion in Fontainebleau, France.
Date:
1926-1928
1926-1928
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
