documents textuels
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
1958-1993
Professional correspondence from 1958-1993
Actions:
AP075.S3.SS2.149
Description:
This box contains professional correspondence, organized in chronological order, from 1958-1993, with a bulk of documents dated from 1978-1993. This correspondence contains chiefly letters related to publishing in landscape architecture publications, correspondence with schools of architecture and landscape architects associations, such as the Canadian Society of Landscape Architects, about membership or attendance to events. It also comprises correspondence related to research on play and playgrounds, collaboration with organizations for children education, research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or offer of services. This correspondence also comprises a few letters related to Oberlander's projects such as Children's Creative Centre Playground at Expo '67 in Montréal, University of British Columbia Faculty Club additions (which includes correspondence with Arthur Erickson), the Museum of Anthropology. It includes mainly letters of congratulations or comments for her design.
documents textuels
1958-1993
Yale and the City of Elms
PH1979:0608
Description:
This album, intended chiefly as a guide for strangers visiting the University of Yale, New Haven (Connecticut, USA), is illustrated with 34 photogravures of several buildings of the campus. The title page reads : 'Yale and "The "City of Elms" by W.E. Decrow. It is illustrated with heliotypes of all the principal college buildings, a plan of the college grounds, and a map of the city of New Haven. Boston, W.E. Decrow, 238 Washington Street, 1882'. Yale University is portrayed through it's main buildings : South, South Middle, North-Middle, North, the Athenaeum, the old chapel, Lyceum, Battell Chapel, Yale School of Fine Arts, Peabody Museum, Treasury, Reading Room, Old Laboratory, Gymnasium, Library, Student's room in Durfee, West Divinity, Mason Library, Marquand Chapel, Yale Medical School, Yale Boat House, Hamilton Park, The New Haven House and Hopkins Grammar School as well as several halls : Berzelius, Farnam, Durfee, Alumni, North Sheffield, East Divinity, Skull and Bones, Scroll and Key, Psi Upsilon, Delta Kappa Epsilon and Yale Law School City Hall.
architecture
1882
Yale and the City of Elms
Actions:
PH1979:0608
Description:
This album, intended chiefly as a guide for strangers visiting the University of Yale, New Haven (Connecticut, USA), is illustrated with 34 photogravures of several buildings of the campus. The title page reads : 'Yale and "The "City of Elms" by W.E. Decrow. It is illustrated with heliotypes of all the principal college buildings, a plan of the college grounds, and a map of the city of New Haven. Boston, W.E. Decrow, 238 Washington Street, 1882'. Yale University is portrayed through it's main buildings : South, South Middle, North-Middle, North, the Athenaeum, the old chapel, Lyceum, Battell Chapel, Yale School of Fine Arts, Peabody Museum, Treasury, Reading Room, Old Laboratory, Gymnasium, Library, Student's room in Durfee, West Divinity, Mason Library, Marquand Chapel, Yale Medical School, Yale Boat House, Hamilton Park, The New Haven House and Hopkins Grammar School as well as several halls : Berzelius, Farnam, Durfee, Alumni, North Sheffield, East Divinity, Skull and Bones, Scroll and Key, Psi Upsilon, Delta Kappa Epsilon and Yale Law School City Hall.
1882
architecture
photographies
ARCH255005
Description:
A series of files (labelled "Photo-Prints") containing mostly photographs of projects, drawings and models: Bank of Canada; Massey Hall (site study); Markham Fairgrounds; Prime Miniser's Office; Prime Minister's Residence; UBC Faculty Club interiors; Lethbridge University; MacMillan Bloedel Building; Canadian National Exhibition (monorail model); Royal Bank Ottawa project; Imperial Oil (Don Mills); TTC Spadina Line - Eglinton West Station; Hassard Residence; Hall Residence; Hilborn Residence; Heller Residence; Theme pavilion Expo 1967 (Canadian Pavilion); Osaka Pavilion; Simon Fraser University; Sikh Temple, Vancouver; Shanon Estates; Nelson Towers; Village Lake Louise; East End Lake, Vancouver; Point Grey Townhouses; Whistler Condominiums; Port Moody Condominiums, F.P.19 Vancouver; X. Kaly Mini-Village; M-3 Montreal (Cite des terraces); False Creek (Fisherman's Quay); Winnipeg Studies; Metro Centre (Toronto); TTC Yorkdale station; Blocks 51, 61, and 71; Museum of Anthropology; Expo 1967 Pavilion, Eaton's (Toronto original building); Fuldaver Residence; Grouse Mountain project; Filberg Residence; Danto Residence; Bank of Canada (mock up)
Projects photographs for promotion
Actions:
ARCH255005
Description:
A series of files (labelled "Photo-Prints") containing mostly photographs of projects, drawings and models: Bank of Canada; Massey Hall (site study); Markham Fairgrounds; Prime Miniser's Office; Prime Minister's Residence; UBC Faculty Club interiors; Lethbridge University; MacMillan Bloedel Building; Canadian National Exhibition (monorail model); Royal Bank Ottawa project; Imperial Oil (Don Mills); TTC Spadina Line - Eglinton West Station; Hassard Residence; Hall Residence; Hilborn Residence; Heller Residence; Theme pavilion Expo 1967 (Canadian Pavilion); Osaka Pavilion; Simon Fraser University; Sikh Temple, Vancouver; Shanon Estates; Nelson Towers; Village Lake Louise; East End Lake, Vancouver; Point Grey Townhouses; Whistler Condominiums; Port Moody Condominiums, F.P.19 Vancouver; X. Kaly Mini-Village; M-3 Montreal (Cite des terraces); False Creek (Fisherman's Quay); Winnipeg Studies; Metro Centre (Toronto); TTC Yorkdale station; Blocks 51, 61, and 71; Museum of Anthropology; Expo 1967 Pavilion, Eaton's (Toronto original building); Fuldaver Residence; Grouse Mountain project; Filberg Residence; Danto Residence; Bank of Canada (mock up)
photographies
Cambridge
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
architecture
ca. 1880
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
ca. 1880
architecture
photographies
PH1986:0777:001-096
Description:
First edition of an album containing 96 photographs of sculptural and ornamental details (mostly fragments) of the models made in stone, wood, bronze, iron cast and carton-pierre by sculptor Emile Knecht for the Palais des Tuileries and the Louvre, Paris, under the direction of Mr. H. Lefuel, architect of the Emperor. The photographs show details of ornamentation for the Palais des Tuileries: for the staircase of Sa Majesté l'Impératrice; the door to her apartments; the ceiling of the vestibule; the apartments of Sa Majesté le Prince Impérial; the Salle des Gardes; the Salon de famille and the dining room of the Minister of State; the Pavillon de la Bibliothèque of the Louvre; the door to the Pavillon Richelieu of the Louvre; the chimney for the Bibliothèque; the Daru, Denon, Nollieu and Lesdiguière Pavilions of the Louvre; the Ancienne Chapelle of the Louvre; the door of the Museum; the old Louvre and the Hôtel de Monsieur Fould. Two lithographs from "Les artistes industriels" show a table and a gun; other photographs show a barometer and thermometer on a sculpted panel, a sculpted Madonna and Child in a niche, a sculpted table and a small armoire by Tahan photographed by Franck.
architecture, ornement, sculpture
1853-1860
Le Palais des Tuileries and the Louvre, views of sculptural details cast for the buildings, Paris, France
Actions:
PH1986:0777:001-096
Description:
First edition of an album containing 96 photographs of sculptural and ornamental details (mostly fragments) of the models made in stone, wood, bronze, iron cast and carton-pierre by sculptor Emile Knecht for the Palais des Tuileries and the Louvre, Paris, under the direction of Mr. H. Lefuel, architect of the Emperor. The photographs show details of ornamentation for the Palais des Tuileries: for the staircase of Sa Majesté l'Impératrice; the door to her apartments; the ceiling of the vestibule; the apartments of Sa Majesté le Prince Impérial; the Salle des Gardes; the Salon de famille and the dining room of the Minister of State; the Pavillon de la Bibliothèque of the Louvre; the door to the Pavillon Richelieu of the Louvre; the chimney for the Bibliothèque; the Daru, Denon, Nollieu and Lesdiguière Pavilions of the Louvre; the Ancienne Chapelle of the Louvre; the door of the Museum; the old Louvre and the Hôtel de Monsieur Fould. Two lithographs from "Les artistes industriels" show a table and a gun; other photographs show a barometer and thermometer on a sculpted panel, a sculpted Madonna and Child in a niche, a sculpted table and a small armoire by Tahan photographed by Franck.
photographies
1853-1860
architecture, ornement, sculpture
documents textuels
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
2007-2013
Barry Campbell papers related to a 1:50 scale model for the Maison d'Artiste
Actions:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
documents textuels
2007-2013
documents textuels
ARCH270978
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1995 to 2004. It includes these projects: - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Barcelona Forum 2004: Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - Integración del ferrocarril, Logroño (AP164.S1.2004.D10); - The Collection building, Miami (AP164.S1.2003.D12); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Sagüés, San Sebastián (AP164.S1.2003.D5); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Estación Zaragoza (AP164.S1.1999.D5).
March 2005
Portfolio of projects
Actions:
ARCH270978
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1995 to 2004. It includes these projects: - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Barcelona Forum 2004: Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - Integración del ferrocarril, Logroño (AP164.S1.2004.D10); - The Collection building, Miami (AP164.S1.2003.D12); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Sagüés, San Sebastián (AP164.S1.2003.D5); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Estación Zaragoza (AP164.S1.1999.D5).
documents textuels
March 2005
documents textuels
Correspondence files
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
Correspondence files
Actions:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
documents textuels
photographies
PH1980:0048.06:001-051
Description:
Album PH1980:0048.06:001-051 comprises 22 views of Seville, 16 views of Granada, four views of Madrid and three views of El Escorial, three views of Cadiz, two views of Aranjuez, and one view of Málaga. The 22 views of Seville include: 12 views of palaces, nine of the Royal Alcazar, two of the Palace of San Talmo, and one of the Archbishop's palace; three views of Seville Cathedral; three views of Pontius Pilate's House; and one view each of the Triana Bridge, the Real Maestranza bullfighting arena, the Law Courts on Constitution Square, and the Golden Tower. The 16 views of Granada include: 11 views of the Alhambra; four views of the city; and one view of Granada Cathedral. The four views of Madrid and three views of El Escorial include: three views of the Monastery of San Lorenzo del Escorial; and one view each of the Royal Palace, the Alcala Gate, the Prado Museum, and a bullfighting arena. The three views of Cadiz include: one view of Saint Anthony's Church; one view of the Calle Ancah [Main Street]; and one view of the city. The two views of Aranjuez include: one view of the Royal Palace and one view of the Casa del Labrador. There is one panorama of Málaga.
architecture, ingénierie, militaire
published 1859-1860
Album of views of cities showing royal palaces and religious and public architecture, Spain
Actions:
PH1980:0048.06:001-051
Description:
Album PH1980:0048.06:001-051 comprises 22 views of Seville, 16 views of Granada, four views of Madrid and three views of El Escorial, three views of Cadiz, two views of Aranjuez, and one view of Málaga. The 22 views of Seville include: 12 views of palaces, nine of the Royal Alcazar, two of the Palace of San Talmo, and one of the Archbishop's palace; three views of Seville Cathedral; three views of Pontius Pilate's House; and one view each of the Triana Bridge, the Real Maestranza bullfighting arena, the Law Courts on Constitution Square, and the Golden Tower. The 16 views of Granada include: 11 views of the Alhambra; four views of the city; and one view of Granada Cathedral. The four views of Madrid and three views of El Escorial include: three views of the Monastery of San Lorenzo del Escorial; and one view each of the Royal Palace, the Alcala Gate, the Prado Museum, and a bullfighting arena. The three views of Cadiz include: one view of Saint Anthony's Church; one view of the Calle Ancah [Main Street]; and one view of the city. The two views of Aranjuez include: one view of the Royal Palace and one view of the Casa del Labrador. There is one panorama of Málaga.
photographies
published 1859-1860
architecture, ingénierie, militaire
documents textuels
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
2002-2014
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
documents textuels
2002-2014