43402 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1988.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Les Terraces, an apartment tower located on Bellevue Avenue in West Vancouver, British Columbia. Oberlander worked on this project in 1988-1991 with architectural firm Matsuzaki Wright Architects. The project consisted in a landscape design for the looped drive and parking area in front of the appartment building entrance. The project series contains sketches, design development drawings, including proposed landscape designs, preliminary landscape plans, planting plans, and working drawings, such as irrigation plans, landscape plans and details for trellis, and building plans used as reference. The project series also comprises concept notes by Oberlander, correspondence with client and architects, minutes of meetings, financial document, landscape specifications and plant lists.
AP075.S1.1988.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Les Terraces, an apartment tower located on Bellevue Avenue in West Vancouver, British Columbia. Oberlander worked on this project in 1988-1991 with architectural firm Matsuzaki Wright Architects. The project consisted in a landscape design for the looped drive and parking area in front of the appartment building entrance. The project series contains sketches, design development drawings, including proposed landscape designs, preliminary landscape plans, planting plans, and working drawings, such as irrigation plans, landscape plans and details for trellis, and building plans used as reference. The project series also comprises concept notes by Oberlander, correspondence with client and architects, minutes of meetings, financial document, landscape specifications and plant lists.
Personnes et institutions:
Date:
1988-1992
1988-1992
Titre:
Les Terraces, West Vancouver, British Columbia (1988)
Actions:
AP075.S1.1988.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Les Terraces, an apartment tower located on Bellevue Avenue in West Vancouver, British Columbia. Oberlander worked on this project in 1988-1991 with architectural firm Matsuzaki Wright Architects. The project consisted in a landscape design for the looped drive and parking area in front of the appartment building entrance. The project series contains sketches, design development drawings, including proposed landscape designs, preliminary landscape plans, planting plans, and working drawings, such as irrigation plans, landscape plans and details for trellis, and building plans used as reference. The project series also comprises concept notes by Oberlander, correspondence with client and architects, minutes of meetings, financial document, landscape specifications and plant lists.
Les Terraces, West Vancouver, British Columbia (1988)
Actions:
AP075.S1.1988.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Les Terraces, an apartment tower located on Bellevue Avenue in West Vancouver, British Columbia. Oberlander worked on this project in 1988-1991 with architectural firm Matsuzaki Wright Architects. The project consisted in a landscape design for the looped drive and parking area in front of the appartment building entrance. The project series contains sketches, design development drawings, including proposed landscape designs, preliminary landscape plans, planting plans, and working drawings, such as irrigation plans, landscape plans and details for trellis, and building plans used as reference. The project series also comprises concept notes by Oberlander, correspondence with client and architects, minutes of meetings, financial document, landscape specifications and plant lists.
Niveau de description archivistique:
Project
Project
Date:
1988-1992
1988-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1965.PR01
Description:
This project series documents the Cooperativa di abitazione, a built eight-storey low-income housing cooperative of friends and acquaintances on Via Paravia in the San Siro district of Milan, Italy. Riva worked on this housing complex from 1965-1967. The project is considered his first major project and was the first residential complex that he designed. This project is also known as 37 Via Paravia and was realized in collaboration with Bianco Bottero. The project is recorded through studies and design development drawings, including elevations, axonometric drawings, sections, floor plans, furnishing details, structural details, and electrical plans. The project series also includes drawings for a later alteration to the living room bookcase design, around the mid-1970s.
AP180.S1.1965.PR01
Description:
This project series documents the Cooperativa di abitazione, a built eight-storey low-income housing cooperative of friends and acquaintances on Via Paravia in the San Siro district of Milan, Italy. Riva worked on this housing complex from 1965-1967. The project is considered his first major project and was the first residential complex that he designed. This project is also known as 37 Via Paravia and was realized in collaboration with Bianco Bottero. The project is recorded through studies and design development drawings, including elevations, axonometric drawings, sections, floor plans, furnishing details, structural details, and electrical plans. The project series also includes drawings for a later alteration to the living room bookcase design, around the mid-1970s.
Personnes et institutions:
Date:
1967-1969
1967-1969
Titre:
Cooperativa di abitazione in via Paravia [Housing cooperative on via Paravia], Milan, Italy (1965-1966)
Actions:
AP180.S1.1965.PR01
Description:
This project series documents the Cooperativa di abitazione, a built eight-storey low-income housing cooperative of friends and acquaintances on Via Paravia in the San Siro district of Milan, Italy. Riva worked on this housing complex from 1965-1967. The project is considered his first major project and was the first residential complex that he designed. This project is also known as 37 Via Paravia and was realized in collaboration with Bianco Bottero. The project is recorded through studies and design development drawings, including elevations, axonometric drawings, sections, floor plans, furnishing details, structural details, and electrical plans. The project series also includes drawings for a later alteration to the living room bookcase design, around the mid-1970s.
Cooperativa di abitazione in via Paravia [Housing cooperative on via Paravia], Milan, Italy (1965-1966)
Actions:
AP180.S1.1965.PR01
Description:
This project series documents the Cooperativa di abitazione, a built eight-storey low-income housing cooperative of friends and acquaintances on Via Paravia in the San Siro district of Milan, Italy. Riva worked on this housing complex from 1965-1967. The project is considered his first major project and was the first residential complex that he designed. This project is also known as 37 Via Paravia and was realized in collaboration with Bianco Bottero. The project is recorded through studies and design development drawings, including elevations, axonometric drawings, sections, floor plans, furnishing details, structural details, and electrical plans. The project series also includes drawings for a later alteration to the living room bookcase design, around the mid-1970s.
Niveau de description archivistique:
Project
Project
Date:
1967-1969
1967-1969
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
March 1586
March 1586
Titre:
Plan, Elevation, and Perspective of the Castello Used in the Transportation of the Vatican Obelisk; and Views of the Original and Final Location of the Obelisk
Actions:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Plan, Elevation, and Perspective of the Castello Used in the Transportation of the Vatican Obelisk; and Views of the Original and Final Location of the Obelisk
Actions:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Classification:
oeuvres d'art
oeuvres d'art
Date:
March 1586
March 1586
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
événements
événements
Actions:
Description:
None
None
Date:
14 décembre 2017
14 décembre 2017
Titre:
Eve Blau, Richard Pare et Phyllis Lambert sur la preuve photographique
Actions:
Description:
None
Eve Blau, Richard Pare et Phyllis Lambert sur la preuve photographique
Actions:
Description:
None
Classification:
événements
événements
Date:
14 décembre 2017
14 décembre 2017
Classification:
photographies
photographies
Numéro de référence:
AP207.S4.009
Description:
Includes reference slides on history of architecture, including slides on radical architecture, slides on Aldo Rossi's works, and Ettore Sottsass Senior's works.
AP207.S4.009
Description:
Includes reference slides on history of architecture, including slides on radical architecture, slides on Aldo Rossi's works, and Ettore Sottsass Senior's works.
Personnes et institutions:
Date:
1970s-1990s
1970s-1990s
Titre:
References slides used as teaching material
Actions:
AP207.S4.009
Description:
Includes reference slides on history of architecture, including slides on radical architecture, slides on Aldo Rossi's works, and Ettore Sottsass Senior's works.
References slides used as teaching material
Actions:
AP207.S4.009
Description:
Includes reference slides on history of architecture, including slides on radical architecture, slides on Aldo Rossi's works, and Ettore Sottsass Senior's works.
Classification:
photographies
photographies
Date:
1970s-1990s
1970s-1990s
Personnes et institutions:
Classification:
articles
articles
Actions:
Vikramāditya Prakāsh à propos des archives d’Āditya Prakāsh
Titre:
L’écriture de « One Continuous Line »
Vikramāditya Prakāsh à propos des archives d’Āditya Prakāsh
Actions:
L’écriture de « One Continuous Line »
Vikramāditya Prakāsh à propos des archives d’Āditya Prakāsh
Actions:
Classification:
expositions
expositions
Titre:
Vues et points de vue : l'architecture de Borromini dans les photographies d'Edward Burtynsky
Vues et points de vue : l'architecture de Borromini dans les photographies d'Edward Burtynsky
Actions:
Description:
Vues et points de vue conjugue la photographie contemporaine avec des gravures datant des XVIIe et XVIIIe siècles, et établit un dialogue entre deux démarches différentes qui représentent les œuvres construites de Borromini. Les photographies, commandées au photographe torontois Edward Burtynsky, ont été prises à Rome en 1999; elles font partie d’une collection plus vaste(...)
Vues et points de vue conjugue la photographie contemporaine avec des gravures datant des XVIIe et XVIIIe siècles, et établit un dialogue entre deux démarches différentes qui représentent les œuvres construites de Borromini. Les photographies, commandées au photographe torontois Edward Burtynsky, ont été prises à Rome en 1999; elles font partie d’une collection plus vaste(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
15 mars 2000 au 7 mai 2000
15 mars 2000 au 7 mai 2000
Titre:
Vues et points de vue : l'architecture de Borromini dans les photographies d'Edward Burtynsky
Actions:
Description:
Vues et points de vue conjugue la photographie contemporaine avec des gravures datant des XVIIe et XVIIIe siècles, et établit un dialogue entre deux démarches différentes qui représentent les œuvres construites de Borromini. Les photographies, commandées au photographe torontois Edward Burtynsky, ont été prises à Rome en 1999; elles font partie d’une collection plus vaste(...)
Vues et points de vue : l'architecture de Borromini dans les photographies d'Edward Burtynsky
Actions:
Description:
Vues et points de vue conjugue la photographie contemporaine avec des gravures datant des XVIIe et XVIIIe siècles, et établit un dialogue entre deux démarches différentes qui représentent les œuvres construites de Borromini. Les photographies, commandées au photographe torontois Edward Burtynsky, ont été prises à Rome en 1999; elles font partie d’une collection plus vaste(...)
Classification:
expositions
expositions
Date:
15 mars 2000 au
7 mai 2000
15 mars 2000 au
7 mai 2000
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Personnes et institutions:
Date:
1979-1983
1979-1983
Titre:
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1979-1983
1979-1983
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition présente le travail d’une génération d’architectes japonais arrivés à maturité professionnelle à une époque où le Japon connaît une prospérité sans précédent. Les six architectes présentés – Kiyoshi Sey Takeyama (AMORPHE), Norihiko Dan, Hiroyuki Wakabayashi, WORKSHOP, Hisashi Hara et Atsushi Kitagawara – intègrent librement les traditions architecturales de(...)
L’exposition présente le travail d’une génération d’architectes japonais arrivés à maturité professionnelle à une époque où le Japon connaît une prospérité sans précédent. Les six architectes présentés – Kiyoshi Sey Takeyama (AMORPHE), Norihiko Dan, Hiroyuki Wakabayashi, WORKSHOP, Hisashi Hara et Atsushi Kitagawara – intègrent librement les traditions architecturales de(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
17 avril 1991 au 30 juin 1991
17 avril 1991 au 30 juin 1991
Titre:
Une nouvelle génération d'architectes japonais
Actions:
Description:
L’exposition présente le travail d’une génération d’architectes japonais arrivés à maturité professionnelle à une époque où le Japon connaît une prospérité sans précédent. Les six architectes présentés – Kiyoshi Sey Takeyama (AMORPHE), Norihiko Dan, Hiroyuki Wakabayashi, WORKSHOP, Hisashi Hara et Atsushi Kitagawara – intègrent librement les traditions architecturales de(...)
Une nouvelle génération d'architectes japonais
Actions:
Description:
L’exposition présente le travail d’une génération d’architectes japonais arrivés à maturité professionnelle à une époque où le Japon connaît une prospérité sans précédent. Les six architectes présentés – Kiyoshi Sey Takeyama (AMORPHE), Norihiko Dan, Hiroyuki Wakabayashi, WORKSHOP, Hisashi Hara et Atsushi Kitagawara – intègrent librement les traditions architecturales de(...)
Classification:
expositions
expositions
Date:
17 avril 1991 au
30 juin 1991
17 avril 1991 au
30 juin 1991
Localisation:
Salle octogonale
Salle octogonale
Classification:
photographies
photographies
Numéro de référence:
AP207.S4.021
Description:
Includes reference slides of Mœbius's (Jean Giraud) works, designs by Memphis' groups (including Ettore Sotsass Senior) and Angiolo Mazzoni's works.
AP207.S4.021
Description:
Includes reference slides of Mœbius's (Jean Giraud) works, designs by Memphis' groups (including Ettore Sotsass Senior) and Angiolo Mazzoni's works.
Personnes et institutions:
Date:
1970s-1990s
1970s-1990s
Titre:
References slides used as teaching material
Actions:
AP207.S4.021
Description:
Includes reference slides of Mœbius's (Jean Giraud) works, designs by Memphis' groups (including Ettore Sotsass Senior) and Angiolo Mazzoni's works.
References slides used as teaching material
Actions:
AP207.S4.021
Description:
Includes reference slides of Mœbius's (Jean Giraud) works, designs by Memphis' groups (including Ettore Sotsass Senior) and Angiolo Mazzoni's works.
Classification:
photographies
photographies
Date:
1970s-1990s
1970s-1990s
Personnes et institutions:
