33366 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Personnes et institutions:
Date:
1955, 1957-1969
1955, 1957-1969
Titre:
Fonds Affleck, Desbarats, Dimakopoulos, Lebensold, Sise
Actions:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Fonds Affleck, Desbarats, Dimakopoulos, Lebensold, Sise
Actions:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1955, 1957-1969
1955, 1957-1969
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Personnes et institutions:
Date:
2001-2018
2001-2018
Titre:
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2001-2018
2001-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1989.PR01
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. No project number was identifed. This project consisted of the eastward expansion and renovations to the existing high-end retail store. The original design of the store was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space saw the addition of 1000 square feet to the store at the street level and relocation of the entrance doors to accommodate this expansion. An expansion of the lower concourse level also added 1,457 square feet. The new spaces extended the architectural style already established in earlier phases of the store's development. Materials used in this project, as in earlier projects, included steel, glass, rubber, and aluminum, combined with natural wood and stone. This project is considered Phase 3 of the store's development, with 2 future phases to be completed by KPMB Architects soon after. The project is recorded through original drawings and photographs dating from 1989-1991. The drawings consist primarily of sketches, plans, sections, and furnishing drawings. The photographs show the finished interiors.
AP056.S1.1989.PR01
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. No project number was identifed. This project consisted of the eastward expansion and renovations to the existing high-end retail store. The original design of the store was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space saw the addition of 1000 square feet to the store at the street level and relocation of the entrance doors to accommodate this expansion. An expansion of the lower concourse level also added 1,457 square feet. The new spaces extended the architectural style already established in earlier phases of the store's development. Materials used in this project, as in earlier projects, included steel, glass, rubber, and aluminum, combined with natural wood and stone. This project is considered Phase 3 of the store's development, with 2 future phases to be completed by KPMB Architects soon after. The project is recorded through original drawings and photographs dating from 1989-1991. The drawings consist primarily of sketches, plans, sections, and furnishing drawings. The photographs show the finished interiors.
Personnes et institutions:
Date:
1989-1991
1989-1991
Titre:
Marc Laurent Store, Phase 3, Toronto (1989-1991)
Actions:
AP056.S1.1989.PR01
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. No project number was identifed. This project consisted of the eastward expansion and renovations to the existing high-end retail store. The original design of the store was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space saw the addition of 1000 square feet to the store at the street level and relocation of the entrance doors to accommodate this expansion. An expansion of the lower concourse level also added 1,457 square feet. The new spaces extended the architectural style already established in earlier phases of the store's development. Materials used in this project, as in earlier projects, included steel, glass, rubber, and aluminum, combined with natural wood and stone. This project is considered Phase 3 of the store's development, with 2 future phases to be completed by KPMB Architects soon after. The project is recorded through original drawings and photographs dating from 1989-1991. The drawings consist primarily of sketches, plans, sections, and furnishing drawings. The photographs show the finished interiors.
Marc Laurent Store, Phase 3, Toronto (1989-1991)
Actions:
AP056.S1.1989.PR01
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. No project number was identifed. This project consisted of the eastward expansion and renovations to the existing high-end retail store. The original design of the store was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space saw the addition of 1000 square feet to the store at the street level and relocation of the entrance doors to accommodate this expansion. An expansion of the lower concourse level also added 1,457 square feet. The new spaces extended the architectural style already established in earlier phases of the store's development. Materials used in this project, as in earlier projects, included steel, glass, rubber, and aluminum, combined with natural wood and stone. This project is considered Phase 3 of the store's development, with 2 future phases to be completed by KPMB Architects soon after. The project is recorded through original drawings and photographs dating from 1989-1991. The drawings consist primarily of sketches, plans, sections, and furnishing drawings. The photographs show the finished interiors.
Niveau de description archivistique:
Project
Project
Date:
1989-1991
1989-1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
Personnes et institutions:
Date:
circa 1993
circa 1993
Titre:
Student Centre, University of Waterloo, Waterloo, Ontario (1993)
Actions:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
Student Centre, University of Waterloo, Waterloo, Ontario (1993)
Actions:
AP056.S1.1993.PR08
Description:
This project series documents a competition entry for the University of Waterloo Student Centre in Waterloo, Ontario in 1993. The project number assigned by the office is unidentifiable. This project proposed a two-storey building composed of rectangular spaces, a round central rotunda, four courtyards and terraces on the roof and sides. The building's exterior would be clad in split-faced limestone with a copper roof, wood doors and windows, and glazed walls comprising the top floor of the rotunda. Inside the rotunda would be cafe seating and information areas on the main floor and more casual reading and lounging spaces on the second level which were open to below. The main focus of the design was its relationship to the four courtyards, including a central courtyard at the building's centre that had bleachers overlooking it from above. Areas for a gym, bomb shelter and student government were also included. This was not the winning competition entry and the project was eventually realized by Cravit Ortved Architects. The project is recorded through drawings, presentation paintings, an aerial photograph and model dating from around 1993. The drawings are mostly originals of sketches, presentation drawings, plans, elevations and perspectives.
Niveau de description archivistique:
Project
Project
Date:
circa 1993
circa 1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1997.PR09
Description:
This project series documents the Sheff Residence at 105 Glen Road in Toronto from 1997-2001. The office identified the project number as 9727. This project consisted of a large home for architect Gerald Sheff and his wife Shanitha Kachan. The work included the demolition of a single-storey dwelling already on the property to create a roughly 7,900 square foot, mixed-level home. This project investigated multiple schemes for the residence, which looked at different room configurations and placements, different building heights, and different levels of finish for certain rooms. Built overlooking a ravine, the house had a stone veneer exterior with accents of wood siding and large glass windows. The home had a maximum height of two-storeys with a basement and included a swimming pool and backyard deck. This residence won the Ontario Association of Architect's Award of Excellence in 2003. The project is recorded through a model and drawings dating from 1996-2000. The majority of the drawings are sketches, but plans, elevations, sections, perspectives and details are included. There are also many drawings of furnishings including closets, benches and custom furniture.
AP056.S1.1997.PR09
Description:
This project series documents the Sheff Residence at 105 Glen Road in Toronto from 1997-2001. The office identified the project number as 9727. This project consisted of a large home for architect Gerald Sheff and his wife Shanitha Kachan. The work included the demolition of a single-storey dwelling already on the property to create a roughly 7,900 square foot, mixed-level home. This project investigated multiple schemes for the residence, which looked at different room configurations and placements, different building heights, and different levels of finish for certain rooms. Built overlooking a ravine, the house had a stone veneer exterior with accents of wood siding and large glass windows. The home had a maximum height of two-storeys with a basement and included a swimming pool and backyard deck. This residence won the Ontario Association of Architect's Award of Excellence in 2003. The project is recorded through a model and drawings dating from 1996-2000. The majority of the drawings are sketches, but plans, elevations, sections, perspectives and details are included. There are also many drawings of furnishings including closets, benches and custom furniture.
Personnes et institutions:
Date:
1996-2000
1996-2000
Titre:
Sheff Residence, Toronto (1997-2001)
Actions:
AP056.S1.1997.PR09
Description:
This project series documents the Sheff Residence at 105 Glen Road in Toronto from 1997-2001. The office identified the project number as 9727. This project consisted of a large home for architect Gerald Sheff and his wife Shanitha Kachan. The work included the demolition of a single-storey dwelling already on the property to create a roughly 7,900 square foot, mixed-level home. This project investigated multiple schemes for the residence, which looked at different room configurations and placements, different building heights, and different levels of finish for certain rooms. Built overlooking a ravine, the house had a stone veneer exterior with accents of wood siding and large glass windows. The home had a maximum height of two-storeys with a basement and included a swimming pool and backyard deck. This residence won the Ontario Association of Architect's Award of Excellence in 2003. The project is recorded through a model and drawings dating from 1996-2000. The majority of the drawings are sketches, but plans, elevations, sections, perspectives and details are included. There are also many drawings of furnishings including closets, benches and custom furniture.
Sheff Residence, Toronto (1997-2001)
Actions:
AP056.S1.1997.PR09
Description:
This project series documents the Sheff Residence at 105 Glen Road in Toronto from 1997-2001. The office identified the project number as 9727. This project consisted of a large home for architect Gerald Sheff and his wife Shanitha Kachan. The work included the demolition of a single-storey dwelling already on the property to create a roughly 7,900 square foot, mixed-level home. This project investigated multiple schemes for the residence, which looked at different room configurations and placements, different building heights, and different levels of finish for certain rooms. Built overlooking a ravine, the house had a stone veneer exterior with accents of wood siding and large glass windows. The home had a maximum height of two-storeys with a basement and included a swimming pool and backyard deck. This residence won the Ontario Association of Architect's Award of Excellence in 2003. The project is recorded through a model and drawings dating from 1996-2000. The majority of the drawings are sketches, but plans, elevations, sections, perspectives and details are included. There are also many drawings of furnishings including closets, benches and custom furniture.
Niveau de description archivistique:
Project
Project
Date:
1996-2000
1996-2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic works
Academic works
Numéro de référence:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Personnes et institutions:
Date:
1995-2011
1995-2011
Titre:
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Niveau de description archivistique:
Series
Series
Date:
1995-2011
1995-2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1989.PR03
Description:
This project series documents the plano de Doedijnstraat, the residential settlement in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 63/80. The office assigned the date 1989 for this project. In 1993 Siza was awarded the Berlage Prize for this residential project of 238 flats. The project was part of an urban renewal program in The Hague for which Siza had already worked on other projects: the urban plan for Deelgebied Zone 5, Schilderswijk-West and Punt en Komma social housing; the housing and shopping complex in Schilderswijk; and the Van der Vennepark. Documenting this project are sketches, studies, elevations, plans and details. Textual documentation includes correspondence, such as letters to and from Siza, letters to Jeoron Geurst (from the associated architectural firm Geurst & Schulze architekten), and letters to and from project architect Carlos Castenheira. Furthermore, there is correspondence to and from members of the Woningbouwvereniging and several letters from Ing. J. van Gulik (project leader). Other documentation includes cost estimates and meeting minutes. Also included in this project series are negatives, photographs and slides documenting the model, site and various dwellings.
AP178.S1.1989.PR03
Description:
This project series documents the plano de Doedijnstraat, the residential settlement in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 63/80. The office assigned the date 1989 for this project. In 1993 Siza was awarded the Berlage Prize for this residential project of 238 flats. The project was part of an urban renewal program in The Hague for which Siza had already worked on other projects: the urban plan for Deelgebied Zone 5, Schilderswijk-West and Punt en Komma social housing; the housing and shopping complex in Schilderswijk; and the Van der Vennepark. Documenting this project are sketches, studies, elevations, plans and details. Textual documentation includes correspondence, such as letters to and from Siza, letters to Jeoron Geurst (from the associated architectural firm Geurst & Schulze architekten), and letters to and from project architect Carlos Castenheira. Furthermore, there is correspondence to and from members of the Woningbouwvereniging and several letters from Ing. J. van Gulik (project leader). Other documentation includes cost estimates and meeting minutes. Also included in this project series are negatives, photographs and slides documenting the model, site and various dwellings.
Personnes et institutions:
Date:
1983-1994
1983-1994
Titre:
Plano de Doedijnstraat [Residential settlement, Schilderswijk], The Hague, The Netherlands (1988-1994)
Actions:
AP178.S1.1989.PR03
Description:
This project series documents the plano de Doedijnstraat, the residential settlement in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 63/80. The office assigned the date 1989 for this project. In 1993 Siza was awarded the Berlage Prize for this residential project of 238 flats. The project was part of an urban renewal program in The Hague for which Siza had already worked on other projects: the urban plan for Deelgebied Zone 5, Schilderswijk-West and Punt en Komma social housing; the housing and shopping complex in Schilderswijk; and the Van der Vennepark. Documenting this project are sketches, studies, elevations, plans and details. Textual documentation includes correspondence, such as letters to and from Siza, letters to Jeoron Geurst (from the associated architectural firm Geurst & Schulze architekten), and letters to and from project architect Carlos Castenheira. Furthermore, there is correspondence to and from members of the Woningbouwvereniging and several letters from Ing. J. van Gulik (project leader). Other documentation includes cost estimates and meeting minutes. Also included in this project series are negatives, photographs and slides documenting the model, site and various dwellings.
Plano de Doedijnstraat [Residential settlement, Schilderswijk], The Hague, The Netherlands (1988-1994)
Actions:
AP178.S1.1989.PR03
Description:
This project series documents the plano de Doedijnstraat, the residential settlement in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 63/80. The office assigned the date 1989 for this project. In 1993 Siza was awarded the Berlage Prize for this residential project of 238 flats. The project was part of an urban renewal program in The Hague for which Siza had already worked on other projects: the urban plan for Deelgebied Zone 5, Schilderswijk-West and Punt en Komma social housing; the housing and shopping complex in Schilderswijk; and the Van der Vennepark. Documenting this project are sketches, studies, elevations, plans and details. Textual documentation includes correspondence, such as letters to and from Siza, letters to Jeoron Geurst (from the associated architectural firm Geurst & Schulze architekten), and letters to and from project architect Carlos Castenheira. Furthermore, there is correspondence to and from members of the Woningbouwvereniging and several letters from Ing. J. van Gulik (project leader). Other documentation includes cost estimates and meeting minutes. Also included in this project series are negatives, photographs and slides documenting the model, site and various dwellings.
Niveau de description archivistique:
Project
Project
Date:
1983-1994
1983-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
Numéro de référence:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Personnes et institutions:
Date:
1918-1921
1918-1921
Titre:
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Niveau de description archivistique:
project
project
Date:
1918-1921
1918-1921
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1957.PR05
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the garden of Mr & Mrs Wong residence on South Cambie Street in Vancouver. Oberlander worked on this project in 1954-1956 with architect Harry Lee from Duncan McNab’s office. Oberlander’s concept for the landscape was to create a garden with rock outcropping, due to the complicated site on which the house was built. She “designed a main walkway paralleling the side yard property line to connect S. Cambie Street to the rear alley.” [1] The walkway, decorated with flowerpots, leads to a u-shaped paved courtyard with a central lawn area with decorative rocks. Between the expose rock at the front of the property and the façade of the house, she created a lawn area with a pathway of steppingstones at the side of house leading to the backyard. The project series contains only six drawings, including two sketches, two design development drawings of landscape plans, and working drawings for the residence used as reference. The project is also documented through photographs of the residence and the landscaping, and a plant list. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 88.
AP075.S1.1957.PR05
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the garden of Mr & Mrs Wong residence on South Cambie Street in Vancouver. Oberlander worked on this project in 1954-1956 with architect Harry Lee from Duncan McNab’s office. Oberlander’s concept for the landscape was to create a garden with rock outcropping, due to the complicated site on which the house was built. She “designed a main walkway paralleling the side yard property line to connect S. Cambie Street to the rear alley.” [1] The walkway, decorated with flowerpots, leads to a u-shaped paved courtyard with a central lawn area with decorative rocks. Between the expose rock at the front of the property and the façade of the house, she created a lawn area with a pathway of steppingstones at the side of house leading to the backyard. The project series contains only six drawings, including two sketches, two design development drawings of landscape plans, and working drawings for the residence used as reference. The project is also documented through photographs of the residence and the landscaping, and a plant list. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 88.
Personnes et institutions:
Date:
1957-1958
1957-1958
Titre:
W.K. Wong Residence, Vancouver, British Columbia (1957-1958)
Actions:
AP075.S1.1957.PR05
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the garden of Mr & Mrs Wong residence on South Cambie Street in Vancouver. Oberlander worked on this project in 1954-1956 with architect Harry Lee from Duncan McNab’s office. Oberlander’s concept for the landscape was to create a garden with rock outcropping, due to the complicated site on which the house was built. She “designed a main walkway paralleling the side yard property line to connect S. Cambie Street to the rear alley.” [1] The walkway, decorated with flowerpots, leads to a u-shaped paved courtyard with a central lawn area with decorative rocks. Between the expose rock at the front of the property and the façade of the house, she created a lawn area with a pathway of steppingstones at the side of house leading to the backyard. The project series contains only six drawings, including two sketches, two design development drawings of landscape plans, and working drawings for the residence used as reference. The project is also documented through photographs of the residence and the landscaping, and a plant list. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 88.
W.K. Wong Residence, Vancouver, British Columbia (1957-1958)
Actions:
AP075.S1.1957.PR05
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the garden of Mr & Mrs Wong residence on South Cambie Street in Vancouver. Oberlander worked on this project in 1954-1956 with architect Harry Lee from Duncan McNab’s office. Oberlander’s concept for the landscape was to create a garden with rock outcropping, due to the complicated site on which the house was built. She “designed a main walkway paralleling the side yard property line to connect S. Cambie Street to the rear alley.” [1] The walkway, decorated with flowerpots, leads to a u-shaped paved courtyard with a central lawn area with decorative rocks. Between the expose rock at the front of the property and the façade of the house, she created a lawn area with a pathway of steppingstones at the side of house leading to the backyard. The project series contains only six drawings, including two sketches, two design development drawings of landscape plans, and working drawings for the residence used as reference. The project is also documented through photographs of the residence and the landscaping, and a plant list. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 88.
Niveau de description archivistique:
Project
Project
Date:
1957-1958
1957-1958
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Personnes et institutions:
Date:
[between 1947? and 1975?], predominant 1947-1952
[between 1947? and 1975?], predominant 1947-1952
Titre:
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Niveau de description archivistique:
Sub-series 1
Sub-series 1
Date:
[between 1947? and 1975?], predominant 1947-1952
[between 1947? and 1975?], predominant 1947-1952
Personnes et institutions:
