36498 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
Personnes et institutions:
Date:
1978-1979
1978-1979
Titre:
Piscina de "Görlitzer Bad" Kreuzberg, Berlim Oeste [Görlitzer Bad swimming pool], Berlin, Germany (1978-1979)
Actions:
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
Piscina de "Görlitzer Bad" Kreuzberg, Berlim Oeste [Görlitzer Bad swimming pool], Berlin, Germany (1978-1979)
Actions:
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
Niveau de description archivistique:
Project
Project
Date:
1978-1979
1978-1979
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Niveau de description archivistique:
File 108
File 108
Date:
1994-1995
1994-1995
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.058
Description:
Original folder entitled "Dallas / Art in Public Places".
AP075.S3.SS1.058
Description:
Original folder entitled "Dallas / Art in Public Places".
Personnes et institutions:
Date:
1987
1987
Titre:
Reference material on public art in Dallas
Actions:
AP075.S3.SS1.058
Description:
Original folder entitled "Dallas / Art in Public Places".
Reference material on public art in Dallas
Actions:
AP075.S3.SS1.058
Description:
Original folder entitled "Dallas / Art in Public Places".
Classification:
documents textuels
documents textuels
Date:
1987
1987
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.059
Description:
Original folder entitled "Toronto Art in Public Places".
AP075.S3.SS1.059
Description:
Original folder entitled "Toronto Art in Public Places".
Personnes et institutions:
Date:
1987-1990
1987-1990
Titre:
Reference material on public art in Toronto
Actions:
AP075.S3.SS1.059
Description:
Original folder entitled "Toronto Art in Public Places".
Reference material on public art in Toronto
Actions:
AP075.S3.SS1.059
Description:
Original folder entitled "Toronto Art in Public Places".
Classification:
documents textuels
documents textuels
Date:
1987-1990
1987-1990
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.060
Description:
Original folder entitled "Ottawa / Art in Public Places".
AP075.S3.SS1.060
Description:
Original folder entitled "Ottawa / Art in Public Places".
Personnes et institutions:
Date:
1990-1992
1990-1992
Titre:
Reference material on public art in Ottawa
Actions:
AP075.S3.SS1.060
Description:
Original folder entitled "Ottawa / Art in Public Places".
Reference material on public art in Ottawa
Actions:
AP075.S3.SS1.060
Description:
Original folder entitled "Ottawa / Art in Public Places".
Classification:
documents textuels
documents textuels
Date:
1990-1992
1990-1992
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.061
Description:
Original folder entitled "Seattle / Art in Public Places".
AP075.S3.SS1.061
Description:
Original folder entitled "Seattle / Art in Public Places".
Personnes et institutions:
Date:
1980-1989
1980-1989
Titre:
Reference material on public art in Seattle
Actions:
AP075.S3.SS1.061
Description:
Original folder entitled "Seattle / Art in Public Places".
Reference material on public art in Seattle
Actions:
AP075.S3.SS1.061
Description:
Original folder entitled "Seattle / Art in Public Places".
Classification:
documents textuels
documents textuels
Date:
1980-1989
1980-1989
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.062
Description:
Original folder entitled "Vancouver / Art in Public Places".
AP075.S3.SS1.062
Description:
Original folder entitled "Vancouver / Art in Public Places".
Personnes et institutions:
Date:
1987-1990
1987-1990
Titre:
Cornelia Hahn Oberlander participation to the Art in Public Places Subcommittee Meeting of the City of Vancouver
Actions:
AP075.S3.SS1.062
Description:
Original folder entitled "Vancouver / Art in Public Places".
Cornelia Hahn Oberlander participation to the Art in Public Places Subcommittee Meeting of the City of Vancouver
Actions:
AP075.S3.SS1.062
Description:
Original folder entitled "Vancouver / Art in Public Places".
Classification:
documents textuels
documents textuels
Date:
1987-1990
1987-1990
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
Personnes et institutions:
Date:
1974-1989
1974-1989
Titre:
Reference material and press clippings on public art
Actions:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
Reference material and press clippings on public art
Actions:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
Classification:
documents textuels
documents textuels
Date:
1974-1989
1974-1989
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S1.1999.PR01.001
Description:
Original folder entitled: "SALT LAKE CITY / Public Library".
AP075.S1.1999.PR01.001
Description:
Original folder entitled: "SALT LAKE CITY / Public Library".
Personnes et institutions:
Date:
circa 2000
circa 2000
Titre:
Research for the Salt Lake City Public Library, Salt Lake City, Utah
Actions:
AP075.S1.1999.PR01.001
Description:
Original folder entitled: "SALT LAKE CITY / Public Library".
Research for the Salt Lake City Public Library, Salt Lake City, Utah
Actions:
AP075.S1.1999.PR01.001
Description:
Original folder entitled: "SALT LAKE CITY / Public Library".
Classification:
documents textuels
documents textuels
Date:
circa 2000
circa 2000
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
DR2001:0005:041
Description:
This building is also known as Edmundo Bittencourt Public School.
DR2001:0005:041
Description:
This building is also known as Edmundo Bittencourt Public School.
Personnes et institutions:
Date:
1953-1954
1953-1954
Titre:
View of primary school, Pedregulho, Rio de Janeiro, Brazil
Actions:
DR2001:0005:041
Description:
This building is also known as Edmundo Bittencourt Public School.
View of primary school, Pedregulho, Rio de Janeiro, Brazil
Actions:
DR2001:0005:041
Description:
This building is also known as Edmundo Bittencourt Public School.
Classification:
photographies
photographies
Date:
1953-1954
1953-1954
Personnes et institutions:
