documents textuels
ARCH254904
Description:
Ùrban design confernece, study and proposal for San Francisco Public Library brochure, clipping and reports
Planning San Francisco
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ARCH254904
Description:
Ùrban design confernece, study and proposal for San Francisco Public Library brochure, clipping and reports
documents textuels
documents textuels
AP149.S3.SS2.010
Description:
Includes project proposal "Cultural Adaptation in Popular Urban Housing, India" with the Vastu-Shilpa Foundation.
1987
Grant application to the Canadian Commission for Unesco
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AP149.S3.SS2.010
Description:
Includes project proposal "Cultural Adaptation in Popular Urban Housing, India" with the Vastu-Shilpa Foundation.
documents textuels
1987
dessins
AP206.S1.1960.PR01.005
Description:
These drawings appear to be from later work done on the theatre for the Department of Urban Planning, Chandigarh Administration.
1999-2001
Rehearsal space proposal, plans and sections, Tagore Theatre, Chandigarh, India
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AP206.S1.1960.PR01.005
Description:
These drawings appear to be from later work done on the theatre for the Department of Urban Planning, Chandigarh Administration.
dessins
1999-2001
dessins, documents textuels
ARCH270947
Description:
Part 1, tome 1: urban planning. It contains the project description and topological and earthmoving plans.
June 1998
Ring binder with textual records and plans from the project Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid, Spain
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ARCH270947
Description:
Part 1, tome 1: urban planning. It contains the project description and topological and earthmoving plans.
dessins, documents textuels
June 1998
Projet
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
1995-1999, predominant 1997-1998
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Project
1995-1999, predominant 1997-1998
dessins
Détails des installations
ARCH276397
Description:
Détails de la salle de réception de l'Hôtel Windsor, de la reconstruction de l'Hôtel de Ville de Montréal, de la salle de réception de l'Université de Montréal et du Chalet du Parc Mont-Royal, incluant le plan des toilettes privés de la royauté. Plan de l'itinéraire du défilé royal produit par le Service d'Urbanisme de la Ville de Montréal.
1922 - 1939
Détails des installations
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ARCH276397
Description:
Détails de la salle de réception de l'Hôtel Windsor, de la reconstruction de l'Hôtel de Ville de Montréal, de la salle de réception de l'Université de Montréal et du Chalet du Parc Mont-Royal, incluant le plan des toilettes privés de la royauté. Plan de l'itinéraire du défilé royal produit par le Service d'Urbanisme de la Ville de Montréal.
dessins
1922 - 1939
ARCH252143
Description:
Lecture delivered and moderated by Robert A. Stern at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the theme "New Modernism/Post Modernism."
1976-10-05
Audio recording of a lecture by Robert A. Stern for the seriesArchitecture 5 New Modernism/Post Modernism, entitled: "Setting the Scene: The End of Modernism, Yet Again"
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ARCH252143
Description:
Lecture delivered and moderated by Robert A. Stern at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the theme "New Modernism/Post Modernism."
1976-10-05
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
1976-10-11, 1976-01-12
Audio recording of two lectures, one by Raimund Abraham as part of the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "Design Without Architects" and the second by Ivan Chermayeff as part of the series Architecture 5: Design without Architects, entitled: "Design vs. Art in Architecture"
Actions:
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
1976-10-11, 1976-01-12
documents textuels
ARCH153543
Description:
Transcript from Tape #1: Peter Eisenman, Stanford Anderson, Kenneth Frampton, Slutzky, Michael Graves, Joseph [Rykwert?], John Hejduk, Ted, Gusty, Henderson, Oscar [Newman?], Richard Meier, Eardley, Robert Gutman, Arthur Drexler, 70 pages Transcript of Tape #2 Anderson: Kenneth Frampton, John Hejduk, Peter Eisenman, Slutzky, Drexler, Oscar, Joseph, Tony, 37 pages Paper "Eardley", 5 pages with transcript of following discussion: Kenneth Frampton, Peter Eisenman, Robert Slutzky, Ted, Tony Eardley, John Hejduk, Richard Henderson, Oscar Newman, Richard Meier, Michael Graves, Robert Gutman, Joseph Rykwert Paper Stanford [Anderson], 2 pages Handwritten transcripts
circa 1965-1971
IAUS: Central Projects, proposals, etc. - Case 2
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ARCH153543
Description:
Transcript from Tape #1: Peter Eisenman, Stanford Anderson, Kenneth Frampton, Slutzky, Michael Graves, Joseph [Rykwert?], John Hejduk, Ted, Gusty, Henderson, Oscar [Newman?], Richard Meier, Eardley, Robert Gutman, Arthur Drexler, 70 pages Transcript of Tape #2 Anderson: Kenneth Frampton, John Hejduk, Peter Eisenman, Slutzky, Drexler, Oscar, Joseph, Tony, 37 pages Paper "Eardley", 5 pages with transcript of following discussion: Kenneth Frampton, Peter Eisenman, Robert Slutzky, Ted, Tony Eardley, John Hejduk, Richard Henderson, Oscar Newman, Richard Meier, Michael Graves, Robert Gutman, Joseph Rykwert Paper Stanford [Anderson], 2 pages Handwritten transcripts
documents textuels
circa 1965-1971
documents textuels
ARCH153626
Description:
essay by Anthony James Catanese rejected for publication by editorial board of Oppositions magazine
1977
Relearning Wright: Nostalgia or Revelation
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ARCH153626
Description:
essay by Anthony James Catanese rejected for publication by editorial board of Oppositions magazine
documents textuels
1977