3910 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:100:016
Description:
Ring binder and two spiral-bound books containing documents in English (predominant) and French, including reference materials related to the Royal Canadian Navy monument. Includes a photocopy of Customs and Traditions of the Canadian Armed Forces, by E.C. Russell.
DR2012:0012:100:016
Description:
Ring binder and two spiral-bound books containing documents in English (predominant) and French, including reference materials related to the Royal Canadian Navy monument. Includes a photocopy of Customs and Traditions of the Canadian Armed Forces, by E.C. Russell.
Personnes et institutions:
Date:
1980, 2009
1980, 2009
Titre:
Reference materials, Canadian Navy monument, Ottawa, Ontario
Actions:
DR2012:0012:100:016
Description:
Ring binder and two spiral-bound books containing documents in English (predominant) and French, including reference materials related to the Royal Canadian Navy monument. Includes a photocopy of Customs and Traditions of the Canadian Armed Forces, by E.C. Russell.
Reference materials, Canadian Navy monument, Ottawa, Ontario
Actions:
DR2012:0012:100:016
Description:
Ring binder and two spiral-bound books containing documents in English (predominant) and French, including reference materials related to the Royal Canadian Navy monument. Includes a photocopy of Customs and Traditions of the Canadian Armed Forces, by E.C. Russell.
Classification:
documents textuels
documents textuels
Date:
1980, 2009
1980, 2009
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:049:003
DR2012:0012:049:003
Personnes et institutions:
Date:
circa 2008
circa 2008
Classification:
dessins
dessins
Date:
circa 2008
circa 2008
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH21090
ARCH21090
Personnes et institutions:
Date:
1906-1912
1906-1912
Classification:
dessins
dessins
Date:
1906-1912
1906-1912
Personnes et institutions:
Classification:
maquettes
maquettes
Numéro de référence:
AP056.S1.1991.PR02.007
AP056.S1.1991.PR02.007
Personnes et institutions:
Date:
circa 1991
circa 1991
Classification:
maquettes
maquettes
Date:
circa 1991
circa 1991
Personnes et institutions:
Classification:
maquettes
maquettes
Numéro de référence:
AP056.S1.1987.PR02.020
AP056.S1.1987.PR02.020
Personnes et institutions:
Date:
circa 1988
circa 1988
Classification:
maquettes
maquettes
Date:
circa 1988
circa 1988
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0012:130:005
Description:
File containing documents including notes and reprographic copies of architectural drawings related to the Canadian tribute to human rights. Original folder inscribed in graphite: CANADIAN TRIBUTE, OTTAWA LANDSCAPING
DR2012:0012:130:005
Description:
File containing documents including notes and reprographic copies of architectural drawings related to the Canadian tribute to human rights. Original folder inscribed in graphite: CANADIAN TRIBUTE, OTTAWA LANDSCAPING
Personnes et institutions:
Date:
1989
1989
Titre:
Landscaping plans, Canadian Tribute to Human Rights, Ottawa, Ontario
Actions:
DR2012:0012:130:005
Description:
File containing documents including notes and reprographic copies of architectural drawings related to the Canadian tribute to human rights. Original folder inscribed in graphite: CANADIAN TRIBUTE, OTTAWA LANDSCAPING
Landscaping plans, Canadian Tribute to Human Rights, Ottawa, Ontario
Actions:
DR2012:0012:130:005
Description:
File containing documents including notes and reprographic copies of architectural drawings related to the Canadian tribute to human rights. Original folder inscribed in graphite: CANADIAN TRIBUTE, OTTAWA LANDSCAPING
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1989
1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP013.S1.D7
Description:
File documents an executed project for additions, alterations and subway to the Château Laurier Hotel for the Ottawa Terminal Railway Co. in Ottawa, Ontario. Material in this file was produced between 1910 and 1912. File contains working and design development drawings.
AP013.S1.D7
Description:
File documents an executed project for additions, alterations and subway to the Château Laurier Hotel for the Ottawa Terminal Railway Co. in Ottawa, Ontario. Material in this file was produced between 1910 and 1912. File contains working and design development drawings.
Personnes et institutions:
Date:
1910-1912
1910-1912
Titre:
Additions, Alterations and Subway for the Château Laurier Hotel, Ottawa, Ontario
Actions:
AP013.S1.D7
Description:
File documents an executed project for additions, alterations and subway to the Château Laurier Hotel for the Ottawa Terminal Railway Co. in Ottawa, Ontario. Material in this file was produced between 1910 and 1912. File contains working and design development drawings.
Additions, Alterations and Subway for the Château Laurier Hotel, Ottawa, Ontario
Actions:
AP013.S1.D7
Description:
File documents an executed project for additions, alterations and subway to the Château Laurier Hotel for the Ottawa Terminal Railway Co. in Ottawa, Ontario. Material in this file was produced between 1910 and 1912. File contains working and design development drawings.
Niveau de description archivistique:
Project
Project
Date:
1910-1912
1910-1912
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Personnes et institutions:
Date:
1969-1970
1969-1970
Titre:
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Niveau de description archivistique:
Project
Project
Date:
1969-1970
1969-1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Niveau de description archivistique:
Project
Project
Date:
1990-1993
1990-1993
Personnes et institutions:
Classification:
maquettes
maquettes
Numéro de référence:
ARCH279523
ARCH279523
Personnes et institutions:
Date:
ca. 1977
ca. 1977
Classification:
maquettes
maquettes
Date:
ca. 1977
ca. 1977
Personnes et institutions:
