5888 Résultats
Classification:
événements
événements
Description:
Que faire pour appuyer les expériences autochtones de l’environnement bâti? Joignez-vous à l’architecte du paysage Naomi Ratte et à l’architecte Jason Surkan pour en apprendre plus sur les projets qu’ils élaborent en tant que premiers boursiers en design autochtone au CCA. Durant la semaine du 20 février, Naomi et Jason échangeront avec le personnel du CCA afin de créer(...)
Que faire pour appuyer les expériences autochtones de l’environnement bâti? Joignez-vous à l’architecte du paysage Naomi Ratte et à l’architecte Jason Surkan pour en apprendre plus sur les projets qu’ils élaborent en tant que premiers boursiers en design autochtone au CCA. Durant la semaine du 20 février, Naomi et Jason échangeront avec le personnel du CCA afin de créer(...)
Localisation:
Maison Shaughnessy et en ligne Mot(s)-clé(s):
Design mené par des Autochtones, boursier, Première Nation Peguis, réhabilitation des terres, habitat historique métis
Maison Shaughnessy et en ligne Mot(s)-clé(s):
Design mené par des Autochtones, boursier, Première Nation Peguis, réhabilitation des terres, habitat historique métis
Date:
23 février 2023, 18h à 19h30
23 février 2023, 18h à 19h30
Titre:
Design autochtone : méthodes, pratiques, communautés, expériences
Actions:
Description:
Que faire pour appuyer les expériences autochtones de l’environnement bâti? Joignez-vous à l’architecte du paysage Naomi Ratte et à l’architecte Jason Surkan pour en apprendre plus sur les projets qu’ils élaborent en tant que premiers boursiers en design autochtone au CCA. Durant la semaine du 20 février, Naomi et Jason échangeront avec le personnel du CCA afin de créer(...)
Design autochtone : méthodes, pratiques, communautés, expériences
Actions:
Description:
Que faire pour appuyer les expériences autochtones de l’environnement bâti? Joignez-vous à l’architecte du paysage Naomi Ratte et à l’architecte Jason Surkan pour en apprendre plus sur les projets qu’ils élaborent en tant que premiers boursiers en design autochtone au CCA. Durant la semaine du 20 février, Naomi et Jason échangeront avec le personnel du CCA afin de créer(...)
Classification:
événements
événements
Date:
23 février 2023
18h à 19h30
23 février 2023
18h à 19h30
Localisation:
Maison Shaughnessy et en ligne Mot(s)-clé(s):
Design mené par des Autochtones, boursier, Première Nation Peguis, réhabilitation des terres, habitat historique métis
Maison Shaughnessy et en ligne Mot(s)-clé(s):
Design mené par des Autochtones, boursier, Première Nation Peguis, réhabilitation des terres, habitat historique métis
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257126
Description:
Permanent Files: 270614 Ontario Limited Midtown Terrace, Cité des Terrase, Married Student Housing University of Victoria, Victoria Hotel. Institute for the Future Physical Development Plan, Dilwort Estates, Songhees Development, Theme Study, University Of Victoria Long Range plan, Monte Bre, Innes Harbour, Children's Centre of Arts and Science, pamphlet fro existing children's theatre, Office and Laboratory Building
ARCH257126
Description:
Permanent Files: 270614 Ontario Limited Midtown Terrace, Cité des Terrase, Married Student Housing University of Victoria, Victoria Hotel. Institute for the Future Physical Development Plan, Dilwort Estates, Songhees Development, Theme Study, University Of Victoria Long Range plan, Monte Bre, Innes Harbour, Children's Centre of Arts and Science, pamphlet fro existing children's theatre, Office and Laboratory Building
Personnes et institutions:
Date:
1969-1980
1969-1980
Titre:
Permanent files on various projects
Actions:
ARCH257126
Description:
Permanent Files: 270614 Ontario Limited Midtown Terrace, Cité des Terrase, Married Student Housing University of Victoria, Victoria Hotel. Institute for the Future Physical Development Plan, Dilwort Estates, Songhees Development, Theme Study, University Of Victoria Long Range plan, Monte Bre, Innes Harbour, Children's Centre of Arts and Science, pamphlet fro existing children's theatre, Office and Laboratory Building
Permanent files on various projects
Actions:
ARCH257126
Description:
Permanent Files: 270614 Ontario Limited Midtown Terrace, Cité des Terrase, Married Student Housing University of Victoria, Victoria Hotel. Institute for the Future Physical Development Plan, Dilwort Estates, Songhees Development, Theme Study, University Of Victoria Long Range plan, Monte Bre, Innes Harbour, Children's Centre of Arts and Science, pamphlet fro existing children's theatre, Office and Laboratory Building
Classification:
documents textuels
documents textuels
Date:
1969-1980
1969-1980
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
1992-2010
1992-2010
Titre:
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
1992-2010
1992-2010
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Personnes et institutions:
Date:
2001-2003
2001-2003
Titre:
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Niveau de description archivistique:
Project
Project
Date:
2001-2003
2001-2003
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273191
Description:
Award certificate. Reads: The World Technology Network / presents / THE WORLD TECHNOLOGY / AWARDS / In association with / The Economist / Chuck Hoberman / Creating the future / Changing the world / FINALIST / The 1999 World Technology Award / for / Design / & / FELLOW, The World Technology Network / Held at / The National Museum of Science & Industry, London / 12 November 1999 / [signed] James Clark / James P. Clark, Chairman / The World Technology Network.
ARCH273191
Description:
Award certificate. Reads: The World Technology Network / presents / THE WORLD TECHNOLOGY / AWARDS / In association with / The Economist / Chuck Hoberman / Creating the future / Changing the world / FINALIST / The 1999 World Technology Award / for / Design / & / FELLOW, The World Technology Network / Held at / The National Museum of Science & Industry, London / 12 November 1999 / [signed] James Clark / James P. Clark, Chairman / The World Technology Network.
Personnes et institutions:
Date:
12 November 1999
12 November 1999
Titre:
Award certificate
Actions:
ARCH273191
Description:
Award certificate. Reads: The World Technology Network / presents / THE WORLD TECHNOLOGY / AWARDS / In association with / The Economist / Chuck Hoberman / Creating the future / Changing the world / FINALIST / The 1999 World Technology Award / for / Design / & / FELLOW, The World Technology Network / Held at / The National Museum of Science & Industry, London / 12 November 1999 / [signed] James Clark / James P. Clark, Chairman / The World Technology Network.
Award certificate
Actions:
ARCH273191
Description:
Award certificate. Reads: The World Technology Network / presents / THE WORLD TECHNOLOGY / AWARDS / In association with / The Economist / Chuck Hoberman / Creating the future / Changing the world / FINALIST / The 1999 World Technology Award / for / Design / & / FELLOW, The World Technology Network / Held at / The National Museum of Science & Industry, London / 12 November 1999 / [signed] James Clark / James P. Clark, Chairman / The World Technology Network.
Classification:
documents textuels
documents textuels
Date:
12 November 1999
12 November 1999
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
DR2004:0336
Description:
photographs, exhibition leaflets, brochures, correspondence, clippings, notes, loan agreements with the Hayward Gallery, Louisiana Museum and Nykytaiteen museo, sketches, drawings, proposal for the "Food of the Future" exhibition, letter and proposal documents related to the South Bank development, transcripts of an interview between Price and Hans-Ulrich Obrist, negative, postcard, issue 5-99 of Kiasma magazine, and receipts from the Helsinki visit
DR2004:0336
Description:
photographs, exhibition leaflets, brochures, correspondence, clippings, notes, loan agreements with the Hayward Gallery, Louisiana Museum and Nykytaiteen museo, sketches, drawings, proposal for the "Food of the Future" exhibition, letter and proposal documents related to the South Bank development, transcripts of an interview between Price and Hans-Ulrich Obrist, negative, postcard, issue 5-99 of Kiasma magazine, and receipts from the Helsinki visit
Personnes et institutions:
Titre:
Photographs, exhibition leaflets, brochures, correspondence
Actions:
DR2004:0336
Description:
photographs, exhibition leaflets, brochures, correspondence, clippings, notes, loan agreements with the Hayward Gallery, Louisiana Museum and Nykytaiteen museo, sketches, drawings, proposal for the "Food of the Future" exhibition, letter and proposal documents related to the South Bank development, transcripts of an interview between Price and Hans-Ulrich Obrist, negative, postcard, issue 5-99 of Kiasma magazine, and receipts from the Helsinki visit
Photographs, exhibition leaflets, brochures, correspondence
Actions:
DR2004:0336
Description:
photographs, exhibition leaflets, brochures, correspondence, clippings, notes, loan agreements with the Hayward Gallery, Louisiana Museum and Nykytaiteen museo, sketches, drawings, proposal for the "Food of the Future" exhibition, letter and proposal documents related to the South Bank development, transcripts of an interview between Price and Hans-Ulrich Obrist, negative, postcard, issue 5-99 of Kiasma magazine, and receipts from the Helsinki visit
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Melmark
Melmark
Numéro de référence:
AP144.S2.D105
Description:
File documents a competition entry for a landmark to be located in the city centre of Melbourne, Australia. Price's project for a multi-use structure combined the idea of a "city-farm" with public access routes for harvesting, marketing, and purchasing produce. "[F]our multi-floored hydroponic farms" covered with faceted triangulated space frames rise from an expansive open deck structure which covered most of the site. Artificial lights and additional water collection and supply was integrated within the triangulated space frames. Conceptual sketches in pen and coloured pencil show the initial design. A presentation panel which is composed of text and drawings pasted onto a base sheet indicates the existing site conditions in plan, the open deck platform grids, the triangulated space frames, various views of the proposed landmark design, and future design developments. Material in this file was produced in 1979. File contains conceptual drawings and presentation panels.
AP144.S2.D105
Description:
File documents a competition entry for a landmark to be located in the city centre of Melbourne, Australia. Price's project for a multi-use structure combined the idea of a "city-farm" with public access routes for harvesting, marketing, and purchasing produce. "[F]our multi-floored hydroponic farms" covered with faceted triangulated space frames rise from an expansive open deck structure which covered most of the site. Artificial lights and additional water collection and supply was integrated within the triangulated space frames. Conceptual sketches in pen and coloured pencil show the initial design. A presentation panel which is composed of text and drawings pasted onto a base sheet indicates the existing site conditions in plan, the open deck platform grids, the triangulated space frames, various views of the proposed landmark design, and future design developments. Material in this file was produced in 1979. File contains conceptual drawings and presentation panels.
Personnes et institutions:
Date:
1979
1979
Titre:
Melmark
Actions:
AP144.S2.D105
Description:
File documents a competition entry for a landmark to be located in the city centre of Melbourne, Australia. Price's project for a multi-use structure combined the idea of a "city-farm" with public access routes for harvesting, marketing, and purchasing produce. "[F]our multi-floored hydroponic farms" covered with faceted triangulated space frames rise from an expansive open deck structure which covered most of the site. Artificial lights and additional water collection and supply was integrated within the triangulated space frames. Conceptual sketches in pen and coloured pencil show the initial design. A presentation panel which is composed of text and drawings pasted onto a base sheet indicates the existing site conditions in plan, the open deck platform grids, the triangulated space frames, various views of the proposed landmark design, and future design developments. Material in this file was produced in 1979. File contains conceptual drawings and presentation panels.
Melmark
Actions:
AP144.S2.D105
Description:
File documents a competition entry for a landmark to be located in the city centre of Melbourne, Australia. Price's project for a multi-use structure combined the idea of a "city-farm" with public access routes for harvesting, marketing, and purchasing produce. "[F]our multi-floored hydroponic farms" covered with faceted triangulated space frames rise from an expansive open deck structure which covered most of the site. Artificial lights and additional water collection and supply was integrated within the triangulated space frames. Conceptual sketches in pen and coloured pencil show the initial design. A presentation panel which is composed of text and drawings pasted onto a base sheet indicates the existing site conditions in plan, the open deck platform grids, the triangulated space frames, various views of the proposed landmark design, and future design developments. Material in this file was produced in 1979. File contains conceptual drawings and presentation panels.
Niveau de description archivistique:
File 105
File 105
Date:
1979
1979
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1994.PR06
Description:
This project series documents a prototype bank branch for Canada Trust in Bowmanville, Ontario from 1994-1995. The office identified the project number as 9413. This project consisted of the design of several types of bank branches including free-standing buildings, drive-thru branches and the electronic branches of the future. The goal was to create brand recognition through consistent design features and to adapt to the accessibility needs of the bank's clientele. The primary site was at the corner of Liberty and King Streets in Bowmanville, but the architects examined how the initial concept could be altered for different local environments. Graphics, furniture, banking accessories, and ABM façades were also designed. The project is recorded through a model, drawings and some accompanying notes dating from 1994-1995. The drawings include site surveys, sketches, presentation drawings, plans, elevations, sections, perspectives and details. Some drawings for furnishings and signage are also included.
AP056.S1.1994.PR06
Description:
This project series documents a prototype bank branch for Canada Trust in Bowmanville, Ontario from 1994-1995. The office identified the project number as 9413. This project consisted of the design of several types of bank branches including free-standing buildings, drive-thru branches and the electronic branches of the future. The goal was to create brand recognition through consistent design features and to adapt to the accessibility needs of the bank's clientele. The primary site was at the corner of Liberty and King Streets in Bowmanville, but the architects examined how the initial concept could be altered for different local environments. Graphics, furniture, banking accessories, and ABM façades were also designed. The project is recorded through a model, drawings and some accompanying notes dating from 1994-1995. The drawings include site surveys, sketches, presentation drawings, plans, elevations, sections, perspectives and details. Some drawings for furnishings and signage are also included.
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Canada Trust Prototype Branch, Bowmanville, Ontario (1994-1995)
Actions:
AP056.S1.1994.PR06
Description:
This project series documents a prototype bank branch for Canada Trust in Bowmanville, Ontario from 1994-1995. The office identified the project number as 9413. This project consisted of the design of several types of bank branches including free-standing buildings, drive-thru branches and the electronic branches of the future. The goal was to create brand recognition through consistent design features and to adapt to the accessibility needs of the bank's clientele. The primary site was at the corner of Liberty and King Streets in Bowmanville, but the architects examined how the initial concept could be altered for different local environments. Graphics, furniture, banking accessories, and ABM façades were also designed. The project is recorded through a model, drawings and some accompanying notes dating from 1994-1995. The drawings include site surveys, sketches, presentation drawings, plans, elevations, sections, perspectives and details. Some drawings for furnishings and signage are also included.
Canada Trust Prototype Branch, Bowmanville, Ontario (1994-1995)
Actions:
AP056.S1.1994.PR06
Description:
This project series documents a prototype bank branch for Canada Trust in Bowmanville, Ontario from 1994-1995. The office identified the project number as 9413. This project consisted of the design of several types of bank branches including free-standing buildings, drive-thru branches and the electronic branches of the future. The goal was to create brand recognition through consistent design features and to adapt to the accessibility needs of the bank's clientele. The primary site was at the corner of Liberty and King Streets in Bowmanville, but the architects examined how the initial concept could be altered for different local environments. Graphics, furniture, banking accessories, and ABM façades were also designed. The project is recorded through a model, drawings and some accompanying notes dating from 1994-1995. The drawings include site surveys, sketches, presentation drawings, plans, elevations, sections, perspectives and details. Some drawings for furnishings and signage are also included.
Niveau de description archivistique:
Project
Project
Date:
1994-1995
1994-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Personnes et institutions:
Date:
1937-1942
1937-1942
Titre:
Head Office of the Bataafsche Import Maatschappij (Shell Building), The Hague, Netherlands (1937-1942)
Actions:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Head Office of the Bataafsche Import Maatschappij (Shell Building), The Hague, Netherlands (1937-1942)
Actions:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Niveau de description archivistique:
project
project
Date:
1937-1942
1937-1942
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
Personnes et institutions:
Date:
1988, 1995
1988, 1995
Titre:
The Stratford Festival Theatre, Phase I, Stratford, Ontario (1988)
Actions:
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
The Stratford Festival Theatre, Phase I, Stratford, Ontario (1988)
Actions:
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
Niveau de description archivistique:
Project
Project
Date:
1988, 1995
1988, 1995
Personnes et institutions:
