56712 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:004:005
PHCON2002:0016:004:005
Personnes et institutions:
Date:
23 January 1976
23 January 1976
Classification:
documents textuels
documents textuels
Date:
23 January 1976
23 January 1976
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:003:017
Description:
Letter includes a list of Anarchitecture artists.
PHCON2002:0016:003:017
Description:
Letter includes a list of Anarchitecture artists.
Personnes et institutions:
Date:
21 January 1975
21 January 1975
Titre:
Letter from Gordon Matta-Clark to Robert Lendenfrost
Actions:
PHCON2002:0016:003:017
Description:
Letter includes a list of Anarchitecture artists.
Letter from Gordon Matta-Clark to Robert Lendenfrost
Actions:
PHCON2002:0016:003:017
Description:
Letter includes a list of Anarchitecture artists.
Classification:
documents textuels
documents textuels
Date:
21 January 1975
21 January 1975
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:003:137
PHCON2002:0016:003:137
Personnes et institutions:
Date:
1 October 1975
1 October 1975
Classification:
documents textuels
documents textuels
Date:
1 October 1975
1 October 1975
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
AP142.S2.D3.P1
Description:
sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair; includes material relating to the Salon International des Musées et des Expositions, 1990
AP142.S2.D3.P1
Description:
sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair; includes material relating to the Salon International des Musées et des Expositions, 1990
Personnes et institutions:
Titre:
Sketches, drawings, correspondence, specifications
Actions:
AP142.S2.D3.P1
Description:
sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair; includes material relating to the Salon International des Musées et des Expositions, 1990
Sketches, drawings, correspondence, specifications
Actions:
AP142.S2.D3.P1
Description:
sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair; includes material relating to the Salon International des Musées et des Expositions, 1990
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1971.PR05
Description:
The project series documents the performance "Falsa Curva D'Autostrada", also know in English as Fake Expressway Bend. The performance was undertaken with a group of Pettena's students from the Minneapolis College of Art and Design in Minneapolis, in 1971. It consisted of hanging a large tarp from the overpass of an expressway under construction. The tarp extended to the road underneath and was used to create a fake bend in the overpass. The performance was targeting "the excess of uniformity in urban design" by reimagining the linearity of the overpass into a fake curve. The project series contains two photographs of the fake expressway bend, two sketches for the installation, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-intens-1971-1/ (last accessed 4 November 2019)
AP207.S1.1971.PR05
Description:
The project series documents the performance "Falsa Curva D'Autostrada", also know in English as Fake Expressway Bend. The performance was undertaken with a group of Pettena's students from the Minneapolis College of Art and Design in Minneapolis, in 1971. It consisted of hanging a large tarp from the overpass of an expressway under construction. The tarp extended to the road underneath and was used to create a fake bend in the overpass. The performance was targeting "the excess of uniformity in urban design" by reimagining the linearity of the overpass into a fake curve. The project series contains two photographs of the fake expressway bend, two sketches for the installation, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-intens-1971-1/ (last accessed 4 November 2019)
Personnes et institutions:
Date:
circa 1971-2015
circa 1971-2015
Titre:
Falsa Curva D'Autostrada [Fake Expressway Bend] (1971)
Actions:
AP207.S1.1971.PR05
Description:
The project series documents the performance "Falsa Curva D'Autostrada", also know in English as Fake Expressway Bend. The performance was undertaken with a group of Pettena's students from the Minneapolis College of Art and Design in Minneapolis, in 1971. It consisted of hanging a large tarp from the overpass of an expressway under construction. The tarp extended to the road underneath and was used to create a fake bend in the overpass. The performance was targeting "the excess of uniformity in urban design" by reimagining the linearity of the overpass into a fake curve. The project series contains two photographs of the fake expressway bend, two sketches for the installation, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-intens-1971-1/ (last accessed 4 November 2019)
Falsa Curva D'Autostrada [Fake Expressway Bend] (1971)
Actions:
AP207.S1.1971.PR05
Description:
The project series documents the performance "Falsa Curva D'Autostrada", also know in English as Fake Expressway Bend. The performance was undertaken with a group of Pettena's students from the Minneapolis College of Art and Design in Minneapolis, in 1971. It consisted of hanging a large tarp from the overpass of an expressway under construction. The tarp extended to the road underneath and was used to create a fake bend in the overpass. The performance was targeting "the excess of uniformity in urban design" by reimagining the linearity of the overpass into a fake curve. The project series contains two photographs of the fake expressway bend, two sketches for the installation, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-intens-1971-1/ (last accessed 4 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1971-2015
circa 1971-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP140.S2.SS1.D60.SD2
Description:
Sub-file documents unexecuted projects for the Tate Gallery New Museums, in London, England. These additions to the Tate Gallery (now Tate Britain) were planned in several phases, to be constructed as funding was made available. The proposals included the Museum of Modern Sculpture, the Museum of New Art and a Study Centre to be erected on the Queen Alexandra Military Hospital site, situated to the east of the main Tate Gallery building. A Children's Museum was also planned. The New Museums projects were called off in 1987. Material in this Sub-file was produced between 1979 and 1988. Sub-file contains measured and reference drawings, several conceptual and design development drawings as well as presentation drawings. Photographic materials include views of drawings and of a presentation model by Kandor Modelmakers. Sub-file also contains textual records.
AP140.S2.SS1.D60.SD2
Description:
Sub-file documents unexecuted projects for the Tate Gallery New Museums, in London, England. These additions to the Tate Gallery (now Tate Britain) were planned in several phases, to be constructed as funding was made available. The proposals included the Museum of Modern Sculpture, the Museum of New Art and a Study Centre to be erected on the Queen Alexandra Military Hospital site, situated to the east of the main Tate Gallery building. A Children's Museum was also planned. The New Museums projects were called off in 1987. Material in this Sub-file was produced between 1979 and 1988. Sub-file contains measured and reference drawings, several conceptual and design development drawings as well as presentation drawings. Photographic materials include views of drawings and of a presentation model by Kandor Modelmakers. Sub-file also contains textual records.
Personnes et institutions:
Date:
1979-1988, predominant 1983-1988
1979-1988, predominant 1983-1988
Titre:
Tate Gallery New Museums, London, England, United Kingdom
Actions:
AP140.S2.SS1.D60.SD2
Description:
Sub-file documents unexecuted projects for the Tate Gallery New Museums, in London, England. These additions to the Tate Gallery (now Tate Britain) were planned in several phases, to be constructed as funding was made available. The proposals included the Museum of Modern Sculpture, the Museum of New Art and a Study Centre to be erected on the Queen Alexandra Military Hospital site, situated to the east of the main Tate Gallery building. A Children's Museum was also planned. The New Museums projects were called off in 1987. Material in this Sub-file was produced between 1979 and 1988. Sub-file contains measured and reference drawings, several conceptual and design development drawings as well as presentation drawings. Photographic materials include views of drawings and of a presentation model by Kandor Modelmakers. Sub-file also contains textual records.
Tate Gallery New Museums, London, England, United Kingdom
Actions:
AP140.S2.SS1.D60.SD2
Description:
Sub-file documents unexecuted projects for the Tate Gallery New Museums, in London, England. These additions to the Tate Gallery (now Tate Britain) were planned in several phases, to be constructed as funding was made available. The proposals included the Museum of Modern Sculpture, the Museum of New Art and a Study Centre to be erected on the Queen Alexandra Military Hospital site, situated to the east of the main Tate Gallery building. A Children's Museum was also planned. The New Museums projects were called off in 1987. Material in this Sub-file was produced between 1979 and 1988. Sub-file contains measured and reference drawings, several conceptual and design development drawings as well as presentation drawings. Photographic materials include views of drawings and of a presentation model by Kandor Modelmakers. Sub-file also contains textual records.
Niveau de description archivistique:
Sub-File 2
Sub-File 2
Date:
1979-1988, predominant 1983-1988
1979-1988, predominant 1983-1988
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
Personnes et institutions:
Date:
circa 1966-1982
circa 1966-1982
Titre:
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
Classification:
documents textuels
documents textuels
Date:
circa 1966-1982
circa 1966-1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Gallery, Duke St.
Gallery, Duke St.
Numéro de référence:
AP144.S2.D38
Description:
File documents an executed project for the Robert Fraser Gallery, in London, England. The renovation converted smaller office spaces into an art gallery, office space and viewing area, and added basement storage. Drawings include reflected ceiling plans, details for window display units, furniture, and custom design lighting fixtures. One detail section for the proposed lighting shows a metal space frame which incorporates adjustable spot lighting and plastic egg crate shaped diffusers with fluorescent tube lighting. Final custom lighting fixtures were composed of aluminum brackets and lighting channels. A continuous picture rail channel was positioned above the aluminum bracket, forming a visually unified multi-use fixture. Material in this file was produced between 1961 and 1966. File contains design development drawings, working drawings, photographic material, and textual records.
AP144.S2.D38
Description:
File documents an executed project for the Robert Fraser Gallery, in London, England. The renovation converted smaller office spaces into an art gallery, office space and viewing area, and added basement storage. Drawings include reflected ceiling plans, details for window display units, furniture, and custom design lighting fixtures. One detail section for the proposed lighting shows a metal space frame which incorporates adjustable spot lighting and plastic egg crate shaped diffusers with fluorescent tube lighting. Final custom lighting fixtures were composed of aluminum brackets and lighting channels. A continuous picture rail channel was positioned above the aluminum bracket, forming a visually unified multi-use fixture. Material in this file was produced between 1961 and 1966. File contains design development drawings, working drawings, photographic material, and textual records.
Personnes et institutions:
Date:
1961-1966
1961-1966
Titre:
Gallery, Duke St.
Actions:
AP144.S2.D38
Description:
File documents an executed project for the Robert Fraser Gallery, in London, England. The renovation converted smaller office spaces into an art gallery, office space and viewing area, and added basement storage. Drawings include reflected ceiling plans, details for window display units, furniture, and custom design lighting fixtures. One detail section for the proposed lighting shows a metal space frame which incorporates adjustable spot lighting and plastic egg crate shaped diffusers with fluorescent tube lighting. Final custom lighting fixtures were composed of aluminum brackets and lighting channels. A continuous picture rail channel was positioned above the aluminum bracket, forming a visually unified multi-use fixture. Material in this file was produced between 1961 and 1966. File contains design development drawings, working drawings, photographic material, and textual records.
Gallery, Duke St.
Actions:
AP144.S2.D38
Description:
File documents an executed project for the Robert Fraser Gallery, in London, England. The renovation converted smaller office spaces into an art gallery, office space and viewing area, and added basement storage. Drawings include reflected ceiling plans, details for window display units, furniture, and custom design lighting fixtures. One detail section for the proposed lighting shows a metal space frame which incorporates adjustable spot lighting and plastic egg crate shaped diffusers with fluorescent tube lighting. Final custom lighting fixtures were composed of aluminum brackets and lighting channels. A continuous picture rail channel was positioned above the aluminum bracket, forming a visually unified multi-use fixture. Material in this file was produced between 1961 and 1966. File contains design development drawings, working drawings, photographic material, and textual records.
Niveau de description archivistique:
File 38
File 38
Date:
1961-1966
1961-1966
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1989.002
Description:
This sketchbook includes notes and sketches about the reconstruction of Chiado and projects from the IBA in Berlin, Germany. It also contains sketches of Library of the University of Aveiro in Portugal, the Galician Centre of Contemporary Art of Santiago de Compostela in Spain, as well as notes of meeting and draft letter.
AP178.S2.1989.002
Description:
This sketchbook includes notes and sketches about the reconstruction of Chiado and projects from the IBA in Berlin, Germany. It also contains sketches of Library of the University of Aveiro in Portugal, the Galician Centre of Contemporary Art of Santiago de Compostela in Spain, as well as notes of meeting and draft letter.
Personnes et institutions:
Date:
March 1989
March 1989
Titre:
Sketchbook 284: Chiado - Alcoy - Santiago
Actions:
AP178.S2.1989.002
Description:
This sketchbook includes notes and sketches about the reconstruction of Chiado and projects from the IBA in Berlin, Germany. It also contains sketches of Library of the University of Aveiro in Portugal, the Galician Centre of Contemporary Art of Santiago de Compostela in Spain, as well as notes of meeting and draft letter.
Sketchbook 284: Chiado - Alcoy - Santiago
Actions:
AP178.S2.1989.002
Description:
This sketchbook includes notes and sketches about the reconstruction of Chiado and projects from the IBA in Berlin, Germany. It also contains sketches of Library of the University of Aveiro in Portugal, the Galician Centre of Contemporary Art of Santiago de Compostela in Spain, as well as notes of meeting and draft letter.
Classification:
dessins
dessins
Date:
March 1989
March 1989
Personnes et institutions:
