57033 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2017.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the design of the garden courtyard of the National Gallery of Canada in Ottawa, Ontario. Oberlander worked on this project from 2016-2017 with Enns Gauthier Landscape Architects. The design consists in creating a reference to canadian landscape as the courtyard is located in the middle of the Canadian art gallery. The landscape comprises a raised topography composed of three moss and fern mounds with stacked escarpment stone wall referencing to the geology of the Canadian Shield and separating the mounds from a stone laid surface imitating a river bed. The courtyard also includes a patio space. The garden court was later known as the Fred & Elizabeth Fountain Garden Court and was unveiled in March 2018. The project series contains sketches of grading and planting, perspective views and layout plans, correspondence with clients and final concept plans.
AP075.S1.2017.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the design of the garden courtyard of the National Gallery of Canada in Ottawa, Ontario. Oberlander worked on this project from 2016-2017 with Enns Gauthier Landscape Architects. The design consists in creating a reference to canadian landscape as the courtyard is located in the middle of the Canadian art gallery. The landscape comprises a raised topography composed of three moss and fern mounds with stacked escarpment stone wall referencing to the geology of the Canadian Shield and separating the mounds from a stone laid surface imitating a river bed. The courtyard also includes a patio space. The garden court was later known as the Fred & Elizabeth Fountain Garden Court and was unveiled in March 2018. The project series contains sketches of grading and planting, perspective views and layout plans, correspondence with clients and final concept plans.
Personnes et institutions:
Date:
2016-2018
2016-2018
Titre:
National Gallery of Canada Garden Court, Ottawa, Ontario (2017)
Actions:
AP075.S1.2017.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the design of the garden courtyard of the National Gallery of Canada in Ottawa, Ontario. Oberlander worked on this project from 2016-2017 with Enns Gauthier Landscape Architects. The design consists in creating a reference to canadian landscape as the courtyard is located in the middle of the Canadian art gallery. The landscape comprises a raised topography composed of three moss and fern mounds with stacked escarpment stone wall referencing to the geology of the Canadian Shield and separating the mounds from a stone laid surface imitating a river bed. The courtyard also includes a patio space. The garden court was later known as the Fred & Elizabeth Fountain Garden Court and was unveiled in March 2018. The project series contains sketches of grading and planting, perspective views and layout plans, correspondence with clients and final concept plans.
National Gallery of Canada Garden Court, Ottawa, Ontario (2017)
Actions:
AP075.S1.2017.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the design of the garden courtyard of the National Gallery of Canada in Ottawa, Ontario. Oberlander worked on this project from 2016-2017 with Enns Gauthier Landscape Architects. The design consists in creating a reference to canadian landscape as the courtyard is located in the middle of the Canadian art gallery. The landscape comprises a raised topography composed of three moss and fern mounds with stacked escarpment stone wall referencing to the geology of the Canadian Shield and separating the mounds from a stone laid surface imitating a river bed. The courtyard also includes a patio space. The garden court was later known as the Fred & Elizabeth Fountain Garden Court and was unveiled in March 2018. The project series contains sketches of grading and planting, perspective views and layout plans, correspondence with clients and final concept plans.
Niveau de description archivistique:
Project
Project
Date:
2016-2018
2016-2018
Personnes et institutions:
Classification:
expositions
expositions
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Localisation:
Salles principales
Salles principales
Date:
10 juin 1992 au 2 août 1992
10 juin 1992 au 2 août 1992
Titre:
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Classification:
expositions
expositions
Date:
10 juin 1992 au
2 août 1992
10 juin 1992 au
2 août 1992
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD046.S1
Description:
The five diverse pamphlets and publications primarily document certain architecturally-related events during Vancouver's explosive growth through the 1950s. Included are a fund-raising campaign brochure for the expansion of the Vancouver Art Gallery, 1949-1951, and an invitation to the inauguration of the Frederick Lasserre Architecture and Fine Arts Building at the University of British Columbia (UBC). The building was constructed by architects Thompson, Berwick, Pratt in 1957-1958, but officially opened in 1962 after the death of Lasserre (1911-1961), UBC's first director of the school of architecture. The series also includes "Project '58", a relatively rare privately-printed pamphlet given to Rhodri Windsor-Liscombe by architect Geoffrey Massey. Written by Wells Coates, with Massey, Arthur Erickson, Peter Oberlander, and E.J. Watkins, the illustrated proposal recommended the creation of a local urban-design centre in 1958 to forestall the rise of private development through the implimentation of a master plan strategy for Vancouver. Material in this series was produced between 1946 and 1962. Series contains a pamphlet, invitation brochures and publications.
CD046.S1
Description:
The five diverse pamphlets and publications primarily document certain architecturally-related events during Vancouver's explosive growth through the 1950s. Included are a fund-raising campaign brochure for the expansion of the Vancouver Art Gallery, 1949-1951, and an invitation to the inauguration of the Frederick Lasserre Architecture and Fine Arts Building at the University of British Columbia (UBC). The building was constructed by architects Thompson, Berwick, Pratt in 1957-1958, but officially opened in 1962 after the death of Lasserre (1911-1961), UBC's first director of the school of architecture. The series also includes "Project '58", a relatively rare privately-printed pamphlet given to Rhodri Windsor-Liscombe by architect Geoffrey Massey. Written by Wells Coates, with Massey, Arthur Erickson, Peter Oberlander, and E.J. Watkins, the illustrated proposal recommended the creation of a local urban-design centre in 1958 to forestall the rise of private development through the implimentation of a master plan strategy for Vancouver. Material in this series was produced between 1946 and 1962. Series contains a pamphlet, invitation brochures and publications.
Personnes et institutions:
Date:
1946-1962
1946-1962
Titre:
Civic and Cultural Publications
Actions:
CD046.S1
Description:
The five diverse pamphlets and publications primarily document certain architecturally-related events during Vancouver's explosive growth through the 1950s. Included are a fund-raising campaign brochure for the expansion of the Vancouver Art Gallery, 1949-1951, and an invitation to the inauguration of the Frederick Lasserre Architecture and Fine Arts Building at the University of British Columbia (UBC). The building was constructed by architects Thompson, Berwick, Pratt in 1957-1958, but officially opened in 1962 after the death of Lasserre (1911-1961), UBC's first director of the school of architecture. The series also includes "Project '58", a relatively rare privately-printed pamphlet given to Rhodri Windsor-Liscombe by architect Geoffrey Massey. Written by Wells Coates, with Massey, Arthur Erickson, Peter Oberlander, and E.J. Watkins, the illustrated proposal recommended the creation of a local urban-design centre in 1958 to forestall the rise of private development through the implimentation of a master plan strategy for Vancouver. Material in this series was produced between 1946 and 1962. Series contains a pamphlet, invitation brochures and publications.
Civic and Cultural Publications
Actions:
CD046.S1
Description:
The five diverse pamphlets and publications primarily document certain architecturally-related events during Vancouver's explosive growth through the 1950s. Included are a fund-raising campaign brochure for the expansion of the Vancouver Art Gallery, 1949-1951, and an invitation to the inauguration of the Frederick Lasserre Architecture and Fine Arts Building at the University of British Columbia (UBC). The building was constructed by architects Thompson, Berwick, Pratt in 1957-1958, but officially opened in 1962 after the death of Lasserre (1911-1961), UBC's first director of the school of architecture. The series also includes "Project '58", a relatively rare privately-printed pamphlet given to Rhodri Windsor-Liscombe by architect Geoffrey Massey. Written by Wells Coates, with Massey, Arthur Erickson, Peter Oberlander, and E.J. Watkins, the illustrated proposal recommended the creation of a local urban-design centre in 1958 to forestall the rise of private development through the implimentation of a master plan strategy for Vancouver. Material in this series was produced between 1946 and 1962. Series contains a pamphlet, invitation brochures and publications.
Niveau de description archivistique:
Series
Series
Date:
1946-1962
1946-1962
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:006:043
PHCON2002:0016:006:043
Personnes et institutions:
Date:
18 April 1978
18 April 1978
Classification:
documents textuels
documents textuels
Date:
18 April 1978
18 April 1978
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
circa 1998
circa 1998
Titre:
Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi (1998)
Actions:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi (1998)
Actions:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1998
circa 1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Tumbleweeds Catcher (1972)
Tumbleweeds Catcher (1972)
Numéro de référence:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Personnes et institutions:
Date:
circa 1972-2017
circa 1972-2017
Titre:
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2017
circa 1972-2017
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1991.003
Description:
This sketchbook includes sketches for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the Santa Maria church and parish centre in Marco de Canavezes, the Museum of Contemporary Art of the Serralves Foundation in Porto, and for the Olympic Village Meteorological Centre and MOPU delegation headquarters in Barcelona, Spain. 21 x 30 cm
AP178.S2.1991.003
Description:
This sketchbook includes sketches for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the Santa Maria church and parish centre in Marco de Canavezes, the Museum of Contemporary Art of the Serralves Foundation in Porto, and for the Olympic Village Meteorological Centre and MOPU delegation headquarters in Barcelona, Spain. 21 x 30 cm
Personnes et institutions:
Date:
April 1991
April 1991
Titre:
Sketchbook 316: Barcelona - Setubal ( Erco ) - Serralves
Actions:
AP178.S2.1991.003
Description:
This sketchbook includes sketches for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the Santa Maria church and parish centre in Marco de Canavezes, the Museum of Contemporary Art of the Serralves Foundation in Porto, and for the Olympic Village Meteorological Centre and MOPU delegation headquarters in Barcelona, Spain. 21 x 30 cm
Sketchbook 316: Barcelona - Setubal ( Erco ) - Serralves
Actions:
AP178.S2.1991.003
Description:
This sketchbook includes sketches for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the Santa Maria church and parish centre in Marco de Canavezes, the Museum of Contemporary Art of the Serralves Foundation in Porto, and for the Olympic Village Meteorological Centre and MOPU delegation headquarters in Barcelona, Spain. 21 x 30 cm
Classification:
dessins
dessins
Date:
April 1991
April 1991
Personnes et institutions:
Classification:
événements
événements
Date:
5 avril 2018
5 avril 2018
Classification:
événements
événements
Date:
5 avril 2018
5 avril 2018
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
Personnes et institutions:
Date:
1985-1997
1985-1997
Titre:
Published and unpublished papers (folder 3 of 4)
Actions:
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
Published and unpublished papers (folder 3 of 4)
Actions:
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
Classification:
documents textuels
documents textuels
Date:
1985-1997
1985-1997
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1993.001
Description:
This sketchbook contains sketches and notes of the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, the Vitra International factory in Weil am Rhein, Germany, the urban plan for São João in Costa da Caparica, Portugal, and the urban plan for city centre of Montreuil in France. It also includes sketches of people and furniture.
AP178.S2.1993.001
Description:
This sketchbook contains sketches and notes of the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, the Vitra International factory in Weil am Rhein, Germany, the urban plan for São João in Costa da Caparica, Portugal, and the urban plan for city centre of Montreuil in France. It also includes sketches of people and furniture.
Personnes et institutions:
Date:
January 1993
January 1993
Titre:
Sketchbook 341: Escritorio Filandia - Setubal - Chiado - Caparica - Metro - Santiago - Vitra
Actions:
AP178.S2.1993.001
Description:
This sketchbook contains sketches and notes of the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, the Vitra International factory in Weil am Rhein, Germany, the urban plan for São João in Costa da Caparica, Portugal, and the urban plan for city centre of Montreuil in France. It also includes sketches of people and furniture.
Sketchbook 341: Escritorio Filandia - Setubal - Chiado - Caparica - Metro - Santiago - Vitra
Actions:
AP178.S2.1993.001
Description:
This sketchbook contains sketches and notes of the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, the Vitra International factory in Weil am Rhein, Germany, the urban plan for São João in Costa da Caparica, Portugal, and the urban plan for city centre of Montreuil in France. It also includes sketches of people and furniture.
Classification:
dessins
dessins
Date:
January 1993
January 1993
Personnes et institutions:
