13024 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273817
Description:
File contains magazines with articles on projects, including an article on the garden of the Arthur Erickson House, Vancouver, B.C. in Western Homes and Living (July 1965); Vancouver's Government Complex, Architectural Record (December 1980), Pudget Sound House in House and Garden (January 1985). Also includes promotional material for Arthur Erickson Architects and a photocopy of an annotated version of Arthur Erickson's profile in the New Yorker (4 June 1979).
ARCH273817
Description:
File contains magazines with articles on projects, including an article on the garden of the Arthur Erickson House, Vancouver, B.C. in Western Homes and Living (July 1965); Vancouver's Government Complex, Architectural Record (December 1980), Pudget Sound House in House and Garden (January 1985). Also includes promotional material for Arthur Erickson Architects and a photocopy of an annotated version of Arthur Erickson's profile in the New Yorker (4 June 1979).
Personnes et institutions:
Titre:
Press material on Arthur Erickson
Actions:
ARCH273817
Description:
File contains magazines with articles on projects, including an article on the garden of the Arthur Erickson House, Vancouver, B.C. in Western Homes and Living (July 1965); Vancouver's Government Complex, Architectural Record (December 1980), Pudget Sound House in House and Garden (January 1985). Also includes promotional material for Arthur Erickson Architects and a photocopy of an annotated version of Arthur Erickson's profile in the New Yorker (4 June 1979).
Press material on Arthur Erickson
Actions:
ARCH273817
Description:
File contains magazines with articles on projects, including an article on the garden of the Arthur Erickson House, Vancouver, B.C. in Western Homes and Living (July 1965); Vancouver's Government Complex, Architectural Record (December 1980), Pudget Sound House in House and Garden (January 1985). Also includes promotional material for Arthur Erickson Architects and a photocopy of an annotated version of Arthur Erickson's profile in the New Yorker (4 June 1979).
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
articles
articles
Titre:
L’intérieur sensoriel
L’intérieur sensoriel
Actions:
Une présentation de David Howes
Dossier:
Autres sens, autres espaces
Autres sens, autres espaces
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1982.003
Description:
This sketchbook includes sketches for the Avelino Duarte house in Ovar, Portugal. It also contain notes, sketches of people, a self portrait, and landscapes.
AP178.S2.1982.003
Description:
This sketchbook includes sketches for the Avelino Duarte house in Ovar, Portugal. It also contain notes, sketches of people, a self portrait, and landscapes.
Personnes et institutions:
Date:
March 1982
March 1982
Titre:
Sketchbook 108: Columbia
Actions:
AP178.S2.1982.003
Description:
This sketchbook includes sketches for the Avelino Duarte house in Ovar, Portugal. It also contain notes, sketches of people, a self portrait, and landscapes.
Sketchbook 108: Columbia
Actions:
AP178.S2.1982.003
Description:
This sketchbook includes sketches for the Avelino Duarte house in Ovar, Portugal. It also contain notes, sketches of people, a self portrait, and landscapes.
Classification:
dessins
dessins
Date:
March 1982
March 1982
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
À l’été 2026, le camp de jour du CCA propose aux jeunes de 7 à 10 ans une immersion dans l’univers de l’architecture, de l’environnement bâti et du design. Encadrés par l’équipe des programmes publics du CCA, les participants pourrons découvrir et sapproprier tous les espaces du CCA, du théâtre à la salle détudes, en passant par la maison Shaughnessy et le parc Baile. Ils(...)
À l’été 2026, le camp de jour du CCA propose aux jeunes de 7 à 10 ans une immersion dans l’univers de l’architecture, de l’environnement bâti et du design. Encadrés par l’équipe des programmes publics du CCA, les participants pourrons découvrir et sapproprier tous les espaces du CCA, du théâtre à la salle détudes, en passant par la maison Shaughnessy et le parc Baile. Ils(...)
Mot(s)-clé(s):
camp d'été
camp d'été
Date:
17 août 2026 au 21 août 2026
17 août 2026 au 21 août 2026
Titre:
Camp de jour été 2026
Actions:
Description:
À l’été 2026, le camp de jour du CCA propose aux jeunes de 7 à 10 ans une immersion dans l’univers de l’architecture, de l’environnement bâti et du design. Encadrés par l’équipe des programmes publics du CCA, les participants pourrons découvrir et sapproprier tous les espaces du CCA, du théâtre à la salle détudes, en passant par la maison Shaughnessy et le parc Baile. Ils(...)
Camp de jour été 2026
Actions:
Description:
À l’été 2026, le camp de jour du CCA propose aux jeunes de 7 à 10 ans une immersion dans l’univers de l’architecture, de l’environnement bâti et du design. Encadrés par l’équipe des programmes publics du CCA, les participants pourrons découvrir et sapproprier tous les espaces du CCA, du théâtre à la salle détudes, en passant par la maison Shaughnessy et le parc Baile. Ils(...)
Classification:
événements
événements
Date:
17 août 2026 au
21 août 2026
17 août 2026 au
21 août 2026
Mot(s)-clé(s):
camp d'été
camp d'été
Niveau de description archivistique:
Projet
Projet
Titre:
Une histoire
Une histoire
Numéro de référence:
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
Personnes et institutions:
Date:
1975-1978
1975-1978
Titre:
Une histoire
Actions:
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
Une histoire
Actions:
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
Niveau de description archivistique:
Project
Project
Date:
1975-1978
1975-1978
Personnes et institutions:
Classification:
dessins
Quantité:
26 design drawing(s)
dessins
Quantité:
26 design drawing(s)
Numéro de référence:
DR1998:0078:005:001-026
Description:
conceptual and design development drawings, including plans, elevations, sketches, details, and colour studies; some drawings are possibly for a model for Wall House 2
DR1998:0078:005:001-026
Description:
conceptual and design development drawings, including plans, elevations, sketches, details, and colour studies; some drawings are possibly for a model for Wall House 2
Personnes et institutions:
Titre:
Conceptual and design development drawings, including plans
Actions:
DR1998:0078:005:001-026
Description:
conceptual and design development drawings, including plans, elevations, sketches, details, and colour studies; some drawings are possibly for a model for Wall House 2
Conceptual and design development drawings, including plans
Actions:
DR1998:0078:005:001-026
Description:
conceptual and design development drawings, including plans, elevations, sketches, details, and colour studies; some drawings are possibly for a model for Wall House 2
Classification:
dessins
Quantité:
26 design drawing(s)
dessins
Quantité:
26 design drawing(s)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP111.S1.D1
Description:
Le dossier est constitué de photographies relatives au projet du 'McConnel Lake Dam'.
AP111.S1.D1
Description:
Le dossier est constitué de photographies relatives au projet du 'McConnel Lake Dam'.
Personnes et institutions:
Date:
1948-1950
1948-1950
Titre:
Barrage du lac McConnell sur la rivière des Outaouais aux Rapides des Joachims, Ontario
Actions:
AP111.S1.D1
Description:
Le dossier est constitué de photographies relatives au projet du 'McConnel Lake Dam'.
Barrage du lac McConnell sur la rivière des Outaouais aux Rapides des Joachims, Ontario
Actions:
AP111.S1.D1
Description:
Le dossier est constitué de photographies relatives au projet du 'McConnel Lake Dam'.
Niveau de description archivistique:
Dossier 1
Dossier 1
Date:
1948-1950
1948-1950
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1981.003
Description:
This sketchbook includes notes and sketches for the Avelino Duarte house in Ovar, Portugal and landscapes of Rome . It also contains notes for a presentation.
AP178.S2.1981.003
Description:
This sketchbook includes notes and sketches for the Avelino Duarte house in Ovar, Portugal and landscapes of Rome . It also contains notes for a presentation.
Personnes et institutions:
Date:
April 1981
April 1981
Titre:
Sketchbook 82: Roma - Veneza - Aviz - Picoto - Ovar
Actions:
AP178.S2.1981.003
Description:
This sketchbook includes notes and sketches for the Avelino Duarte house in Ovar, Portugal and landscapes of Rome . It also contains notes for a presentation.
Sketchbook 82: Roma - Veneza - Aviz - Picoto - Ovar
Actions:
AP178.S2.1981.003
Description:
This sketchbook includes notes and sketches for the Avelino Duarte house in Ovar, Portugal and landscapes of Rome . It also contains notes for a presentation.
Classification:
dessins
dessins
Date:
April 1981
April 1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Personnes et institutions:
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Titre:
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Niveau de description archivistique:
Project
Project
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP046.S1.1983.PR01.611
Description:
Original file title: "SHAUGHNESSY: SITE CONTEXT PHOTOS / Box 71". Contains photographs and negatives of the houses in the Shaughnessy House neighborhood, elevations plans, sketches, CCA floor plan of the 4th floor. Also contains a press clipping of a photograph of 2 unidentified men.
AP046.S1.1983.PR01.611
Description:
Original file title: "SHAUGHNESSY: SITE CONTEXT PHOTOS / Box 71". Contains photographs and negatives of the houses in the Shaughnessy House neighborhood, elevations plans, sketches, CCA floor plan of the 4th floor. Also contains a press clipping of a photograph of 2 unidentified men.
Personnes et institutions:
Date:
ca 1980
ca 1980
Titre:
Photographs of the Shaughnessy Village neighborhood, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.611
Description:
Original file title: "SHAUGHNESSY: SITE CONTEXT PHOTOS / Box 71". Contains photographs and negatives of the houses in the Shaughnessy House neighborhood, elevations plans, sketches, CCA floor plan of the 4th floor. Also contains a press clipping of a photograph of 2 unidentified men.
Photographs of the Shaughnessy Village neighborhood, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.611
Description:
Original file title: "SHAUGHNESSY: SITE CONTEXT PHOTOS / Box 71". Contains photographs and negatives of the houses in the Shaughnessy House neighborhood, elevations plans, sketches, CCA floor plan of the 4th floor. Also contains a press clipping of a photograph of 2 unidentified men.
Classification:
photographies
photographies
Date:
ca 1980
ca 1980
Personnes et institutions:
