56716 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH274175
Description:
6 files- conferences and presentations information packages, participation forms, travel documents, agendas, topic papers. Includes "Art in the City" jointly organized by Nardoni Gallery and Unesco, Prague, 11-13 May 1987; World Biennale of Architecture, Interarch '87, Sophia, Bulgaria, 21-27 September 1987; International Conference on Tall Buildings, Hong Kong, China, 2-4 May 1988; Standford Design Conference, Stanford, California, 27-29 May 1989.
ARCH274175
Description:
6 files- conferences and presentations information packages, participation forms, travel documents, agendas, topic papers. Includes "Art in the City" jointly organized by Nardoni Gallery and Unesco, Prague, 11-13 May 1987; World Biennale of Architecture, Interarch '87, Sophia, Bulgaria, 21-27 September 1987; International Conference on Tall Buildings, Hong Kong, China, 2-4 May 1988; Standford Design Conference, Stanford, California, 27-29 May 1989.
Personnes et institutions:
Titre:
Presentations informations packages, participation forms, agendas and topis papers related to various conferences
Actions:
ARCH274175
Description:
6 files- conferences and presentations information packages, participation forms, travel documents, agendas, topic papers. Includes "Art in the City" jointly organized by Nardoni Gallery and Unesco, Prague, 11-13 May 1987; World Biennale of Architecture, Interarch '87, Sophia, Bulgaria, 21-27 September 1987; International Conference on Tall Buildings, Hong Kong, China, 2-4 May 1988; Standford Design Conference, Stanford, California, 27-29 May 1989.
Presentations informations packages, participation forms, agendas and topis papers related to various conferences
Actions:
ARCH274175
Description:
6 files- conferences and presentations information packages, participation forms, travel documents, agendas, topic papers. Includes "Art in the City" jointly organized by Nardoni Gallery and Unesco, Prague, 11-13 May 1987; World Biennale of Architecture, Interarch '87, Sophia, Bulgaria, 21-27 September 1987; International Conference on Tall Buildings, Hong Kong, China, 2-4 May 1988; Standford Design Conference, Stanford, California, 27-29 May 1989.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
Personnes et institutions:
Date:
1990-2000
1990-2000
Titre:
Correspondence and proposals from Erickson's office
Actions:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
Correspondence and proposals from Erickson's office
Actions:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
Classification:
documents textuels
documents textuels
Date:
1990-2000
1990-2000
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
Personnes et institutions:
Date:
1982-1985
1982-1985
Titre:
Published and unpublished papers (folder 4 of 4)
Actions:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
Published and unpublished papers (folder 4 of 4)
Actions:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
Classification:
documents textuels
documents textuels
Date:
1982-1985
1982-1985
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Localisation:
Vitrines
Vitrines
Date:
26 février 1992 au 24 mai 1992
26 février 1992 au 24 mai 1992
Titre:
Actualité du carnet d'architecte
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Actualité du carnet d'architecte
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Classification:
expositions
expositions
Date:
26 février 1992 au
24 mai 1992
26 février 1992 au
24 mai 1992
Localisation:
Vitrines
Vitrines
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
né numérique, photographies
né numérique, photographies
Numéro de référence:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Personnes et institutions:
Date:
25 February 1999 - 23 April 2007
25 February 1999 - 23 April 2007
Titre:
Publication images and animations for HypoSurface and other dECOi projects (1 of 2)
Actions:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Publication images and animations for HypoSurface and other dECOi projects (1 of 2)
Actions:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Classification:
né numérique, photographies
né numérique, photographies
Date:
25 February 1999 - 23 April 2007
25 February 1999 - 23 April 2007
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Comme directeur des Bâtiments du Bade, un petit État du sud-ouest de l’Allemagne, Friedrich Weinbrenner (1766-1826) aura la chance peu commune de pouvoir créer à Karlsruhe, sa ville natale, l’un des ensembles architecturaux les plus homogènes qui soit. L’exposition met en lumière l’influence des réformes scientifiques et administratives sur l’architecture urbaine et(...)
Comme directeur des Bâtiments du Bade, un petit État du sud-ouest de l’Allemagne, Friedrich Weinbrenner (1766-1826) aura la chance peu commune de pouvoir créer à Karlsruhe, sa ville natale, l’un des ensembles architecturaux les plus homogènes qui soit. L’exposition met en lumière l’influence des réformes scientifiques et administratives sur l’architecture urbaine et(...)
Localisation:
Salles principales
Salles principales
Date:
31 janvier 1990 au 18 mars 1990
31 janvier 1990 au 18 mars 1990
Titre:
Friedrich Weinbrenner, l'architecte de Karlsruhe
Actions:
Description:
Comme directeur des Bâtiments du Bade, un petit État du sud-ouest de l’Allemagne, Friedrich Weinbrenner (1766-1826) aura la chance peu commune de pouvoir créer à Karlsruhe, sa ville natale, l’un des ensembles architecturaux les plus homogènes qui soit. L’exposition met en lumière l’influence des réformes scientifiques et administratives sur l’architecture urbaine et(...)
Friedrich Weinbrenner, l'architecte de Karlsruhe
Actions:
Description:
Comme directeur des Bâtiments du Bade, un petit État du sud-ouest de l’Allemagne, Friedrich Weinbrenner (1766-1826) aura la chance peu commune de pouvoir créer à Karlsruhe, sa ville natale, l’un des ensembles architecturaux les plus homogènes qui soit. L’exposition met en lumière l’influence des réformes scientifiques et administratives sur l’architecture urbaine et(...)
Classification:
expositions
expositions
Date:
31 janvier 1990 au
18 mars 1990
31 janvier 1990 au
18 mars 1990
Localisation:
Salles principales
Salles principales
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS3.018
Description:
Contains: . Honoris Causa from the Ryerson Polytechnic University in 1999 . Honoris Causa from McGill University in 2008 . Honoris Causa from Dalhousie University in 2008 . Honoris Causa from Brisith Columbia Institute of Technology . Honoris Causa from University of British Columbia . Honoris Causa from Emily Carr University of Art & Design . Margolese National Design for Living Prize 2015 of the Faculty of Applied Science at the University of British Columbia
AP075.S3.SS3.018
Description:
Contains: . Honoris Causa from the Ryerson Polytechnic University in 1999 . Honoris Causa from McGill University in 2008 . Honoris Causa from Dalhousie University in 2008 . Honoris Causa from Brisith Columbia Institute of Technology . Honoris Causa from University of British Columbia . Honoris Causa from Emily Carr University of Art & Design . Margolese National Design for Living Prize 2015 of the Faculty of Applied Science at the University of British Columbia
Personnes et institutions:
Date:
1999-2016
1999-2016
Titre:
Honoris Causa to Cornelia Hahn Oberlander from Canadian universities
Actions:
AP075.S3.SS3.018
Description:
Contains: . Honoris Causa from the Ryerson Polytechnic University in 1999 . Honoris Causa from McGill University in 2008 . Honoris Causa from Dalhousie University in 2008 . Honoris Causa from Brisith Columbia Institute of Technology . Honoris Causa from University of British Columbia . Honoris Causa from Emily Carr University of Art & Design . Margolese National Design for Living Prize 2015 of the Faculty of Applied Science at the University of British Columbia
Honoris Causa to Cornelia Hahn Oberlander from Canadian universities
Actions:
AP075.S3.SS3.018
Description:
Contains: . Honoris Causa from the Ryerson Polytechnic University in 1999 . Honoris Causa from McGill University in 2008 . Honoris Causa from Dalhousie University in 2008 . Honoris Causa from Brisith Columbia Institute of Technology . Honoris Causa from University of British Columbia . Honoris Causa from Emily Carr University of Art & Design . Margolese National Design for Living Prize 2015 of the Faculty of Applied Science at the University of British Columbia
Classification:
documents textuels
documents textuels
Date:
1999-2016
1999-2016
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
À travers une conversation modérée par Louise Désy, Conservateur, Photographies, du CCA, Lorraine Gilbert présente son oeuvre: La documentation des paysages dans lesquels j’ai vécu et travaillé, a engendré une œuvre questionnant notre place dans la nature et dans les environnements bâtis. Le caractère en apparence objectif avec lequel j’ai dépeint ces espaces naturels(...)
À travers une conversation modérée par Louise Désy, Conservateur, Photographies, du CCA, Lorraine Gilbert présente son oeuvre: La documentation des paysages dans lesquels j’ai vécu et travaillé, a engendré une œuvre questionnant notre place dans la nature et dans les environnements bâtis. Le caractère en apparence objectif avec lequel j’ai dépeint ces espaces naturels(...)
Localisation:
Salles principales Mot(s)-clé(s):
Le côté sombre d’une coupe à blanc, Canada, Le temps presse, causerie
Salles principales Mot(s)-clé(s):
Le côté sombre d’une coupe à blanc, Canada, Le temps presse, causerie
Date:
4 février 2017, 15h
4 février 2017, 15h
Titre:
Le côté sombre d’une coupe à blanc
Actions:
Description:
À travers une conversation modérée par Louise Désy, Conservateur, Photographies, du CCA, Lorraine Gilbert présente son oeuvre: La documentation des paysages dans lesquels j’ai vécu et travaillé, a engendré une œuvre questionnant notre place dans la nature et dans les environnements bâtis. Le caractère en apparence objectif avec lequel j’ai dépeint ces espaces naturels(...)
Le côté sombre d’une coupe à blanc
Actions:
Description:
À travers une conversation modérée par Louise Désy, Conservateur, Photographies, du CCA, Lorraine Gilbert présente son oeuvre: La documentation des paysages dans lesquels j’ai vécu et travaillé, a engendré une œuvre questionnant notre place dans la nature et dans les environnements bâtis. Le caractère en apparence objectif avec lequel j’ai dépeint ces espaces naturels(...)
Classification:
événements
événements
Date:
4 février 2017
15h
4 février 2017
15h
Localisation:
Salles principales Mot(s)-clé(s):
Le côté sombre d’une coupe à blanc, Canada, Le temps presse, causerie
Salles principales Mot(s)-clé(s):
Le côté sombre d’une coupe à blanc, Canada, Le temps presse, causerie
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Rohault de Fleury
Collection Rohault de Fleury
Numéro de référence:
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Personnes et institutions:
Date:
1717-[1884]
1717-[1884]
Titre:
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Classification:
archives
Niveau de description archivistique:
Collection 1
archives
Niveau de description archivistique:
Collection 1
Date:
1717-[1884]
1717-[1884]
Personnes et institutions:
