21400 Résultats
Classification:
photographies
photographies
Numéro de référence:
AP149.S1.1972.PR03.010
Description:
Group consists of photographs for the Minimum Cost Housing Group's publication "Use it Again, Sam" including a photograph of hands holding two bottles of reused materials and a view of Middle East housing built from recycled doors, windows and other urban scrap.
AP149.S1.1972.PR03.010
Description:
Group consists of photographs for the Minimum Cost Housing Group's publication "Use it Again, Sam" including a photograph of hands holding two bottles of reused materials and a view of Middle East housing built from recycled doors, windows and other urban scrap.
Personnes et institutions:
Date:
ca. 1975
ca. 1975
Titre:
Centre Publication / Photographs
Actions:
AP149.S1.1972.PR03.010
Description:
Group consists of photographs for the Minimum Cost Housing Group's publication "Use it Again, Sam" including a photograph of hands holding two bottles of reused materials and a view of Middle East housing built from recycled doors, windows and other urban scrap.
Centre Publication / Photographs
Actions:
AP149.S1.1972.PR03.010
Description:
Group consists of photographs for the Minimum Cost Housing Group's publication "Use it Again, Sam" including a photograph of hands holding two bottles of reused materials and a view of Middle East housing built from recycled doors, windows and other urban scrap.
Classification:
photographies
photographies
Date:
ca. 1975
ca. 1975
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153654
Description:
essay by Robert L. Hartwig rejected for publication by editorial board of Oppositions magazine
ARCH153654
Description:
essay by Robert L. Hartwig rejected for publication by editorial board of Oppositions magazine
Personnes et institutions:
Date:
1976
1976
Titre:
Relativity and Simultaneity: The Smithsons, James Stirling and Le Corbusier
Actions:
ARCH153654
Description:
essay by Robert L. Hartwig rejected for publication by editorial board of Oppositions magazine
Relativity and Simultaneity: The Smithsons, James Stirling and Le Corbusier
Actions:
ARCH153654
Description:
essay by Robert L. Hartwig rejected for publication by editorial board of Oppositions magazine
Classification:
documents textuels
documents textuels
Date:
1976
1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974
circa 1974
Titre:
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974
circa 1974
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Personnes et institutions:
Date:
circa 1980-1990
circa 1980-1990
Titre:
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Niveau de description archivistique:
Project
Project
Date:
circa 1980-1990
circa 1980-1990
Personnes et institutions:
Classification:
événements
événements
Titre:
L'enseignement de... Chine
L'enseignement de... Chine
Actions:
Description:
Dans sa conférence Urbanising Southern China: Poverty, Minorities, and Development Gregory Guldin fait le point sur les conséquences sociales et environnementales de l’industrialisation accélérée en Chine, où des villages à vocation agricole se transforment en agglomérations urbaines de forte densité à un rythme sans précédent. Spécialiste du développement urbain, des(...)
Dans sa conférence Urbanising Southern China: Poverty, Minorities, and Development Gregory Guldin fait le point sur les conséquences sociales et environnementales de l’industrialisation accélérée en Chine, où des villages à vocation agricole se transforment en agglomérations urbaines de forte densité à un rythme sans précédent. Spécialiste du développement urbain, des(...)
Date:
3 mai 2007
3 mai 2007
Titre:
L'enseignement de... Chine
Actions:
Description:
Dans sa conférence Urbanising Southern China: Poverty, Minorities, and Development Gregory Guldin fait le point sur les conséquences sociales et environnementales de l’industrialisation accélérée en Chine, où des villages à vocation agricole se transforment en agglomérations urbaines de forte densité à un rythme sans précédent. Spécialiste du développement urbain, des(...)
L'enseignement de... Chine
Actions:
Description:
Dans sa conférence Urbanising Southern China: Poverty, Minorities, and Development Gregory Guldin fait le point sur les conséquences sociales et environnementales de l’industrialisation accélérée en Chine, où des villages à vocation agricole se transforment en agglomérations urbaines de forte densité à un rythme sans précédent. Spécialiste du développement urbain, des(...)
Classification:
événements
événements
Date:
3 mai 2007
3 mai 2007
Classification:
événements
événements
Titre:
L’enseignement de… Bahreïn
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
6 octobre 2011 , 19h
6 octobre 2011 , 19h
Titre:
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Classification:
événements
événements
Date:
6 octobre 2011
19h
6 octobre 2011
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
September 1932
September 1932
Titre:
Photograph of a perspective drawing for the House of Political Prisoners of Tsarism, Kharkov, Soviet Union (now in Ukraine)
Actions:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
Photograph of a perspective drawing for the House of Political Prisoners of Tsarism, Kharkov, Soviet Union (now in Ukraine)
Actions:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
Classification:
photographies
photographies
Date:
September 1932
September 1932
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
Personnes et institutions:
Date:
February 1992
February 1992
Titre:
Sketchbook 326: 2º Visita Santiago - Visita Barcelona - Condes
Actions:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
Sketchbook 326: 2º Visita Santiago - Visita Barcelona - Condes
Actions:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
Classification:
dessins
dessins
Date:
February 1992
February 1992
Personnes et institutions:
Classification:
événements
événements
Titre:
Fouiller à Montréal
Fouiller à Montréal
Actions:
Description:
Nance Klehm, artiste et glaneuse vivant à Chicago, convie les participants à une séance de glanage et de dégustation d’infusion. Le glanage consiste à collecter des plantes qui poussent à l’état sauvage aussi bien en ville qu’à la campagne. La visite guidée, pédestre, permet de chercher, d’identifier et de ramasser des plantes comestibles qui poussent à Montréal, et se(...)
Nance Klehm, artiste et glaneuse vivant à Chicago, convie les participants à une séance de glanage et de dégustation d’infusion. Le glanage consiste à collecter des plantes qui poussent à l’état sauvage aussi bien en ville qu’à la campagne. La visite guidée, pédestre, permet de chercher, d’identifier et de ramasser des plantes comestibles qui poussent à Montréal, et se(...)
Date:
18 avril 2009
18 avril 2009
Titre:
Fouiller à Montréal
Actions:
Description:
Nance Klehm, artiste et glaneuse vivant à Chicago, convie les participants à une séance de glanage et de dégustation d’infusion. Le glanage consiste à collecter des plantes qui poussent à l’état sauvage aussi bien en ville qu’à la campagne. La visite guidée, pédestre, permet de chercher, d’identifier et de ramasser des plantes comestibles qui poussent à Montréal, et se(...)
Fouiller à Montréal
Actions:
Description:
Nance Klehm, artiste et glaneuse vivant à Chicago, convie les participants à une séance de glanage et de dégustation d’infusion. Le glanage consiste à collecter des plantes qui poussent à l’état sauvage aussi bien en ville qu’à la campagne. La visite guidée, pédestre, permet de chercher, d’identifier et de ramasser des plantes comestibles qui poussent à Montréal, et se(...)
Classification:
événements
événements
Date:
18 avril 2009
18 avril 2009
Classification:
événements
événements
Actions:
Description:
Bill Brown guide les participants à travers le Montréal souterrain, indiquant les lieux où se trouvent des caméras de surveillance et discutant de la place qu’occupe la surveillance dans l’espace public. Brown est membre des Surveillance Camera Players, un groupe new yorkais qui repère et répertorie les caméras de surveillance installées en milieu urbain. En complément de(...)
Bill Brown guide les participants à travers le Montréal souterrain, indiquant les lieux où se trouvent des caméras de surveillance et discutant de la place qu’occupe la surveillance dans l’espace public. Brown est membre des Surveillance Camera Players, un groupe new yorkais qui repère et répertorie les caméras de surveillance installées en milieu urbain. En complément de(...)
Localisation:
Complexe Desjardins
Complexe Desjardins
Date:
21 février 2009
21 février 2009
Titre:
Découvrir la ville souterraine sans surveillance
Actions:
Description:
Bill Brown guide les participants à travers le Montréal souterrain, indiquant les lieux où se trouvent des caméras de surveillance et discutant de la place qu’occupe la surveillance dans l’espace public. Brown est membre des Surveillance Camera Players, un groupe new yorkais qui repère et répertorie les caméras de surveillance installées en milieu urbain. En complément de(...)
Découvrir la ville souterraine sans surveillance
Actions:
Description:
Bill Brown guide les participants à travers le Montréal souterrain, indiquant les lieux où se trouvent des caméras de surveillance et discutant de la place qu’occupe la surveillance dans l’espace public. Brown est membre des Surveillance Camera Players, un groupe new yorkais qui repère et répertorie les caméras de surveillance installées en milieu urbain. En complément de(...)
Classification:
événements
événements
Date:
21 février 2009
21 février 2009
Localisation:
Complexe Desjardins
Complexe Desjardins
