12211 Résultats
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1991.011
Description:
This sketchbook includes sketches for the Dom Company Headquarters in Cologne, Germany, for the Habitações em Concepcion Arenal in Cadiz, Spain, for the Faculty of Architecture of the University of Porto, as well as for the Museum of Contemporary Art of the Serralves Foundation. It also contains sketches of people and animals.
AP178.S2.1991.011
Description:
This sketchbook includes sketches for the Dom Company Headquarters in Cologne, Germany, for the Habitações em Concepcion Arenal in Cadiz, Spain, for the Faculty of Architecture of the University of Porto, as well as for the Museum of Contemporary Art of the Serralves Foundation. It also contains sketches of people and animals.
Personnes et institutions:
Date:
December 1991
December 1991
Titre:
Sketchbook 324: Cadiz - Bouça - Fac. Arq.ra - Serralves
Actions:
AP178.S2.1991.011
Description:
This sketchbook includes sketches for the Dom Company Headquarters in Cologne, Germany, for the Habitações em Concepcion Arenal in Cadiz, Spain, for the Faculty of Architecture of the University of Porto, as well as for the Museum of Contemporary Art of the Serralves Foundation. It also contains sketches of people and animals.
Sketchbook 324: Cadiz - Bouça - Fac. Arq.ra - Serralves
Actions:
AP178.S2.1991.011
Description:
This sketchbook includes sketches for the Dom Company Headquarters in Cologne, Germany, for the Habitações em Concepcion Arenal in Cadiz, Spain, for the Faculty of Architecture of the University of Porto, as well as for the Museum of Contemporary Art of the Serralves Foundation. It also contains sketches of people and animals.
Classification:
dessins
dessins
Date:
December 1991
December 1991
Personnes et institutions:
Classification:
événements
événements
Description:
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
Localisation:
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Date:
27 mars 2019, 13h30
27 mars 2019, 13h30
Titre:
La bibliothèque parlante : avec Konstantinos Pantazis
Actions:
Description:
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
La bibliothèque parlante : avec Konstantinos Pantazis
Actions:
Description:
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
Classification:
événements
événements
Date:
27 mars 2019
13h30
27 mars 2019
13h30
Localisation:
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2009
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Date:
23 mars 2009 au 30 octobre 2009
23 mars 2009 au 30 octobre 2009
Titre:
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Classification:
recherche
recherche
Date:
23 mars 2009 au
30 octobre 2009
23 mars 2009 au
30 octobre 2009
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1989.002
Description:
This sketchbook includes notes and sketches about the reconstruction of Chiado and projects from the IBA in Berlin, Germany. It also contains sketches of Library of the University of Aveiro in Portugal, the Galician Centre of Contemporary Art of Santiago de Compostela in Spain, as well as notes of meeting and draft letter.
AP178.S2.1989.002
Description:
This sketchbook includes notes and sketches about the reconstruction of Chiado and projects from the IBA in Berlin, Germany. It also contains sketches of Library of the University of Aveiro in Portugal, the Galician Centre of Contemporary Art of Santiago de Compostela in Spain, as well as notes of meeting and draft letter.
Personnes et institutions:
Date:
March 1989
March 1989
Titre:
Sketchbook 284: Chiado - Alcoy - Santiago
Actions:
AP178.S2.1989.002
Description:
This sketchbook includes notes and sketches about the reconstruction of Chiado and projects from the IBA in Berlin, Germany. It also contains sketches of Library of the University of Aveiro in Portugal, the Galician Centre of Contemporary Art of Santiago de Compostela in Spain, as well as notes of meeting and draft letter.
Sketchbook 284: Chiado - Alcoy - Santiago
Actions:
AP178.S2.1989.002
Description:
This sketchbook includes notes and sketches about the reconstruction of Chiado and projects from the IBA in Berlin, Germany. It also contains sketches of Library of the University of Aveiro in Portugal, the Galician Centre of Contemporary Art of Santiago de Compostela in Spain, as well as notes of meeting and draft letter.
Classification:
dessins
dessins
Date:
March 1989
March 1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
Personnes et institutions:
Date:
2003-2005
2003-2005
Titre:
Plan de ordenación territorial, Costa del Sol, Spain (2004)
Actions:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
Plan de ordenación territorial, Costa del Sol, Spain (2004)
Actions:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
Niveau de description archivistique:
Project
Project
Date:
2003-2005
2003-2005
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
1992-2010
1992-2010
Titre:
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
1992-2010
1992-2010
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
Personnes et institutions:
Date:
April 2000
April 2000
Titre:
Sketchbook 479: Mobiliario Serralves - Pomar I
Actions:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
Sketchbook 479: Mobiliario Serralves - Pomar I
Actions:
AP178.S2.2000.002
Description:
This sketchbook includes sketches for the Pousada, Fort Peniche, the Júlio Pomar Museum and workshop in Lisbon, the Headquarters of the National Bank of Cabo Verde, and of furniture for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of Huesca, man on a horse, and people.
Classification:
dessins
dessins
Date:
April 2000
April 2000
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH276951
Description:
2 binders - documentation for projects filed under, "Education." Contains King Abdul Aziz University, Brentwood College Development Plan; Simon Fraser University West Mall and School for the Contemporary Arts. Includes slides and prints of sketches, site, models and plans as well as project information sheets and clippings related to the projects.
ARCH276951
Description:
2 binders - documentation for projects filed under, "Education." Contains King Abdul Aziz University, Brentwood College Development Plan; Simon Fraser University West Mall and School for the Contemporary Arts. Includes slides and prints of sketches, site, models and plans as well as project information sheets and clippings related to the projects.
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
Photographic documentation, project information and clippings on various educational buildings projects
Actions:
ARCH276951
Description:
2 binders - documentation for projects filed under, "Education." Contains King Abdul Aziz University, Brentwood College Development Plan; Simon Fraser University West Mall and School for the Contemporary Arts. Includes slides and prints of sketches, site, models and plans as well as project information sheets and clippings related to the projects.
Photographic documentation, project information and clippings on various educational buildings projects
Actions:
ARCH276951
Description:
2 binders - documentation for projects filed under, "Education." Contains King Abdul Aziz University, Brentwood College Development Plan; Simon Fraser University West Mall and School for the Contemporary Arts. Includes slides and prints of sketches, site, models and plans as well as project information sheets and clippings related to the projects.
Classification:
photographies
photographies
Date:
1990-1993
1990-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Tumbleweeds Catcher (1972)
Tumbleweeds Catcher (1972)
Numéro de référence:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Personnes et institutions:
Date:
circa 1972-2017
circa 1972-2017
Titre:
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2017
circa 1972-2017
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
Personnes et institutions:
Date:
February 1992
February 1992
Titre:
Sketchbook 326: 2º Visita Santiago - Visita Barcelona - Condes
Actions:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
Sketchbook 326: 2º Visita Santiago - Visita Barcelona - Condes
Actions:
AP178.S2.1992.002
Description:
This sketchbook includes sketches and notes for the Urban plan of Schilderswijk-West in The Hague, the Ceramic Terrain housing and offices, and the Galician Centre of Contemporary Art. It also contains notes, portraits, self-portraits, and sketches of furniture and Lisbon, as well as notes from a trip to Belgium and for the Malagueira.
Classification:
dessins
dessins
Date:
February 1992
February 1992
Personnes et institutions:
