56729 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Roger D'Astous
Fonds Roger D'Astous
Numéro de référence:
AP060
Résumé:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
AP060
Résumé:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
Personnes et institutions:
Date:
1893-1998, surtout 1951-1998
1893-1998, surtout 1951-1998
Titre:
Fonds Roger D'Astous
Actions:
AP060
Résumé:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
Fonds Roger D'Astous
Actions:
AP060
Résumé:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1893-1998, surtout 1951-1998
1893-1998, surtout 1951-1998
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Personnes et institutions:
Date:
1995-2013
1995-2013
Titre:
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2013
1995-2013
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Monter/Brocher/Plier 2 : l’architecture radicale dans la presse parallèle des années 196X-197X
Monter/Brocher/Plier 2 : l’architecture radicale dans la presse parallèle des années 196X-197X
Actions:
Description:
Inventée au début du XXe siècle pour désigner les périodiques littéraires progressistes, l’expression « little magazine » a été réutilisée au cours des années 1960 pour qualifier la vague de périodiques d’architecture indépendants qui a alors déferlé en réaction aux changements politiques, sociaux et artistiques à cette époque. Monter/Brocher/Plier 2 examine comment un(...)
Inventée au début du XXe siècle pour désigner les périodiques littéraires progressistes, l’expression « little magazine » a été réutilisée au cours des années 1960 pour qualifier la vague de périodiques d’architecture indépendants qui a alors déferlé en réaction aux changements politiques, sociaux et artistiques à cette époque. Monter/Brocher/Plier 2 examine comment un(...)
Localisation:
Salle octogonale et rotonde de la bibliothèque
Salle octogonale et rotonde de la bibliothèque
Date:
12 avril 2007 au 9 septembre 2007
12 avril 2007 au 9 septembre 2007
Titre:
Monter/Brocher/Plier 2 : l’architecture radicale dans la presse parallèle des années 196X-197X
Actions:
Description:
Inventée au début du XXe siècle pour désigner les périodiques littéraires progressistes, l’expression « little magazine » a été réutilisée au cours des années 1960 pour qualifier la vague de périodiques d’architecture indépendants qui a alors déferlé en réaction aux changements politiques, sociaux et artistiques à cette époque. Monter/Brocher/Plier 2 examine comment un(...)
Monter/Brocher/Plier 2 : l’architecture radicale dans la presse parallèle des années 196X-197X
Actions:
Description:
Inventée au début du XXe siècle pour désigner les périodiques littéraires progressistes, l’expression « little magazine » a été réutilisée au cours des années 1960 pour qualifier la vague de périodiques d’architecture indépendants qui a alors déferlé en réaction aux changements politiques, sociaux et artistiques à cette époque. Monter/Brocher/Plier 2 examine comment un(...)
Classification:
expositions
expositions
Date:
12 avril 2007 au
9 septembre 2007
12 avril 2007 au
9 septembre 2007
Localisation:
Salle octogonale et rotonde de la bibliothèque
Salle octogonale et rotonde de la bibliothèque
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH187064
Description:
Place des Arts booklets - La Grande Salle, Place des Arts, Montréal; Concerts à la Place des Arts, Inauguration de la Grande Salle
ARCH187064
Description:
Place des Arts booklets - La Grande Salle, Place des Arts, Montréal; Concerts à la Place des Arts, Inauguration de la Grande Salle
Personnes et institutions:
Titre:
Place des Arts booklets - La Grande Salle, Place des Arts
Actions:
ARCH187064
Description:
Place des Arts booklets - La Grande Salle, Place des Arts, Montréal; Concerts à la Place des Arts, Inauguration de la Grande Salle
Place des Arts booklets - La Grande Salle, Place des Arts
Actions:
ARCH187064
Description:
Place des Arts booklets - La Grande Salle, Place des Arts, Montréal; Concerts à la Place des Arts, Inauguration de la Grande Salle
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
vidéo
Quantité:
14 videocassette(s)
vidéo
Quantité:
14 videocassette(s)
Numéro de référence:
DR2004:1369
Description:
VHS Includes: 'Insite: the Video Magazine for Architects' 86-1 (55 min); 'Insite: the Video Magazine for Architects' 86-2 (55 min); 'Insite: the Video Magazine for Architects' 87-1 (55 min); 'Insite: the Video Magazine for Architects' 87-2 (55 min); 'Insite: the Video Magazine for Architects' 87-3 (55 min); 'Equinox: Taking the Tunnel', Uden Associates Ltd Scott Sutherland School of Architecture, Cedric Price, 1/8/86 (1 hr); 'True Stories: The Lord of the Bush' (1 hr); 'Serre' (1 hr); 'Glass House' Allford, Hall, Monaghan, Morris (2 min); 'Classic Homes Programme 4: The Prefab' Uden Associates Ltd (24 min); BBC/Martin Pawley/Architecture Armageddon (1 hr); Equinox Programme on Caravans & Caravan Design (1 hr); Cedric Price, Ranulph Glanville & James Turrell & Portsmoth Art College Picture Re-enactments (1 hr);
DR2004:1369
Description:
VHS Includes: 'Insite: the Video Magazine for Architects' 86-1 (55 min); 'Insite: the Video Magazine for Architects' 86-2 (55 min); 'Insite: the Video Magazine for Architects' 87-1 (55 min); 'Insite: the Video Magazine for Architects' 87-2 (55 min); 'Insite: the Video Magazine for Architects' 87-3 (55 min); 'Equinox: Taking the Tunnel', Uden Associates Ltd Scott Sutherland School of Architecture, Cedric Price, 1/8/86 (1 hr); 'True Stories: The Lord of the Bush' (1 hr); 'Serre' (1 hr); 'Glass House' Allford, Hall, Monaghan, Morris (2 min); 'Classic Homes Programme 4: The Prefab' Uden Associates Ltd (24 min); BBC/Martin Pawley/Architecture Armageddon (1 hr); Equinox Programme on Caravans & Caravan Design (1 hr); Cedric Price, Ranulph Glanville & James Turrell & Portsmoth Art College Picture Re-enactments (1 hr);
Personnes et institutions:
Titre:
'Insite: the Video Magazine for Architects'
Actions:
DR2004:1369
Description:
VHS Includes: 'Insite: the Video Magazine for Architects' 86-1 (55 min); 'Insite: the Video Magazine for Architects' 86-2 (55 min); 'Insite: the Video Magazine for Architects' 87-1 (55 min); 'Insite: the Video Magazine for Architects' 87-2 (55 min); 'Insite: the Video Magazine for Architects' 87-3 (55 min); 'Equinox: Taking the Tunnel', Uden Associates Ltd Scott Sutherland School of Architecture, Cedric Price, 1/8/86 (1 hr); 'True Stories: The Lord of the Bush' (1 hr); 'Serre' (1 hr); 'Glass House' Allford, Hall, Monaghan, Morris (2 min); 'Classic Homes Programme 4: The Prefab' Uden Associates Ltd (24 min); BBC/Martin Pawley/Architecture Armageddon (1 hr); Equinox Programme on Caravans & Caravan Design (1 hr); Cedric Price, Ranulph Glanville & James Turrell & Portsmoth Art College Picture Re-enactments (1 hr);
'Insite: the Video Magazine for Architects'
Actions:
DR2004:1369
Description:
VHS Includes: 'Insite: the Video Magazine for Architects' 86-1 (55 min); 'Insite: the Video Magazine for Architects' 86-2 (55 min); 'Insite: the Video Magazine for Architects' 87-1 (55 min); 'Insite: the Video Magazine for Architects' 87-2 (55 min); 'Insite: the Video Magazine for Architects' 87-3 (55 min); 'Equinox: Taking the Tunnel', Uden Associates Ltd Scott Sutherland School of Architecture, Cedric Price, 1/8/86 (1 hr); 'True Stories: The Lord of the Bush' (1 hr); 'Serre' (1 hr); 'Glass House' Allford, Hall, Monaghan, Morris (2 min); 'Classic Homes Programme 4: The Prefab' Uden Associates Ltd (24 min); BBC/Martin Pawley/Architecture Armageddon (1 hr); Equinox Programme on Caravans & Caravan Design (1 hr); Cedric Price, Ranulph Glanville & James Turrell & Portsmoth Art College Picture Re-enactments (1 hr);
Classification:
vidéo
Quantité:
14 videocassette(s)
vidéo
Quantité:
14 videocassette(s)
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Melvin Charney 1935-2012
Melvin Charney 1935-2012
Actions:
Description:
L’artiste et théoricien Melvin Charney, mort un peu plus tôt cette année, a légué d’importantes contributions au CCA et à la ville de Montréal dans son ensemble. Au cours de sa carrière longue et variée, Charney a défendu le rôle public que joue l’architecte au sein du vaste environnement bâti, soutenant l’idée que la rue est la première ressource de la ville. Le CCA(...)
L’artiste et théoricien Melvin Charney, mort un peu plus tôt cette année, a légué d’importantes contributions au CCA et à la ville de Montréal dans son ensemble. Au cours de sa carrière longue et variée, Charney a défendu le rôle public que joue l’architecte au sein du vaste environnement bâti, soutenant l’idée que la rue est la première ressource de la ville. Le CCA(...)
Localisation:
Vitrines
Vitrines
Date:
24 octobre 2012 au 14 avril 2013
24 octobre 2012 au 14 avril 2013
Titre:
Melvin Charney 1935-2012
Actions:
Description:
L’artiste et théoricien Melvin Charney, mort un peu plus tôt cette année, a légué d’importantes contributions au CCA et à la ville de Montréal dans son ensemble. Au cours de sa carrière longue et variée, Charney a défendu le rôle public que joue l’architecte au sein du vaste environnement bâti, soutenant l’idée que la rue est la première ressource de la ville. Le CCA(...)
Melvin Charney 1935-2012
Actions:
Description:
L’artiste et théoricien Melvin Charney, mort un peu plus tôt cette année, a légué d’importantes contributions au CCA et à la ville de Montréal dans son ensemble. Au cours de sa carrière longue et variée, Charney a défendu le rôle public que joue l’architecte au sein du vaste environnement bâti, soutenant l’idée que la rue est la première ressource de la ville. Le CCA(...)
Classification:
expositions
expositions
Date:
24 octobre 2012 au
14 avril 2013
24 octobre 2012 au
14 avril 2013
Localisation:
Vitrines
Vitrines
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CP138.S2
Description:
Series documents the life of Anne Alpert (1914-1997), Gordon Matta-Clark's (1943-1978) mother, dating from her early childhood to her death. It includes correspondence, memorabilia, photographs, and published reviews and catalogues. The material also relates to the public and private life of her twin sons, John Sebastian Matta (1943-1976) and Matta-Clark, their father Roberto Matta (1911 or 1912-2002), and others. Series contains three sub-series.
CP138.S2
Description:
Series documents the life of Anne Alpert (1914-1997), Gordon Matta-Clark's (1943-1978) mother, dating from her early childhood to her death. It includes correspondence, memorabilia, photographs, and published reviews and catalogues. The material also relates to the public and private life of her twin sons, John Sebastian Matta (1943-1976) and Matta-Clark, their father Roberto Matta (1911 or 1912-2002), and others. Series contains three sub-series.
Personnes et institutions:
Date:
1914-1997
1914-1997
Titre:
Anne Alpert's Textual Records and Photographs
Actions:
CP138.S2
Description:
Series documents the life of Anne Alpert (1914-1997), Gordon Matta-Clark's (1943-1978) mother, dating from her early childhood to her death. It includes correspondence, memorabilia, photographs, and published reviews and catalogues. The material also relates to the public and private life of her twin sons, John Sebastian Matta (1943-1976) and Matta-Clark, their father Roberto Matta (1911 or 1912-2002), and others. Series contains three sub-series.
Anne Alpert's Textual Records and Photographs
Actions:
CP138.S2
Description:
Series documents the life of Anne Alpert (1914-1997), Gordon Matta-Clark's (1943-1978) mother, dating from her early childhood to her death. It includes correspondence, memorabilia, photographs, and published reviews and catalogues. The material also relates to the public and private life of her twin sons, John Sebastian Matta (1943-1976) and Matta-Clark, their father Roberto Matta (1911 or 1912-2002), and others. Series contains three sub-series.
Niveau de description archivistique:
Series 2
Series 2
Date:
1914-1997
1914-1997
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Personnes et institutions:
Date:
1998-2014
1998-2014
Titre:
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1998-2014
1998-2014
Personnes et institutions:
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR2001:0029
Description:
documents include correspondence to colleagues and universities for 1991-1992: Coop Himmelblau, UMRISS - Coop Himmelblauk Stephanie Dudek, Kurt Forster, Frank O. Gehry & Assoc., Fabio Ghersi (architect), David Goldblatt - Journal of Aesthetics and Art Criticism, Zaha Hadid, Philip Johnson, Philip Johnson 85th Birthday Invoices, Libeskind, Daniel and Nina, Macklowe - CMRI (drawings for exhibition), Rick Mandell, Edith Miller, David Neuman, Peter Noever - Architecture in Transition, John Rajchman, Renato Rizzi, Zoran Sladoljev, Antoine Predock, Antonia Soulez, Mark Taylor, Massimo Vignelli and Faruk Yorgancioglu. University Publications: University of California - Riverside, The Cooper Union, Cornell University, The Chicago Institute (for Architecture and Urbanism), Columbia High School, Columbia University, Universitat Hanover, Harvard Graduate school of Design, The University of Illinois at Chicago, Oberlin (College), Ohio State University, Pratt Institute, Princeton University, Rice School of Architecture, College of William and Mary and Richard Bland College.
DR2001:0029
Description:
documents include correspondence to colleagues and universities for 1991-1992: Coop Himmelblau, UMRISS - Coop Himmelblauk Stephanie Dudek, Kurt Forster, Frank O. Gehry & Assoc., Fabio Ghersi (architect), David Goldblatt - Journal of Aesthetics and Art Criticism, Zaha Hadid, Philip Johnson, Philip Johnson 85th Birthday Invoices, Libeskind, Daniel and Nina, Macklowe - CMRI (drawings for exhibition), Rick Mandell, Edith Miller, David Neuman, Peter Noever - Architecture in Transition, John Rajchman, Renato Rizzi, Zoran Sladoljev, Antoine Predock, Antonia Soulez, Mark Taylor, Massimo Vignelli and Faruk Yorgancioglu. University Publications: University of California - Riverside, The Cooper Union, Cornell University, The Chicago Institute (for Architecture and Urbanism), Columbia High School, Columbia University, Universitat Hanover, Harvard Graduate school of Design, The University of Illinois at Chicago, Oberlin (College), Ohio State University, Pratt Institute, Princeton University, Rice School of Architecture, College of William and Mary and Richard Bland College.
Personnes et institutions:
Titre:
Correspondence to colleagues and universities
Actions:
DR2001:0029
Description:
documents include correspondence to colleagues and universities for 1991-1992: Coop Himmelblau, UMRISS - Coop Himmelblauk Stephanie Dudek, Kurt Forster, Frank O. Gehry & Assoc., Fabio Ghersi (architect), David Goldblatt - Journal of Aesthetics and Art Criticism, Zaha Hadid, Philip Johnson, Philip Johnson 85th Birthday Invoices, Libeskind, Daniel and Nina, Macklowe - CMRI (drawings for exhibition), Rick Mandell, Edith Miller, David Neuman, Peter Noever - Architecture in Transition, John Rajchman, Renato Rizzi, Zoran Sladoljev, Antoine Predock, Antonia Soulez, Mark Taylor, Massimo Vignelli and Faruk Yorgancioglu. University Publications: University of California - Riverside, The Cooper Union, Cornell University, The Chicago Institute (for Architecture and Urbanism), Columbia High School, Columbia University, Universitat Hanover, Harvard Graduate school of Design, The University of Illinois at Chicago, Oberlin (College), Ohio State University, Pratt Institute, Princeton University, Rice School of Architecture, College of William and Mary and Richard Bland College.
Correspondence to colleagues and universities
Actions:
DR2001:0029
Description:
documents include correspondence to colleagues and universities for 1991-1992: Coop Himmelblau, UMRISS - Coop Himmelblauk Stephanie Dudek, Kurt Forster, Frank O. Gehry & Assoc., Fabio Ghersi (architect), David Goldblatt - Journal of Aesthetics and Art Criticism, Zaha Hadid, Philip Johnson, Philip Johnson 85th Birthday Invoices, Libeskind, Daniel and Nina, Macklowe - CMRI (drawings for exhibition), Rick Mandell, Edith Miller, David Neuman, Peter Noever - Architecture in Transition, John Rajchman, Renato Rizzi, Zoran Sladoljev, Antoine Predock, Antonia Soulez, Mark Taylor, Massimo Vignelli and Faruk Yorgancioglu. University Publications: University of California - Riverside, The Cooper Union, Cornell University, The Chicago Institute (for Architecture and Urbanism), Columbia High School, Columbia University, Universitat Hanover, Harvard Graduate school of Design, The University of Illinois at Chicago, Oberlin (College), Ohio State University, Pratt Institute, Princeton University, Rice School of Architecture, College of William and Mary and Richard Bland College.
Classification:
documents textuels
documents textuels
Personnes et institutions:
