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The diorama halls at the Natural History Museum of Los Angeles County (NHM) are among the oldest in the world, captivating Angelenos and tourists alike for over a century. Its immersive habitats range from the windswept ice of Greenland's musk ox to the quiet bamboo forests of Kenya's bongo antelope. "Fabricating wilderness", a PST ART project, is the first book to(...)
Fabricating wilderness: The habitat dioramas of the Natural History Museum of Los Angeles
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The diorama halls at the Natural History Museum of Los Angeles County (NHM) are among the oldest in the world, captivating Angelenos and tourists alike for over a century. Its immersive habitats range from the windswept ice of Greenland's musk ox to the quiet bamboo forests of Kenya's bongo antelope. "Fabricating wilderness", a PST ART project, is the first book to explore the art, science and history of NHM's remarkable habitat groups. Drawing upon new research, this behind-the-scenes tour is illustrated by both contemporary photographs and archival images. It takes readers through the origin of dioramas and the turbulent early history of NHM's halls, while also introducing the gifted artists who painted picturesque background murals and meticulously recreated every natural detail. Even at 100 years old, the story of NHM's dioramas is not over.
Photographie- collections
Finding the mother tree
$23.00
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in her first book, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths—that trees are not simply the source of timber or pulp but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees(...)
Finding the mother tree
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in her first book, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths—that trees are not simply the source of timber or pulp but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard describes up close—in revealing and accessible ways—how trees, living side by side for hundreds of years, have evolved; how they perceive one another, learn and adapt their behaviors, recognize neighbors, and remember the past; how they have agency about their future; how they elicit warnings and mount defenses, compete and cooperate with one another with sophistication: characteristics previously ascribed to human intelligence, traits that are the essence of civil societies. It is a testament to how deeply human scientific inquiry exists beyond data and technology: it’s about understanding who we are and our place in the world.
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Located in the Czech Republic's Beskid Mountains, the pristine Mionsi Forest has long attracted the attention of artists in the region. Photographer Rudolf Janda was one of the first to discover this enchanting landscape in the 1930s; later, landscape photographers including Petr Helbich, Jan Byrtus, Roman Burda and Josef Sudek followed.
Mionsi : prales virgin forest
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Located in the Czech Republic's Beskid Mountains, the pristine Mionsi Forest has long attracted the attention of artists in the region. Photographer Rudolf Janda was one of the first to discover this enchanting landscape in the 1930s; later, landscape photographers including Petr Helbich, Jan Byrtus, Roman Burda and Josef Sudek followed.
Photographie- collections
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Conceived as an experiment that would apply the new "science" of city planning to a suburban setting, Forest Hills Gardens was created by the Russell Sage Foundation to provide housing for middle-class commuters as an alternative to cramped flats in New York City. Although it has long been recognized as one of the most influential planned communities in the United(...)
A modern Arcadia : Frederick Law Olmsted Jr. & the plan for Forest Hill Gardens
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Conceived as an experiment that would apply the new "science" of city planning to a suburban setting, Forest Hills Gardens was created by the Russell Sage Foundation to provide housing for middle-class commuters as an alternative to cramped flats in New York City. Although it has long been recognized as one of the most influential planned communities in the United States, this is the first time Forest Hills Gardens has been the subject of a book. Susan L. Klaus's fully illustrated history chronicles the creation of the 142-acre development from its inception in 1909 through its first two decades, offering critical insights into American planning history, landscape architecture, and the social and economic forces that shaped housing in the Progressive Era. Klaus focuses particularly on the creative genius of Frederick Law Olmsted Jr., who served as planner and landscape architect for the project. Drawing on his father's visionary ideas but developing his own perspective, the younger Olmsted redefined planning for the modern era and became one of the founders of the profession of city planning in the United States.
Jardins
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"Regeneration" offers a visionary new approach to climate change, one that weaves justice, climate, biodiversity, equity, and human dignity into a seamless tapestry of action, policy, and transformation that can end the climate crisis in one generation. It is the first book to describe and define the burgeoning regeneration movement spreading rapidly throughout the(...)
Regeneration: ending the climate crisis in one generation
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"Regeneration" offers a visionary new approach to climate change, one that weaves justice, climate, biodiversity, equity, and human dignity into a seamless tapestry of action, policy, and transformation that can end the climate crisis in one generation. It is the first book to describe and define the burgeoning regeneration movement spreading rapidly throughout the world. "Regeneration" describes how an inclusive movement can engage the majority of humanity to save the world from the threat of global warming, with climate solutions that directly serve our children, the poor, and the excluded. This means we must address current human needs, not future existential threats, real as they are, with initiatives that include but go well beyond solar, electric vehicles, and tree planting to include such solutions as the fifteen-minute city, bioregions, azolla fern, food localization, fire ecology, decommodification, forests as farms, and the number one solution for the world: electrifying everything. Paul Hawken and the nonprofit Regeneration Organization are launching a series of initiatives to accompany the book, including a streaming video series, curriculum, podcasts, teaching videos, and climate action software. "Regeneration" is the inspiring and necessary guide to inform the rapidly spreading climate movement.
$90.00
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Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned(...)
What stands behind the flowers: Hilma af Klint
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Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned watercolor, af Klint juxtaposed exquisitely rendered blossoms with enigmatic diagrams: a blooming sunflower is echoed by nested circles; lily of the valley is joined by a colorful checkerboard; catsfoot is set against a pair of mirrored spirals. Together, these two modes—representational and abstract—demonstrate the artist’s belief that close observation of nature reveals "what stands behind the flowers": ineffable aspects of the human character. Published in conjunction with the first public exhibition of this rare portfolio, ''Hilma af Klint: What Stands Behind the Flowers'' presents the drawings alongside contextualizing artworks and translations of the artist’s previously unpublished writings. An overview essay by curator Jodi Hauptman explores af Klint’s portfolio and the circumstances of its creation; texts by Ewa Lajer-Burcharth, Laura Neufeld and Lena Struwe unpack the imagery, materiality and botanical knowledge behind these works.
Robert Adams: 27 roads
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The road has been a central motif in the work of Robert Adams (born 1937) since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist's concise, poetic selection of images spanning almost five decades. Whether fast concrete highways, quiet cuts through(...)
Robert Adams: 27 roads
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The road has been a central motif in the work of Robert Adams (born 1937) since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist's concise, poetic selection of images spanning almost five decades. Whether fast concrete highways, quiet cuts through dark forests, paved commercial strips or dusty tracks on a clear-cut mountainside, Adams' roads function as metaphors for solitude, connection or freedom. Adams writes, "Roads can still be beautiful. Occasionally they appear like a perfect knife slicing through a perfect apple, the better to show that two halves are one."
Monographies photo
Timber
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Timber is a vital resource that is all around us. It is the house that shelters us, the furniture we relax in, the books we read, the paper we print, the disposable diapers for our babies, and the boxes that contain our cereal, detergent, and new appliances. The way we produce and consume timber, however, is changing. With international timber companies and big box(...)
Timber
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Timber is a vital resource that is all around us. It is the house that shelters us, the furniture we relax in, the books we read, the paper we print, the disposable diapers for our babies, and the boxes that contain our cereal, detergent, and new appliances. The way we produce and consume timber, however, is changing. With international timber companies and big box discount retailers increasingly controlling through global commodity chains where and how much timber is traded, the world's remaining old-growth forests, particularly in the developing world, are under threat of disappearing - all for the price of a consumer bargain. This trailblazing book is the first to expose what's happening inside corporate commodity chains with conclusions that fundamentally challenge our understanding of how and why deforestation persists. Authors Peter Dauvergne and Jane Lister reveal how timber now moves through long and complex supply chains from the forests of the global South through the factories of emerging economies like China to the big box retail shelves of Europe and North America. Well-off consumers are getting unprecedented deals. But the social and environmental costs are extraordinarily high as corporations mine the world's poorest regions and most vulnerable ecosystems. The growing power of big retail within these commodity chains is further increasing South-North inequities and unsustainable global consumption. Yet, as this book's highly original analysis uncovers, it is also creating some intriguing opportunities to promote more responsible business practices and better global forest governance.
Expositions en cours
livres
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A culmination of four years of photographing throughout Oregon, Washington and Northern California, Sawdust Mountain focuses on the tenuous relationship between industries reliant upon natural resources and the communities they support. Timber and salmon are the bedrock of a regional Northwest identity, but the environmental impact of these declining industries has been(...)
Eirik Johnson: sawdust mountain
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A culmination of four years of photographing throughout Oregon, Washington and Northern California, Sawdust Mountain focuses on the tenuous relationship between industries reliant upon natural resources and the communities they support. Timber and salmon are the bedrock of a regional Northwest identity, but the environmental impact of these declining industries has been increasingly at odds with the contemporary ideal of sustainability. In this, his second book, Johnson reveals a landscape imbued with an uncertain future--no longer the region of boomtowns built upon the riches of massive old-growth forests. Johnson, a Seattle native, describes his photographs as, "a melancholy love letter of sorts, my own personal ramblings..." Through this poetic approach, Sawdust Mountain records a region affected by historic economic complexities and, by extension, one aspect of our fraught relationship with the environment in the twenty-first century.
livres
janvier 2009
Monographies photo