36518 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Paul-Philippe Cret
Fonds Paul-Philippe Cret
Numéro de référence:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Personnes et institutions:
Date:
circa 1907-1950
circa 1907-1950
Titre:
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1907-1950
circa 1907-1950
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
Personnes et institutions:
Date:
2001-2005
2001-2005
Titre:
Plaza y torre Woermann, Las Palmas de Gran Canaria, Spain (2001-2005)
Actions:
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
Plaza y torre Woermann, Las Palmas de Gran Canaria, Spain (2001-2005)
Actions:
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
Niveau de description archivistique:
Project
Project
Date:
2001-2005
2001-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Melmark
Melmark
Numéro de référence:
AP144.S2.D105
Description:
File documents a competition entry for a landmark to be located in the city centre of Melbourne, Australia. Price's project for a multi-use structure combined the idea of a "city-farm" with public access routes for harvesting, marketing, and purchasing produce. "[F]our multi-floored hydroponic farms" covered with faceted triangulated space frames rise from an expansive open deck structure which covered most of the site. Artificial lights and additional water collection and supply was integrated within the triangulated space frames. Conceptual sketches in pen and coloured pencil show the initial design. A presentation panel which is composed of text and drawings pasted onto a base sheet indicates the existing site conditions in plan, the open deck platform grids, the triangulated space frames, various views of the proposed landmark design, and future design developments. Material in this file was produced in 1979. File contains conceptual drawings and presentation panels.
AP144.S2.D105
Description:
File documents a competition entry for a landmark to be located in the city centre of Melbourne, Australia. Price's project for a multi-use structure combined the idea of a "city-farm" with public access routes for harvesting, marketing, and purchasing produce. "[F]our multi-floored hydroponic farms" covered with faceted triangulated space frames rise from an expansive open deck structure which covered most of the site. Artificial lights and additional water collection and supply was integrated within the triangulated space frames. Conceptual sketches in pen and coloured pencil show the initial design. A presentation panel which is composed of text and drawings pasted onto a base sheet indicates the existing site conditions in plan, the open deck platform grids, the triangulated space frames, various views of the proposed landmark design, and future design developments. Material in this file was produced in 1979. File contains conceptual drawings and presentation panels.
Personnes et institutions:
Date:
1979
1979
Titre:
Melmark
Actions:
AP144.S2.D105
Description:
File documents a competition entry for a landmark to be located in the city centre of Melbourne, Australia. Price's project for a multi-use structure combined the idea of a "city-farm" with public access routes for harvesting, marketing, and purchasing produce. "[F]our multi-floored hydroponic farms" covered with faceted triangulated space frames rise from an expansive open deck structure which covered most of the site. Artificial lights and additional water collection and supply was integrated within the triangulated space frames. Conceptual sketches in pen and coloured pencil show the initial design. A presentation panel which is composed of text and drawings pasted onto a base sheet indicates the existing site conditions in plan, the open deck platform grids, the triangulated space frames, various views of the proposed landmark design, and future design developments. Material in this file was produced in 1979. File contains conceptual drawings and presentation panels.
Melmark
Actions:
AP144.S2.D105
Description:
File documents a competition entry for a landmark to be located in the city centre of Melbourne, Australia. Price's project for a multi-use structure combined the idea of a "city-farm" with public access routes for harvesting, marketing, and purchasing produce. "[F]our multi-floored hydroponic farms" covered with faceted triangulated space frames rise from an expansive open deck structure which covered most of the site. Artificial lights and additional water collection and supply was integrated within the triangulated space frames. Conceptual sketches in pen and coloured pencil show the initial design. A presentation panel which is composed of text and drawings pasted onto a base sheet indicates the existing site conditions in plan, the open deck platform grids, the triangulated space frames, various views of the proposed landmark design, and future design developments. Material in this file was produced in 1979. File contains conceptual drawings and presentation panels.
Niveau de description archivistique:
File 105
File 105
Date:
1979
1979
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Random Movies (1972)
Actions:
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
Random Movies (1972)
Actions:
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1984.PR03
Description:
This project series document the exterior restauration work of Toronto Union Station in Toronto from 1984-1985. The office identified the project number as 8405. This project consisted of restoration to the exterior of the train station commissioned by VIA Rail Canada Inc. This work was referred to as a clean up in the project documentation. Restauration work was done to the existing exterior stonework, colannades, screens and skylights. This project was referred to as Package A in the materials, with Package B representing a project for interior work (see project series AP018.S1.1984.PR01 in this fonds). This project is recorded through drawings, photographs and textual records dating from 1984-1985. The drawings are of earlier plans for the station, prepared by architects Ross & Macdonald and some by Public Works Canada. The textual records include correspondence, conference and site reports, contract data, construction documentation, financial records, interoffice letters.
AP018.S1.1984.PR03
Description:
This project series document the exterior restauration work of Toronto Union Station in Toronto from 1984-1985. The office identified the project number as 8405. This project consisted of restoration to the exterior of the train station commissioned by VIA Rail Canada Inc. This work was referred to as a clean up in the project documentation. Restauration work was done to the existing exterior stonework, colannades, screens and skylights. This project was referred to as Package A in the materials, with Package B representing a project for interior work (see project series AP018.S1.1984.PR01 in this fonds). This project is recorded through drawings, photographs and textual records dating from 1984-1985. The drawings are of earlier plans for the station, prepared by architects Ross & Macdonald and some by Public Works Canada. The textual records include correspondence, conference and site reports, contract data, construction documentation, financial records, interoffice letters.
Personnes et institutions:
Date:
1984-1985
1984-1985
Titre:
Toronto Union Station, Exterior Cleaning of Facades and Colonnades, Toronto (1984-1985)
Actions:
AP018.S1.1984.PR03
Description:
This project series document the exterior restauration work of Toronto Union Station in Toronto from 1984-1985. The office identified the project number as 8405. This project consisted of restoration to the exterior of the train station commissioned by VIA Rail Canada Inc. This work was referred to as a clean up in the project documentation. Restauration work was done to the existing exterior stonework, colannades, screens and skylights. This project was referred to as Package A in the materials, with Package B representing a project for interior work (see project series AP018.S1.1984.PR01 in this fonds). This project is recorded through drawings, photographs and textual records dating from 1984-1985. The drawings are of earlier plans for the station, prepared by architects Ross & Macdonald and some by Public Works Canada. The textual records include correspondence, conference and site reports, contract data, construction documentation, financial records, interoffice letters.
Toronto Union Station, Exterior Cleaning of Facades and Colonnades, Toronto (1984-1985)
Actions:
AP018.S1.1984.PR03
Description:
This project series document the exterior restauration work of Toronto Union Station in Toronto from 1984-1985. The office identified the project number as 8405. This project consisted of restoration to the exterior of the train station commissioned by VIA Rail Canada Inc. This work was referred to as a clean up in the project documentation. Restauration work was done to the existing exterior stonework, colannades, screens and skylights. This project was referred to as Package A in the materials, with Package B representing a project for interior work (see project series AP018.S1.1984.PR01 in this fonds). This project is recorded through drawings, photographs and textual records dating from 1984-1985. The drawings are of earlier plans for the station, prepared by architects Ross & Macdonald and some by Public Works Canada. The textual records include correspondence, conference and site reports, contract data, construction documentation, financial records, interoffice letters.
Niveau de description archivistique:
Project
Project
Date:
1984-1985
1984-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1982.PR01
Description:
This project series documents the Plano Urbanístico e Central de Camionagem in Guimarães, Portugal. While the records were held in the office’s archives this project was assigned the numbe 12/80. The office assigned the date 1982 to this project. The project was part of an urban plan for Guimarães designed by Fernando Távora. Siza's project consisted of a study for a bus station that was linked to the EN 206 road. The program included parking for short and long term use, a system for the arrival and departure of buses, and a covered pathway. The program also included a building with spaces for the public and for administrative activities, as well as a circuit for the maintenance of the buses without creating traffic. Documenting this project are studies and site plans. Textual materials include project documentation and correspondence. Photographs and negatives document the project site.
AP178.S1.1982.PR01
Description:
This project series documents the Plano Urbanístico e Central de Camionagem in Guimarães, Portugal. While the records were held in the office’s archives this project was assigned the numbe 12/80. The office assigned the date 1982 to this project. The project was part of an urban plan for Guimarães designed by Fernando Távora. Siza's project consisted of a study for a bus station that was linked to the EN 206 road. The program included parking for short and long term use, a system for the arrival and departure of buses, and a covered pathway. The program also included a building with spaces for the public and for administrative activities, as well as a circuit for the maintenance of the buses without creating traffic. Documenting this project are studies and site plans. Textual materials include project documentation and correspondence. Photographs and negatives document the project site.
Personnes et institutions:
Date:
1981-1985
1981-1985
Titre:
Plano Urbanístico e Central de Camionagem [Urban plan and bus station], Guimarães, Portugal (1982)
Actions:
AP178.S1.1982.PR01
Description:
This project series documents the Plano Urbanístico e Central de Camionagem in Guimarães, Portugal. While the records were held in the office’s archives this project was assigned the numbe 12/80. The office assigned the date 1982 to this project. The project was part of an urban plan for Guimarães designed by Fernando Távora. Siza's project consisted of a study for a bus station that was linked to the EN 206 road. The program included parking for short and long term use, a system for the arrival and departure of buses, and a covered pathway. The program also included a building with spaces for the public and for administrative activities, as well as a circuit for the maintenance of the buses without creating traffic. Documenting this project are studies and site plans. Textual materials include project documentation and correspondence. Photographs and negatives document the project site.
Plano Urbanístico e Central de Camionagem [Urban plan and bus station], Guimarães, Portugal (1982)
Actions:
AP178.S1.1982.PR01
Description:
This project series documents the Plano Urbanístico e Central de Camionagem in Guimarães, Portugal. While the records were held in the office’s archives this project was assigned the numbe 12/80. The office assigned the date 1982 to this project. The project was part of an urban plan for Guimarães designed by Fernando Távora. Siza's project consisted of a study for a bus station that was linked to the EN 206 road. The program included parking for short and long term use, a system for the arrival and departure of buses, and a covered pathway. The program also included a building with spaces for the public and for administrative activities, as well as a circuit for the maintenance of the buses without creating traffic. Documenting this project are studies and site plans. Textual materials include project documentation and correspondence. Photographs and negatives document the project site.
Niveau de description archivistique:
Project
Project
Date:
1981-1985
1981-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1998.PR05
Description:
This project series documents the Nova Sede do Banco Nacional de Cabo Verde in Cabo Verde. While the records were held in the office’s archives this project was assigned the number 100/90. The office assigned the date 1998 to this project. The bank headquarter is divided into three volumes. Due to the high humidity level of the area, special efforts were put into the design of the air conditioning system. There are four different entrances, one for the public to access the main meeting rooms, one for the employees that is linked to the basement parking, one for the treasury, and one for visitors to the museum, auditorium, or the bar. To this day, the headquarter is still in construction. Documenting this project are plans, details, technical drawings, and mechanical drawings. Textual material includes correspondence, project documentation, technical and mechanical specifications. Photographic material documents the project site.
AP178.S1.1998.PR05
Description:
This project series documents the Nova Sede do Banco Nacional de Cabo Verde in Cabo Verde. While the records were held in the office’s archives this project was assigned the number 100/90. The office assigned the date 1998 to this project. The bank headquarter is divided into three volumes. Due to the high humidity level of the area, special efforts were put into the design of the air conditioning system. There are four different entrances, one for the public to access the main meeting rooms, one for the employees that is linked to the basement parking, one for the treasury, and one for visitors to the museum, auditorium, or the bar. To this day, the headquarter is still in construction. Documenting this project are plans, details, technical drawings, and mechanical drawings. Textual material includes correspondence, project documentation, technical and mechanical specifications. Photographic material documents the project site.
Personnes et institutions:
Date:
1998-2001
1998-2001
Titre:
Nova Sede do Banco Nacional de Cabo Verde [Headquarters, National Bank of Cape Verde], Cape Verde (1998)
Actions:
AP178.S1.1998.PR05
Description:
This project series documents the Nova Sede do Banco Nacional de Cabo Verde in Cabo Verde. While the records were held in the office’s archives this project was assigned the number 100/90. The office assigned the date 1998 to this project. The bank headquarter is divided into three volumes. Due to the high humidity level of the area, special efforts were put into the design of the air conditioning system. There are four different entrances, one for the public to access the main meeting rooms, one for the employees that is linked to the basement parking, one for the treasury, and one for visitors to the museum, auditorium, or the bar. To this day, the headquarter is still in construction. Documenting this project are plans, details, technical drawings, and mechanical drawings. Textual material includes correspondence, project documentation, technical and mechanical specifications. Photographic material documents the project site.
Nova Sede do Banco Nacional de Cabo Verde [Headquarters, National Bank of Cape Verde], Cape Verde (1998)
Actions:
AP178.S1.1998.PR05
Description:
This project series documents the Nova Sede do Banco Nacional de Cabo Verde in Cabo Verde. While the records were held in the office’s archives this project was assigned the number 100/90. The office assigned the date 1998 to this project. The bank headquarter is divided into three volumes. Due to the high humidity level of the area, special efforts were put into the design of the air conditioning system. There are four different entrances, one for the public to access the main meeting rooms, one for the employees that is linked to the basement parking, one for the treasury, and one for visitors to the museum, auditorium, or the bar. To this day, the headquarter is still in construction. Documenting this project are plans, details, technical drawings, and mechanical drawings. Textual material includes correspondence, project documentation, technical and mechanical specifications. Photographic material documents the project site.
Niveau de description archivistique:
Project
Project
Date:
1998-2001
1998-2001
Personnes et institutions:
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Personnes et institutions:
Sujet:
architecture, architecture temporaire, urbanisme
architecture, architecture temporaire, urbanisme
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Titre:
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Personnes et institutions:
Sujet:
architecture, architecture temporaire, urbanisme
architecture, architecture temporaire, urbanisme
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Luc Laporte
Fonds Luc Laporte
Numéro de référence:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Fonds Luc Laporte
Actions:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Fonds Luc Laporte
Actions:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-1993
1991-1993
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Arthur Erickson
Fonds Arthur Erickson
Numéro de référence:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Personnes et institutions:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Titre:
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Personnes et institutions:
