6039 Résultats
Classification:
maquettes
maquettes
Numéro de référence:
ARCH281488
Description:
Label on model reads: "Vorplanung Phase A , 1:1000". Model was identified "P0102_MO_WB1_A__1000_XXXXXX_StudieA" (model 001). These point to two different phases of the project: the early competition phase and the preliminary planning phase. These two phases would have happened several months apart.
ARCH281488
Description:
Label on model reads: "Vorplanung Phase A , 1:1000". Model was identified "P0102_MO_WB1_A__1000_XXXXXX_StudieA" (model 001). These point to two different phases of the project: the early competition phase and the preliminary planning phase. These two phases would have happened several months apart.
Personnes et institutions:
Date:
2001-2002
2001-2002
Titre:
Site model for BWM Welt [BMW World], Munich, Germany
Actions:
ARCH281488
Description:
Label on model reads: "Vorplanung Phase A , 1:1000". Model was identified "P0102_MO_WB1_A__1000_XXXXXX_StudieA" (model 001). These point to two different phases of the project: the early competition phase and the preliminary planning phase. These two phases would have happened several months apart.
Site model for BWM Welt [BMW World], Munich, Germany
Actions:
ARCH281488
Description:
Label on model reads: "Vorplanung Phase A , 1:1000". Model was identified "P0102_MO_WB1_A__1000_XXXXXX_StudieA" (model 001). These point to two different phases of the project: the early competition phase and the preliminary planning phase. These two phases would have happened several months apart.
Classification:
maquettes
maquettes
Date:
2001-2002
2001-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Torre Barcelona, Spain (2001)
Actions:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
Torre Barcelona, Spain (2001)
Actions:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
Niveau de description archivistique:
Project
Project
Date:
1999-2001
1999-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.2009.D2
Description:
Project series documents Melvin Charney’s submitted sculpture proposal for the design competition "Concours national d'intégration des arts à l'architecture et à l'environnement" for the Promenade Samuel de Champlain. Charney's proposal was entitled "Quai 10". The project series includes textual records, architectural drawings, and sketches.
AP041.S1.2009.D2
Description:
Project series documents Melvin Charney’s submitted sculpture proposal for the design competition "Concours national d'intégration des arts à l'architecture et à l'environnement" for the Promenade Samuel de Champlain. Charney's proposal was entitled "Quai 10". The project series includes textual records, architectural drawings, and sketches.
Personnes et institutions:
Date:
2008-2009
2008-2009
Titre:
Quai 10, Québec, Québec
Actions:
AP041.S1.2009.D2
Description:
Project series documents Melvin Charney’s submitted sculpture proposal for the design competition "Concours national d'intégration des arts à l'architecture et à l'environnement" for the Promenade Samuel de Champlain. Charney's proposal was entitled "Quai 10". The project series includes textual records, architectural drawings, and sketches.
Quai 10, Québec, Québec
Actions:
AP041.S1.2009.D2
Description:
Project series documents Melvin Charney’s submitted sculpture proposal for the design competition "Concours national d'intégration des arts à l'architecture et à l'environnement" for the Promenade Samuel de Champlain. Charney's proposal was entitled "Quai 10". The project series includes textual records, architectural drawings, and sketches.
Niveau de description archivistique:
Project
Project
Date:
2008-2009
2008-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP022.S1.1981.PR03
Description:
File documents a competition submission for a mixed-use development project consisting of a commercial block with a department store and shops, an office tower and a 400-room hotel (not built), Baltimore, Maryland. File contains reference drawings, presentation drawings and panels, photographic materia, a model and textual records.
AP022.S1.1981.PR03
Description:
File documents a competition submission for a mixed-use development project consisting of a commercial block with a department store and shops, an office tower and a 400-room hotel (not built), Baltimore, Maryland. File contains reference drawings, presentation drawings and panels, photographic materia, a model and textual records.
Personnes et institutions:
Date:
1981-1982
1981-1982
Titre:
Harborplace Square
Actions:
AP022.S1.1981.PR03
Description:
File documents a competition submission for a mixed-use development project consisting of a commercial block with a department store and shops, an office tower and a 400-room hotel (not built), Baltimore, Maryland. File contains reference drawings, presentation drawings and panels, photographic materia, a model and textual records.
Harborplace Square
Actions:
AP022.S1.1981.PR03
Description:
File documents a competition submission for a mixed-use development project consisting of a commercial block with a department store and shops, an office tower and a 400-room hotel (not built), Baltimore, Maryland. File contains reference drawings, presentation drawings and panels, photographic materia, a model and textual records.
Niveau de description archivistique:
Project
Project
Date:
1981-1982
1981-1982
Personnes et institutions:
Classification:
dessins
Quantité:
627 design development drawing(s)
dessins
Quantité:
627 design development drawing(s)
Numéro de référence:
DR2004:0847
Description:
plans, some with annotations and calculations, sketches, axonometrics, measured sketches, sections, diagrams, conceptual sketches, perspectives, consultants' drawings, reference drawings, clippings, schematics, site plans, details, proposal documents, competition documents, elevations, notes, schedules, texts, cutouts, views of model, brochures, report, and postcard
DR2004:0847
Description:
plans, some with annotations and calculations, sketches, axonometrics, measured sketches, sections, diagrams, conceptual sketches, perspectives, consultants' drawings, reference drawings, clippings, schematics, site plans, details, proposal documents, competition documents, elevations, notes, schedules, texts, cutouts, views of model, brochures, report, and postcard
Personnes et institutions:
Titre:
Plans, some with annotations and calculations, sketches
Actions:
DR2004:0847
Description:
plans, some with annotations and calculations, sketches, axonometrics, measured sketches, sections, diagrams, conceptual sketches, perspectives, consultants' drawings, reference drawings, clippings, schematics, site plans, details, proposal documents, competition documents, elevations, notes, schedules, texts, cutouts, views of model, brochures, report, and postcard
Plans, some with annotations and calculations, sketches
Actions:
DR2004:0847
Description:
plans, some with annotations and calculations, sketches, axonometrics, measured sketches, sections, diagrams, conceptual sketches, perspectives, consultants' drawings, reference drawings, clippings, schematics, site plans, details, proposal documents, competition documents, elevations, notes, schedules, texts, cutouts, views of model, brochures, report, and postcard
Classification:
dessins
Quantité:
627 design development drawing(s)
dessins
Quantité:
627 design development drawing(s)
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Mart Stam
Collection Mart Stam
Numéro de référence:
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
Personnes et institutions:
Date:
1925-1932, 1972
1925-1932, 1972
Titre:
Collection Mart Stam
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
Collection Mart Stam
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
Classification:
archives
Niveau de description archivistique:
Collection institutionnelle
archives
Niveau de description archivistique:
Collection institutionnelle
Date:
1925-1932, 1972
1925-1932, 1972
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Awards
Awards
Numéro de référence:
AP144.S9
Description:
Series contains textual records that document two honours received by Cedric Price, one, an Honorable Mention for the Shinkenchiku Residential Design Competition (1990), titled 'The House is an Electronics Device for Living', and the other, the Austrian Frederick Kiesler Award for Architecture and Art, awarded to Cedric Price in 2002.
AP144.S9
Description:
Series contains textual records that document two honours received by Cedric Price, one, an Honorable Mention for the Shinkenchiku Residential Design Competition (1990), titled 'The House is an Electronics Device for Living', and the other, the Austrian Frederick Kiesler Award for Architecture and Art, awarded to Cedric Price in 2002.
Personnes et institutions:
Date:
1990, 2002
1990, 2002
Titre:
Awards
Actions:
AP144.S9
Description:
Series contains textual records that document two honours received by Cedric Price, one, an Honorable Mention for the Shinkenchiku Residential Design Competition (1990), titled 'The House is an Electronics Device for Living', and the other, the Austrian Frederick Kiesler Award for Architecture and Art, awarded to Cedric Price in 2002.
Awards
Actions:
AP144.S9
Description:
Series contains textual records that document two honours received by Cedric Price, one, an Honorable Mention for the Shinkenchiku Residential Design Competition (1990), titled 'The House is an Electronics Device for Living', and the other, the Austrian Frederick Kiesler Award for Architecture and Art, awarded to Cedric Price in 2002.
Niveau de description archivistique:
Series
Series
Date:
1990, 2002
1990, 2002
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0015:025:013
Description:
File containing documents in English and French (predominant), including correspondence, CVs, notes, and a sketch, related to Melvin Charney's competition submission for the Complexe sportif Saint-Laurent: oeuvre d'art public. Original folder inscribed in graphite: CONC V de MTL - Phase One 10.2011
DR2012:0015:025:013
Description:
File containing documents in English and French (predominant), including correspondence, CVs, notes, and a sketch, related to Melvin Charney's competition submission for the Complexe sportif Saint-Laurent: oeuvre d'art public. Original folder inscribed in graphite: CONC V de MTL - Phase One 10.2011
Personnes et institutions:
Date:
2011
2011
Titre:
Correspondence, CVs, notes, and a sketch, Complexe sportif Saint-Laurent, Montréal, Québec
Actions:
DR2012:0015:025:013
Description:
File containing documents in English and French (predominant), including correspondence, CVs, notes, and a sketch, related to Melvin Charney's competition submission for the Complexe sportif Saint-Laurent: oeuvre d'art public. Original folder inscribed in graphite: CONC V de MTL - Phase One 10.2011
Correspondence, CVs, notes, and a sketch, Complexe sportif Saint-Laurent, Montréal, Québec
Actions:
DR2012:0015:025:013
Description:
File containing documents in English and French (predominant), including correspondence, CVs, notes, and a sketch, related to Melvin Charney's competition submission for the Complexe sportif Saint-Laurent: oeuvre d'art public. Original folder inscribed in graphite: CONC V de MTL - Phase One 10.2011
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
2011
2011
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Education
Education
Numéro de référence:
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
Personnes et institutions:
Date:
1800-1807
1800-1807
Titre:
Education
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
Education
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
Niveau de description archivistique:
File 1
File 1
Date:
1800-1807
1800-1807
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
Personnes et institutions:
Date:
October 1981
October 1981
Titre:
Sketchbook 94: Teixeira - Berlim - Ovar
Actions:
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
Sketchbook 94: Teixeira - Berlim - Ovar
Actions:
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
Classification:
dessins
dessins
Date:
October 1981
October 1981
Personnes et institutions:
