1441 Résultats
Classification:
expositions
expositions
Titre:
Nouvelles entrées
Nouvelles entrées
Actions:
Description:
Une exposition de dons à la collection reçus à l’occasion du 80e anniversaire de son directeur fondateur, Phyllis Lambert, Nouvelles entrées comprend des oeuvres originales de photographes et artistes réputés, maniant le langage de la photographie, tels Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Gordon(...)
Une exposition de dons à la collection reçus à l’occasion du 80e anniversaire de son directeur fondateur, Phyllis Lambert, Nouvelles entrées comprend des oeuvres originales de photographes et artistes réputés, maniant le langage de la photographie, tels Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Gordon(...)
Localisation:
Vitrines
Vitrines
Date:
24 janvier 2008 au 23 mars 2008
24 janvier 2008 au 23 mars 2008
Titre:
Nouvelles entrées
Actions:
Description:
Une exposition de dons à la collection reçus à l’occasion du 80e anniversaire de son directeur fondateur, Phyllis Lambert, Nouvelles entrées comprend des oeuvres originales de photographes et artistes réputés, maniant le langage de la photographie, tels Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Gordon(...)
Nouvelles entrées
Actions:
Description:
Une exposition de dons à la collection reçus à l’occasion du 80e anniversaire de son directeur fondateur, Phyllis Lambert, Nouvelles entrées comprend des oeuvres originales de photographes et artistes réputés, maniant le langage de la photographie, tels Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Gordon(...)
Classification:
expositions
expositions
Date:
24 janvier 2008 au
23 mars 2008
24 janvier 2008 au
23 mars 2008
Localisation:
Vitrines
Vitrines
Classification:
événements
événements
Classification:
articles
articles
Actions:
Joaquim Moreno examine un des épisodes du cours de l’Open University A305 consacré à l’histoire de l’architecture et du design de 1890 à 1939
Publié:
27 juillet 2026
27 juillet 2026
Titre:
Toujours la question du logement
Joaquim Moreno examine un des épisodes du cours de l’Open University A305 consacré à l’histoire de l’architecture et du design de 1890 à 1939
Actions:
Toujours la question du logement
Joaquim Moreno examine un des épisodes du cours de l’Open University A305 consacré à l’histoire de l’architecture et du design de 1890 à 1939
Actions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Personnes et institutions:
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Titre:
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Niveau de description archivistique:
Series
Series
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Pendant trois ans, Serge Hambourg a pris plus de 400 photographies de manufactures historiques de la Nouvelle-Angleterre commandées par le CCA. Ces formes architecturales, représentées dans leur environnement, mettent en valeur la beauté austère des intérieurs et des extérieurs. Les photos tracent l’évolution de ce type de bâtiment. Ces images montrent des structures de(...)
Pendant trois ans, Serge Hambourg a pris plus de 400 photographies de manufactures historiques de la Nouvelle-Angleterre commandées par le CCA. Ces formes architecturales, représentées dans leur environnement, mettent en valeur la beauté austère des intérieurs et des extérieurs. Les photos tracent l’évolution de ce type de bâtiment. Ces images montrent des structures de(...)
Localisation:
Antichambre de la salle octogonale
Antichambre de la salle octogonale
Date:
6 décembre 1989 au 11 février 1990
6 décembre 1989 au 11 février 1990
Titre:
Manufactures de la Nouvelle-Angleterre : photographies de Serge Hambourg
Actions:
Description:
Pendant trois ans, Serge Hambourg a pris plus de 400 photographies de manufactures historiques de la Nouvelle-Angleterre commandées par le CCA. Ces formes architecturales, représentées dans leur environnement, mettent en valeur la beauté austère des intérieurs et des extérieurs. Les photos tracent l’évolution de ce type de bâtiment. Ces images montrent des structures de(...)
Manufactures de la Nouvelle-Angleterre : photographies de Serge Hambourg
Actions:
Description:
Pendant trois ans, Serge Hambourg a pris plus de 400 photographies de manufactures historiques de la Nouvelle-Angleterre commandées par le CCA. Ces formes architecturales, représentées dans leur environnement, mettent en valeur la beauté austère des intérieurs et des extérieurs. Les photos tracent l’évolution de ce type de bâtiment. Ces images montrent des structures de(...)
Classification:
expositions
expositions
Date:
6 décembre 1989 au
11 février 1990
6 décembre 1989 au
11 février 1990
Localisation:
Antichambre de la salle octogonale
Antichambre de la salle octogonale
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
Personnes et institutions:
Date:
1971, 1987-1988
1971, 1987-1988
Titre:
District 4-5 Plan from Borough of North York
Actions:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
District 4-5 Plan from Borough of North York
Actions:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
Classification:
documents textuels
documents textuels
Date:
1971, 1987-1988
1971, 1987-1988
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Date:
16 novembre 2016 au 9 avril 2017
16 novembre 2016 au 9 avril 2017
Titre:
Le temps presse
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Le temps presse
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Classification:
expositions
expositions
Date:
16 novembre 2016 au
9 avril 2017
16 novembre 2016 au
9 avril 2017
Classification:
expositions
expositions
Actions:
Description:
Inspirée de la thématique du voyage à l’étranger, l’exposition présente la vision personnelle de quatre photographes – Clara Sipprell, Lida Moser, Laura Volkerding et Tadashi Kawamata – ayant voyagé au Québec entre les années 20 et aujourd’hui. Ces artistes de l’extérieur posent un regard particulier sur l’architecture et l’environnement et livrent leur perception d’une(...)
Inspirée de la thématique du voyage à l’étranger, l’exposition présente la vision personnelle de quatre photographes – Clara Sipprell, Lida Moser, Laura Volkerding et Tadashi Kawamata – ayant voyagé au Québec entre les années 20 et aujourd’hui. Ces artistes de l’extérieur posent un regard particulier sur l’architecture et l’environnement et livrent leur perception d’une(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
10 mai 1995 au 15 octobre 1995
10 mai 1995 au 15 octobre 1995
Titre:
Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata
Actions:
Description:
Inspirée de la thématique du voyage à l’étranger, l’exposition présente la vision personnelle de quatre photographes – Clara Sipprell, Lida Moser, Laura Volkerding et Tadashi Kawamata – ayant voyagé au Québec entre les années 20 et aujourd’hui. Ces artistes de l’extérieur posent un regard particulier sur l’architecture et l’environnement et livrent leur perception d’une(...)
Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata
Actions:
Description:
Inspirée de la thématique du voyage à l’étranger, l’exposition présente la vision personnelle de quatre photographes – Clara Sipprell, Lida Moser, Laura Volkerding et Tadashi Kawamata – ayant voyagé au Québec entre les années 20 et aujourd’hui. Ces artistes de l’extérieur posent un regard particulier sur l’architecture et l’environnement et livrent leur perception d’une(...)
Classification:
expositions
expositions
Date:
10 mai 1995 au
15 octobre 1995
10 mai 1995 au
15 octobre 1995
Localisation:
Salle octogonale
Salle octogonale
Classification:
expositions
expositions
Actions:
Description:
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
Localisation:
Salles principales
Salles principales
Date:
2 mai 1990 au 21 octobre 1990
2 mai 1990 au 21 octobre 1990
Titre:
Ernest Cormier et l'Université de Montréal
Actions:
Description:
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
Ernest Cormier et l'Université de Montréal
Actions:
Description:
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
Classification:
expositions
expositions
Date:
2 mai 1990 au
21 octobre 1990
2 mai 1990 au
21 octobre 1990
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Actions:
Description:
Centrée sur les panoramas photographiques d’Eadweard Muybridge, l’exposition examine les images du San Francisco des années 1850 à 1880, époque où la ville a connu une croissance phénoménale. L’exposition met l’oeuvre de Muybridge en contexte à l’aide des panoramas constitués de plusieurs daguerréotypes, des panoramas photographiques (y compris des jeux d’images(...)
Centrée sur les panoramas photographiques d’Eadweard Muybridge, l’exposition examine les images du San Francisco des années 1850 à 1880, époque où la ville a connu une croissance phénoménale. L’exposition met l’oeuvre de Muybridge en contexte à l’aide des panoramas constitués de plusieurs daguerréotypes, des panoramas photographiques (y compris des jeux d’images(...)
Localisation:
Salles principales
Salles principales
Date:
31 mars 1993 au 25 juillet 1993
31 mars 1993 au 25 juillet 1993
Titre:
Eadweard Muybridge et le panorama photographique de San Francisco, 1850-1880
Actions:
Description:
Centrée sur les panoramas photographiques d’Eadweard Muybridge, l’exposition examine les images du San Francisco des années 1850 à 1880, époque où la ville a connu une croissance phénoménale. L’exposition met l’oeuvre de Muybridge en contexte à l’aide des panoramas constitués de plusieurs daguerréotypes, des panoramas photographiques (y compris des jeux d’images(...)
Eadweard Muybridge et le panorama photographique de San Francisco, 1850-1880
Actions:
Description:
Centrée sur les panoramas photographiques d’Eadweard Muybridge, l’exposition examine les images du San Francisco des années 1850 à 1880, époque où la ville a connu une croissance phénoménale. L’exposition met l’oeuvre de Muybridge en contexte à l’aide des panoramas constitués de plusieurs daguerréotypes, des panoramas photographiques (y compris des jeux d’images(...)
Classification:
expositions
expositions
Date:
31 mars 1993 au
25 juillet 1993
31 mars 1993 au
25 juillet 1993
Localisation:
Salles principales
Salles principales
