16090 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
circa 1998
circa 1998
Titre:
Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi (1998)
Actions:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi (1998)
Actions:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1998
circa 1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2017
1971-2017
Titre:
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2017
1971-2017
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Aditya Prakash fonds
Aditya Prakash fonds
Numéro de référence:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Personnes et institutions:
Date:
1947-2008
1947-2008
Titre:
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2008
1947-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
John C. Parkin fonds
John C. Parkin fonds
Numéro de référence:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Personnes et institutions:
Date:
1929-1987
1929-1987
Titre:
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1929-1987
1929-1987
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2007
Chercheurs en résidence 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, États-Unis Sujet : The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Université Concordia, Montréal, Canada Sujet : Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
S.M. Can Bilsel, University of San Diego, San Diego, États-Unis Sujet : The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Université Concordia, Montréal, Canada Sujet : Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Date:
mai 2007 au septembre 2007
mai 2007 au septembre 2007
Titre:
Chercheurs en résidence 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, États-Unis Sujet : The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Université Concordia, Montréal, Canada Sujet : Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Chercheurs en résidence 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, États-Unis Sujet : The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Université Concordia, Montréal, Canada Sujet : Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Classification:
recherche
recherche
Date:
mai 2007 au
septembre 2007
mai 2007 au
septembre 2007
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S2.001
Description:
These research materials are organized alphabetically, by the authors last names, from A-R. The writings from the following authors are included in this box : Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari; Jürgen Habermas; and Mary McCleod. Subjects explored in these texts consist of the international style, meaning in architecture and the modern movement.
AP197.S2.001
Description:
These research materials are organized alphabetically, by the authors last names, from A-R. The writings from the following authors are included in this box : Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari; Jürgen Habermas; and Mary McCleod. Subjects explored in these texts consist of the international style, meaning in architecture and the modern movement.
Personnes et institutions:
Date:
circa 1966-1994
circa 1966-1994
Titre:
Research files on various subjects that relate to 20th century criticism written by others (A-R)
Actions:
AP197.S2.001
Description:
These research materials are organized alphabetically, by the authors last names, from A-R. The writings from the following authors are included in this box : Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari; Jürgen Habermas; and Mary McCleod. Subjects explored in these texts consist of the international style, meaning in architecture and the modern movement.
Research files on various subjects that relate to 20th century criticism written by others (A-R)
Actions:
AP197.S2.001
Description:
These research materials are organized alphabetically, by the authors last names, from A-R. The writings from the following authors are included in this box : Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari; Jürgen Habermas; and Mary McCleod. Subjects explored in these texts consist of the international style, meaning in architecture and the modern movement.
Classification:
documents textuels
documents textuels
Date:
circa 1966-1994
circa 1966-1994
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Lionel March fonds
Lionel March fonds
Numéro de référence:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Personnes et institutions:
Date:
circa 1957-2017
circa 1957-2017
Titre:
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1957-2017
circa 1957-2017
Personnes et institutions:
Classification:
événements
événements
Actions:
Mot(s)-clé(s):
chercheur en résidence, Jonathan Massey, Modernisme, Ornement, Réforme, Cristal et Arabesque, Architecture moderne américaine, époque progressive (1893-1918)
chercheur en résidence, Jonathan Massey, Modernisme, Ornement, Réforme, Cristal et Arabesque, Architecture moderne américaine, époque progressive (1893-1918)
Date:
15 juin 2006
15 juin 2006
Classification:
événements
événements
Date:
15 juin 2006
15 juin 2006
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Max Wolfe Roth
Fonds Max Wolfe Roth
Numéro de référence:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Personnes et institutions:
Date:
1933-2000
1933-2000
Titre:
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-2000
1933-2000
Personnes et institutions:
Classification:
articles
articles
Dossier:
Trajets et transferts
Trajets et transferts
