dessins, documents textuels, photographies
DR1995:0278:013-013
Description:
list, office memoranda, invoices, correspondence, estimates, meeting notes, notes, application form, exhibition floor plan, codes, press release, sketches, postcard, minutes of meetings, clippings, pamphlet, progress report, site notes, exhibition proposal including budget, and photographs, contact sheets, and negatives of exhibition
List, office memoranda, invoices, correspondence, estimates, meeting notes, notes
Actions:
DR1995:0278:013-013
Description:
list, office memoranda, invoices, correspondence, estimates, meeting notes, notes, application form, exhibition floor plan, codes, press release, sketches, postcard, minutes of meetings, clippings, pamphlet, progress report, site notes, exhibition proposal including budget, and photographs, contact sheets, and negatives of exhibition
dessins, documents textuels, photographies
photographies
ARCH274428
Description:
Group consists of negatives (61 negatives), contact sheets (10 contacts sheets) of Chandigarh, India, including photographs of the Capitol Complex's buildings, the University's buildings, including the Ghandi Bhawan, the Sukhna Lake, the Bhakra Dam, near Talwara. There are also photographs of Chandigarh before the contruction and photographs of India other than Chandigarh. The group also includes photographs of Le Corbusier, Jawaharlal Nehru, Jeet Malhotra and others.
between 1951 and 1965
Photographs of Chandigarh, India
Actions:
ARCH274428
Description:
Group consists of negatives (61 negatives), contact sheets (10 contacts sheets) of Chandigarh, India, including photographs of the Capitol Complex's buildings, the University's buildings, including the Ghandi Bhawan, the Sukhna Lake, the Bhakra Dam, near Talwara. There are also photographs of Chandigarh before the contruction and photographs of India other than Chandigarh. The group also includes photographs of Le Corbusier, Jawaharlal Nehru, Jeet Malhotra and others.
photographies
between 1951 and 1965
Série(s)
AP196.S2
Description:
Series 2, Project files for full-term design, 2007-2011, documents the design phase after the firm won the project. During this phase, the firm refined the design, which included deciding on the pattern for the bird screen. The firm also produced the construction drawings and was in contact with potential subcontractors for the project. However, due to cuts in the city budget, the Ford Calumet Environmental Center was never built. The records consist largely of AutoCAD drawings and original sketches documenting the final design development phase, as well as related AutoCAD drawings for construction details. The records also include email correspondence with project subcontractors and City of Chicago’s Department of Environment and programming documents submitted to the City for different commissions and departments. The records also include marketing documents used for different publications about the project. Additionally, there is one study model for the entire building, two sectional models for façade roof and deck, and one terrazzo flooring sample.
2007-2011
Project files for full-term design
Actions:
AP196.S2
Description:
Series 2, Project files for full-term design, 2007-2011, documents the design phase after the firm won the project. During this phase, the firm refined the design, which included deciding on the pattern for the bird screen. The firm also produced the construction drawings and was in contact with potential subcontractors for the project. However, due to cuts in the city budget, the Ford Calumet Environmental Center was never built. The records consist largely of AutoCAD drawings and original sketches documenting the final design development phase, as well as related AutoCAD drawings for construction details. The records also include email correspondence with project subcontractors and City of Chicago’s Department of Environment and programming documents submitted to the City for different commissions and departments. The records also include marketing documents used for different publications about the project. Additionally, there is one study model for the entire building, two sectional models for façade roof and deck, and one terrazzo flooring sample.
Series
2007-2011
photographies
Quantité:
10 photograph(s)
ARCH273325
Description:
Group consists of photographs (including a contact sheet) of members of the Minimum Cost Housing Group working on sulphur concrete bricks, photographs of the group members and photographs of the sulphur concrete bricks, including some for the Minimum Cost Housing Group's publications on sulphur concrete.
ca. 1974
Photographs of members of the Minimum Cost Housing Group working on sulphur concrete bricks
Actions:
ARCH273325
Description:
Group consists of photographs (including a contact sheet) of members of the Minimum Cost Housing Group working on sulphur concrete bricks, photographs of the group members and photographs of the sulphur concrete bricks, including some for the Minimum Cost Housing Group's publications on sulphur concrete.
photographies
Quantité:
10 photograph(s)
ca. 1974
photographies
Quantité:
145 photograph(s)
ARCH273328
Description:
Group consists of photographs (including 3 contact sheets) of the members of the Minimum Cost Housing Group making sulphur concrete and sulphur concrete bricks, and photographs of installation, tools and devices for making concrete and bricks, including some used for the publications about sulphur concrete.
ca. 1974
Photographs of the members of the Minimum Cost Housing Group
Actions:
ARCH273328
Description:
Group consists of photographs (including 3 contact sheets) of the members of the Minimum Cost Housing Group making sulphur concrete and sulphur concrete bricks, and photographs of installation, tools and devices for making concrete and bricks, including some used for the publications about sulphur concrete.
photographies
Quantité:
145 photograph(s)
ca. 1974
photographies
Clippings and photographs
DR2004:1404
Description:
clippings and photographs showing Robert Fraser Gallery (AP144.S2.D38), Bar and Reception Hall, Mostyn Hotel (AP144.S2.D27), and Aerofoam Ltd (AP144.S2.D43), views of layouts and contact sheets for Melmark (AP144.S2.D105), and exhibition posters for 'Houses for Sale' (1980-1981)
Clippings and photographs
Actions:
DR2004:1404
Description:
clippings and photographs showing Robert Fraser Gallery (AP144.S2.D38), Bar and Reception Hall, Mostyn Hotel (AP144.S2.D27), and Aerofoam Ltd (AP144.S2.D43), views of layouts and contact sheets for Melmark (AP144.S2.D105), and exhibition posters for 'Houses for Sale' (1980-1981)
photographies
documents textuels
Goldsmith's notes, diverse
ARCH255480
Description:
annotated article by Howard Dearstyne, "Mies at the Bauhaus in Dessau", essay notes, slide contact sheet for Canbrook lecture on Mies teaching summer 1984, Banquet of A.I.A. Inaugeral Address, letter to Myron Goldsmith from Marc Dilet and a letter to Stanley M. Freehling from Myron Goldsmith
Goldsmith's notes, diverse
Actions:
ARCH255480
Description:
annotated article by Howard Dearstyne, "Mies at the Bauhaus in Dessau", essay notes, slide contact sheet for Canbrook lecture on Mies teaching summer 1984, Banquet of A.I.A. Inaugeral Address, letter to Myron Goldsmith from Marc Dilet and a letter to Stanley M. Freehling from Myron Goldsmith
documents textuels
Le CCA organise un après-midi de discussion à Lisbonne autour de l’œuvre de Cedric Price, à l’occasion de l’exposition Obra / Building Site, qui présente le projet McAppy de Price dans le cadre de la 4e Triennale de Lisbonne, intitulée The Form of Form, et de la publication de Cedric Price Works 1952–2003: A Forward-Minded Retrospective. Un lancement du livre suivra à(...)
Travessa do Cabo, 10-12. Lisbonne
22 octobre 2016
Un après-midi avec Cedric Price no 1
Actions:
Description:
Le CCA organise un après-midi de discussion à Lisbonne autour de l’œuvre de Cedric Price, à l’occasion de l’exposition Obra / Building Site, qui présente le projet McAppy de Price dans le cadre de la 4e Triennale de Lisbonne, intitulée The Form of Form, et de la publication de Cedric Price Works 1952–2003: A Forward-Minded Retrospective. Un lancement du livre suivra à(...)
Travessa do Cabo, 10-12. Lisbonne
documents textuels
ARCH254011
Description:
list of contacts, notes
1974
documents textuels
1974
Projet
AP207.S1.1973.PR04
Description:
The project series documents "Progetto D'Architettura n. 5" a three fold performance carried out at the Milan Triennale in 1973. The first group performing were two musicians, one accordionist, Davide Mosconi, and one cellist, Marino Vismara, playing while walking around the large entrance at the bottom of the grand staircase of the Triennale building. The performers constantly bumped into each other as they tried to get the upper hand on the other. At the same time, a 'fire eater', Nunzio Salvago, spat out flames in the staircase. Finally, on the second floor at the end of the stairs, Pettena, using vibraphone mallets, hit the ceramic tiles of the entrance walls off of which the sound was amplified by contact with microphones installed beforehand. The performance was thought of as "an operation of the “reading” of physical space, of occupation of the whole of the environment, realized through sound [...]." The project series contains video recordings and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-archi-n-5-project-1973/ (last accessed 12 November 2019)
2009-2016
Progetto D'Architettura n. 5 [Architectural Project no. 5] (1973)
Actions:
AP207.S1.1973.PR04
Description:
The project series documents "Progetto D'Architettura n. 5" a three fold performance carried out at the Milan Triennale in 1973. The first group performing were two musicians, one accordionist, Davide Mosconi, and one cellist, Marino Vismara, playing while walking around the large entrance at the bottom of the grand staircase of the Triennale building. The performers constantly bumped into each other as they tried to get the upper hand on the other. At the same time, a 'fire eater', Nunzio Salvago, spat out flames in the staircase. Finally, on the second floor at the end of the stairs, Pettena, using vibraphone mallets, hit the ceramic tiles of the entrance walls off of which the sound was amplified by contact with microphones installed beforehand. The performance was thought of as "an operation of the “reading” of physical space, of occupation of the whole of the environment, realized through sound [...]." The project series contains video recordings and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-archi-n-5-project-1973/ (last accessed 12 November 2019)
Project
2009-2016