8535 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Two Tree Island
Two Tree Island
Numéro de référence:
AP144.S2.D84
Description:
File documents an unexecuted project for Two Tree Island, the last uninhabited island in the Thames Estuary, in Essex, England. Cedric Price collaborated with Yorke Rosenberg Mardall Architects (YMR) on the project for client David Keddie, to develop a 178-hectare site on the island which encompassed both existing and reclaimed land, some of which was reserved under a trust for nature conservation. Early proposals showed residential areas, commercial, as well as, industrial zones, and facilities for recreation and leisure activities, including a marina. The final design proposed a much smaller residential area and harbour and included larger conservation and marshland areas in response to local concerns. The project was rejected and a portion of Two Tree Island was leased to the Nature Conservancy (NERC). An Appeal and Public Enquiry lodged by the client was subsequently indefinitely postponed. The architects produced several versions of a consultant's report, created a 'logbook' for the project, and published a brochure and promotional material for a public meeting. Existing conditions and reference material in the file includes maps of the area showing locations for a photo survey; Port of Authority of London plans showing water depths at various locations; a drawing of Marine Island, Essex; and a collage of photos of the area mounted on a board. Sketches by Cedric Price show development plans for the island and explore alternate "open" and "closed" configurations for the basin. Sketch sections show established maximum flood heights on the proposed schemes (see sketches in Works II, p. 86). A series of schematic drawings by YMR develop preliminary schemes exploring alternate layouts in relation to the primary basin configuration. A perspective drawing shows a view of the site from the main road to the island. Design development drawings include both original drawings and reprographic copies and include bird's-eye view perspective sketches; diagrams showing "domestic development" and projected "typical patterning"; and diagrammatic plans/charts showing existing and reclaimed areas, compatibility of activities, and degrees of accessibility (see typical diagram in Works II, p. 87). Other design development drawings include standard plans, sections and elevations, as well as site plans, land-use plans for the marina, plans showing alternate layouts for the marina dock, plans showing Thames tidal defences, site sections, and breakwater profiles. Working drawings for the marina by consulting engineers Sir Frederick Snow and Partners include survey plans, detailed sections illustrating the reinforcement and stabilization of the marine bed, and task sequencing diagrams and charts. Publication and presentation material includes photographs of rendered perspectives, over 18 watercolour renderings of Two Tree Island by Cedric Price, and a mock-up for a 13-page brochure or report summarizing the project. Many drawings are also included in the textual records, which also include Cedric Price's diary on the project. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 86-87. Material in this file was produced between 1963 and 1989, but predominantly between 1971 and 1974. Cedric Price's office lists the following firms as the main consultants for this project: Felix J. Samuely & Partners and Sir Frederick Snow & Partners, Consulting Engineers; Baker Wilkins & Smith, Quantity Surveyors; Prof. Peter Cowan, Director, Joint Unit for Planning Research; Prof. Peter Willmott, Director Institute of Community Studies; Prof. G. P. Wibberley, Professor of Countryside Planning, University of London; M. A. B. Boddington, Rural Planning Services. One drawing in DR1995:0255:011-021 is attributed to Costain Civil Engineering Ltd. File contains cartographic materials, conceptual drawings, design development drawings, presentation drawings, consultant drawings, model, and textual records.
AP144.S2.D84
Description:
File documents an unexecuted project for Two Tree Island, the last uninhabited island in the Thames Estuary, in Essex, England. Cedric Price collaborated with Yorke Rosenberg Mardall Architects (YMR) on the project for client David Keddie, to develop a 178-hectare site on the island which encompassed both existing and reclaimed land, some of which was reserved under a trust for nature conservation. Early proposals showed residential areas, commercial, as well as, industrial zones, and facilities for recreation and leisure activities, including a marina. The final design proposed a much smaller residential area and harbour and included larger conservation and marshland areas in response to local concerns. The project was rejected and a portion of Two Tree Island was leased to the Nature Conservancy (NERC). An Appeal and Public Enquiry lodged by the client was subsequently indefinitely postponed. The architects produced several versions of a consultant's report, created a 'logbook' for the project, and published a brochure and promotional material for a public meeting. Existing conditions and reference material in the file includes maps of the area showing locations for a photo survey; Port of Authority of London plans showing water depths at various locations; a drawing of Marine Island, Essex; and a collage of photos of the area mounted on a board. Sketches by Cedric Price show development plans for the island and explore alternate "open" and "closed" configurations for the basin. Sketch sections show established maximum flood heights on the proposed schemes (see sketches in Works II, p. 86). A series of schematic drawings by YMR develop preliminary schemes exploring alternate layouts in relation to the primary basin configuration. A perspective drawing shows a view of the site from the main road to the island. Design development drawings include both original drawings and reprographic copies and include bird's-eye view perspective sketches; diagrams showing "domestic development" and projected "typical patterning"; and diagrammatic plans/charts showing existing and reclaimed areas, compatibility of activities, and degrees of accessibility (see typical diagram in Works II, p. 87). Other design development drawings include standard plans, sections and elevations, as well as site plans, land-use plans for the marina, plans showing alternate layouts for the marina dock, plans showing Thames tidal defences, site sections, and breakwater profiles. Working drawings for the marina by consulting engineers Sir Frederick Snow and Partners include survey plans, detailed sections illustrating the reinforcement and stabilization of the marine bed, and task sequencing diagrams and charts. Publication and presentation material includes photographs of rendered perspectives, over 18 watercolour renderings of Two Tree Island by Cedric Price, and a mock-up for a 13-page brochure or report summarizing the project. Many drawings are also included in the textual records, which also include Cedric Price's diary on the project. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 86-87. Material in this file was produced between 1963 and 1989, but predominantly between 1971 and 1974. Cedric Price's office lists the following firms as the main consultants for this project: Felix J. Samuely & Partners and Sir Frederick Snow & Partners, Consulting Engineers; Baker Wilkins & Smith, Quantity Surveyors; Prof. Peter Cowan, Director, Joint Unit for Planning Research; Prof. Peter Willmott, Director Institute of Community Studies; Prof. G. P. Wibberley, Professor of Countryside Planning, University of London; M. A. B. Boddington, Rural Planning Services. One drawing in DR1995:0255:011-021 is attributed to Costain Civil Engineering Ltd. File contains cartographic materials, conceptual drawings, design development drawings, presentation drawings, consultant drawings, model, and textual records.
Personnes et institutions:
Date:
1963-1989, predominant 1971-1974
1963-1989, predominant 1971-1974
Titre:
Two Tree Island
Actions:
AP144.S2.D84
Description:
File documents an unexecuted project for Two Tree Island, the last uninhabited island in the Thames Estuary, in Essex, England. Cedric Price collaborated with Yorke Rosenberg Mardall Architects (YMR) on the project for client David Keddie, to develop a 178-hectare site on the island which encompassed both existing and reclaimed land, some of which was reserved under a trust for nature conservation. Early proposals showed residential areas, commercial, as well as, industrial zones, and facilities for recreation and leisure activities, including a marina. The final design proposed a much smaller residential area and harbour and included larger conservation and marshland areas in response to local concerns. The project was rejected and a portion of Two Tree Island was leased to the Nature Conservancy (NERC). An Appeal and Public Enquiry lodged by the client was subsequently indefinitely postponed. The architects produced several versions of a consultant's report, created a 'logbook' for the project, and published a brochure and promotional material for a public meeting. Existing conditions and reference material in the file includes maps of the area showing locations for a photo survey; Port of Authority of London plans showing water depths at various locations; a drawing of Marine Island, Essex; and a collage of photos of the area mounted on a board. Sketches by Cedric Price show development plans for the island and explore alternate "open" and "closed" configurations for the basin. Sketch sections show established maximum flood heights on the proposed schemes (see sketches in Works II, p. 86). A series of schematic drawings by YMR develop preliminary schemes exploring alternate layouts in relation to the primary basin configuration. A perspective drawing shows a view of the site from the main road to the island. Design development drawings include both original drawings and reprographic copies and include bird's-eye view perspective sketches; diagrams showing "domestic development" and projected "typical patterning"; and diagrammatic plans/charts showing existing and reclaimed areas, compatibility of activities, and degrees of accessibility (see typical diagram in Works II, p. 87). Other design development drawings include standard plans, sections and elevations, as well as site plans, land-use plans for the marina, plans showing alternate layouts for the marina dock, plans showing Thames tidal defences, site sections, and breakwater profiles. Working drawings for the marina by consulting engineers Sir Frederick Snow and Partners include survey plans, detailed sections illustrating the reinforcement and stabilization of the marine bed, and task sequencing diagrams and charts. Publication and presentation material includes photographs of rendered perspectives, over 18 watercolour renderings of Two Tree Island by Cedric Price, and a mock-up for a 13-page brochure or report summarizing the project. Many drawings are also included in the textual records, which also include Cedric Price's diary on the project. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 86-87. Material in this file was produced between 1963 and 1989, but predominantly between 1971 and 1974. Cedric Price's office lists the following firms as the main consultants for this project: Felix J. Samuely & Partners and Sir Frederick Snow & Partners, Consulting Engineers; Baker Wilkins & Smith, Quantity Surveyors; Prof. Peter Cowan, Director, Joint Unit for Planning Research; Prof. Peter Willmott, Director Institute of Community Studies; Prof. G. P. Wibberley, Professor of Countryside Planning, University of London; M. A. B. Boddington, Rural Planning Services. One drawing in DR1995:0255:011-021 is attributed to Costain Civil Engineering Ltd. File contains cartographic materials, conceptual drawings, design development drawings, presentation drawings, consultant drawings, model, and textual records.
Two Tree Island
Actions:
AP144.S2.D84
Description:
File documents an unexecuted project for Two Tree Island, the last uninhabited island in the Thames Estuary, in Essex, England. Cedric Price collaborated with Yorke Rosenberg Mardall Architects (YMR) on the project for client David Keddie, to develop a 178-hectare site on the island which encompassed both existing and reclaimed land, some of which was reserved under a trust for nature conservation. Early proposals showed residential areas, commercial, as well as, industrial zones, and facilities for recreation and leisure activities, including a marina. The final design proposed a much smaller residential area and harbour and included larger conservation and marshland areas in response to local concerns. The project was rejected and a portion of Two Tree Island was leased to the Nature Conservancy (NERC). An Appeal and Public Enquiry lodged by the client was subsequently indefinitely postponed. The architects produced several versions of a consultant's report, created a 'logbook' for the project, and published a brochure and promotional material for a public meeting. Existing conditions and reference material in the file includes maps of the area showing locations for a photo survey; Port of Authority of London plans showing water depths at various locations; a drawing of Marine Island, Essex; and a collage of photos of the area mounted on a board. Sketches by Cedric Price show development plans for the island and explore alternate "open" and "closed" configurations for the basin. Sketch sections show established maximum flood heights on the proposed schemes (see sketches in Works II, p. 86). A series of schematic drawings by YMR develop preliminary schemes exploring alternate layouts in relation to the primary basin configuration. A perspective drawing shows a view of the site from the main road to the island. Design development drawings include both original drawings and reprographic copies and include bird's-eye view perspective sketches; diagrams showing "domestic development" and projected "typical patterning"; and diagrammatic plans/charts showing existing and reclaimed areas, compatibility of activities, and degrees of accessibility (see typical diagram in Works II, p. 87). Other design development drawings include standard plans, sections and elevations, as well as site plans, land-use plans for the marina, plans showing alternate layouts for the marina dock, plans showing Thames tidal defences, site sections, and breakwater profiles. Working drawings for the marina by consulting engineers Sir Frederick Snow and Partners include survey plans, detailed sections illustrating the reinforcement and stabilization of the marine bed, and task sequencing diagrams and charts. Publication and presentation material includes photographs of rendered perspectives, over 18 watercolour renderings of Two Tree Island by Cedric Price, and a mock-up for a 13-page brochure or report summarizing the project. Many drawings are also included in the textual records, which also include Cedric Price's diary on the project. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 86-87. Material in this file was produced between 1963 and 1989, but predominantly between 1971 and 1974. Cedric Price's office lists the following firms as the main consultants for this project: Felix J. Samuely & Partners and Sir Frederick Snow & Partners, Consulting Engineers; Baker Wilkins & Smith, Quantity Surveyors; Prof. Peter Cowan, Director, Joint Unit for Planning Research; Prof. Peter Willmott, Director Institute of Community Studies; Prof. G. P. Wibberley, Professor of Countryside Planning, University of London; M. A. B. Boddington, Rural Planning Services. One drawing in DR1995:0255:011-021 is attributed to Costain Civil Engineering Ltd. File contains cartographic materials, conceptual drawings, design development drawings, presentation drawings, consultant drawings, model, and textual records.
Niveau de description archivistique:
File 84
File 84
Date:
1963-1989, predominant 1971-1974
1963-1989, predominant 1971-1974
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
Personnes et institutions:
Date:
1994-2015
1994-2015
Titre:
BMW Welt development and construction records
Actions:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
BMW Welt development and construction records
Actions:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
Niveau de description archivistique:
Series
Series
Date:
1994-2015
1994-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Personnes et institutions:
Date:
circa 1981 - 1990
circa 1981 - 1990
Titre:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Niveau de description archivistique:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
Personnes et institutions:
Classification:
dessins, photographies
Quantité:
131 photograph(s) photomechanical print
dessins, photographies
Quantité:
131 photograph(s) photomechanical print
Titre:
V.S. Balikhin Archive
V.S. Balikhin Archive
Actions:
Numéro de référence:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
Personnes et institutions:
Sujet:
architecture, portrait, sculpture
architecture, portrait, sculpture
Date:
published before 15 September 1936
published before 15 September 1936
Titre:
V.S. Balikhin Archive
Actions:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
V.S. Balikhin Archive
Actions:
PH1998:0020:001-131
Description:
- This archive which was collected by the Soviet architect, V.S. Balikhin (1893-1953), includes 129 views of cities, towns, and/or projects designed by various architects from 1923 through 1935, one photograph of a perspective drawing (PH11998:0020:112) and one magazine article by Balikhin (PH1998:0020:131). The photographer(s) of this archive have not been determined. -- There are 63 views of subjects in Moscow (PH1998:0020:001-028; PH1998:0020:033-067), mostly of housing, and these include: 20 views of the Dubrovka complex; 16 views of the Usachevka complex; 6 views of the Shabolovka complex; 3 views of the Dangauerovka complex; 2 views of the Serpukhovskii complex; 2 views of the Sharikopodshipnik [Bearing] plant complex; 1 view of the AMO plant complex; 2 views of the house-commune of the students of the Textile Institute; 2 views of the housing complex at 45/51 Bol'shaia Pirogovskaia Street; and 1 view of a student dormitory complex on Donskoi Val. Other subjects in Moscow include 3 views of the street decorations for the celebration of the 17th anniversary of the October Revolution, 2 views of Sverdlova Square, and one view of the Foto Insnab building, a market, and a park. -- There are 4 views of the village of Kozhukhovo near Moscow (PH1998:0020:029-032) including views of houses, barracks, a summer stage, and tents. -- The 18 views of Sverdlovsk (now Ekaterinburg, Russia) (PH1998:0020:113-130) include 7 views of 1905 Goda Square showing the various buildings around the square; 3 views of the Second House of Soviets; 2 views of the monument to Iakov Sverdlov, one with the "Chekist City" housing complex in the background (now Hotel Iset'); 2 views of the water sports station Dinamo; and one view of the Verkhne-Isetskii metalworking plant, the District Trade Union Soviet garden, the Higher Communist Agricultural School in Narodnoi Mesti Square, and a collage of views of a city square in 1914 and 1933. -- The 17 views of Magnitogorsk (PH1998:0020:096-112) include the earth-made shack constructed by the first inhabitants of the area; a city view; 14 views of the First Block showing mostly housing; and one photograph of a perspective drawing for the Second Block. -- The 10 views of Novosibirsk (PH1998:0020:086-095) include housing, government office buildings, a multipurpose building, a Palace of Labor, and the Sibir' Hotel. -- There are 14 photographs of subjects in cities and towns in Kemerovskaia oblast', a subdivision of southern Russia in Asia, and these include: 6 views of Prokopyevsk (PH1998:0020:072-077) showing clubs or palaces of culture and housing; 4 views of Kemerovo (PH1998:0020:068-071) showing the Palace of Labor, housing, and general views of the city; 3 views of Leninsk-Kuznetskiy (PH1998:0020:078-080) showing a house, clubs, and a playground; 1 view of Kuznetsk (now Novokuznetsk) (PH1998:0020:081) showing housing; and 3 views of Stalinsk (now Novokuznetsk) (PH1998:0020:082-085) showing housing and an hotel.
Classification:
dessins, photographies
Quantité:
131 photograph(s) photomechanical print
dessins, photographies
Quantité:
131 photograph(s) photomechanical print
Date:
published before 15 September 1936
published before 15 September 1936
Personnes et institutions:
Sujet:
architecture, portrait, sculpture
architecture, portrait, sculpture
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Numéro de référence:
PH1979:0605
Description:
This 98-page book illustrated with 73 photogravures, shows a pictorial record of San Diego's built and natural environment including beaches (like La Jolla) and back country scenes, after photographs by Herve Friend. Title page: Picturesque San Diego with Historical and Descriptive Notes by Douglas Gunn. San Diego, California, July 1, 1887. Chicago: Knight & Leonard Co., Printers 1887. Photogravures: .001 Old Palm Trees, foot of Presidio Hill Frontispiece .002 Point Lonea, and Entrance to San Diego harbor - from Coronado Beach .003 Ruins of the Old Mission, San Diego .004 Old Mission of San Diego, from the Olive Grove .005 Scene of the Battle of San Pasqual, December 6th, 1846 .006 Mission San Luis Rey .007 Bell Tower, Pala Mission .008 San Diego, looking West - Point Loma in Right Distance .009 San Diego, looking Southwest - Coronado Beach opposite .010 San Diego, looking Southeast .011 City Water Front - Babcock & Story Wharves .012 City Water Front - Pacific Coast Steamship Co.'s Wharves .013 Country Court House, San Diego .014 Interior Consolidated National Bank, San Diego .015 The "Russ" Public School, San Diego .016 Morse-Pierce Building, corner Sixth and F streets, San Diego .017 St. Paul's Episcopal Church, San Diego .018 Residence of A.E. Horton .019 First National Bank, corner Fifth and E streets .020 Woolwine, Spring & Nerney's Abstract and Real Estate Office, cor. Fourth and D streets .021 The Dells, Chollas Valley - Suburbs of San Diego .022 Initial Monument, marking Mexican Boundary .023 Tia Juana - American side .024 Tia Juana - Mexican side .025 "Point of Rocks" - 1 .026 "Point of Rocks" - 2 .027 "Point of Rocks" - 3 .028 Hotel Del Coronado Beach, San Diego .029 The Caves, La Jolla .030 La Jolla Beach .031 Cathedral Rocks, La Jolla .032 "Ocean Beach" .033 Seaside View at Del Mar .034 Escondido - Old Ranch House and Orange Orchard .035 View on Linda Lake, El Cajon Valley, 15 miles from San Diego .036 The Hotel at Murietta .037 Temecula Canon - 1. "The Big Curve", C.S.R.R. .038 Temecula Canon - 2. .039 Temecula Canon - 3. .040 Santa Margarita Ranch House, from the Vineyard .041 Courtyard, Couts' Estate, Guajome .042 View near Entrance to Bear Valley .043 View in San Pasqual Valley - Bernardo River .044 "Eagle's Nest" - Agua Caliente Mountains .045 Santa Rosa Mountains, near Elsinore .046 View from "The Glen" - Agua Tibia and Pala in Distance .047 San Jacinto Mountain .048 The Cajon Mountain, from the Northeast .049 Public School (Banner District) near mouth of San Felipe Canon .050 Home and Orchard of John Mitchell, Fall Brook .051 Agua Tibia - The Pond .052 Orchard and Home of James Madison, Julian .053 View at Elsinore Lake, West Side .054 Home and Orchard of Chester Gunn, Julian .055 West in Poway Valley .056 San Diego River, North of El Cajon .057 Cuyamaca Lake - Storage Water of San Diego Flume Co. .058 Diverting Dam, San Diego River - San Diego Flume Co. .059 Upper Valley of the San Diego River - "Capitan Grande" .060 Falls (146 ft.) East Branch of San Diego River .061 Santa Isabel Creek .062 Falls of Pauma Creek .063 View near Farm of Hubert Howe Bancroft, Spring Valley .064 Water Works of San Diego Town and Land Company .065 Gedney's Orchard, Mesa Grande .066 Public School, Spencer Valley, near Julian .067 Orchard and Farm of B.S. Scheckler, Cottonwood .069 Campo .070 Entrance to Colorado Desert, mouth of Mountain Springs Canon .071 Mountain Scenery, Agua Caliente - Overlooking Warner's Ranch .072 Indian Village. Agua Caliente .073 Indian Village and Church at Pauma, Upper San Luis Rey Valley
PH1979:0605
Description:
This 98-page book illustrated with 73 photogravures, shows a pictorial record of San Diego's built and natural environment including beaches (like La Jolla) and back country scenes, after photographs by Herve Friend. Title page: Picturesque San Diego with Historical and Descriptive Notes by Douglas Gunn. San Diego, California, July 1, 1887. Chicago: Knight & Leonard Co., Printers 1887. Photogravures: .001 Old Palm Trees, foot of Presidio Hill Frontispiece .002 Point Lonea, and Entrance to San Diego harbor - from Coronado Beach .003 Ruins of the Old Mission, San Diego .004 Old Mission of San Diego, from the Olive Grove .005 Scene of the Battle of San Pasqual, December 6th, 1846 .006 Mission San Luis Rey .007 Bell Tower, Pala Mission .008 San Diego, looking West - Point Loma in Right Distance .009 San Diego, looking Southwest - Coronado Beach opposite .010 San Diego, looking Southeast .011 City Water Front - Babcock & Story Wharves .012 City Water Front - Pacific Coast Steamship Co.'s Wharves .013 Country Court House, San Diego .014 Interior Consolidated National Bank, San Diego .015 The "Russ" Public School, San Diego .016 Morse-Pierce Building, corner Sixth and F streets, San Diego .017 St. Paul's Episcopal Church, San Diego .018 Residence of A.E. Horton .019 First National Bank, corner Fifth and E streets .020 Woolwine, Spring & Nerney's Abstract and Real Estate Office, cor. Fourth and D streets .021 The Dells, Chollas Valley - Suburbs of San Diego .022 Initial Monument, marking Mexican Boundary .023 Tia Juana - American side .024 Tia Juana - Mexican side .025 "Point of Rocks" - 1 .026 "Point of Rocks" - 2 .027 "Point of Rocks" - 3 .028 Hotel Del Coronado Beach, San Diego .029 The Caves, La Jolla .030 La Jolla Beach .031 Cathedral Rocks, La Jolla .032 "Ocean Beach" .033 Seaside View at Del Mar .034 Escondido - Old Ranch House and Orange Orchard .035 View on Linda Lake, El Cajon Valley, 15 miles from San Diego .036 The Hotel at Murietta .037 Temecula Canon - 1. "The Big Curve", C.S.R.R. .038 Temecula Canon - 2. .039 Temecula Canon - 3. .040 Santa Margarita Ranch House, from the Vineyard .041 Courtyard, Couts' Estate, Guajome .042 View near Entrance to Bear Valley .043 View in San Pasqual Valley - Bernardo River .044 "Eagle's Nest" - Agua Caliente Mountains .045 Santa Rosa Mountains, near Elsinore .046 View from "The Glen" - Agua Tibia and Pala in Distance .047 San Jacinto Mountain .048 The Cajon Mountain, from the Northeast .049 Public School (Banner District) near mouth of San Felipe Canon .050 Home and Orchard of John Mitchell, Fall Brook .051 Agua Tibia - The Pond .052 Orchard and Home of James Madison, Julian .053 View at Elsinore Lake, West Side .054 Home and Orchard of Chester Gunn, Julian .055 West in Poway Valley .056 San Diego River, North of El Cajon .057 Cuyamaca Lake - Storage Water of San Diego Flume Co. .058 Diverting Dam, San Diego River - San Diego Flume Co. .059 Upper Valley of the San Diego River - "Capitan Grande" .060 Falls (146 ft.) East Branch of San Diego River .061 Santa Isabel Creek .062 Falls of Pauma Creek .063 View near Farm of Hubert Howe Bancroft, Spring Valley .064 Water Works of San Diego Town and Land Company .065 Gedney's Orchard, Mesa Grande .066 Public School, Spencer Valley, near Julian .067 Orchard and Farm of B.S. Scheckler, Cottonwood .069 Campo .070 Entrance to Colorado Desert, mouth of Mountain Springs Canon .071 Mountain Scenery, Agua Caliente - Overlooking Warner's Ranch .072 Indian Village. Agua Caliente .073 Indian Village and Church at Pauma, Upper San Luis Rey Valley
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1887
1887
Titre:
Picturesque San Diego with Historical and Descriptive Notes
Actions:
PH1979:0605
Description:
This 98-page book illustrated with 73 photogravures, shows a pictorial record of San Diego's built and natural environment including beaches (like La Jolla) and back country scenes, after photographs by Herve Friend. Title page: Picturesque San Diego with Historical and Descriptive Notes by Douglas Gunn. San Diego, California, July 1, 1887. Chicago: Knight & Leonard Co., Printers 1887. Photogravures: .001 Old Palm Trees, foot of Presidio Hill Frontispiece .002 Point Lonea, and Entrance to San Diego harbor - from Coronado Beach .003 Ruins of the Old Mission, San Diego .004 Old Mission of San Diego, from the Olive Grove .005 Scene of the Battle of San Pasqual, December 6th, 1846 .006 Mission San Luis Rey .007 Bell Tower, Pala Mission .008 San Diego, looking West - Point Loma in Right Distance .009 San Diego, looking Southwest - Coronado Beach opposite .010 San Diego, looking Southeast .011 City Water Front - Babcock & Story Wharves .012 City Water Front - Pacific Coast Steamship Co.'s Wharves .013 Country Court House, San Diego .014 Interior Consolidated National Bank, San Diego .015 The "Russ" Public School, San Diego .016 Morse-Pierce Building, corner Sixth and F streets, San Diego .017 St. Paul's Episcopal Church, San Diego .018 Residence of A.E. Horton .019 First National Bank, corner Fifth and E streets .020 Woolwine, Spring & Nerney's Abstract and Real Estate Office, cor. Fourth and D streets .021 The Dells, Chollas Valley - Suburbs of San Diego .022 Initial Monument, marking Mexican Boundary .023 Tia Juana - American side .024 Tia Juana - Mexican side .025 "Point of Rocks" - 1 .026 "Point of Rocks" - 2 .027 "Point of Rocks" - 3 .028 Hotel Del Coronado Beach, San Diego .029 The Caves, La Jolla .030 La Jolla Beach .031 Cathedral Rocks, La Jolla .032 "Ocean Beach" .033 Seaside View at Del Mar .034 Escondido - Old Ranch House and Orange Orchard .035 View on Linda Lake, El Cajon Valley, 15 miles from San Diego .036 The Hotel at Murietta .037 Temecula Canon - 1. "The Big Curve", C.S.R.R. .038 Temecula Canon - 2. .039 Temecula Canon - 3. .040 Santa Margarita Ranch House, from the Vineyard .041 Courtyard, Couts' Estate, Guajome .042 View near Entrance to Bear Valley .043 View in San Pasqual Valley - Bernardo River .044 "Eagle's Nest" - Agua Caliente Mountains .045 Santa Rosa Mountains, near Elsinore .046 View from "The Glen" - Agua Tibia and Pala in Distance .047 San Jacinto Mountain .048 The Cajon Mountain, from the Northeast .049 Public School (Banner District) near mouth of San Felipe Canon .050 Home and Orchard of John Mitchell, Fall Brook .051 Agua Tibia - The Pond .052 Orchard and Home of James Madison, Julian .053 View at Elsinore Lake, West Side .054 Home and Orchard of Chester Gunn, Julian .055 West in Poway Valley .056 San Diego River, North of El Cajon .057 Cuyamaca Lake - Storage Water of San Diego Flume Co. .058 Diverting Dam, San Diego River - San Diego Flume Co. .059 Upper Valley of the San Diego River - "Capitan Grande" .060 Falls (146 ft.) East Branch of San Diego River .061 Santa Isabel Creek .062 Falls of Pauma Creek .063 View near Farm of Hubert Howe Bancroft, Spring Valley .064 Water Works of San Diego Town and Land Company .065 Gedney's Orchard, Mesa Grande .066 Public School, Spencer Valley, near Julian .067 Orchard and Farm of B.S. Scheckler, Cottonwood .069 Campo .070 Entrance to Colorado Desert, mouth of Mountain Springs Canon .071 Mountain Scenery, Agua Caliente - Overlooking Warner's Ranch .072 Indian Village. Agua Caliente .073 Indian Village and Church at Pauma, Upper San Luis Rey Valley
Picturesque San Diego with Historical and Descriptive Notes
Actions:
PH1979:0605
Description:
This 98-page book illustrated with 73 photogravures, shows a pictorial record of San Diego's built and natural environment including beaches (like La Jolla) and back country scenes, after photographs by Herve Friend. Title page: Picturesque San Diego with Historical and Descriptive Notes by Douglas Gunn. San Diego, California, July 1, 1887. Chicago: Knight & Leonard Co., Printers 1887. Photogravures: .001 Old Palm Trees, foot of Presidio Hill Frontispiece .002 Point Lonea, and Entrance to San Diego harbor - from Coronado Beach .003 Ruins of the Old Mission, San Diego .004 Old Mission of San Diego, from the Olive Grove .005 Scene of the Battle of San Pasqual, December 6th, 1846 .006 Mission San Luis Rey .007 Bell Tower, Pala Mission .008 San Diego, looking West - Point Loma in Right Distance .009 San Diego, looking Southwest - Coronado Beach opposite .010 San Diego, looking Southeast .011 City Water Front - Babcock & Story Wharves .012 City Water Front - Pacific Coast Steamship Co.'s Wharves .013 Country Court House, San Diego .014 Interior Consolidated National Bank, San Diego .015 The "Russ" Public School, San Diego .016 Morse-Pierce Building, corner Sixth and F streets, San Diego .017 St. Paul's Episcopal Church, San Diego .018 Residence of A.E. Horton .019 First National Bank, corner Fifth and E streets .020 Woolwine, Spring & Nerney's Abstract and Real Estate Office, cor. Fourth and D streets .021 The Dells, Chollas Valley - Suburbs of San Diego .022 Initial Monument, marking Mexican Boundary .023 Tia Juana - American side .024 Tia Juana - Mexican side .025 "Point of Rocks" - 1 .026 "Point of Rocks" - 2 .027 "Point of Rocks" - 3 .028 Hotel Del Coronado Beach, San Diego .029 The Caves, La Jolla .030 La Jolla Beach .031 Cathedral Rocks, La Jolla .032 "Ocean Beach" .033 Seaside View at Del Mar .034 Escondido - Old Ranch House and Orange Orchard .035 View on Linda Lake, El Cajon Valley, 15 miles from San Diego .036 The Hotel at Murietta .037 Temecula Canon - 1. "The Big Curve", C.S.R.R. .038 Temecula Canon - 2. .039 Temecula Canon - 3. .040 Santa Margarita Ranch House, from the Vineyard .041 Courtyard, Couts' Estate, Guajome .042 View near Entrance to Bear Valley .043 View in San Pasqual Valley - Bernardo River .044 "Eagle's Nest" - Agua Caliente Mountains .045 Santa Rosa Mountains, near Elsinore .046 View from "The Glen" - Agua Tibia and Pala in Distance .047 San Jacinto Mountain .048 The Cajon Mountain, from the Northeast .049 Public School (Banner District) near mouth of San Felipe Canon .050 Home and Orchard of John Mitchell, Fall Brook .051 Agua Tibia - The Pond .052 Orchard and Home of James Madison, Julian .053 View at Elsinore Lake, West Side .054 Home and Orchard of Chester Gunn, Julian .055 West in Poway Valley .056 San Diego River, North of El Cajon .057 Cuyamaca Lake - Storage Water of San Diego Flume Co. .058 Diverting Dam, San Diego River - San Diego Flume Co. .059 Upper Valley of the San Diego River - "Capitan Grande" .060 Falls (146 ft.) East Branch of San Diego River .061 Santa Isabel Creek .062 Falls of Pauma Creek .063 View near Farm of Hubert Howe Bancroft, Spring Valley .064 Water Works of San Diego Town and Land Company .065 Gedney's Orchard, Mesa Grande .066 Public School, Spencer Valley, near Julian .067 Orchard and Farm of B.S. Scheckler, Cottonwood .069 Campo .070 Entrance to Colorado Desert, mouth of Mountain Springs Canon .071 Mountain Scenery, Agua Caliente - Overlooking Warner's Ranch .072 Indian Village. Agua Caliente .073 Indian Village and Church at Pauma, Upper San Luis Rey Valley
Date:
1887
1887
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
livres
livres
Titre:
Post offices.
Post offices.
Actions:
Exemplaires:
Description:
1 volume : all colour illustrations ; 12 cm
Description:
1 volume : all colour illustrations ; 12 cm
Auteur:
Sujet:
Publication:
Drew, 1988.
Drew, 1988.
Classification:
livres
livres
Publication:
Drew, 1988.
Drew, 1988.
Auteur:
Sujet:
Classification:
archives
archives
Classification:
archives
archives
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
12 pages : plan ; 33 cm
Description:
12 pages : plan ; 33 cm
Publication:
[London] : [H.M.S.O.], 1858.
[London] : [H.M.S.O.], 1858.
Classification:
livres
livres
Publication:
[London] : [H.M.S.O.], 1858.
[London] : [H.M.S.O.], 1858.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xi, 163 pages, 8 unnumbered pages of plates : illustrations (some color), plans ; 31 cm
Description:
xi, 163 pages, 8 unnumbered pages of plates : illustrations (some color), plans ; 31 cm
Auteur:
Sujet:
Publication:
New York : Whitney Library of Design, [1959], ©1959
New York : Whitney Library of Design, [1959], ©1959
Titre:
Interiors book of offices / edited, with introduction by Lois Wagner Green.
Actions:
Exemplaires:
Description:
xi, 163 pages, 8 unnumbered pages of plates : illustrations (some color), plans ; 31 cm
Interiors book of offices / edited, with introduction by Lois Wagner Green.
Actions:
Exemplaires:
Description:
xi, 163 pages, 8 unnumbered pages of plates : illustrations (some color), plans ; 31 cm
Classification:
livres
livres
Publication:
New York : Whitney Library of Design, [1959], ©1959
New York : Whitney Library of Design, [1959], ©1959
Auteur:
Sujet:
