56764 Résultats
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Personnes et institutions:
Date:
1973
1973
Titre:
Isozaki-Superstudio Paper-Project, 1973
Actions:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Isozaki-Superstudio Paper-Project, 1973
Actions:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Classification:
documents textuels
documents textuels
Date:
1973
1973
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP058.S1
Description:
This series documents Blanche Lemco van Ginkel’s involvement in professional committees and associations, as the Association of Collegiate Schools of Architecture Board (1977-1992), the National Capital Commission (1970-1983), the School of Architecture and Urban Planning, at Princeton University (1976-1988), the Graduate School of Design, at Harvard University (1979-1990), the National Architectural Accrediting Board (U.S.) (1983-1991), the Toronto Arts Week (1987-1989), the National Council of Architecture Registration Boards, the Canadian Friends of Finland, the Canadian Housing Design Council, the Canadian Institute of Planners, the University of Miami Visiting Committee, and many others. The series contains correspondence, programmes and scheduled activities, publications, schedules, information packages, notes, minutes, lists of members, posters, papers, calendars, directories, studies, and reports, dating from 1970 to 1992. The main areas of interests extracted from the material are North American architecture schools and their development, and the architecture and urban planning of the National Capital Region, in Canada.
AP058.S1
Description:
This series documents Blanche Lemco van Ginkel’s involvement in professional committees and associations, as the Association of Collegiate Schools of Architecture Board (1977-1992), the National Capital Commission (1970-1983), the School of Architecture and Urban Planning, at Princeton University (1976-1988), the Graduate School of Design, at Harvard University (1979-1990), the National Architectural Accrediting Board (U.S.) (1983-1991), the Toronto Arts Week (1987-1989), the National Council of Architecture Registration Boards, the Canadian Friends of Finland, the Canadian Housing Design Council, the Canadian Institute of Planners, the University of Miami Visiting Committee, and many others. The series contains correspondence, programmes and scheduled activities, publications, schedules, information packages, notes, minutes, lists of members, posters, papers, calendars, directories, studies, and reports, dating from 1970 to 1992. The main areas of interests extracted from the material are North American architecture schools and their development, and the architecture and urban planning of the National Capital Region, in Canada.
Personnes et institutions:
Date:
1970-1992
1970-1992
Titre:
Professional committees and associations
Actions:
AP058.S1
Description:
This series documents Blanche Lemco van Ginkel’s involvement in professional committees and associations, as the Association of Collegiate Schools of Architecture Board (1977-1992), the National Capital Commission (1970-1983), the School of Architecture and Urban Planning, at Princeton University (1976-1988), the Graduate School of Design, at Harvard University (1979-1990), the National Architectural Accrediting Board (U.S.) (1983-1991), the Toronto Arts Week (1987-1989), the National Council of Architecture Registration Boards, the Canadian Friends of Finland, the Canadian Housing Design Council, the Canadian Institute of Planners, the University of Miami Visiting Committee, and many others. The series contains correspondence, programmes and scheduled activities, publications, schedules, information packages, notes, minutes, lists of members, posters, papers, calendars, directories, studies, and reports, dating from 1970 to 1992. The main areas of interests extracted from the material are North American architecture schools and their development, and the architecture and urban planning of the National Capital Region, in Canada.
Professional committees and associations
Actions:
AP058.S1
Description:
This series documents Blanche Lemco van Ginkel’s involvement in professional committees and associations, as the Association of Collegiate Schools of Architecture Board (1977-1992), the National Capital Commission (1970-1983), the School of Architecture and Urban Planning, at Princeton University (1976-1988), the Graduate School of Design, at Harvard University (1979-1990), the National Architectural Accrediting Board (U.S.) (1983-1991), the Toronto Arts Week (1987-1989), the National Council of Architecture Registration Boards, the Canadian Friends of Finland, the Canadian Housing Design Council, the Canadian Institute of Planners, the University of Miami Visiting Committee, and many others. The series contains correspondence, programmes and scheduled activities, publications, schedules, information packages, notes, minutes, lists of members, posters, papers, calendars, directories, studies, and reports, dating from 1970 to 1992. The main areas of interests extracted from the material are North American architecture schools and their development, and the architecture and urban planning of the National Capital Region, in Canada.
Niveau de description archivistique:
Series
Series
Date:
1970-1992
1970-1992
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
Personnes et institutions:
Date:
1983-2002
1983-2002
Titre:
The Villas of Pliny : from antiquity to posterity, 1988-1994
Actions:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
The Villas of Pliny : from antiquity to posterity, 1988-1994
Actions:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
Niveau de description archivistique:
Series
Series
Date:
1983-2002
1983-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD034
Résumé:
The SAAL Process exhibition collection consists of reproductions of several objects used in the exhibition “The SAAL Process, Housing in Portugal 1974–76.” It was created by the Museu Serralves and travelled to the Canadian Center for Architecture (CCA) in 2015. The collection contains reproductions of drawings, presentation panels and photographs dating from 1974 to 1979. Born out of the Portuguese Revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities.
CD034
Résumé:
The SAAL Process exhibition collection consists of reproductions of several objects used in the exhibition “The SAAL Process, Housing in Portugal 1974–76.” It was created by the Museu Serralves and travelled to the Canadian Center for Architecture (CCA) in 2015. The collection contains reproductions of drawings, presentation panels and photographs dating from 1974 to 1979. Born out of the Portuguese Revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities.
Personnes et institutions:
Date:
1974-1979
1974-1979
Titre:
Collection de l’exposition Le processus du SAAL
Actions:
CD034
Résumé:
The SAAL Process exhibition collection consists of reproductions of several objects used in the exhibition “The SAAL Process, Housing in Portugal 1974–76.” It was created by the Museu Serralves and travelled to the Canadian Center for Architecture (CCA) in 2015. The collection contains reproductions of drawings, presentation panels and photographs dating from 1974 to 1979. Born out of the Portuguese Revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities.
Collection de l’exposition Le processus du SAAL
Actions:
CD034
Résumé:
The SAAL Process exhibition collection consists of reproductions of several objects used in the exhibition “The SAAL Process, Housing in Portugal 1974–76.” It was created by the Museu Serralves and travelled to the Canadian Center for Architecture (CCA) in 2015. The collection contains reproductions of drawings, presentation panels and photographs dating from 1974 to 1979. Born out of the Portuguese Revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities.
Classification:
archives
Niveau de description archivistique:
collection
archives
Niveau de description archivistique:
collection
Date:
1974-1979
1974-1979
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH278461
Description:
File's title: A&H 1989 B.1. "Técnica y ciudad. El caso de Madrid" / Circulo dellas artes. It includes the following projects: - Centro cultural, Cobeña (AP164.S1.1986.D4); - 3 depuradoras de aguas residuales: Villalba, Guadarrama, Majadahonda (AP164.S1.1986.D5); - Ordenación de la Plaza Castilla (AP164.S1.1986.D6); - Ordenación del nudo Puerta de Hierro (AP164.S1.1987.D2); - Viviendas, locales y garajes en la M-30 (AP164.S1.1988.D3); - Propuesta para la Plaza de Ópera (AP164.S1.1988.D4); - Centro de cálculo de Telefónica (AP164.S1.1989.D1); - Edificio de oficinas de RENFE (AP164.S1.1989.D3).
ARCH278461
Description:
File's title: A&H 1989 B.1. "Técnica y ciudad. El caso de Madrid" / Circulo dellas artes. It includes the following projects: - Centro cultural, Cobeña (AP164.S1.1986.D4); - 3 depuradoras de aguas residuales: Villalba, Guadarrama, Majadahonda (AP164.S1.1986.D5); - Ordenación de la Plaza Castilla (AP164.S1.1986.D6); - Ordenación del nudo Puerta de Hierro (AP164.S1.1987.D2); - Viviendas, locales y garajes en la M-30 (AP164.S1.1988.D3); - Propuesta para la Plaza de Ópera (AP164.S1.1988.D4); - Centro de cálculo de Telefónica (AP164.S1.1989.D1); - Edificio de oficinas de RENFE (AP164.S1.1989.D3).
Personnes et institutions:
Date:
1989 or after
1989 or after
Titre:
Framework and notes for the course "Técnica y ciudad. El caso de Madrid"
Actions:
ARCH278461
Description:
File's title: A&H 1989 B.1. "Técnica y ciudad. El caso de Madrid" / Circulo dellas artes. It includes the following projects: - Centro cultural, Cobeña (AP164.S1.1986.D4); - 3 depuradoras de aguas residuales: Villalba, Guadarrama, Majadahonda (AP164.S1.1986.D5); - Ordenación de la Plaza Castilla (AP164.S1.1986.D6); - Ordenación del nudo Puerta de Hierro (AP164.S1.1987.D2); - Viviendas, locales y garajes en la M-30 (AP164.S1.1988.D3); - Propuesta para la Plaza de Ópera (AP164.S1.1988.D4); - Centro de cálculo de Telefónica (AP164.S1.1989.D1); - Edificio de oficinas de RENFE (AP164.S1.1989.D3).
Framework and notes for the course "Técnica y ciudad. El caso de Madrid"
Actions:
ARCH278461
Description:
File's title: A&H 1989 B.1. "Técnica y ciudad. El caso de Madrid" / Circulo dellas artes. It includes the following projects: - Centro cultural, Cobeña (AP164.S1.1986.D4); - 3 depuradoras de aguas residuales: Villalba, Guadarrama, Majadahonda (AP164.S1.1986.D5); - Ordenación de la Plaza Castilla (AP164.S1.1986.D6); - Ordenación del nudo Puerta de Hierro (AP164.S1.1987.D2); - Viviendas, locales y garajes en la M-30 (AP164.S1.1988.D3); - Propuesta para la Plaza de Ópera (AP164.S1.1988.D4); - Centro de cálculo de Telefónica (AP164.S1.1989.D1); - Edificio de oficinas de RENFE (AP164.S1.1989.D3).
Classification:
documents textuels
documents textuels
Date:
1989 or after
1989 or after
Personnes et institutions:
Classification:
périodiques
Quantité:
4 serial(s)
périodiques
Quantité:
4 serial(s)
Numéro de référence:
ARCH268042
Description:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India: - "Design / Incorporating the Indian builder," November 1974. - "Design / Magazine of arts and ideas," July-September 1985. The 1974 issue includes text by Patwant Singh: "The Ominous Future of Corbusier's Capital." The 1985 issue includes text by S.S. Bahga: "The Symbols of Corbusier's Architecture." Also included is an excerpt from the November 1974 issue signed and inscribed by Parmeshwari Lal Varma (P.L. Varma), and a letter to Jacqueline Jeanneret, possibly from the editor of Design, Patwant Singh.
ARCH268042
Description:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India: - "Design / Incorporating the Indian builder," November 1974. - "Design / Magazine of arts and ideas," July-September 1985. The 1974 issue includes text by Patwant Singh: "The Ominous Future of Corbusier's Capital." The 1985 issue includes text by S.S. Bahga: "The Symbols of Corbusier's Architecture." Also included is an excerpt from the November 1974 issue signed and inscribed by Parmeshwari Lal Varma (P.L. Varma), and a letter to Jacqueline Jeanneret, possibly from the editor of Design, Patwant Singh.
Personnes et institutions:
Date:
1974-1985
1974-1985
Titre:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India
Actions:
ARCH268042
Description:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India: - "Design / Incorporating the Indian builder," November 1974. - "Design / Magazine of arts and ideas," July-September 1985. The 1974 issue includes text by Patwant Singh: "The Ominous Future of Corbusier's Capital." The 1985 issue includes text by S.S. Bahga: "The Symbols of Corbusier's Architecture." Also included is an excerpt from the November 1974 issue signed and inscribed by Parmeshwari Lal Varma (P.L. Varma), and a letter to Jacqueline Jeanneret, possibly from the editor of Design, Patwant Singh.
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India
Actions:
ARCH268042
Description:
Two complete issues of Design magazine, the Builders Publication of India, concerning Chandigarh, India: - "Design / Incorporating the Indian builder," November 1974. - "Design / Magazine of arts and ideas," July-September 1985. The 1974 issue includes text by Patwant Singh: "The Ominous Future of Corbusier's Capital." The 1985 issue includes text by S.S. Bahga: "The Symbols of Corbusier's Architecture." Also included is an excerpt from the November 1974 issue signed and inscribed by Parmeshwari Lal Varma (P.L. Varma), and a letter to Jacqueline Jeanneret, possibly from the editor of Design, Patwant Singh.
Classification:
périodiques
Quantité:
4 serial(s)
périodiques
Quantité:
4 serial(s)
Date:
1974-1985
1974-1985
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
Personnes et institutions:
Date:
1973
1973
Titre:
Bill, report, memo, job applications, letter, balance sheet, proposal
Actions:
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
Bill, report, memo, job applications, letter, balance sheet, proposal
Actions:
ARCH153469
Description:
Bill from Bonnie Thayer, May 18 1973 Final Report to the NYS Council on the Arts, 1972-1973 Memo of Peter Wolf on New Project Finance Structure, 11 May 1973 Job applications of Louis Lister & Mary Turner, January 1973 PDE's letter to Suzanne Frank announcing her election to the position of Research Associate at the Institute Balance Sheet, April 30 1973 Proposal for Project Development to Manhattan Community Board, by Peter Wolf, 18 April 1973 PDE letter to Arthur Drexler concerning IAUS's debt to the MoMA surrounding LRHD Housing exhibition, December 18 1973
Classification:
documents textuels
documents textuels
Date:
1973
1973
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
OCEAN North reference files
OCEAN North reference files
Numéro de référence:
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
Personnes et institutions:
Date:
1997-2000
1997-2000
Titre:
OCEAN North reference files
Actions:
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
OCEAN North reference files
Actions:
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
Niveau de description archivistique:
Series
Series
Date:
1997-2000
1997-2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Personnes et institutions:
Date:
1965-1984
1965-1984
Titre:
Fonds Institute for Architecture and Urban Studies
Actions:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Fonds Institute for Architecture and Urban Studies
Actions:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1965-1984
1965-1984
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Olzweg
Olzweg
Numéro de référence:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Personnes et institutions:
Date:
2006
2006
Titre:
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Niveau de description archivistique:
Series
Series
Date:
2006
2006
Personnes et institutions:
