620 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Pierre Jeanneret
Fonds Pierre Jeanneret
Numéro de référence:
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Personnes et institutions:
Date:
1870s-2011
1870s-2011
Titre:
Fonds Pierre Jeanneret
Actions:
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Fonds Pierre Jeanneret
Actions:
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1870s-2011
1870s-2011
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP140.S2.SS1.D60.SD1
Description:
This sub-project series documents an executed project for the Clore Gallery in London, England. This addition to the Tate Gallery (now Tate Britain) was built to house the Turner Bequest. Material in this Sub-file was produced between 1978 and 1990. The sub-project series contains design development drawings, including several for an early feasibility study for phased additions to the Tate Gallery, including the Clore Gallery, planned on the Queen Alexandra Military Hospital site to the east of the main building. It also contains presentation drawings produced for publication purposes, as well as a large number of working drawings. Photographic materials includes views of models by John Donat Photography, and of the building site and the completed building, including several by photographers Richard Bryant, Alastair Hunter, J. Okun and Mary Shand (Lady Mary Stirling). A large quantity of textual records and two models are also present in the sub-project series.
AP140.S2.SS1.D60.SD1
Description:
This sub-project series documents an executed project for the Clore Gallery in London, England. This addition to the Tate Gallery (now Tate Britain) was built to house the Turner Bequest. Material in this Sub-file was produced between 1978 and 1990. The sub-project series contains design development drawings, including several for an early feasibility study for phased additions to the Tate Gallery, including the Clore Gallery, planned on the Queen Alexandra Military Hospital site to the east of the main building. It also contains presentation drawings produced for publication purposes, as well as a large number of working drawings. Photographic materials includes views of models by John Donat Photography, and of the building site and the completed building, including several by photographers Richard Bryant, Alastair Hunter, J. Okun and Mary Shand (Lady Mary Stirling). A large quantity of textual records and two models are also present in the sub-project series.
Personnes et institutions:
Date:
1978-1990
1978-1990
Titre:
Clore Gallery, London, England, United Kingdom
Actions:
AP140.S2.SS1.D60.SD1
Description:
This sub-project series documents an executed project for the Clore Gallery in London, England. This addition to the Tate Gallery (now Tate Britain) was built to house the Turner Bequest. Material in this Sub-file was produced between 1978 and 1990. The sub-project series contains design development drawings, including several for an early feasibility study for phased additions to the Tate Gallery, including the Clore Gallery, planned on the Queen Alexandra Military Hospital site to the east of the main building. It also contains presentation drawings produced for publication purposes, as well as a large number of working drawings. Photographic materials includes views of models by John Donat Photography, and of the building site and the completed building, including several by photographers Richard Bryant, Alastair Hunter, J. Okun and Mary Shand (Lady Mary Stirling). A large quantity of textual records and two models are also present in the sub-project series.
Clore Gallery, London, England, United Kingdom
Actions:
AP140.S2.SS1.D60.SD1
Description:
This sub-project series documents an executed project for the Clore Gallery in London, England. This addition to the Tate Gallery (now Tate Britain) was built to house the Turner Bequest. Material in this Sub-file was produced between 1978 and 1990. The sub-project series contains design development drawings, including several for an early feasibility study for phased additions to the Tate Gallery, including the Clore Gallery, planned on the Queen Alexandra Military Hospital site to the east of the main building. It also contains presentation drawings produced for publication purposes, as well as a large number of working drawings. Photographic materials includes views of models by John Donat Photography, and of the building site and the completed building, including several by photographers Richard Bryant, Alastair Hunter, J. Okun and Mary Shand (Lady Mary Stirling). A large quantity of textual records and two models are also present in the sub-project series.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1978-1990
1978-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
Personnes et institutions:
Date:
1977-1992
1977-1992
Titre:
State Gallery Addition and New Chamber Theatre Competition and Construction, Stuttgart, Germany
Actions:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
State Gallery Addition and New Chamber Theatre Competition and Construction, Stuttgart, Germany
Actions:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
Niveau de description archivistique:
File 52
File 52
Date:
1977-1992
1977-1992
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Professional papers
Professional papers
Numéro de référence:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Personnes et institutions:
Date:
circa 1950-2008
circa 1950-2008
Titre:
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1950-2008
circa 1950-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Rohault de Fleury
Collection Rohault de Fleury
Numéro de référence:
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Personnes et institutions:
Date:
1717-[1884]
1717-[1884]
Titre:
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Classification:
archives
Niveau de description archivistique:
Collection 1
archives
Niveau de description archivistique:
Collection 1
Date:
1717-[1884]
1717-[1884]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Personnes et institutions:
Date:
1971-1989
1971-1989
Titre:
Performing Arts Centre, Cornell University, Ithaca, New York
Actions:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Performing Arts Centre, Cornell University, Ithaca, New York
Actions:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Niveau de description archivistique:
File 63
File 63
Date:
1971-1989
1971-1989
Personnes et institutions:
Classification:
expositions
expositions
Description:
Richard Pare – Tadao Ando : les couleurs de la lumière examine le rapport entre le travail de l’architecte japonais Tadao Ando, un des principaux partisans du nouveau sens poétique dans l’architecture de notre époque, et les œuvres du photographe britannique Richard Pare, qui a été parmi les premiers à étudier la question du rôle de la photographie dans la représentation(...)
Richard Pare – Tadao Ando : les couleurs de la lumière examine le rapport entre le travail de l’architecte japonais Tadao Ando, un des principaux partisans du nouveau sens poétique dans l’architecture de notre époque, et les œuvres du photographe britannique Richard Pare, qui a été parmi les premiers à étudier la question du rôle de la photographie dans la représentation(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
26 mars 1997 au 1 juin 1997
26 mars 1997 au 1 juin 1997
Titre:
Richard Pare – Tadao Ando : les couleurs de la lumière
Actions:
Description:
Richard Pare – Tadao Ando : les couleurs de la lumière examine le rapport entre le travail de l’architecte japonais Tadao Ando, un des principaux partisans du nouveau sens poétique dans l’architecture de notre époque, et les œuvres du photographe britannique Richard Pare, qui a été parmi les premiers à étudier la question du rôle de la photographie dans la représentation(...)
Richard Pare – Tadao Ando : les couleurs de la lumière
Actions:
Description:
Richard Pare – Tadao Ando : les couleurs de la lumière examine le rapport entre le travail de l’architecte japonais Tadao Ando, un des principaux partisans du nouveau sens poétique dans l’architecture de notre époque, et les œuvres du photographe britannique Richard Pare, qui a été parmi les premiers à étudier la question du rôle de la photographie dans la représentation(...)
Classification:
expositions
expositions
Date:
26 mars 1997 au
1 juin 1997
26 mars 1997 au
1 juin 1997
Localisation:
Salle octogonale
Salle octogonale
Classification:
événements
événements
Actions:
Description:
1er décembre 2022
1er décembre 2022
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Date:
1 décembre 2022, 18h
1 décembre 2022, 18h
Classification:
événements
événements
Date:
1 décembre 2022
18h
1 décembre 2022
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Tschumi fonds
Bernard Tschumi fonds
Numéro de référence:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Personnes et institutions:
Date:
circa 1964-2015
circa 1964-2015
Titre:
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1964-2015
circa 1964-2015
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
En 1929, Ilse Bing fait l’acquisition d’un Leica et entame une carrière de photographe qui l’emmène de Francfort à New York, en passant par Paris. À Francfort, l’architecte et urbaniste Mart Stam lui commande le recensement photographique des édifices modernes de la ville, parmi lesquels le complexe d’habitations Henry et Emma Budge-Heim, composé de blocs H. Bâti selon(...)
En 1929, Ilse Bing fait l’acquisition d’un Leica et entame une carrière de photographe qui l’emmène de Francfort à New York, en passant par Paris. À Francfort, l’architecte et urbaniste Mart Stam lui commande le recensement photographique des édifices modernes de la ville, parmi lesquels le complexe d’habitations Henry et Emma Budge-Heim, composé de blocs H. Bâti selon(...)
Localisation:
Vitrines
Vitrines
Date:
5 septembre 2013 au 5 décembre 2013
5 septembre 2013 au 5 décembre 2013
Titre:
BLOC H : Logement social – Ilse Bing
Actions:
Description:
En 1929, Ilse Bing fait l’acquisition d’un Leica et entame une carrière de photographe qui l’emmène de Francfort à New York, en passant par Paris. À Francfort, l’architecte et urbaniste Mart Stam lui commande le recensement photographique des édifices modernes de la ville, parmi lesquels le complexe d’habitations Henry et Emma Budge-Heim, composé de blocs H. Bâti selon(...)
BLOC H : Logement social – Ilse Bing
Actions:
Description:
En 1929, Ilse Bing fait l’acquisition d’un Leica et entame une carrière de photographe qui l’emmène de Francfort à New York, en passant par Paris. À Francfort, l’architecte et urbaniste Mart Stam lui commande le recensement photographique des édifices modernes de la ville, parmi lesquels le complexe d’habitations Henry et Emma Budge-Heim, composé de blocs H. Bâti selon(...)
Classification:
expositions
expositions
Date:
5 septembre 2013 au
5 décembre 2013
5 septembre 2013 au
5 décembre 2013
Localisation:
Vitrines
Vitrines
