1062 Résultats
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD034
Résumé:
The SAAL Process exhibition collection consists of reproductions of several objects used in the exhibition “The SAAL Process, Housing in Portugal 1974–76.” It was created by the Museu Serralves and travelled to the Canadian Center for Architecture (CCA) in 2015. The collection contains reproductions of drawings, presentation panels and photographs dating from 1974 to 1979. Born out of the Portuguese Revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities.
CD034
Résumé:
The SAAL Process exhibition collection consists of reproductions of several objects used in the exhibition “The SAAL Process, Housing in Portugal 1974–76.” It was created by the Museu Serralves and travelled to the Canadian Center for Architecture (CCA) in 2015. The collection contains reproductions of drawings, presentation panels and photographs dating from 1974 to 1979. Born out of the Portuguese Revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities.
Personnes et institutions:
Date:
1974-1979
1974-1979
Titre:
Collection de l’exposition Le processus du SAAL
Actions:
CD034
Résumé:
The SAAL Process exhibition collection consists of reproductions of several objects used in the exhibition “The SAAL Process, Housing in Portugal 1974–76.” It was created by the Museu Serralves and travelled to the Canadian Center for Architecture (CCA) in 2015. The collection contains reproductions of drawings, presentation panels and photographs dating from 1974 to 1979. Born out of the Portuguese Revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities.
Collection de l’exposition Le processus du SAAL
Actions:
CD034
Résumé:
The SAAL Process exhibition collection consists of reproductions of several objects used in the exhibition “The SAAL Process, Housing in Portugal 1974–76.” It was created by the Museu Serralves and travelled to the Canadian Center for Architecture (CCA) in 2015. The collection contains reproductions of drawings, presentation panels and photographs dating from 1974 to 1979. Born out of the Portuguese Revolution of 25 April 1974, the Serviço Ambulatório de Apoio Local (Local Ambulatory Support Service) was a pioneering architectural and political experiment designed to address extreme housing shortages and poor living conditions in Portuguese cities.
Classification:
archives
Niveau de description archivistique:
collection
archives
Niveau de description archivistique:
collection
Date:
1974-1979
1974-1979
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Personnes et institutions:
Date:
1991-1996
1991-1996
Titre:
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Niveau de description archivistique:
Subseries
Subseries
Date:
1991-1996
1991-1996
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Bâtir des lois
Bâtir des lois
Actions:
Description:
Bâtir des lois, le prochain documentaire réalisé par Joshua Frank et lexposition organisée par Francesco Garutti, suivra bplus.xyz (b+) dans la mise en place dun laboratoire politique, HouseEurope.eu, ayant pour but de proposer des réformes du secteur et de modifier les normes culturelles. Bâtir des lois observera de près léquipe de b+ au cours des différentes phases de(...)
Bâtir des lois, le prochain documentaire réalisé par Joshua Frank et lexposition organisée par Francesco Garutti, suivra bplus.xyz (b+) dans la mise en place dun laboratoire politique, HouseEurope.eu, ayant pour but de proposer des réformes du secteur et de modifier les normes culturelles. Bâtir des lois observera de près léquipe de b+ au cours des différentes phases de(...)
Date:
11 décembre 2024 au 25 mai 2025
11 décembre 2024 au 25 mai 2025
Titre:
Bâtir des lois
Actions:
Description:
Bâtir des lois, le prochain documentaire réalisé par Joshua Frank et lexposition organisée par Francesco Garutti, suivra bplus.xyz (b+) dans la mise en place dun laboratoire politique, HouseEurope.eu, ayant pour but de proposer des réformes du secteur et de modifier les normes culturelles. Bâtir des lois observera de près léquipe de b+ au cours des différentes phases de(...)
Bâtir des lois
Actions:
Description:
Bâtir des lois, le prochain documentaire réalisé par Joshua Frank et lexposition organisée par Francesco Garutti, suivra bplus.xyz (b+) dans la mise en place dun laboratoire politique, HouseEurope.eu, ayant pour but de proposer des réformes du secteur et de modifier les normes culturelles. Bâtir des lois observera de près léquipe de b+ au cours des différentes phases de(...)
Classification:
expositions
expositions
Date:
11 décembre 2024 au
25 mai 2025
11 décembre 2024 au
25 mai 2025
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP041.S3.SS02
Description:
The sub-series documents the executed exhibition project for entitled "Corridart" in Montréal, Québec, in 1976. The exhibition consists of a series of 16 installations by 60 artists spread on 7 km on Sherbrooke street between Atwater and Pie XI streets. The exhibition was curated by Melvin Charney and was financed by the ministère de la Culture du Québec as a cultural component for the Montreal Summer Olympics of 1976. Charney himself designed one of the installation "Les maison de la rue Sherbrooke" representing historical buildings of Sherbrooke street that were demolished to built new structures for the Expo 67 and later the Summer Olympics. The installations were illegally demolished after a week, on the evening of July 13th, two days before the opening of the Olympics by the City of Montréal in a controversial decision by the Mayor of Montréal, Jean Drapeau. The sub-series includes diazoprints for installation supports and maps of the installation site, photographs documenting the complete length of the North and South sides of Sherbrooke Street and a report with photographic documentation.
AP041.S3.SS02
Description:
The sub-series documents the executed exhibition project for entitled "Corridart" in Montréal, Québec, in 1976. The exhibition consists of a series of 16 installations by 60 artists spread on 7 km on Sherbrooke street between Atwater and Pie XI streets. The exhibition was curated by Melvin Charney and was financed by the ministère de la Culture du Québec as a cultural component for the Montreal Summer Olympics of 1976. Charney himself designed one of the installation "Les maison de la rue Sherbrooke" representing historical buildings of Sherbrooke street that were demolished to built new structures for the Expo 67 and later the Summer Olympics. The installations were illegally demolished after a week, on the evening of July 13th, two days before the opening of the Olympics by the City of Montréal in a controversial decision by the Mayor of Montréal, Jean Drapeau. The sub-series includes diazoprints for installation supports and maps of the installation site, photographs documenting the complete length of the North and South sides of Sherbrooke Street and a report with photographic documentation.
Personnes et institutions:
Date:
1976
1976
Titre:
Corridart
Actions:
AP041.S3.SS02
Description:
The sub-series documents the executed exhibition project for entitled "Corridart" in Montréal, Québec, in 1976. The exhibition consists of a series of 16 installations by 60 artists spread on 7 km on Sherbrooke street between Atwater and Pie XI streets. The exhibition was curated by Melvin Charney and was financed by the ministère de la Culture du Québec as a cultural component for the Montreal Summer Olympics of 1976. Charney himself designed one of the installation "Les maison de la rue Sherbrooke" representing historical buildings of Sherbrooke street that were demolished to built new structures for the Expo 67 and later the Summer Olympics. The installations were illegally demolished after a week, on the evening of July 13th, two days before the opening of the Olympics by the City of Montréal in a controversial decision by the Mayor of Montréal, Jean Drapeau. The sub-series includes diazoprints for installation supports and maps of the installation site, photographs documenting the complete length of the North and South sides of Sherbrooke Street and a report with photographic documentation.
Corridart
Actions:
AP041.S3.SS02
Description:
The sub-series documents the executed exhibition project for entitled "Corridart" in Montréal, Québec, in 1976. The exhibition consists of a series of 16 installations by 60 artists spread on 7 km on Sherbrooke street between Atwater and Pie XI streets. The exhibition was curated by Melvin Charney and was financed by the ministère de la Culture du Québec as a cultural component for the Montreal Summer Olympics of 1976. Charney himself designed one of the installation "Les maison de la rue Sherbrooke" representing historical buildings of Sherbrooke street that were demolished to built new structures for the Expo 67 and later the Summer Olympics. The installations were illegally demolished after a week, on the evening of July 13th, two days before the opening of the Olympics by the City of Montréal in a controversial decision by the Mayor of Montréal, Jean Drapeau. The sub-series includes diazoprints for installation supports and maps of the installation site, photographs documenting the complete length of the North and South sides of Sherbrooke Street and a report with photographic documentation.
Niveau de description archivistique:
Subseries
Subseries
Date:
1976
1976
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273405
Description:
Press material, including an advertisement for The Erickson, Vancouver (2006) and the exhibition catalogue for the exhibition "Vancouverism," curated by Trevor Boddy, 2008.
ARCH273405
Description:
Press material, including an advertisement for The Erickson, Vancouver (2006) and the exhibition catalogue for the exhibition "Vancouverism," curated by Trevor Boddy, 2008.
Personnes et institutions:
Date:
2004-2008
2004-2008
Titre:
Press material with article on Arthur Erickson and his projects
Actions:
ARCH273405
Description:
Press material, including an advertisement for The Erickson, Vancouver (2006) and the exhibition catalogue for the exhibition "Vancouverism," curated by Trevor Boddy, 2008.
Press material with article on Arthur Erickson and his projects
Actions:
ARCH273405
Description:
Press material, including an advertisement for The Erickson, Vancouver (2006) and the exhibition catalogue for the exhibition "Vancouverism," curated by Trevor Boddy, 2008.
Classification:
documents textuels
documents textuels
Date:
2004-2008
2004-2008
Personnes et institutions:
Classification:
événements
événements
Actions:
Localisation:
Salles principales
Salles principales
Date:
31 janvier 2019, 18h30
31 janvier 2019, 18h30
Classification:
événements
événements
Date:
31 janvier 2019
18h30
31 janvier 2019
18h30
Localisation:
Salles principales
Salles principales
Classification:
dessins
Quantité:
23 panels
dessins
Quantité:
23 panels
Numéro de référence:
DR2004:0026:001-023
Description:
22 panels from "The View from Inside" - a version of an exhibition originally curated by Dion Neutra in 1984 at the Pacific Design Center in Los Angeles, California, and seen again in the Los Angeles area in 1992, 1998, and 1999.
DR2004:0026:001-023
Description:
22 panels from "The View from Inside" - a version of an exhibition originally curated by Dion Neutra in 1984 at the Pacific Design Center in Los Angeles, California, and seen again in the Los Angeles area in 1992, 1998, and 1999.
Date:
1984
1984
Titre:
Series of 22 panels from the exhibition "The View From Inside"
Actions:
DR2004:0026:001-023
Description:
22 panels from "The View from Inside" - a version of an exhibition originally curated by Dion Neutra in 1984 at the Pacific Design Center in Los Angeles, California, and seen again in the Los Angeles area in 1992, 1998, and 1999.
Series of 22 panels from the exhibition "The View From Inside"
Actions:
DR2004:0026:001-023
Description:
22 panels from "The View from Inside" - a version of an exhibition originally curated by Dion Neutra in 1984 at the Pacific Design Center in Los Angeles, California, and seen again in the Los Angeles area in 1992, 1998, and 1999.
Classification:
dessins
Quantité:
23 panels
dessins
Quantité:
23 panels
Date:
1984
1984
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Amancio Williams
Fonds Amancio Williams
Numéro de référence:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Personnes et institutions:
Date:
1848-2010s
1848-2010s
Titre:
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1848-2010s
1848-2010s
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273404
Description:
Press material including Time magazine (14 February 1972) and The Canadian Province (19 February 1977) with feature articles on Arthur Erickson. Also includes an exhibition catalogue for the touring exhibition "Arthur Erickson: Selected Projects 1971-1985," curated by Barbara Shapiro, 1985.
ARCH273404
Description:
Press material including Time magazine (14 February 1972) and The Canadian Province (19 February 1977) with feature articles on Arthur Erickson. Also includes an exhibition catalogue for the touring exhibition "Arthur Erickson: Selected Projects 1971-1985," curated by Barbara Shapiro, 1985.
Personnes et institutions:
Date:
1972-1985
1972-1985
Titre:
Press material with article on Arthur Erickson and his projects
Actions:
ARCH273404
Description:
Press material including Time magazine (14 February 1972) and The Canadian Province (19 February 1977) with feature articles on Arthur Erickson. Also includes an exhibition catalogue for the touring exhibition "Arthur Erickson: Selected Projects 1971-1985," curated by Barbara Shapiro, 1985.
Press material with article on Arthur Erickson and his projects
Actions:
ARCH273404
Description:
Press material including Time magazine (14 February 1972) and The Canadian Province (19 February 1977) with feature articles on Arthur Erickson. Also includes an exhibition catalogue for the touring exhibition "Arthur Erickson: Selected Projects 1971-1985," curated by Barbara Shapiro, 1985.
Classification:
documents textuels
documents textuels
Date:
1972-1985
1972-1985
Personnes et institutions:
