200 Résultats
Classification:
événements
événements
Actions:
Description:
Voir, apercevoir, regarder, envisager : chacune de ces actions est une forme d’encadrement qui offre une médiation entre le dedans et le dehors, le public et le privé, le manifeste et le caché. Georges Teyssot, professeur à l’École d’Architecture de l’Université Laval à Québec et auteur du livre A Topology of Everyday Constellations (The MIT Press, 2013), analyse comment(...)
Voir, apercevoir, regarder, envisager : chacune de ces actions est une forme d’encadrement qui offre une médiation entre le dedans et le dehors, le public et le privé, le manifeste et le caché. Georges Teyssot, professeur à l’École d’Architecture de l’Université Laval à Québec et auteur du livre A Topology of Everyday Constellations (The MIT Press, 2013), analyse comment(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
19 février 2015 , 18h
19 février 2015 , 18h
Titre:
Fenêtres et écrans : Georges Teyssot
Actions:
Description:
Voir, apercevoir, regarder, envisager : chacune de ces actions est une forme d’encadrement qui offre une médiation entre le dedans et le dehors, le public et le privé, le manifeste et le caché. Georges Teyssot, professeur à l’École d’Architecture de l’Université Laval à Québec et auteur du livre A Topology of Everyday Constellations (The MIT Press, 2013), analyse comment(...)
Fenêtres et écrans : Georges Teyssot
Actions:
Description:
Voir, apercevoir, regarder, envisager : chacune de ces actions est une forme d’encadrement qui offre une médiation entre le dedans et le dehors, le public et le privé, le manifeste et le caché. Georges Teyssot, professeur à l’École d’Architecture de l’Université Laval à Québec et auteur du livre A Topology of Everyday Constellations (The MIT Press, 2013), analyse comment(...)
Classification:
événements
événements
Date:
19 février 2015
18h
19 février 2015
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
événements
événements
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
26 février 2015 , 18h
26 février 2015 , 18h
Titre:
L’intérieur sensoriel
Actions:
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
L’intérieur sensoriel
Actions:
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
Classification:
événements
événements
Date:
26 février 2015
18h
26 février 2015
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:002:049
Description:
"The Organic Vision: forms and environment" was organized by Dr. Philip C. Ritterbush of Adams, Davidson Galleries. The exhibition was and held at the Prouty-Chew House (543 South Main Stree, Geneva, N.Y.) between 22 October and 4 November 1972 and was sponsored by the Hobart and William Smith Colleges. The text includes exhibition details, wall texts [?], and the list of works.
PHCON2002:0016:002:049
Description:
"The Organic Vision: forms and environment" was organized by Dr. Philip C. Ritterbush of Adams, Davidson Galleries. The exhibition was and held at the Prouty-Chew House (543 South Main Stree, Geneva, N.Y.) between 22 October and 4 November 1972 and was sponsored by the Hobart and William Smith Colleges. The text includes exhibition details, wall texts [?], and the list of works.
Personnes et institutions:
Date:
before 22 October 1972
before 22 October 1972
Titre:
Text relating to the exhibition "The Organic Vision: forms and environment"
Actions:
PHCON2002:0016:002:049
Description:
"The Organic Vision: forms and environment" was organized by Dr. Philip C. Ritterbush of Adams, Davidson Galleries. The exhibition was and held at the Prouty-Chew House (543 South Main Stree, Geneva, N.Y.) between 22 October and 4 November 1972 and was sponsored by the Hobart and William Smith Colleges. The text includes exhibition details, wall texts [?], and the list of works.
Text relating to the exhibition "The Organic Vision: forms and environment"
Actions:
PHCON2002:0016:002:049
Description:
"The Organic Vision: forms and environment" was organized by Dr. Philip C. Ritterbush of Adams, Davidson Galleries. The exhibition was and held at the Prouty-Chew House (543 South Main Stree, Geneva, N.Y.) between 22 October and 4 November 1972 and was sponsored by the Hobart and William Smith Colleges. The text includes exhibition details, wall texts [?], and the list of works.
Classification:
documents textuels
documents textuels
Date:
before 22 October 1972
before 22 October 1972
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
Numéro de référence:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Personnes et institutions:
Date:
1918-1921
1918-1921
Titre:
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Spangen Municipal Housing Scheme, Blocks I & V, Blocks VIII & IX, Rotterdam, Netherlands (1918-1920)
Actions:
CI005.S1.1918.PR1
Description:
The Spangen Municipal Housing Scheme is a municipal housing project that the Spangen polder undertook with the help of several architects, including Oud. Oud's main contributions were modifications to Blocks I&V and collaboration with artist, Van Doesburg, for the colours. The master plan of The Spangen polder was created by P.Verhagen with H.P. Berlage acting as supervisor. Construction for the first 242 dwellings of Blocks I&V commenced in August 1918. Oud made modifications to a standard floor plan. Oud's main role in designing Blocks I&V was to organize the blocks as a whole and to make small changes to the floor plans, including the position of the windows and doors and the street elevation. For Blocks VIII & IX Oud also worked on the organization of the blocks. For Oud's second design of Blocks VIII &IX the gallery was accessed by the courtyard (Taverne et al. 2001,218-236). Project series includes drawings of plans for Block IX, as well as ground and first floor plans for Blocks I,V,VIII, or IX. Project series also includes photographs of exterior views of Blocks I , V and VIII, and a perspective drawing for Block I.
Niveau de description archivistique:
project
project
Date:
1918-1921
1918-1921
Personnes et institutions:
Classification:
photographies
Quantité:
6 photographie(s)
photographies
Quantité:
6 photographie(s)
Numéro de référence:
ARCH184127
Description:
tableaux de Robert Cauchon (3), d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes. Timbre aux verso de chaque photographie : "Andover Art Studio, F. Cookson, Prop. 123 Main St., Andover, Mass. Photography and Picture Framing" La photographie du tableau d'Adela Harvey porte également le timbre de : "Addison Gallery of American Art, Phillips Academy, Andover".
ARCH184127
Description:
tableaux de Robert Cauchon (3), d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes. Timbre aux verso de chaque photographie : "Andover Art Studio, F. Cookson, Prop. 123 Main St., Andover, Mass. Photography and Picture Framing" La photographie du tableau d'Adela Harvey porte également le timbre de : "Addison Gallery of American Art, Phillips Academy, Andover".
Personnes et institutions:
Date:
ca. 1942
ca. 1942
Titre:
Tableaux de Robert Cauchon, d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes.
Actions:
ARCH184127
Description:
tableaux de Robert Cauchon (3), d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes. Timbre aux verso de chaque photographie : "Andover Art Studio, F. Cookson, Prop. 123 Main St., Andover, Mass. Photography and Picture Framing" La photographie du tableau d'Adela Harvey porte également le timbre de : "Addison Gallery of American Art, Phillips Academy, Andover".
Tableaux de Robert Cauchon, d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes.
Actions:
ARCH184127
Description:
tableaux de Robert Cauchon (3), d'Yvonne Bolduc, Adela Harvey, Alfred Deschenes. Timbre aux verso de chaque photographie : "Andover Art Studio, F. Cookson, Prop. 123 Main St., Andover, Mass. Photography and Picture Framing" La photographie du tableau d'Adela Harvey porte également le timbre de : "Addison Gallery of American Art, Phillips Academy, Andover".
Classification:
photographies
Quantité:
6 photographie(s)
photographies
Quantité:
6 photographie(s)
Date:
ca. 1942
ca. 1942
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP046.S1.1983.PR01.148
Description:
This file includes studies and sketches for the CCA auditorium, library, gallery lights and main stair hall hand rail.
AP046.S1.1983.PR01.148
Description:
This file includes studies and sketches for the CCA auditorium, library, gallery lights and main stair hall hand rail.
Personnes et institutions:
Date:
1983-1989
1983-1989
Titre:
Various studies and sketches, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.148
Description:
This file includes studies and sketches for the CCA auditorium, library, gallery lights and main stair hall hand rail.
Various studies and sketches, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.148
Description:
This file includes studies and sketches for the CCA auditorium, library, gallery lights and main stair hall hand rail.
Classification:
dessins
dessins
Date:
1983-1989
1983-1989
Personnes et institutions:
Classification:
articles
articles
Titre:
Regard transversal
Regard transversal
Actions:
Stefano Boeri à propos de Gabriele Basilico, en conversation avec Stefano Graziani et Bas Princen
Publié:
21 août 2023
21 août 2023
Titre:
Regard transversal
Stefano Boeri à propos de Gabriele Basilico, en conversation avec Stefano Graziani et Bas Princen
Actions:
Regard transversal
Stefano Boeri à propos de Gabriele Basilico, en conversation avec Stefano Graziani et Bas Princen
Actions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1993-2012
1993-2012
Titre:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1993-2012
1993-2012
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
Personnes et institutions:
Date:
1988
1988
Titre:
Record set, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
Record set, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
Classification:
dessins
dessins
Date:
1988
1988
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Localisation:
Salles principales
Salles principales
Date:
25 novembre 2009 au 28 février 2010
25 novembre 2009 au 28 février 2010
Titre:
Entracte : Films d'un futur héroïque
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Entracte : Films d'un futur héroïque
Actions:
Description:
Les galeries du CCA sont transformées en salles de projection cinématographique afin de présenter une gamme de films artistiques, scientifiques et expérimentaux traitant des thèmes de la vitesse et de l’espace. Choisis par des commissaires à même les archives de la NASA, de l’Office national du film du Canada (ONF), du Musée national de l’air et de l’espace de la(...)
Classification:
expositions
expositions
Date:
25 novembre 2009 au
28 février 2010
25 novembre 2009 au
28 février 2010
Localisation:
Salles principales
Salles principales
