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événements
événements
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Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
10 mai 2012 , 19h
10 mai 2012 , 19h
Titre:
L'enseignement de... Mexico : Arturo Ortiz Struck
Actions:
Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
L'enseignement de... Mexico : Arturo Ortiz Struck
Actions:
Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Classification:
événements
événements
Date:
10 mai 2012
19h
10 mai 2012
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Personnes et institutions:
Date:
1948-2012
1948-2012
Titre:
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Niveau de description archivistique:
Series
Series
Date:
1948-2012
1948-2012
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Personnes et institutions:
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Titre:
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Niveau de description archivistique:
Series
Series
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Personnes et institutions:
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:014:001-104
Description:
- This album contains drawings by Hubert and Charles Rohault de Fleury for six projects related to horses, with some pertaining to larger issues of urban development. The drawings range from design development drawings to highly finished renderings - mostly plans, elevations and sections. The proposed projects are in a pared-down classical style typical of the Rohault de Fleury's utilitarian structures. The projects include a stud-farm, Haras de Madrid, Bois de Boulogne (1819); a horse auction house (bazaar) and infirmary, Clos St. Charles, nouveau quartier Poissonnière, including studies for the development of the quartier (1823-1825); Clos d'équarrissage, fôret de Bondy (probably 1825-1827); and three projects for horse slaughterhouses: Plaine de Grenelle (1824), an unnamed project (probably between 1825 and 1827), and La Villette (1835-1836). Hubert's project for a stud-farm on the site of the old Château de Madrid consists mostly of highly finished plans, elevations, and sections for the stables (DR1974:0002:014:001 - DR1974:0002:014:013). Hubert's project for a horse auction house (bazaar) and infirmary for the Clos St. Charles area is apparently part of a larger project to develop the nouveau quartier Poissonnière (DR1974:0002:014:014 - DR1974:0002:014:029). The numerous site plans show the horse auction house (bazaar) and infirmary, proposed roads, and properties to be purchased and sold. Included is a property lots plan for the quartier (DR1974:0002:014:014). Hubert's Clos d'équarrissage is the most extensive project in the album. Forty-three finished drawings - including construction drawings and plans showing variant configurations for the disposition of buildings - depict a slaughterhouse, a factory for the preservation of muscles, buildings for the preservation and processing of offal, and workers' housing (DR1974:0002:014:051 - DR1974:0002:014:088, DR1974:0002:014:091 - DR1974:0002:014:093, DR1974:0002:014:095 and DR1974:002:014:096). Hubert's drawings for a horse slaughterhouse, Plaine de Grenelle, range from detailed design development drawings to highly finished site plans (DR1974:0002:014:030 - DR1974:0002:014:048) and a bird's-eye view of the slaughterhouse (DR1974:0002:014:033). The drawings for an unidentified slaughterhouse are possibly for this project (DR1974:0002:014:049 - DR1974:0002:014:051). Charles's project for a slaughterhouse at La Villette consists of variant site plans (DR1974:0002:014:089 - DR1974:00002:014:090, DR1974:0002:014:095, DR1974:0002:014:104).
DR1974:0002:014:001-104
Description:
- This album contains drawings by Hubert and Charles Rohault de Fleury for six projects related to horses, with some pertaining to larger issues of urban development. The drawings range from design development drawings to highly finished renderings - mostly plans, elevations and sections. The proposed projects are in a pared-down classical style typical of the Rohault de Fleury's utilitarian structures. The projects include a stud-farm, Haras de Madrid, Bois de Boulogne (1819); a horse auction house (bazaar) and infirmary, Clos St. Charles, nouveau quartier Poissonnière, including studies for the development of the quartier (1823-1825); Clos d'équarrissage, fôret de Bondy (probably 1825-1827); and three projects for horse slaughterhouses: Plaine de Grenelle (1824), an unnamed project (probably between 1825 and 1827), and La Villette (1835-1836). Hubert's project for a stud-farm on the site of the old Château de Madrid consists mostly of highly finished plans, elevations, and sections for the stables (DR1974:0002:014:001 - DR1974:0002:014:013). Hubert's project for a horse auction house (bazaar) and infirmary for the Clos St. Charles area is apparently part of a larger project to develop the nouveau quartier Poissonnière (DR1974:0002:014:014 - DR1974:0002:014:029). The numerous site plans show the horse auction house (bazaar) and infirmary, proposed roads, and properties to be purchased and sold. Included is a property lots plan for the quartier (DR1974:0002:014:014). Hubert's Clos d'équarrissage is the most extensive project in the album. Forty-three finished drawings - including construction drawings and plans showing variant configurations for the disposition of buildings - depict a slaughterhouse, a factory for the preservation of muscles, buildings for the preservation and processing of offal, and workers' housing (DR1974:0002:014:051 - DR1974:0002:014:088, DR1974:0002:014:091 - DR1974:0002:014:093, DR1974:0002:014:095 and DR1974:002:014:096). Hubert's drawings for a horse slaughterhouse, Plaine de Grenelle, range from detailed design development drawings to highly finished site plans (DR1974:0002:014:030 - DR1974:0002:014:048) and a bird's-eye view of the slaughterhouse (DR1974:0002:014:033). The drawings for an unidentified slaughterhouse are possibly for this project (DR1974:0002:014:049 - DR1974:0002:014:051). Charles's project for a slaughterhouse at La Villette consists of variant site plans (DR1974:0002:014:089 - DR1974:00002:014:090, DR1974:0002:014:095, DR1974:0002:014:104).
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Date:
1835-1836, printed 1819-1827 ?
1835-1836, printed 1819-1827 ?
Titre:
Album of drawings for six projects related to horses: a stud-farm, an auction house and infirmary, and slaughterhouses, France
Actions:
DR1974:0002:014:001-104
Description:
- This album contains drawings by Hubert and Charles Rohault de Fleury for six projects related to horses, with some pertaining to larger issues of urban development. The drawings range from design development drawings to highly finished renderings - mostly plans, elevations and sections. The proposed projects are in a pared-down classical style typical of the Rohault de Fleury's utilitarian structures. The projects include a stud-farm, Haras de Madrid, Bois de Boulogne (1819); a horse auction house (bazaar) and infirmary, Clos St. Charles, nouveau quartier Poissonnière, including studies for the development of the quartier (1823-1825); Clos d'équarrissage, fôret de Bondy (probably 1825-1827); and three projects for horse slaughterhouses: Plaine de Grenelle (1824), an unnamed project (probably between 1825 and 1827), and La Villette (1835-1836). Hubert's project for a stud-farm on the site of the old Château de Madrid consists mostly of highly finished plans, elevations, and sections for the stables (DR1974:0002:014:001 - DR1974:0002:014:013). Hubert's project for a horse auction house (bazaar) and infirmary for the Clos St. Charles area is apparently part of a larger project to develop the nouveau quartier Poissonnière (DR1974:0002:014:014 - DR1974:0002:014:029). The numerous site plans show the horse auction house (bazaar) and infirmary, proposed roads, and properties to be purchased and sold. Included is a property lots plan for the quartier (DR1974:0002:014:014). Hubert's Clos d'équarrissage is the most extensive project in the album. Forty-three finished drawings - including construction drawings and plans showing variant configurations for the disposition of buildings - depict a slaughterhouse, a factory for the preservation of muscles, buildings for the preservation and processing of offal, and workers' housing (DR1974:0002:014:051 - DR1974:0002:014:088, DR1974:0002:014:091 - DR1974:0002:014:093, DR1974:0002:014:095 and DR1974:002:014:096). Hubert's drawings for a horse slaughterhouse, Plaine de Grenelle, range from detailed design development drawings to highly finished site plans (DR1974:0002:014:030 - DR1974:0002:014:048) and a bird's-eye view of the slaughterhouse (DR1974:0002:014:033). The drawings for an unidentified slaughterhouse are possibly for this project (DR1974:0002:014:049 - DR1974:0002:014:051). Charles's project for a slaughterhouse at La Villette consists of variant site plans (DR1974:0002:014:089 - DR1974:00002:014:090, DR1974:0002:014:095, DR1974:0002:014:104).
Album of drawings for six projects related to horses: a stud-farm, an auction house and infirmary, and slaughterhouses, France
Actions:
DR1974:0002:014:001-104
Description:
- This album contains drawings by Hubert and Charles Rohault de Fleury for six projects related to horses, with some pertaining to larger issues of urban development. The drawings range from design development drawings to highly finished renderings - mostly plans, elevations and sections. The proposed projects are in a pared-down classical style typical of the Rohault de Fleury's utilitarian structures. The projects include a stud-farm, Haras de Madrid, Bois de Boulogne (1819); a horse auction house (bazaar) and infirmary, Clos St. Charles, nouveau quartier Poissonnière, including studies for the development of the quartier (1823-1825); Clos d'équarrissage, fôret de Bondy (probably 1825-1827); and three projects for horse slaughterhouses: Plaine de Grenelle (1824), an unnamed project (probably between 1825 and 1827), and La Villette (1835-1836). Hubert's project for a stud-farm on the site of the old Château de Madrid consists mostly of highly finished plans, elevations, and sections for the stables (DR1974:0002:014:001 - DR1974:0002:014:013). Hubert's project for a horse auction house (bazaar) and infirmary for the Clos St. Charles area is apparently part of a larger project to develop the nouveau quartier Poissonnière (DR1974:0002:014:014 - DR1974:0002:014:029). The numerous site plans show the horse auction house (bazaar) and infirmary, proposed roads, and properties to be purchased and sold. Included is a property lots plan for the quartier (DR1974:0002:014:014). Hubert's Clos d'équarrissage is the most extensive project in the album. Forty-three finished drawings - including construction drawings and plans showing variant configurations for the disposition of buildings - depict a slaughterhouse, a factory for the preservation of muscles, buildings for the preservation and processing of offal, and workers' housing (DR1974:0002:014:051 - DR1974:0002:014:088, DR1974:0002:014:091 - DR1974:0002:014:093, DR1974:0002:014:095 and DR1974:002:014:096). Hubert's drawings for a horse slaughterhouse, Plaine de Grenelle, range from detailed design development drawings to highly finished site plans (DR1974:0002:014:030 - DR1974:0002:014:048) and a bird's-eye view of the slaughterhouse (DR1974:0002:014:033). The drawings for an unidentified slaughterhouse are possibly for this project (DR1974:0002:014:049 - DR1974:0002:014:051). Charles's project for a slaughterhouse at La Villette consists of variant site plans (DR1974:0002:014:089 - DR1974:00002:014:090, DR1974:0002:014:095, DR1974:0002:014:104).
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
1835-1836, printed 1819-1827 ?
1835-1836, printed 1819-1827 ?
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Personnes et institutions:
Date:
1924-1987
1924-1987
Titre:
Fonds Gardiner & Thornton architects
Actions:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Fonds Gardiner & Thornton architects
Actions:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1924-1987
1924-1987
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Personnes et institutions:
Date:
circa 1939-2004
circa 1939-2004
Titre:
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1939-2004
circa 1939-2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP106
Résumé:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
AP106
Résumé:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
Personnes et institutions:
Date:
1989-1994
1989-1994
Titre:
Documents d’archives pour le projet Faubourg Québec
Actions:
AP106
Résumé:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
Documents d’archives pour le projet Faubourg Québec
Actions:
AP106
Résumé:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1989-1994
1989-1994
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Personnes et institutions:
Date:
1965-1984
1965-1984
Titre:
Fonds Institute for Architecture and Urban Studies
Actions:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Fonds Institute for Architecture and Urban Studies
Actions:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1965-1984
1965-1984
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Personnes et institutions:
Date:
1955, 1957-1969
1955, 1957-1969
Titre:
Fonds Affleck, Desbarats, Dimakopoulos, Lebensold, Sise
Actions:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Fonds Affleck, Desbarats, Dimakopoulos, Lebensold, Sise
Actions:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1955, 1957-1969
1955, 1957-1969
Personnes et institutions:
