6898 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Carter
Fonds Peter Carter
Numéro de référence:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Personnes et institutions:
Date:
1943-1996
1943-1996
Titre:
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1943-1996
1943-1996
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Victor Depocas
Fonds Victor Depocas
Numéro de référence:
AP028
Résumé:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
AP028
Résumé:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
Personnes et institutions:
Date:
1921-1986
1921-1986
Titre:
Fonds Victor Depocas
Actions:
AP028
Résumé:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
Fonds Victor Depocas
Actions:
AP028
Résumé:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1921-1986
1921-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Personnes et institutions:
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
Titre:
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Niveau de description archivistique:
Dossier 2
Dossier 2
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
Personnes et institutions:
Date:
1982-1987
1982-1987
Titre:
Hamilton Trade Centre and Arena, Hamilton, Ontario (1982-1985)
Actions:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
Hamilton Trade Centre and Arena, Hamilton, Ontario (1982-1985)
Actions:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
Niveau de description archivistique:
Project
Project
Date:
1982-1987
1982-1987
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
19 March 1999; 14 April 1999
19 March 1999; 14 April 1999
Titre:
Group portrait of the original creative team of the Four Seasons Restaurant Grill Room, including Phyllis Lambert and Philip Johnson, Restaurant Four Seasons, Seagram Building, New York City, New York, United States
Actions:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
Group portrait of the original creative team of the Four Seasons Restaurant Grill Room, including Phyllis Lambert and Philip Johnson, Restaurant Four Seasons, Seagram Building, New York City, New York, United States
Actions:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
Classification:
photographies
photographies
Date:
19 March 1999; 14 April 1999
19 March 1999; 14 April 1999
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Titre:
Applausi [Applause] (1968)
Applausi [Applause] (1968)
Numéro de référence:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1990.PR03
Description:
This project series documents the Joseph Stauffer Library at Queen's University in Kingston, Ontario from 1990-1994. The office identified the project number as 9011. This project was the winning entry of a national design competition and was completed with Thomas Payne at its head and with the firm Moffat Kinoshita Associates acting as consulting architects. Located at the corner of Alfred and University Streets, the project consisted of a new 200,000 square foot library for the campus. Influenced by the surrounding gothic collegiate buildings, the library's exteriors focused on vertical, upward movement and had rich textures created by limestone, copper flashing and wood window frames and entrance screens. The library's main entrance at the Union Street and University Street corner was a rotunda that featured a fireplace-lined reading room on the second floor. Other reading rooms and a café lined the building's exterior, while the main library stacks were housed in the core of the building. Wood panelling was disbursed amongst the walls to add warmth to the buildings interior. This project also included plans to expand the library in the following decades. This project received a Governor General's Award in Architecture in 1997. This project is recorded through drawings, photographs, presentation paintings and textual records dating from 1990-1994. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives, details and axonometric drawings. The photographs show the finished building, while the textual records consist of publicity on the building and the program description.
AP056.S1.1990.PR03
Description:
This project series documents the Joseph Stauffer Library at Queen's University in Kingston, Ontario from 1990-1994. The office identified the project number as 9011. This project was the winning entry of a national design competition and was completed with Thomas Payne at its head and with the firm Moffat Kinoshita Associates acting as consulting architects. Located at the corner of Alfred and University Streets, the project consisted of a new 200,000 square foot library for the campus. Influenced by the surrounding gothic collegiate buildings, the library's exteriors focused on vertical, upward movement and had rich textures created by limestone, copper flashing and wood window frames and entrance screens. The library's main entrance at the Union Street and University Street corner was a rotunda that featured a fireplace-lined reading room on the second floor. Other reading rooms and a café lined the building's exterior, while the main library stacks were housed in the core of the building. Wood panelling was disbursed amongst the walls to add warmth to the buildings interior. This project also included plans to expand the library in the following decades. This project received a Governor General's Award in Architecture in 1997. This project is recorded through drawings, photographs, presentation paintings and textual records dating from 1990-1994. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives, details and axonometric drawings. The photographs show the finished building, while the textual records consist of publicity on the building and the program description.
Personnes et institutions:
Date:
1990-1994
1990-1994
Titre:
Joseph Stauffer Library, Queen's University, Kingston, Ontario (1990-1994)
Actions:
AP056.S1.1990.PR03
Description:
This project series documents the Joseph Stauffer Library at Queen's University in Kingston, Ontario from 1990-1994. The office identified the project number as 9011. This project was the winning entry of a national design competition and was completed with Thomas Payne at its head and with the firm Moffat Kinoshita Associates acting as consulting architects. Located at the corner of Alfred and University Streets, the project consisted of a new 200,000 square foot library for the campus. Influenced by the surrounding gothic collegiate buildings, the library's exteriors focused on vertical, upward movement and had rich textures created by limestone, copper flashing and wood window frames and entrance screens. The library's main entrance at the Union Street and University Street corner was a rotunda that featured a fireplace-lined reading room on the second floor. Other reading rooms and a café lined the building's exterior, while the main library stacks were housed in the core of the building. Wood panelling was disbursed amongst the walls to add warmth to the buildings interior. This project also included plans to expand the library in the following decades. This project received a Governor General's Award in Architecture in 1997. This project is recorded through drawings, photographs, presentation paintings and textual records dating from 1990-1994. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives, details and axonometric drawings. The photographs show the finished building, while the textual records consist of publicity on the building and the program description.
Joseph Stauffer Library, Queen's University, Kingston, Ontario (1990-1994)
Actions:
AP056.S1.1990.PR03
Description:
This project series documents the Joseph Stauffer Library at Queen's University in Kingston, Ontario from 1990-1994. The office identified the project number as 9011. This project was the winning entry of a national design competition and was completed with Thomas Payne at its head and with the firm Moffat Kinoshita Associates acting as consulting architects. Located at the corner of Alfred and University Streets, the project consisted of a new 200,000 square foot library for the campus. Influenced by the surrounding gothic collegiate buildings, the library's exteriors focused on vertical, upward movement and had rich textures created by limestone, copper flashing and wood window frames and entrance screens. The library's main entrance at the Union Street and University Street corner was a rotunda that featured a fireplace-lined reading room on the second floor. Other reading rooms and a café lined the building's exterior, while the main library stacks were housed in the core of the building. Wood panelling was disbursed amongst the walls to add warmth to the buildings interior. This project also included plans to expand the library in the following decades. This project received a Governor General's Award in Architecture in 1997. This project is recorded through drawings, photographs, presentation paintings and textual records dating from 1990-1994. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives, details and axonometric drawings. The photographs show the finished building, while the textual records consist of publicity on the building and the program description.
Niveau de description archivistique:
Project
Project
Date:
1990-1994
1990-1994
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Richard Henriquez
Fonds Richard Henriquez
Numéro de référence:
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Personnes et institutions:
Date:
1962-2002
1962-2002
Titre:
Fonds Richard Henriquez
Actions:
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Fonds Richard Henriquez
Actions:
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1962-2002
1962-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Rose
Fonds Peter Rose
Numéro de référence:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Personnes et institutions:
Date:
1983-1989
1983-1989
Titre:
Fonds Peter Rose
Actions:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Fonds Peter Rose
Actions:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1983-1989
1983-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1960.PR02
Description:
This project series documents the Imperial Oil Ontario region office in North York, Ontario from 1960-1962. The office identified the project number as 6049. This project consisted of a three-storey, 110,000 square foot building located at the corner of Don Mills Road and Eglington Avenue. The front entrance was accessed from a circular driveway off Wynford Drive, with parking lots on either side that held 330 vehicles. The basement level had storage rooms, machine and boiler rooms, a telephone switch gear room and shipping areas. The first floor included food service areas, offices, locker rooms, and a doctor's office complete with x-ray rooms, treatment areas and a quiet room for female employees, among others. The second floor contained administrative areas for accounting, data control and banking, while the third floor contained more offices. The building's frame consisted of a rectangular steel skeleton faced with concrete panels. The ground level was recessed 20 feet to allow for sidewalks around the building. Concrete columns at this level supported the upper two storeys. The landscaped surroundings include long, fountain-spotted reflecting pools. This project won the silver Massey Medal for Architecture in 1964, as well as an honourable distinction at the International Exhibition of Architects VIII Biennial of São Paula in 1965. The project is recorded through drawings, textual records and a photograph dating from 1961-1970. The drawings are mostly reprographic copies that include plans, sections, elevations, details, schedules and electrical, mechanical and structural drawings. The textual records consist of specifications originally arranged with the drawings. The photograph shows the finished buillding.
AP018.S1.1960.PR02
Description:
This project series documents the Imperial Oil Ontario region office in North York, Ontario from 1960-1962. The office identified the project number as 6049. This project consisted of a three-storey, 110,000 square foot building located at the corner of Don Mills Road and Eglington Avenue. The front entrance was accessed from a circular driveway off Wynford Drive, with parking lots on either side that held 330 vehicles. The basement level had storage rooms, machine and boiler rooms, a telephone switch gear room and shipping areas. The first floor included food service areas, offices, locker rooms, and a doctor's office complete with x-ray rooms, treatment areas and a quiet room for female employees, among others. The second floor contained administrative areas for accounting, data control and banking, while the third floor contained more offices. The building's frame consisted of a rectangular steel skeleton faced with concrete panels. The ground level was recessed 20 feet to allow for sidewalks around the building. Concrete columns at this level supported the upper two storeys. The landscaped surroundings include long, fountain-spotted reflecting pools. This project won the silver Massey Medal for Architecture in 1964, as well as an honourable distinction at the International Exhibition of Architects VIII Biennial of São Paula in 1965. The project is recorded through drawings, textual records and a photograph dating from 1961-1970. The drawings are mostly reprographic copies that include plans, sections, elevations, details, schedules and electrical, mechanical and structural drawings. The textual records consist of specifications originally arranged with the drawings. The photograph shows the finished buillding.
Personnes et institutions:
Date:
1961 - 1970
1961 - 1970
Titre:
Imperial Oil Limited, Ontario Region Office Building, North York (1960-1962)
Actions:
AP018.S1.1960.PR02
Description:
This project series documents the Imperial Oil Ontario region office in North York, Ontario from 1960-1962. The office identified the project number as 6049. This project consisted of a three-storey, 110,000 square foot building located at the corner of Don Mills Road and Eglington Avenue. The front entrance was accessed from a circular driveway off Wynford Drive, with parking lots on either side that held 330 vehicles. The basement level had storage rooms, machine and boiler rooms, a telephone switch gear room and shipping areas. The first floor included food service areas, offices, locker rooms, and a doctor's office complete with x-ray rooms, treatment areas and a quiet room for female employees, among others. The second floor contained administrative areas for accounting, data control and banking, while the third floor contained more offices. The building's frame consisted of a rectangular steel skeleton faced with concrete panels. The ground level was recessed 20 feet to allow for sidewalks around the building. Concrete columns at this level supported the upper two storeys. The landscaped surroundings include long, fountain-spotted reflecting pools. This project won the silver Massey Medal for Architecture in 1964, as well as an honourable distinction at the International Exhibition of Architects VIII Biennial of São Paula in 1965. The project is recorded through drawings, textual records and a photograph dating from 1961-1970. The drawings are mostly reprographic copies that include plans, sections, elevations, details, schedules and electrical, mechanical and structural drawings. The textual records consist of specifications originally arranged with the drawings. The photograph shows the finished buillding.
Imperial Oil Limited, Ontario Region Office Building, North York (1960-1962)
Actions:
AP018.S1.1960.PR02
Description:
This project series documents the Imperial Oil Ontario region office in North York, Ontario from 1960-1962. The office identified the project number as 6049. This project consisted of a three-storey, 110,000 square foot building located at the corner of Don Mills Road and Eglington Avenue. The front entrance was accessed from a circular driveway off Wynford Drive, with parking lots on either side that held 330 vehicles. The basement level had storage rooms, machine and boiler rooms, a telephone switch gear room and shipping areas. The first floor included food service areas, offices, locker rooms, and a doctor's office complete with x-ray rooms, treatment areas and a quiet room for female employees, among others. The second floor contained administrative areas for accounting, data control and banking, while the third floor contained more offices. The building's frame consisted of a rectangular steel skeleton faced with concrete panels. The ground level was recessed 20 feet to allow for sidewalks around the building. Concrete columns at this level supported the upper two storeys. The landscaped surroundings include long, fountain-spotted reflecting pools. This project won the silver Massey Medal for Architecture in 1964, as well as an honourable distinction at the International Exhibition of Architects VIII Biennial of São Paula in 1965. The project is recorded through drawings, textual records and a photograph dating from 1961-1970. The drawings are mostly reprographic copies that include plans, sections, elevations, details, schedules and electrical, mechanical and structural drawings. The textual records consist of specifications originally arranged with the drawings. The photograph shows the finished buillding.
Niveau de description archivistique:
Project
Project
Date:
1961 - 1970
1961 - 1970
Personnes et institutions:
