vidéo
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1 online resource (1 video file (26 minutes)) : sound, color
London, England : Pidgeon Digital, 1980.
Water / [presented by] Peter Shepheard.
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1 online resource (1 video file (26 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1980.
vidéo
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1 online resource (1 video file (23 minutes)) : sound, color
London, England : Pidgeon Digital, 1982.
Propriety & Continuity / [presented by] Colin St. John Wilson.
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1 online resource (1 video file (23 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1982.
vidéo
Description:
1 online resource (1 video file (23 minutes)) : sound, color
London, England : Pidgeon Digital, 1983.
The polycentric city / [presented by] Leon Krier.
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1 online resource (1 video file (23 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1983.
vidéo
Description:
1 online resource (1 video file (33 minutes)) : sound, color
London, England : Pidgeon Digital, 1996.
Transport & Urban Design / [presented by] Terry Farrell (Farrells).
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1 online resource (1 video file (33 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1996.
vidéo
Description:
1 online resource (1 video file (43 minutes)) : sound, color
London, England : Pidgeon Digital, 1995.
All Change at Bilbao / (presented by] Michael Wilford (Michael Wilford Architects).
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1 online resource (1 video file (43 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1995.
$46.00
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Résumé:
In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high(...)
Four honest outlaws: Sala, Ray, Marioni, Gordon
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$46.00
(disponible sur commande)
Résumé:
In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high modernism, and indeed with its prehistory in French painting and art criticism from Diderot on. 'Four Honest Outlaws' thus continues the author's exploration of the critical and philosophical territory opened up by his earlier book, 'Why Photography Matters as Art as Never Before.' It presents a vision of the most important contemporary art as not only not repudiating modernism in the name of postmodernism in any of the latter's many forms and manifestations, but also actually as committed to dialectically renewing certain crucial qualities and values that modernism and premodernism brought to the fore, above all those of presentness and anti-theatricality.
Théorie de l’art
$55.00
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Résumé:
“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges(...)
octobre 2012
David Claerbout : the time that remains
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
$152.50
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of(...)
Guerrilla networks: an anarchaeology of 1970s radical media ecologies
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$152.50
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Résumé:
The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of the forms of media creativity and invention mapped here, such as militant film and video, pirate radio and guerrilla television, fit within conventional definitions of media, others, such as urban guerrilla groups and autonomous movements, do not. Nevertheless what was at stake in all these ventures was the use of available means of expression in order to produce transformative effects, and they were all in different ways responding to ideas and practices of guerrilla struggle and specifically of guerrilla media. This book examines these radical media ecologies as guerrilla networks, emphasising the proximity and inseparability of radical media and political practices.
Théorie de l’art
livres
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129 p. : il. col. y n. ; 27 cm.
[Madrid] : Turner, imp. 2005.
Gerardo Suter : Mapeo / texto, José Luis Barrios.
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129 p. : il. col. y n. ; 27 cm.
livres
[Madrid] : Turner, imp. 2005.
$11.50
(disponible sur commande)
Résumé:
In "Yours in food", John Baldessari, a founding member of the Conceptual art movement, invites us to join him at the dinner table. His carefully composed vignettes appropriated from video and film are accompanied by meditations on eating specially commissioned from the country's foremost contemporary writers and cultural critics, such as Paul Auster, Tim Griffin and(...)
Yours in food, John Baldessari
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$11.50
(disponible sur commande)
Résumé:
In "Yours in food", John Baldessari, a founding member of the Conceptual art movement, invites us to join him at the dinner table. His carefully composed vignettes appropriated from video and film are accompanied by meditations on eating specially commissioned from the country's foremost contemporary writers and cultural critics, such as Paul Auster, Tim Griffin and Francine Prose. Previously priced at $34.95.
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